n.
In Jungian psychology, a part of the unconscious mind, shared by a society, a people, or all humankind, that is the product of ancestral experience and contains such concepts as science, religion, and morality.
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American Heritage Dictionary:
collective unconscious |
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Oxford Dictionary of Literary Terms:
collective unconscious |
collective unconscious, the term given by the Swiss psychologist C. G. Jung (1875–1961) to the inborn racial memory which he believed to be the primitive source of the archetypes or ‘universal’ symbols found in legends, poetry, and dreams. See also myth criticism.
Oxford Dictionary of Philosophy:
collective unconscious |
The term in the psychology of Jung for the inherited deposit of the past experience of the human species, preserved in the unconscious of each of us in the form of archetypes or symbolic figures and myths. These determine the shape of our imaginings and dreams, and in periods of crisis may recur with great emotional intensity to point out our destinies.
Gale Dictionary of Psychoanalysis:
Collective Unconscious |
The "collective unconscious" is the part of the collective psyche that is unconscious, the other parts being consciousness of the perceptible world and consciousness itself. The collective unconscious is different from and in addition to the personal unconscious in that it is a stratum of reality that "does not derive from personal experience and is not a personal acquisition but is inborn...universal...[and] more or less the same everywhere and in all individuals." (Jung, 1934 [1948]).
The term collective unconscious was first introduced by Carl Gustav Jung in 1916 in a talk to the Zurich School for Analytical Psychology entitled "Uber das Unbewesste und seine Inhalte." The German manuscript for this talk was not found until 1961, after Jung's death. The earliest written appearance of the term was found in the French translation of the Zurich talk published in 1916 in the Archives de Psychologies (Jung, 1916).
Jung's notion of the collective unconscious ranges from a passive repository that records the history of all human reactions to the world to an active substratum that is the ground out of which all reality emerges. The components of the collective unconscious were first said by Jung to be primordial or ancestral images and later archetypes that manifest in consciousness through images, strong affects, and behavioral patterns. When the energies of the collective unconscious break through into consciousness, consciousness itself is altered, and reactions vary from insanity to a significant reordering of major attitudes.
The notion of the collective unconscious first came to Jung from a dream he had in 1909 on board a ship returning from the United States with Freud. The dream depicted a house that had a cellar below the normal cellar and below that a repository of prehistoric pottery, bones, and skulls. "I thought, of course, that he [Freud] would accept the cellars below this cellar [i.e., the personal unconscious], but the dreams [during the writing of his first book, from 1910 to 1912] were preparing me for the contrary" (McGuire, 1989). In fact, Freud acknowledged primordial ancestral patterns but regarded them as simply inheritable traits (Lamarckianism) posited in each individual (the biogenetic law). For Freud such experiences were phylogenetic recapitulations unrelated to a transcendent structure such as the collective unconscious, but for Jung they arise anew from the collective unconscious in each person in each instance just as they did in one's ancestors.
By 1925 Jung had theorized that the collective unconscious and the external world are opposites between which lies the observing ego which accesses the collective unconscious through the anima or animus and the world through the persona. The personal unconscious of Freud is regarded as the shadow of the ego. This schema remained unchanged for Jung.
Jung's collective unconscious can be seen as a variation within the tradition of philosophical idealism. It shares characteristics with the Apeiron of Anaximander, the One of Parmenides, and the Forms of Plato. It also calls to mind the Pleroma of the Gnostics, the Categories of Emmanuel Kant, and the Will of Arthur Schopenhauer. What justifies Jung's notion as psychology and not philosophy is his insistence that the collective unconscious is an empirical fact attested to by the common experiences of humankind over many ages and cultures. Jung's proof is phenomenological, and he avoids claiming a priori truths whether or not he believes they exist.
In spite of his avoidance of ontological affirmations, Jung often appears to suggest that the collective unconscious is a metaphysical reality, which invites less sophisticated analysts to engage in ideological thinking and inflated claims to transcendent knowledge. In his review of Jung's autobiography, Winnicott says that the positing of a collective unconscious results from Jung's split psyche and "was part of his attempt to deal with his lack of contact with what could now be called the unconscious-according-to-Freud." (Winnicott, 1964) With this criticism, Winnicott dismissed Jung's and perhaps all efforts to speculate about and derive heuristic guidelines consonant with an ultimate ground against which lie subjectivity, consciousness, and the very mystery of life. As Jung points out, the alternative is a void (Jung, 1948).
Bibliography
Jung, Carl Gustav. (1916). The structure of the unconscious, Coll. works, vol. VII, London: Routledge & Kegan Paul.
——. (1931-34). The practical use of dream analysis. Coll. Works, vol. VIII, London: Routledge & Kegan Paul.
——. (1934 [1948]). A review of the complex theory. Coll. works, vol. VIII, London: Routledge & Kegan Paul.
——. (1947 [1954]). On the nature of the psyche, Coll. works, vol. VIII, London: Routledge & Kegan Paul.
—— (1948). On the conception of psychic energy and the nature of dreams. Zurich: Rascher Verlag.
McGuire, William. (1989). C.G. Jung, Analytical psychology,Notes of the seminar given in 1925. Princeton: Princeton University Press.
Winnicott, Donald W. (1963). Memories, dreams, reflections. By C.G. Jung. London, Collins & Routledge, 1963. International Journal of Psycho-Analysis, 45, 450-455.
—DAVID I. TRÉSAN
The Dream Encyclopedia:
Collective Unconscious |
The collective unconscious, a term coined by the psychologist Carl Jung, refers to the storehouse of myths and symbols to which all human beings have access. Jung found that the dreams of his clients frequently contained images with which they were completely unfamiliar but which seemed to reflect symbols that could be found somewhere in the mythological systems of world culture; the notion of the collective unconscious was used to explain this phenomenon.
Jung's unique contribution to modern psychology begins with the observation that the basic structure of many symbols and myths is nearly universal, even between cultures with no historical influence on one another. Most traditional societies, for example, tell hero myths, use circles to represent wholeness, the sky to symbolize transcendence, and so forth. Jung theorized that this universality resulted from unconscious patterns (genetic or quasi-genetic predispositions to utilize certain symbolic and mythical structures) that we inherited from our distant ancestors. The reservoir of these patterns constitutes a collective unconscious, distinct from the individual, personal unconscious that is the focus of Freudian psychoanalysis.
Jung referred to the unconscious, predisposing patterns for particular myths and symbols as archetypes; hence, one can talk about the mandala (i.e., the circle) archetype, the hero archetype (the latter made famous by the Jungian thinker Joseph Campbell), and so forth. Jung asserted that his notions of the collective unconscious and the archetypes were on par with the theory of instincts (one examines certain kinds of behaviors and theorizes that they are the result of certain biological drives, although it is, of course, impossible to directly observe such drives/instincts).
Dictionary of Cultural Literacy: Science:
collective unconscious |
Memories of mental patterns that are shared by members of a single culture or, more broadly, by all human beings; originally proposed by the psychologist Carl Jung to explain psychological traits shared by all people. He theorized that the collective unconscious appears as archetypes: patterns and symbols that occur in dreams, mythology, and fairy tales.
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Collective unconscious is a term of analytical psychology, coined by Carl Jung. It is proposed to be a part of the unconscious mind, expressed in humanity and all life forms with nervous systems, and describes how the structure of the psyche autonomously organizes experience. Jung distinguished the collective unconscious from the personal unconscious, in that the personal unconscious is a personal reservoir of experience unique to each individual, while the collective unconscious collects and organizes those personal experiences in a similar way with each member of a particular species.
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For Jung, “My thesis then, is as follows: in addition to our immediate consciousness, which is of a thoroughly personal nature and which we believe to be the only empirical psyche (even if we tack on the personal unconscious as an appendix), there exists a second psychic system of a collective, universal, and impersonal nature which is identical in all individuals. This collective unconscious does not develop individually but is inherited. It consists of pre-existent forms, the archetypes, which can only become conscious secondarily and which give definite form to certain psychic contents.”.[1]
Jung linked the collective unconscious to 'what Freud called "archaic remnants" - mental forms whose presence cannot be explained by anything in the individual's own life and which seem to be aboriginal, innate, and inherited shapes of the human mind'.[2]
Jung considered that 'the shadow' and the anima/animus differ from the other archetypes in the fact that their content is more directly related to the individual's personal situation'[3], and less to the collective unconscious: by contrast, 'the collective unconscious is personified as a Wise Old Man'.[4]
Jung also made reference to contents of this category of the unconscious psyche as being similar to Levy-Bruhl's use of collective representations or "représentations collectives," Mythological "motifs," Hubert and Mauss's "categories of the imagination," and Adolf Bastian's "primordial thoughts."
In a minimalist interpretation of what would then appear as 'Jung's much misunderstood idea of the collective unconscious', his idea was 'simply that certain structures and predispositions of the unconscious are common to all of us...[on] an inherited, species-specific, genetic basis'.[5] Thus 'one could as easily speak of the "collective arm" - meaning the basic pattern of bones and muscles which all human arms share in common'.[6]
Others point out however that 'there does seem to be a basic ambiguity in Jung's various descriptions of the Collective Unconscious. Sometimes he seems to regard the predisposition to experience certain images as understandable in terms of some genetic model'[7] - as with the collective arm. However, Jung was 'also at pains to stress the numinous quality of these experiences, and there can be no doubt that he was attracted to the idea that the archetypes afford evidence of some communion with some divine or world mind', and perhaps 'his popularity as a thinker derives precisely from this'[8] - the maximal interpretation.
Marie-Louise von Franz accepted that 'it is naturally very tempting to identify the hypothesis of the collective unconscious historically and regressively with the ancient idea of an all-extensive world-soul'.[9] New Age writers go unhesitantly further, claiming that Jung himself 'dared to suggest that the human mind could link to ideas and motivations called the collective unconscious...a body of unconscious energy that lives forever'.[10]
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| archetype (Science) | |
| Jung, Carl Gustav (Swiss psychiatrist) |
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