column

 

vertical architectural support, circular or polygonal in plan. A column is generally at least four or five times as high as its diameter or width; stubbier freestanding masses of masonry are usually called piers or pillars, particularly those with a rectangular plan. In fully developed Egyptian architecture the columns were of gigantic size, spaced very closely together, and were reserved for inner courtyards and halls. In the Aegean area, in pre-Hellenic times, the column type known to have been used is one with a cushionlike cap and with its shaft tapering downward. Subsequent types were the archaic forms of Doric, developed by the Dorians after their coming (before 1000 B.C.) into the region. By the 7th cent. B.C. this Greek Doric had been established in its design. The columns of classical architecture represent the attempt to design proportionings and details that would create maximum structural harmony. It is in the Greek temples of the Periclean Age (5th cent. B.C.), notably in the Parthenon, that the ideal was obtained. In Greek, Roman, and Renaissance architecture the various column types, taken together with the entablatures that they support, form the classical orders of architecture. The classical column has the three fundamental elements of base, shaft, and capital. The shaft has a gradual upward tapering (entasis), and the capital that crowns it provides a decorative and structural transition between the circular column and the rectangular entablature. The Doric, Ionic, and Corinthian column types advanced toward perfect proportions and details and formed the basis for the columnar architecture of the Romans. Although Greek columns always had vertical channels or flutes cut in their shafts, those of the Romans were often without them. In Greek buildings the columns were usually structurally indispensable, but the Romans and later the Renaissance and modern architects used them often also as a decorative feature, mostly following fixed rules of proportions. The columns of Romanesque, Byzantine, and Gothic buildings were usually structural elements and were without canons of proportioning. The capitals of the Romanesque and Gothic were often variously decorated with plant and animal forms. The columns of Chinese and Japanese architecture are circular or polygonal wood posts, with bases but without capitals, having instead an ornamented projecting bracket. In Indian architecture columns exhibit great variety of detail: shafts, bases, and capitals are often intricately ornamented. In modern construction most columns are of either steel or reinforced concrete. See Doric order; Ionic order; Corinthian order; capital.

It has been suggested that Architectural Columns be merged into this article or section. (Discuss)

A column in architecture and structural engineering is a vertical structural element that transmits, through compression, the weight of the structure above to other structural elements below. Other compression members are often termed columns because of the similar stress conditions. Columns can be either compounded of parts or made as a single piece. Columns are frequently used to support beams or arches on which the upper parts of walls or ceilings rest. Column in architecture refers specifically to such a structural element that also has certain proportional and decorative features. A column might not support any major structure but be a decorative or triumphant feature with e.g a statue on top.

History

In the architecture of ancient Egypt as early as 2600 BC the architect Imhotep made use of stone columns whose surface was carved to reflect the organic form of bundled reeds; in later Egyptian architecture faceted cylinders were also common.

Some of the most elaborate columns in the ancient world were those of Persia especially the massive stone columns erected in Persepolis. They included double-bull structures in their capitals. The Hall of Hundred Columns at Persepolis, measuring 70 x 70 meters was built by the Achaemenid king Artaxerxes I (465-424). Many of the ancient Persian columns are standing.

The impost (or pier) is the topmost member of a column. The bottom-most part of the arch, called the springing, rests on the impost.

Structure of columns

Columns vary in design. Some are produced out of single pieces of stone, usually by turning on a lathe-like apparatus. Single-piece columns are among the heaviest stones used in architecture. Other columns are created out of multiple sections of stone, mortared or dry-fit together. In many classical sites, sectioned columns were carved with a center hole or depression so that they could be pegged together, using stone or metal pins. More recently, columns have been constructed out of poured or precast concrete, or even brick, and then faced with stone veneer.

The design of most columns incorporates entasis (the inclusion of a slight outward curve in the sides) plus a reduction in diameter along the height of the column, so that the top is as little as 83% of the bottom diameter. This reduction mimics the parallax effects which the eye expects to see, and tends to make columns look taller and straighter than they are while entasis adds to that effect.

Equilibrium, instability, and loads

As the axial load on a perfectly straight slender column with elastic material properties is increased in magnitude, this ideal column passes through three states: stable equilibrium, neutral equilibrium, and instability. The straight column under load is in stable equilibrium if a lateral force, applied between the two ends of the column, produces a small lateral deflection which disappears and the column returns to its straight form when the lateral force is removed. If the column load is gradually increased, a condition is reached in which the straight form of equilibrium becomes so-called neutral equilibrium, and a small lateral force will produce a deflection that does not disappear and the column remains in this slightly bent form when the lateral force is removed. The load at which neutral equilibrium of a column is reached is called the critical or buckling load. The state of instability is reached when a slight increase of the column load causes uncontrollably growing lateral deflections leading to complete collapse.

For an axially loaded straight column with any end support conditions, the equation of static equilibrium, in the form of a differential equation, can be solved for the deflected shape and critical load of the column. With hinged, fixed or free end support conditions the deflected shape in neutral equilibrium of an initially straight column with uniform cross section throughout its length always follows a partial or composite sinusoidal curve shape, and the critical load is given by

(1)

where E = modulus of elasticity of the material, I_min = the minimal moment of inertia of the cross section, and L = actual length of the column between its two end supports. A variant of (1) is given by

(2)

where r = radius of gyration of [column]cross-section, K = ratio of the longest half sine wave to the actual column length, and KL = effective length (length of an equivalent hinged-hinged column). From Equation (2) it can be noted that the buckling strength of a column is inversely proportional to the square of its length.

When the critical stress, F_cr (F_cr =P_cr/A, where A = cross-sectional area of the column), is greater than the proportional limit of the material, the column is experiencing inelastic buckling. Since at this stress the slope of the material's stress-strain curve, E_t (called the tangent modulus), is smaller than that below the proportional limit, the critical load at inelastic buckling is reduced. More complex formulas and procedures apply for such cases, but in its simplest form the critical buckling load formula is given as Equation (3),

(3)

where E_t = tangent modulus at the stress F_cr

A column with a cross section that lacks symmetry may suffer torsional buckling (sudden twisting) before, or in combination with, lateral buckling. The presence of the twisting deformations renders both theoretical analyses and practical designs rather complex.

Eccentricity of the load, or imperfections such as initial crookedness, decreases column strength. If the axial load on the column is not concentric, that is, its line of action is not precisely coincident with the centroidal axis of the column, the column is characterized as eccentrically loaded. The eccentricity of the load, or an initial curvature, subjects the column to immediate bending. The increased stresses due to the combined axial-plus-flexural stresses result in a reduced load-carrying ability.

Extensions

When a column is too long to be built or transported in one piece, it has to be extended or spliced at the construction site. A reinforced concrete column is extended by having the steel reinforcing bars protrude a few inches or feet above the top of the concrete, then placing the next level of reinforcing bars to overlap, and pouring the concrete of the next level. A steel column is extended by welding or bolting splice plates on the flanges and webs or walls of the columns to provide a few inches or feet of load transfer from the upper to the lower column section. A timber column is usually extended by the use of a steel tube or wrapped-around sheet-metal plate bolted onto the two connecting timber sections.

Foundations

A column that carries the load down to a foundation must have means to transfer the load without overstressing the foundation material. Reinforced concrete and masonry columns are generally built directly on top of concrete foundations. A steel column, when seated on a concrete foundation, must have a base plate to spread the load over a larger area and thereby reduce the bearing pressure. The base plate is a thick rectangular steel plate usually welded to the bottom end of the column.

The Classical orders

Main article: Classical order

The Roman author Vitruvius, relying on the writings (now lost) of Greek authors, tells us that the ancient Greeks believed that their Doric order developed from techniques for building in wood in which the earlier smoothed tree trunk was replaced by a stone cylinder.

Doric order

Main article: Doric order

The Doric order is the oldest and simplest of the classical orders. It is composed of a vertical cylinder that is wider at the bottom. It generally has neither a base nor a detailed capital. It is instead often topped with an inverted frustum of a shallow cone or a cylindrical band of carvings. It is often referred to as the masculine order because it is represented in the bottom level of the Colosseum and the Parthenon, and was therefore considered to be able to hold more weight. The height-to-thickness ratio is about 4:1. The shaft of a Doric Column is almost always fluted.

Tuscan order

Main article: Tuscan order

The Tuscan order, also known as Roman Doric, is also a simple design, the base and capital both being series of cylindrical disks of alternating diameter. The shaft is almost never fluted. The proportions vary, but are generally similar to Doric columns.

Ionic order

Main article: Ionic order

The Ionic column is considerably more complex than the Doric or Tuscan. It usually has a base and the shaft is often fluted (it has grooves carved up its length). On the top is a capital in the characteristic shape of a scroll, called a volute, or scroll, at the four corners. The height-to-thickness ratio is around 6:1. Due to the more refined proportions and scroll capitals, the Ionic column is sometimes associated with academic buildings.

Corinthian order

Main article: Corinthian order

The Corinthian order is named for the Greek city-state of Corinth, to which it was connected in the period. However, according to the Greek architectural historian Vitruvius, the column was created by the sculptor Callimachus, probably an Athenian, who drew acanthus leaves growing around a votive basket. In fact, the oldest known Corinthian capital was found in Bassae, dated at 427 BC. It is sometimes called the feminine order because it is on the top level of the Colosseum and holding up the least weight, and also has the slenderest ratio of thickness to height.

Composite order

The Composite order draws its name from the capital being a composite of the Ionic and Corinthian capitals. The acanthus of the Corinthian column already has a scroll-like element, so the distinction is sometimes subtle. Generally the Composite is similar to the Corinthian in proportion and employment, often in the upper tiers of colonnades.

Solomonic

Solomonic columns were inventions of Baroque architects in Europe. They were not used in antiquity, but were called "Solomonic" by baroque architects because they were based on a description of columns in the great temple of King Solomon in the Old Testament. A Solomonic column begins on a base and ends in a capital, just like a classical column, but the shaft twists around the usual parameters of a column, producing a dramatic, serpentine effect of movement. The most famous use of Solomonic columns is in the canopy designed by Bernini for Saint Peter's Basilica in the Vatican City.

Notable columns

• Alexander Column
• Berlin victory column
• Holy Trinity Column in Olomouc
• Monument to the Great Fire of London
• Nelson's Column
• Rostral Columns
• Sigismund's Column
• Trajan's Column

See also

• Pier (architecture)
• Forms in architecture
• Colonnade
• Persian column
• Pilaster
• Buckling
• Spur (architecture)
• Marian and Holy Trinity columns
• Doric Order
• Tuscan Order
• Ionic Order
• Corinthian Order
• Composite Order
• Entasis

nrm:Colonne

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