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Coming to America

 
Movies:

Coming to America

  • Director: John Landis
  • AMG Rating: starstar
  • Genre: Comedy
  • Movie Type: Comedy of Errors, Comedy of Manners
  • Themes: Fish Out of Water, Crowned Heads, Arranged Marriages
  • Main Cast: Eddie Murphy, Eddie Murphy, Eddie Murphy, Eddie Murphy, Arsenio Hall, Arsenio Hall, Arsenio Hall, Arsenio Hall, John Amos, James Earl Jones, Shari Headley
  • Release Year: 1988
  • Country: US
  • Run Time: 116 minutes
  • MPAA Rating: R

Plot

Coming to America casts comedian Eddie Murphy as pampered African prince Akeem, who rebels against an arranged marriage and heads to America to find a new bride. Murphy's regal father (James Earl Jones) agrees to allow the prince 40 days to roam the U.S., sending the prince's faithful retainer Semmi (Arsenio Hall) along to make sure nothing untoward happens. To avoid fortune hunters, Prince Akeem conceals his true identity and gets a "Joe job" at a fast-food restaurant. Murphy and Hall play multiple roles, and there are innumerable celebrity cameos peppered throughout the proceedings -- including the Duke Brothers (Don Ameche and Ralph Bellamy) from Trading Places. Coming to America made further headlines when humorist Art Buchwald sued the film's producers for plagiarizing one of his works. Buchwald carried the case to trial, where he won a sizeable judgement against the film's producers. ~ Hal Erickson, All Movie Guide

Review

Coming to America is a sweet, amiable comedy that reunites the director (John Landis) and star (Eddie Murphy) of Trading Places. Murphy abandons the foul-mouthed raunchiness of his most recent project (the concert film Raw) to play Prince Akeem, a wide-eyed innocent. But the film is most original and best remembered as the first time Murphy played multiple characters in the same movie, an impressive gimmick that would translate to major box-office success down the road with The Nutty Professor. As two of the three salty barber shop denizens involved in the same argument about boxing, Murphy not only wowed with a range unseen outside of his stand-up act, but provided a great showcase for makeup king Rick Baker, who renders Murphy unrecognizable as an aged Jewish man. The writing, by Landis and two others, includes not only the sharp barber shop repartee and Akeem's refreshingly naïve interaction with New York City, but also several humorous jabs at black culture of the mid-'80s, including the Soul Glo hair gel model played by a young Eriq LaSalle. Funny and observant, but just shy of classic status, Coming to America is a winning, fish-out-of-water movie, elevated by Murphy's exhilarating versatility and the game attempts of then-collaborator Arsenio Hall. Among the supporting performances, John Amos is hilarious as owner of a McDonald's restaurant knockoff, and in only his second film appearance, Samuel L. Jackson pops up as a hold-up man, offering a funny early incarnation of the intense street hood that would one day make him famous. ~ Derek Armstrong, All Movie Guide

Cast

Eriq La Salle - Darryl Jenks; Madge Sinclair - Queen Aoleon; Allison Dean - Patrice McDowell; Paul Bates - Oha; Louie Anderson - Maurice; Clint Smith - Sweets; Vanessa Bell - Imani Izzi; Don Ameche - Mortimer Duke; Ralph Bellamy - Randolph Duke; Arthur Adams - Mr. Jenks; Leah Aldridge - Dancer; Stephanie Clark - Dancer; Vondie Curtis-Hall - Basketball-game Vendor; Mary Bond Davis - Big Stank Woman; Victoria Dillard - Bather/Dancer; Frankie R. Faison - Landlord; Cuba Gooding, Jr. - Boy Getting Haircut; Birdie M. Hale - Elderly Passenger; Helen Hanft - Subway Lady; Samuel L. Jackson - Hold-Up Man; Clyde Jones - Soul Glo Man; Elaine Kagan - Telegraph Lady; Calvin Lockhart - Col. Izzi; Monique Mannen - Boring Girl/Dancer; Jake Steinfeld - Cab Driver; Raymond Turner - T-Shirt Hawker; Jerald Vincent - Dancer; Jim Abrahams - Face on Cutting-room Floor; Aurorah Allain - Dancer; Steve White - Subway Guy; Paulette Banoza - Soul Glo Woman; Garcelle Beauvais - Rose Bearer; June Boykins - Strange Woman; Paula Brown - Dancer; Janette Colon - Fresh Peaches; Vanessa Colon - Sugar Cube; Dottie - Dottie Dog; Carla Earle - Tough Girl; Sharon Ferrol - Dancer; Cynthia Finkley - Awareness Woman; Billi Gordon - Large Woman; Lisa Gumora - Kinky Girl; Montrose Hagins - Grandma Jenks; Loni Kaye Harkless - Mrs. Jenks; Ruben Hudson - Street Hustler; Sheila Johnson - Lady-in-Waiting; Tanya Lynne Lee - Dancer; Patricia Matthews - Devil Woman; Mindora Mimms - Awareness Woman; Uncle Ray Murphy - Stu; Karen Renee Owens - Ex-Siamese Twin/Dancer; Tonja Rivers - Party Guest; Stephanie Simon - Rose Bearer; David Sosna - Cartier Delivery Man; Michael Tadross - Taxi Driver; Felicia Taylor - Bather; Michele Watley - Bather; Eyan Williams - Dancer; Kara Young - Stuck-up Girl; Randolph Scott

Credit

Richard B. Lewis - Art Director, David Sosna - Associate Producer, Jackie Burch - Casting, Paula Abdul - Choreography, George Folsey, Jr. - Co-producer, Robert D. Wachs - Co-producer, Kelly Kimball - Costume Designer, Deborah Nadoolman - Costume Designer, David Sosna - First Assistant Director, John Landis - Director, Malcolm Campbell - Editor, George Folsey, Jr. - Editor, Leslie Belzberg - Executive Producer, Mark Lipsky - Executive Producer, Nile Rodgers - Composer (Music Score), Tyran Carlo - Songwriter, Paul Chiten - Songwriter, Gardner Cole - Songwriter, Lamont Dozier - Songwriter, Dr. Dre - Songwriter, Mark Gordon - Songwriter, Berry Gordy, Jr. - Songwriter, Gwendolyn Gordy - Songwriter, Brian Holland - Songwriter, Edward Holland - Songwriter, Nancy Huang - Songwriter, Gerald Levert - Songwriter, Solomon Linda - Songwriter, Michael Masser - Songwriter, Jonathan Phillip Moffett - Songwriter, Warren Moore - Songwriter, Pamela Phillips-Oland - Songwriter, Allan Scott - Songwriter, Danny Sembello - Songwriter, William Stevenson - Songwriter, Lloyd Tolbert - Songwriter, Freddie Washington - Songwriter, Norman Whitfield - Songwriter, Allee Willis - Songwriter, Bernadine M. Anderson - Makeup, Rick Baker - Makeup, Rick Baker - Makeup Special Effects, Richard Macdonald - Production Designer, Woody Omens - Cinematographer, Gil Clayton - Set Designer, Erin Cummins - Set Designer, Greg Papalia - Set Designer, Ron Yates - Set Designer, Lawrence Hubbs - Set Designer, Dan Cangemi - Special Effects, Syd Dutton - Special Effects, Bill Taylor - Special Effects, William B. Kaplan - Sound/Sound Designer, John Sherrod - Stunts, Eddie Murphy - Screen Story, Barry W. Blaustein - Screenwriter, John Landis - Screenwriter, David Sheffield - Screenwriter, Linda Creed - Featured Music, Marvin Gaye - Featured Music, Smokey Robinson - Featured Music

Similar Movies

Boomerang; Crocodile Dundee; Crocodile Dundee II; The Distinguished Gentleman; Soul Man; The Student Prince; Trading Places; The Nutty Professor; The Honeymooners
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Coming to America

Theatrical release poster illustrated by Drew Struzan.
Directed by John Landis
Produced by Leslie Belzberg
George Folsey, Jr.
Mark Lipsky
Written by Eddie Murphy (story)
David Sheffield
Barry W. Blaustein (screenplay)
Starring Eddie Murphy
Arsenio Hall
James Earl Jones
John Amos
Madge Sinclair
Shari Headley
Eriq La Salle
Samuel L. Jackson
Music by Nile Rodgers
Cinematography Sol Negrin
Woody Omens
Editing by Malcolm Campbell
George Folsey, Jr.
Studio Eddie Murphy Productions
Paramount Pictures
Distributed by Paramount Pictures
Release date(s) June 29, 1988
Running time 116 minutes
Country United States
Language English
Budget $39,000,000 (estimated)
Gross revenue Domestic :$128,152,301 Worldwide :$288,752,301[1]

Coming to America is a 1988 comedy film, directed by John Landis. The screenplay was written by David Sheffield and Barry W. Blaustein, from a story by Eddie Murphy, who also stars in the film. Murphy plays an African prince, who heads to the United States in hopes of finding a woman he can marry. Coming to America is the first of several films in which Murphy plays multiple characters.

Contents

Plot

Akeem Joffer (Eddie Murphy), the prince and heir to the throne of the fictitious African country Zamunda, is discontented with being pampered all his life. The final straw comes when his parents, King Jaffe (James Earl Jones) and Queen Aeoleon (Madge Sinclair), present him with a bride-to-be (Vanessa Bell) he has never met before, trained to mindlessly obey his every command.

Akeem concocts a plan to travel to America to find a wife he can both love and respect and who accepts him for his personality, not his status. He and his servant, Semi (Arsenio Hall) arrive in Queens County, New York because according to Akeem "What better place to find a queen than the city of Queens?" After several scrapes, they find an apartment in the neighborhood of Jackson Heights. They begin working at a local restaurant called McDowell's (the restaurateur's attempt to copy McDonald's), passing themselves off as students.

Akeem falls in love with McDowell's daughter Lisa (Shari Headley), who possesses the qualities the prince is looking for. The rest of the film centers on Akeem's attempts to win Lisa's hand in marriage, while adjusting to life in America and dodging his royal duties and prerogatives. Unfortunately, Semi is not comfortable with the life of a poor man and thus unintentionally causes a near-disaster when, alerted by a plea for more financial help, the Zamundian royal couple travels to the United States and reveal themselves to the McDowells. Lisa, who has fallen for Akeem, becomes angry and confused as to why he lied to her about his identity. She refuses to marry Akeem and he returns to Zamunda with a broken heart. At the final scene's wedding ceremony, Akeem is nervous about his bride coming down the aisle. He discovers Lisa after lifting the veil. They ride off in a carriage after the ceremony.

Cast

Actor Role
Eddie Murphy Prince Akeem Joffer / Clarence / Randy Watson / Saul
Arsenio Hall Semi / Morris / Reverend Brown / Ugly Girl
James Earl Jones His Majesty (HM) King Jaffe–Joffer of Zamunda
John Amos Cleo McDowell
Madge Sinclair Her Majesty (HM) Queen Aoleon of Zamunda
Shari Headley Lisa McDowell
Paul Bates Oha
Eriq La Salle Darryl Jenks
Frankie Faison Landlord
Vanessa Bell Imani Izzi
Louie Anderson Maurice
Allison Dean Patrice McDowell
Sheila Johnson Lady–in–Waiting
Jake Steinfeld Cab Driver
Calvin Lockhart Colonel Izzi
Samuel L. Jackson Robber
Vondie Curtis-Hall Basketball Game Vendor
Don Ameche Mortimer Duke
Ralph Bellamy Randolph Duke
Garcelle Beauvais Rose Bearer
Cuba Gooding, Jr. Boy getting haircut in barbershop
Clint Smith Sweets

Production

Coming to America reunited star Eddie Murphy with director John Landis. The two had previously worked together on the comedy hit Trading Places (1983); however, Landis later recalled the differences in working with Murphy on the two movies: "The guy on Trading Places was young and full of energy and curious and funny and fresh and great. The guy on Coming to America was the pig of the world — the most unpleasant, arrogant, bullshit entourage...just an asshole. However, Eddie is brilliant, and he and I have always worked together well; there’s never been an issue created. On Coming to America, we clashed quite a bit because he was such a pig; he was so rude to people. I was like, 'Jesus Christ, Eddie! Who are you?' But I told him, 'You can’t be late. If you’re late again, I quit.'

"We had a good working relationship, but our personal relationship changed because he just felt that he was a superstar and that everyone had to kiss his ass. He was a jerk. But great – in fact, one of the greatest performances he’s ever given. The character he plays in Coming to America, Akeem, is so opposite of what Eddie really was: a gentleman, charming and elegant, as opposed to this jerk-off. Someone, I think it was James Earl Jones, used to say that when Eddie came on set, 'It’s like an arctic wind.' I mean, he wouldn’t do his off-camera for people; it was bullshit. But I still think he’s wonderful in the movie."[2] Despite the experience, Landis and Murphy collaborated again six years later on Beverly Hills Cop 3.

Coming to America features Murphy and Arsenio Hall in several different roles, which following the success of this film, became a Murphy staple. Hall plays Reverend Brown, who introduces Randy Watson (Murphy) and his band Sexual Chocolate, who perform "Greatest Love of All" at the Black Awareness Rally. Randy Watson is introduced as having portrayed Joe the Policeman in the "What's Goin' Down" episode of That's My Mama. In the barbershop scenes, Murphy and Hall play elderly barbers Clarence and Morris, who engage in furious debate with Saul (played by Murphy) about the boxing skills of Joe Louis, Cassius Clay and Rocky Marciano. One scene includes Cuba Gooding Jr., who does not speak, and the barber scenes are notable because Murphy plays both Akeem and Clarence simultaneously (seemingly giving himself a haircut). Murphy also plays the old Jewish man in the barbershop who calls Akeem "Kunta Kinte," referring to the Roots character made famous by LeVar Burton; co-star John Amos played the adult Kunta Kinte later in the Roots series. Hall also plays an ugly woman who comes on to Akeem and Semi at a nightclub. Sitting next to Akeem, she tells him "I wanna tear you apart," then looks over at Semi and says "and your friend, too." Akeem frowns at the suggestion while Semi spits out his drink.

Famed South African chorus Ladysmith Black Mambazo, sings Mbube during the opening sequence (the song also known as The Lion Sleeps Tonight in America). The group has gone on to record several different versions of Mbube; however, the version heard in Coming to America has not been released on its soundtrack or on CD as of 2006.

John Landis' calling card/easter egg, See You Next Wednesday, appears on a science-fiction movie poster in the subway station after Lisa storms off the train.

Ralph Bellamy and Don Ameche reprise their roles as the Duke brothers from another Landis and Murphy collaboration, Trading Places. Randolph and Mortimer Duke lost their enormous fortunes in that film. In this film, the two men are now homeless and living on the streets. Akeem gives them a paper bag filled with money, which they gratefully accept and exclaim "We're back!". A portion of the Trading Places score can be heard during the Bellamy-Ameche cameo. Trading Places is again referenced as the royal entourage leaves the Waldorf-Astoria in the final New York-based scene in the movie: the driver of Akeem and Semmi's limo is played by the same actor who played the Dukes' driver in Trading Places (from whom Billy Ray Valentine (Murphy) seeks counsel when the Dukes pick him up after bailing him out of jail).

King Jaffe, played by James Earl Jones, comes to America looking for his son after receiving a request for more money from Semi. He goes to McDowell's and when asked by Lisa's father if he would like him to inform Akeem that his father had arrived, he responds with, "No, do not alert him to my presence. I will deal with him myself," which are similar to lines delivered by Jones as the voice of Darth Vader in Star Wars Episode VI: Return of the Jedi.

A promotional song for the film, also titled Coming to America, was written and performed by The System.

McDowell's

McDowell's Restaurant

In the movie, the restaurant is owned by Cleo McDowell (John Amos) and based in Queens, New York.[3] It is under investigation from the McDonald's Corporation for allegedly copying their franchise. At one point, McDowell confronts a photographer shooting outside the restaurant, whom McDowell believes is working to gather evidence for McDonald's. The logos and typeface are extremely similar, including the names of the dishes: the "Big Mac" becomes the "Big Mick" - Mr. McDowell explains that "They both contain two all-beef patties, special sauce, lettuce, cheese, pickles and onions. But they use a sesame seed bun. My buns have no seeds." McDowell, in describing the differences between his logo and McDonald's, explains, "They got the Golden Arches, mine is the Golden Arcs." Later in the film, when McDowell is first confronted by King Jaffe Joffer, he is seen reading a McDonald's Operation Manual.

Upon arriving in America, Akeem and Semi get jobs at McDowell's, and it is through his employment there that Akeem first meets Lisa McDowell (Shari Headley), Cleo's daughter.

Because of the name similarity, the film's producers had to obtain permission from McDonald's before using the name McDowell's.[4] During production, the owner of a nearby McDonald's restaurant threatened a lawsuit, not knowing this was a movie. The location of the restaurant is 85-07 Queens Boulevard in Elmhurst, Queens, as specified accurately in the movie. The building is now a Wendy's restaurant.[5]

Reception

The film, released on June 29, 1988 in the United States, was a commercial box-office success, both domestically and worldwide.

The film was nominated for two Academy Awards, including Best Makeup by Rick Baker, who designed the makeup effects for both Murphy and Arsenio Hall's multiple supporting characters. The film currently holds 66% "fresh" rating at Rotten Tomatoes critic website.

Soundtrack

Coming to America Original Soundtrack
Soundtrack by Various artists
Released 1988
Genre Pop
Length 40:16
Label Atco Records

Released on LP, cassette and CD.

Side A:

  1. Coming To America — The System (3:49)
  2. Better Late Than Never — The Cover Girls (4:02)
  3. All Dressed Up (Ready To Hit The Town) — Chico DeBarge (4:50)
  4. I Like It Like That — Michael Rodgers (4:01)
  5. That's The Way It Is — Mel & Kim (3:25)

Side B:

  1. Addicted To You — Levert (3:54)
  2. Comin' Correct — J.J. Fad (3:56)
  3. Livin' The Good Life — Sister Sledge (3:46)
  4. Transparent — Nona Hendryx (3:50)
  5. Come Into My Life — Laura Branigan & Joe Esposito (4:42)

Lawsuit

The film was the subject of the Buchwald v. Paramount civil suit, filed by Art Buchwald in 1990 against the film's producers on the grounds that the film's idea was stolen from a 1982 script that Paramount had optioned from Buchwald. Buchwald won the breach of contract action and the court ordered monetary damages. The parties later settled the case before an appeal.[6]

Remake

Martin Lawrence is reportedly developing a remake of this film. Back To America has a similar storyline as the original, but told "in reverse". The film tells the story of a working-class man from Queens, New York (Lawrence) who learns he is the heir to the throne of an African country.[7]

References

  1. ^ "Coming to America (1988)". Box Office Mojo. http://www.boxofficemojo.com/movies/?id=comingtoamerica.htm. 
  2. ^ Collider staff (February 9, 2005). "The Collider Interview: John Landis, Part II". Collider. http://www.collider.com/entertainment/archive_detail.asp/aid/813/cid/13/tcid/1. Retrieved July 18, 2009. 
  3. ^ "Coming to America Filming Locations". movielocationsguide.com. http://www.movielocationsguide.com/Coming_to_America/filming_locations. Retrieved 2009-04-09. 
  4. ^ http://www.imdb.com/title/tt0094898/trivia
  5. ^ Roelke, John (2004-09-13). "McDowell's from Eddie Murphy's Coming to America, Now a Wendy's". about.com. http://queens.about.com/b/2004/09/13/mcdowells-from-eddie-murphys-coming-to-america-now-a-wendys.htm. Retrieved 2009-04-09. 
  6. ^ Thane Rosenbaum wrote, "In 1995, the syndicated columnist Art Buchwald prevailed after a seven-year legal battle against Paramount Pictures, claiming that he had submitted the idea, and the original script, for the Eddie Murphy film, Coming to America, without ever being properly compensated or acknowledged for his efforts. The trial court eventually agreed with Buchwald, although the damage award that he received was considerably less than what he had sought, and even less than what he eventually had to pay out in legal fees. The Myth of Moral Justice, page 182.
  7. ^ "Juan" (February 19, 2009). "Martin Lawrence To Re-Make ‘Coming To America’ In Reverse?". Highbrid Nation. http://highbridnation.com/2009/02/19/martin-lawrence-to-re-make-coming-to-america-in-reverse/. Retrieved October 9, 2009. 

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