Movies:
Contempt
DVD Release
- Release Date: 2002
- "The Dinosaur and the Baby": a 1967 conversation between Jean-Luc Godard and Fritz Lang
- Audio commentary by film scholar Robert Stam
- Two short documentaries featuring Godard on the set of "Contempt"
- New video interview with cinematographer Raoul Coutard
- Excerpt from an interview between Francois Chalais and Jean-Luc Godard about "Contempt"
- Theatrical trailer
- Rating:
- Genre: Drama
- Movie Type: Showbiz Drama, Marriage Drama
- Themes: Work Ethics, Filmmaking, Boss from Hell
- Director: Jean-Luc Godard
- Main Cast: Brigitte Bardot, Michel Piccoli, Jack Palance, Fritz Lang, Giorgia Moll
- Release Year: 1963
- Country: FR/IT
- Run Time: 102 minutes
Plot
Contempt is the story of the end of a marriage. Camille (Brigitte Bardot) falls out of love with her husband Paul (Michel Piccoli) while he is rewriting the screenplay Odyssey by American producer Jeremiah Prokosch (Jack Palance). Just as the director of Prokosch's film, Fritz Lang, says that The Odyssey is the story of individuals confronting their situations in a real world, Le Mépris itself is an examination of the position of the filmmaker in the commercial cinema. Godard himself was facing this situation in the production of Le Mépris. Italian producer Carlo Ponti had given him the biggest budget of his career, and he found himself working with a star of Bardot's magnitude for the first time. ~ Louis Schwartz, All Movie GuideReview
While not Jean Luc Godard's best movie, Le Mepris (Contempt) offers one of his most fascinating moviegoing experiences. Like many of Godard's films, this one is about many things at once. It is a relationship drama, a modern-day retelling of Homer's The Odyssey, and it is also about art and the conflict between commercialization and artistic expression. And, most famously, it is also a big in-joke. The title is undoubtedly a stab at the producers of the film, Carlo Ponti and Joseph E. Levine. It was Godard's first foray into big-budget filmmaking and his first use of a star of the magnitude of Brigitte Bardot. The producers, worried about making their money back, began to request that the director make changes in the movie. Of course, someone as independent and radical as Godard did not take kindly to this. So, when Ponti asked him why he did not have a nude scene exploiting the popularity of Bardot, Godard gave him a nude scene (the one that opens the movie). Of course, he undermines it by making Bardot question whether her husband (Michel Piccoli) likes her different body parts. This change not only makes the scene more about insecurity than sexuality but also interrogates the idea of what makes a nude scene and why somebody would be drawn to it. Godard also has his stand-in, Fritz Lang, respond to the fact that he had to shoot the film in CinemaScope (which looks fantastic) by saying, "CinemaScope is fine for snakes and coffins, but not for people." It's no surprise that the producer in the film, Jack Palance in a hilariously obscene role, reads quick philosophical snippets from a tiny book of quotations. Following his experience on Le Mepris, Godard went into perhaps his greatest period as a director, always on his own terms. ~ Brendon Hanley, All Movie GuideCast
- Brigitte Bardot - Camille Javal
- Michel Piccoli - Paul Javal
- Jack Palance - Jeremy Prokosch
- Fritz Lang - Himself
- Giorgia Moll - Francesca Vanini
Linda Véras - Siren; Raoul Coutard - Cameraman
