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Alun Francis has written:

'Contexture in paralax 2' -- subject(s): Wind quintets (Bassoon, clarinet, flute, horn, oboe)

'The Navvies' Union and the building of the Manchester Ship Canal' -- subject(s): Navvies' Bricklayers' Labourers' and General Labourers' Union

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Alun Francis has written:

'Contexture in paralax 2' -- subject(s): Wind quintets (Bassoon, clarinet, flute, horn, oboe)

'The Navvies' Union and the building of the Manchester Ship Canal' -- subject(s): Navvies' Bricklayers' Labourers' and General Labourers' Union

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The Jewish historian, Josephus, would have been familiar with the Temple veil before the destruction of the Temple in 70 CE. He say (Wars of the Jews, Book 5), "It was a Babylonian curtain, embroidered with blue, and fine linen, and scarlet, and purple, and of a contexture that was truly wonderful. Nor was this mixture of colors without its mystical interpretation, but was a kind of image of the universe; for by the scarlet there seemed to be enigmatically signified fire, by the fine flax the earth, by the blue the air, and by the purple the sea; two of them having their colors the foundation of this resemblance; but the fine flax and the purple have their own origin for that foundation, the earth producing the one, and the sea the other. This curtain had also embroidered upon it all that was mystical in the heavens, excepting that of the [twelve] signs, representing living creatures."

There is no mention of the damage supposed to have occurred to the veil when Jesus was crucified.


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The gospels say that at the moment of Jesus' death, the veil (curtain) of the Temple was rent from top to bottom. Surprisingly, the Jewish historian, Josephus, in describing the veil, Makes no mention of this damage or of any repairs that should have been apparent. As a former priest at the Temple, he would have been familiar with the veil before the destruction of the Temple in 70 CE. He say (Wars of the Jews, Book 5), "It was a Babylonian curtain, embroidered with blue, and fine linen, and scarlet, and purple, and of a contexture that was truly wonderful. Nor was this mixture of colors without its mystical interpretation, but was a kind of image of the universe; for by the scarlet there seemed to be enigmatically signified fire, by the fine flax the earth, by the blue the air, and by the purple the sea; two of them having their colors the foundation of this resemblance; but the fine flax and the purple have their own origin for that foundation, the earth producing the one, and the sea the other. This curtain had also embroidered upon it all that was mystical in the heavens, excepting that of the [twelve] signs, representing living creatures." The one historian who ought to have known of the damage to the veil talks as if it never happened.

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Scholars say that Luke's Gospel was substantially copied from Mark's Gospel, so the author discovered this from Mark We can not say where the author of Mark obtained this information, especially as the temple veil was not visible from outside the temple and certainly not from the crucifixion site. This raises the question of whether the veil, or curtain, was really torn. The Jewish historian, Josephus, was also a priest and would have been familiar with the Temple veil before the destruction of the Temple in 70 CE. His description of it makes no mention of the damage supposed to have occurred to the veil when Jesus was crucified.

Josephus says (Wars of the Jews, Book 5), "It was a Babylonian curtain, embroidered with blue, and fine linen, and scarlet, and purple, and of a contexture that was truly wonderful. Nor was this mixture of colors without its mystical interpretation, but was a kind of image of the universe; for by the scarlet there seemed to be enigmatically signified fire, by the fine flax the earth, by the blue the air, and by the purple the sea; two of them having their colors the foundation of this resemblance; but the fine flax and the purple have their own origin for that foundation, the earth producing the one, and the sea the other. This curtain had also embroidered upon it all that was mystical in the heavens, excepting that of the [twelve] signs, representing living creatures."

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Some of these may be close rhymes:

1. abature

2. abbreviature

3. abjure

4. acclimature

5. acrocontracture

6. acture

7. acupressure

8. acupuncture

9. adjudicature

10. adjure

11. admeasure

12. admixture

13. adure

14. adventure

15. affixture

16. agriculture

17. alcoholature

18. allure

19. alure

20. anfracture

21. antestature

22. aperture

23. apiculture

24. apure

25. aquaculture

26. aquapuncture

27. aquiculture

28. arboriculture

29. architecture

30. armature

31. armure

32. assecure

33. assure

34. attainture

35. aure

36. aventure

37. aviculture

38. azure

39. backpressure

40. batture

41. belecture

42. bonaventure

43. bordure

44. breviature

45. brisure

46. brochure

47. calenture

48. candidature

49. cannelure

50. capillature

51. capture

52. caricature

53. ceinture

54. celature

55. celsiture

56. censure

57. chaussure

58. chevelure

59. cincture

60. circummure

61. ciselure

62. citriculture

63. clausure

64. climature

65. closure

66. cloture

67. coadventure

68. cocksure

69. coiffure

70. coinsure

71. colature

72. colipuncture

73. colopuncture

74. colorature

75. colure

76. comfiture

77. commeasure

78. commissure

79. commixture

80. compacture

81. composture

82. composure

83. compressure

84. concreture

85. confecture

86. configure

87. confiture

88. confixure

89. conjecture

90. conjuncture

91. conjure

92. connature

93. consignature

94. constructure

95. contemperature

96. contexture

97. contracture

98. contrafissure

99. contramure

100. conure

from: rhymezone.com

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