Career Highlights: Leave Her to Heaven, A Song to Remember, The Naked Prey
First Major Screen Credit: The Perfect Snob (1941)
Biography
His father was a traveling salesman who did a lot of business in Europe, and Wilde spent much of his youth traveling in Europe with him, where he became fluent in several languages. For several years he studied medicine in college, but he gave it up to pursue acting; he also gave up a spot on the 1936 U.S. Olympic fencing team. He appeared in a number of plays in New York and on the road, playing everything from bit parts to leads. In 1940 he was hired as a fencing instructor and a featured player for the Broadway production of Hamlet with Laurence Olivier; some of the rehearsals were in Hollywood, where he landed a film contract. On-screen from 1940, Wilde played small roles as heavies in several films, then switched studios and began getting leads in B movies. His career took off after he played Chopin in A Song to Remember (1945), for which he received a Best Actor Oscar nomination. For several years he starred in major productions, such as the 1952 Best Picture winner The Greatest Show on Earth, then in the mid-late '50s he was back in B movies, often playing swashbucklers. In 1955 he formed his own company, Theodora Productions, to produce, direct, and star in his own films; he ultimately made 11 films in that capacity, but earned little critical respect for his work. Divorced from actress Patricia Knight, Wilde married his frequent costar, actress Jean Wallace. ~ All Movie Guide
Wilde was born in 1915 in Manhattan[1]. His parents were the HungarianJews Béla Weisz and Renée Vojtech[citation needed]. A talented linguist, and an astute mimic, he had an ear for languages which became apparent later in his acting career. He qualified for the United Statesfencing team prior to the 1936 Summer Olympic Games, but quit the team just prior to the games saying that it was in order to take a role in the theater.
Hired as a fencing teacher by Laurence Olivier for his 1940 Broadway production of Romeo and Juliet, Wilde was given the role of Tybalt in the production. Because of this role, he was noticed by Hollywood.
In the 1950s, Wilde created his own film production company and produced the film noirThe Big Combo (1955). Wilde played the male lead alongside his second wife Jean Wallace. That same year, he appeared in an episode of I Love Lucy as himself. In 1957, he played the role of the 13th century PersianpoetOmar Khayyam in the film Omar Khayyam.
He produced, directed, and starred in The Naked Prey (1966), in which he played a naked man being tracked by hunters from an African tribe affronted by the behaviour of members of a safari party. The original script for The Naked Prey was largely based on a true historical incident about a trapper named John Colter being pursued by Blackfeet Indians in Wyoming. Lower shooting costs, tax breaks, and material and logistical assistance offered by Rhodesia convinced Wilde and the other producers to shoot the film there.
Wilde's other notable directing efforts include Beach Red (1967) and No Blade of Grass (1970).
Personal life
He married the actress Patricia Knight in 1937. She appeared with him in Shockproof (1949). They had a daughter, Wendy (born February 22, 1943), and divorced in 1951.
He married the actress Jean Wallace in 1951.[1] Wallace, formerly married to actor Franchot Tone, co-starred with Wilde in several films including The Big Combo (1955) and Sword of Lancelot (1963). Her two children from her marriage to Franchot Tone became Wilde's stepsons. They also had a son together, Cornel Wilde Jr. (born December 19, 1967). They divorced in 1981.
Death
Wilde died of leukemia three days after his 74th birthday.[1] He was survived by a daughter and a son (one from each marriage); two stepsons, Pascal Franchot Tone and Thomas Jefferson Tone; and three grandchildren
^"Cornel Wilde, Evelyn Keyes In New Technicolor Arabia". Christian Science Monitor: p. 4. 1945-07-13. "A traditional Arabian Nights romance, some modern spoofing comedy, and a bit of trick photography have been put together in a lavish Technicolor production to make "A Thousand and One Nights," the new feature at the State and Orpheum."