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Cosimo de' Medici

The Italian merchant prince Cosimo de' Medici (1389-1464) was the unofficial and benevolent despot of Florence, contributing much to making it the intellectual and cultural jewel of 15th-century Europe. The dynasty he founded ruled Florence until 1494.

Cosimo de' Medici was born on Sept. 27, 1389, the son of Giovanni de' Medici, who founded the family's legendary fortune, amassing enormous sums in trade and banking. After his father died in 1429, Cosimo continued the family's commercial and financial practices with great success. He brought goods of little weight and high value from the East and lent money to the princely houses of Europe.

Cosimo also adopted the policy, already traditional in his family, of supporting the lesser guilds and the poor against the wealthy aristocracy which ruled the city. These oligarchs became jealous of Cosimo's popularity and fearful of his democratic tendencies. Consequently they sought to destroy him and his family. In 1433, spurred on by Rinaldo degli Albizzi, the most influential of their number, they had Cosimo arrested with the intention of putting him to death. He was exiled instead when, from his place of imprisonment, he succeeded in buying the favor of Bernardo Guadagni, the gonfalonier of justice, for 1,000 ducats (about $25,000).

One year later, in October 1434, the sentence of exile was overturned by a new government favorable to Cosimo, and he returned to the city in triumph. From that time until his death he controlled both the foreign and domestic affairs of Florence, using his prestige and his money to keep his adherents in the government. Cosimo himself took public office only briefly. He believed it prudent to keep the institutions of government intact and to rule quietly, so as not to injure the republican sensibilities of the people.

His despotism established, Cosimo promptly reformed the system of taxation, changing from a fixed income tax to a graduated one. This placed a heavier burden on the wealthy, who grumbled that the Medici tyrant was using the tax as a weapon against them. The middle class and the poorer citizens, who were Cosimo's strength, were delighted and became even more ardent in their support, particularly when they saw that the funds gained through taxation, amplified by substantial contributions from Cosimo's own pocket, were put to use in public projects.

Cosimo employed the architectural skills of Michelozzo to build his palace and, in 1437, the Dominican convent of S. Marco. He commissioned Filippo Brunelleschi to restore the church of S. Lorenzo, which was in dire need of repair. The cloisters of Fiesole owe their erection to Cosimo, who added to these monuments of his munificence country villas of contemporary style at both Fiesole and Careggi.

Along with the physical adornment of Florence and its environs, Cosimo provided for its cultural life. He sent his ships to the East to gather the precious manuscripts of ancient writers, and he hired scribes to copy what he could not buy. He added to this growing collection the private library of Niccolò Niccoli, an enthusiastic bibliophile who left his books to Cosimo in gratitude for generous loans which had saved him from financial ruin. These valuable manuscripts were distributed to the monastery of S. Marco in Florence and the abbey at Fiesole, except for some which Cosimo kept in his own home. These collections were open to the public.

The growing accessibility of the materials of scholarship and the persuasion of Greek scholars, to whom he was always a gracious host, inspired Cosimo to found the Platonic Academy, an institution for the translation of Plato's works and the propagation of his ideas. Marsilio Ficino, a humanist of great skill, was made president of the academy in 1458. The patronage of the tyrant did not stop here. His largesse was enjoyed not only by architects and scholars but also by some of the greatest sculptors and painters of the quattrocento, among them Donatello and Fra Filippo Lippi.

In spite of his riches and the lavish entertainments he provided for his guests, Cosimo lived modestly. He ate and drank moderately and simply and worked long, regular hours. He dressed without ostentation and was accessible to the humblest Florentine. His generosity, mildness, and wit were legendary. Upon his death on Aug. 1, 1464, a grateful city decreed that on his tomb should be inscribed the words Pater Patriae (father of his country).

Further Reading

The best biography of Cosimo is still K. Dorothea Ewart Vernon, Cosimo de' Medici (1899). A scholarly treatment of Cosimo is in George Frederick Young, The Medici (1930). A recent history of the Medici which includes a portrait of Cosimo is Marcel Brion, The Medici: A Great Florentine Family (1969), a large-format book rich in color plates. Also very useful on all the Medici is Ferdinand Schevill, History of Florence (1936), also available in a paperback edition (2 vols., 1963).

Additional Sources

Cosimo 'il Vecchio' de' Medici, 1389-1464: essays in commemoration of the 600th anniversary of Cosimo de' Medici's birth: including papers delivered at the Society for Renaissance Studies Sexcentenary Symposium at the Warburg Institute, London, 19 May 1989, Oxford England: Clarendon Press, 1992.

 
 

(born Sept. 27, 1389, Florence — died Aug. 1, 1464, Careggi, near Florence) Founder of one of the main lines of the Medici family. The son of the Florentine banker Giovanni di Bicci de'Medici (1360 – 1429), Cosimo represented the Medici bank and handled papal finances, becoming the wealthiest man of his time. Another leading family, the Albizzi, had him imprisoned (1433) and tried to assassinate him, but a year later the Medici regained power in Florence, and Cosimo triumphantly returned. He was the architect of the Peace of Lodi (1454). An alliance with the Sforzas of Milan provided him with troops to crush a coup d'état in 1458, after which he created a Senate composed of 100 loyal supporters (the Cento). He was a patron of scholarship and the arts, including such figures as Donatello and Filippo Brunelleschi.

For more information on Cosimo de'Medici, visit Britannica.com.

 
Columbia Encyclopedia: Medici, Cosimo de'
('zēmō dā mĕ'dĭchē, Ital. mā'dēchē) , 1389–1464, Italian merchant prince, first of the Medici family to rule Florence. He is often called Cosimo the Elder. After the death of his father, Giovanni di Bicci de' Medici, Cosimo and his family were banished (1433) from Florence by a faction headed by the powerful Albizzi family. He returned a year later and, supported by the people, soon became the acknowledged leading citizen of the republic. An able financier, he vastly expanded the family's banking business. In spite of his lavish expenses for the state, for charities, and for the arts and learning, he doubled his fortune. He respected the republican institutions of the city, always sought popular support, and made his power as little felt as possible. Guiding Florentine foreign policy, he sought a balance of power among the Italian states. From the traditional alliance with Venice against Milan, he shifted to an alliance with the Sforza family, helping the Sforzas to gain control over Milan. Cosimo's claim to greatness, however, rests chiefly on his generosity toward artists and scholars. He founded the famous Medici Library and an academy for Greek studies (headed by Marsilio Ficino), built extensively in Florence, and protected such artists as Brunnelleschi, Donatello, Ghiberti, and Luca della Robbia. After his death Florence voted him the official title Pater Patriae. His son, Piero de' Medici, known as Il Gottoso [the gouty], succeeded as head of the family.

Bibliography

See biographies by K. D. Vernon (1899, repr. 1970) and K. S. Gutkind (1939).

 
WordNet: Cosimo de Medici
Note: click on a word meaning below to see its connections and related words.

The noun has one meaning:

Meaning #1: Italian financier and statesman and friend of the papal court (1389-1464)
  Synonym: Cosimo the Elder


 
Wikipedia: Cosimo de' Medici
Jacopo Pontormo: posthumous portrait of Cosimo de' Medici, 1518-1519: the laurel branch, il Broncone, was an impresa used also by his heirs.[1]
Enlarge
Jacopo Pontormo: posthumous portrait of Cosimo de' Medici, 1518-1519: the laurel branch, il Broncone, was an impresa used also by his heirs.[1]

Cosimo di Giovanni de' Medici (September 27, 1389August 1, 1464), was the first of the Medici political dynasty, rulers of Florence during most of the Italian Renaissance; also known as "Cosimo 'the Elder'" ("il Vecchio") and "Cosimo Pater Patriae."

Biography

Born in Florence, Cosimo inherited both his wealth and his flair for business from his father, Giovanni di Bicci de' Medici, also a Florentine banker, known to have established much of the Medici wealth before his son,

"All those things have given me the greatest satisfaction and contentment (grandissima contentamento e grandissima dolcezza) because they are not only for the honor of God but are likewise for my own remembrance. For fifty years, I have done nothing else but earn money and spend money; and it became clear that spending money gives me greater pleasure than earning it (ed accorgomi che ancora sia maggior dolcezza lo spendere che il guadagnare)."[2]

He also hired the young Michelozzo Michelozzi to create what is today perhaps the prototypical Florentine palazzo, the austere and magnificent Palazzo Medici. He was a patron and confidante of Fra Angelico, Fra Filippo Lippi, and Donatello, whose famed David and Judith Slaying Holofernes were Medici commissions. His patronage enabled the eccentric and bankrupt architect Brunelleschi to complete the dome of Santa Maria del Fiore, and the dome was perhaps his crowning achievement as sponsor.

The tomb of Cosimo de' Medici in San Lorenzo, Florence.
Enlarge
The tomb of Cosimo de' Medici in San Lorenzo, Florence.

On his death in 1464 at Careggi, Cosimo was succeeded by his son Piero 'the Gouty', father of Lorenzo the Magnificent. After his death the Signoria awarded him the title Pater Patriae, "Father of his Country", an honor once awarded to Cicero, and had it carved upon his tomb in the Church of San Lorenzo.

Issue

Cosimo married Contessina de' Bardi, daughter of Giovanni, count of Vernio, and Emilia Pannocchieschi. They had two sons:

Cosimo also had an illegitimate son, Carlo (c. 1428 - 1492) who was a prelate, by a Circassian slave.

See also

Notes

  1. ^ After the return of the Medici in 1512, Lorenzo di Piero formed a compagnia for carnival 1513, and called it Broncone; the Pontormo portrait was commissioned by Goro Gheri, Lorenzo's scretary. (John Shearman, "Pontormo and Andrea Del Sarto, 1513" The Burlington Magazine 104 No. 716 [November 1962:450, 478-483] p. 478).
  2. ^ Taylor, F. H. (1948). The taste of angels, a history of art collecting from Rameses to Napoleon. Boston: Little, Brown. pgs.65-66

References

  1. ^ After the return of the Medici in 1512, Lorenzo di Piero formed a compagnia for carnival 1513, and called it Broncone; the Pontormo portrait was commissioned by Goro Gheri, Lorenzo's scretary. (John Shearman, "Pontormo and Andrea Del Sarto, 1513" The Burlington Magazine 104 No. 716 [November 1962:450, 478-483] p. 478).
  2. ^ Taylor, F. H. (1948). The taste of angels, a history of art collecting from Rameses to Napoleon. Boston: Little, Brown. pgs.65-66
  • Francesco Guerrieri, Patrizia Fabbri, (photography Stefano Giraldi), "Palaces of Florence" (Rizzoli, 1996), for the Palazzo Medici.
  • Tim Parks Medici Money: Banking, Metaphysics, and Art in Fifteenth-Century Florence.
  • Jacob Burkhardt, The Civilization of the Renaissance in Italy (1860) 1878.
  • William Connell Society and Individual in Renaissance Florence 2002.
  • Dale Kent Cosimo De'Medici and the Florentine Renaissance.

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