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The Zodiac : Cosmic Sounds

 
Album Review: Cosmic Sounds

  • Artist: Zodiac
  • Rating: StarStarHalf Star
  • Release Date: June 25, 2002
  • Genre: Rock

Review

The dozen signs of the zodiac are explored on this embarrassingly dated "concept" album, which was issued in late 1967 on the experimental indie imprint Elektra Records. The recording -- replete with equally absurd cover art -- helped usher in the so-called "Age of Aquarius." Judging by the astrological psychobabble in these grooves, it may well have been the age of excess as well. But what should one expect from an album whose caveat reads "Must Be Played in the Dark"? Cosmic Sounds narrator Cyrus Faryar's considerable musical credits include proficiencies on practically anything stringed, such as the bouzouki, bass, and guitar. His name has even shown up as a vocalist for a plethora of diverse artists including Dave Guard & the Whiskeyhill Singers and the Modern Folk Quartet, as well as guest spots on albums by Mama Cass Elliot, Crosby, Stills & Nash, Buffalo Springfield, Fred Neil, and the surreal comic troupe the Firesign Theater. Faryar animates Jacques Wilson's suitably antiquated '60s hippie prose, depicting the various characteristics unique to the respective 12 zodiac insignias. Backing Faryar's narration is a loosely corralled and completely uncredited aggregate of L.A. session all-stars and Wrecking Crew regulars -- Carol Kaye (bass), Hal Blaine (drums), Bud Shank (bass flute), and Emil Richards (percussion) -- who often perform several different instruments during the same song. Along with some heavy-handed contributions from West Coast Moog synth guru Paul Beaver, the band churns out a series of nondescript ersatz rock melodies -- the likes of which might have been scored as incidental music for an episode of Dragnet or from any of the late-'60s hippie/biker flicks such as Psych-Out and Hells Angels on Wheels. The cinematic nature of the musical scores comes from Juilliard-trained pop composer, arranger, and conductorMort Garson -- whose other credits include collaborations with Doris Day, Glen Campbell, Rod McKuen, and Mel Tormé. Pretensions aside, Cosmic Sounds is a definitive timepiece and nostalgic relic reflecting the heavy marketability in the so-called "counterculture" youth movement of the late '60s. Taken at face value it righteously succeeds. ~ Lindsay Planer, All Music Guide

Tracks

Track TitleComposersPerformersTime
Aries -- The Fire Fighter Cyrus Faryar (3:16)
Taurus -- The Voluptuary Cyrus Faryar (3:41)
Gemini -- The Cool Eye Cyrus Faryar (2:51)
Cancer -- The Moonchild Cyrus Faryar (3:29)
Leo -- The Lord of Lights Cyrus Faryar (2:34)
Virgo -- The Perceptual Perfectionist Cyrus Faryar (3:11)
Libra -- The Flowerchild Cyrus Faryar (3:32)
Scorpio -- The Passionate Hero Cyrus Faryar (2:53)
Sagittarius -- The Versatile Daredevil Cyrus Faryar (2:11)
Capricorn -- The Uncapricious Climber Cyrus Faryar (3:32)
Aquarius -- The Lover of Life Cyrus Faryar (3:47)
Pisces -- The Peace Piper Cyrus Faryar (3:21)

Credits

Paul Beaver (Electronic Sounds), Abe Gurvin (Cover Art), Jac Holzman (Concept), Cyrus Faryar (Narrator), Richie Unterberger (Liner Notes), Jac Holzman (Production Supervisor), William S. Harvey (Art Direction), Jim Lockert (Engineer), Paul Beaver (Moog Synthesizer), Cyrus Faryar (Spoken Word)
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Wikipedia: The Zodiac : Cosmic Sounds
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The Zodiac - Cosmic Sounds
Studio album
Released November 1967
Recorded 1967
Genre Psychedelic rock
Length 38:25
Label Elektra Records
Reissued by Water Records
Producer Alex Hassilev
Professional reviews

The Zodiac : Cosmic Sounds (also known, less correctly, as either The Zodiac by Cosmic Sounds, or Cosmic Sounds by The Zodiac - the sleevenotes were unclear) was an innovative[citation needed] collaborative concept album on the theme of the signs of the Zodiac. It was issued by Elektra Records in 1967 and featured early use of the Moog synthesizer by Paul Beaver, with music written by Mort Garson, words by Jacques Wilson, and narration by Cyrus Faryar. It has been variously described as "a wonderful period piece"[1] and "apt to inspire more giggle fits than stoned, pull-the-shades-down reveries"[2]

Contents

Concept

The idea began in 1967 with Jac Holzman, the head of Elektra Records, which had just gained major success with The Doors' debut album. Holzman had the initial concept for the album, and hired Alex Hassilev, a member of The Limeliters, to produce it. Hassilev in turn brought in Mort Garson, with whom he had just formed a production company, to write the music. Hassilev and Garson had planned to do a series of concepts following Cosmic Sounds. Garson wrote music for one of the other intended albums, The Sea, but Rod McKuen, who was supposed to have been on the project, left and did his own version with Anita Kerr. Hassilev temporarily left the project to produce The Dusk 'Till Dawn Orchestra's Sea Drift album, which incorporated part of The Sea's intended theme.[3]

Recording

Garson brought together a mixture of musicians, most of whom were not credited on the album sleeve. Musician and electronic instrument collector Paul Beaver, who had done music effects for films, was chosen to perform the electronic instruments. He and Hassilev went to an Audio Engineering Society convention to hire a Moog synthesizer from its inventor, Robert Moog. Emil Richards, who had worked with such musicians as Frank Zappa, Marvin Gaye and Henry Mancini, was chosen to provide an assortment of percussive instrumental surprises throughout the album. Bassist Carol Kaye and drummer Hal Blaine, both top on-demand session musicians, were The Zodiac's rhythm section. Bud Shank, a top flute performer, and keyboardist Mike Melvoin were also used. Jacques Wilson wrote the album's narration, and folk singer Cyrus Faryar was chosen (suggested by Hassilev) to narrate over the album's exotic instrumentation.[3]

The album was released in late 1967. The sleeve, by artist Abe Gurvin and art director William S. Harvey, featured a florid psychedelic design. On the back, in large purple letters, were written the instructions: "Must be played in the dark".

Response

According to music critic Richie Unterberger:

Divided into 12 separate tracks, one for each astrological sign, it appeared just as both psychedelic rock and astrology itself were coming into vogue in the youthful counterculture. In some respects it was similar to other instrumental psychsploitation albums of the time, with a spacy yet tight groove that could have fit into the soundtrack of 1966 Sunset Strip documentaries, played in large measure by seasoned Los Angeles session musicians. In other respects, it was futuristic, embellished by some of the first Moog synthesizer ever heard on a commercial recording, an assortment of exotic percussive instruments, and sitar. The arrangements were further decorated by haunting harpsichord and organ, along with standard mid-1960s Los Angeles rock guitar licks. For those who took the astrology as seriously as the music, there was the dramatic reading of narrator Cyrus Faryar, musing upon aspects of each astrological sign in a rich, deep voice without a hint of irony.[3]

Garson later recorded several further LPs on individual zodiac signs, and became best known for composing the National Geographic theme.

Track listing

All lyrics written by Jacques Wilson

  1. "Aries - The Fire-Fighter" – 3:17
  2. "Taurus - The Voluptuary" – 3:38
  3. "Gemini - The Cool Eye" – 2:50
  4. "Cancer - The Moon Child" – 3:27
  5. "Leo - The Lord Of Lights" – 2:30
  6. "Virgo - The Perpetual Perfectionist" – 3:05
  7. "Libra - The Flower Child" – 3:28
  8. "Scorpio - The Passionate Hero" – 2:51
  9. "Sagittarius - The Versatile Daredevil" – 2:06
  10. "Capricorn - The Uncapricious Climber" – 3:30
  11. "Aquarius - The Lover Of Life" – 3:45
  12. "Pisces - The Peace Piper" – 3:19

Personnel


References

External links


 
 
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