Cranes are large, long-legged and long-necked birds of the order Gruiformes, and family Gruidae. Unlike the similar-looking but unrelated herons, cranes fly with necks outstretched, not pulled back. Most have elaborate and noisy courting displays or
"dances". While folklore often states that cranes mate for life, recent scientific research indicates that these birds do change
mates over the course of their (considerable) lifetimes (Hayes 2005). Some species and/or populations of cranes migrate over long distances, while some do not migrate at all. Cranes are gregarious, forming large
flocks where their numbers are sufficient.
Most species of cranes are at least threatened, if not critically endangered, within their range. The plight of the
Whooping Cranes of North America inspired some of the first US legislation to protect endangered species.
They are opportunistic feeders that change their diet according to the season and their own nutrient requirements. They eat a
range of items from suitably sized small rodents, fish,
amphibians, and insects, to grain, berries, and plants. (The cranberry is so-named for its flowers' resemblance to the neck and head of the crane.)
There are representatives of this group on all the continents except Antarctica and
South America.
Systematics
There are 15 living species of cranes in 4 genera:
SUBFAMILY BALEARICINAE - crowned cranes
SUBFAMILY GRUINAE - typical cranes
- Genus Grus
- Common Crane, Grus grus, also known as the Eurasian Crane
- Sandhill Crane, Grus canadensis
- Whooping Crane, Grus americana
- Sarus Crane, Grus antigone
- Brolga, Grus rubicunda
- Siberian Crane, Grus leucogeranus
- White-naped Crane, Grus vipio
- Hooded Crane, Grus monacha
- Black-necked Crane, Grus nigricollis
- Red-crowned Crane, Grus japonensis
- Genus Anthropoides
- Genus Bugeranus
The fossil record of cranes leaves much to be desired. Apparently, the subfamilies were well
distinct by the Late Eocene (around 35 mya). The present
genera are apparently some 20 mya old. Biogeography of known fossil and the living taxa of
cranes suggests that the group is probably of (Laurasian?) Old World origin. The extant
diversity at the genus level is centered on (eastern) Africa, making it all the more regrettable
that no decent fossil record exists from there. On the other hand, it is peculiar that numerous fossils of Ciconiiformes are documented from there; these birds presumably shared much of their habitat with cranes back then already.
Fossil genera are tentatively assigned to the present-day subfamilies:
Balearicinae
- Geranopsis (Hordwell Late Eocene - Early Oligocene of England)
Gruinae
- Palaeogrus (Middle Eocene of Germany and Italy - Middle Miocene of France)
- Pliogrus (Early Pliocene of Eppelsheim, Germany)
- Camusia (Late Miocene of Menorca, Mediterranean)
- "Grus" conferta (Late Miocene/Early Pliocene of Contra Costa County, USA) - see Miller & Sibley (1942)
Sometimes considered Gruidae
- Eobalearica (Ferghana Late? Eocene of Ferghana, Uzbekistan)
- Probalearica (Late Oligocene? - Middle Pliocene of Florida, USA, France?, Moldavia and
Mongolia) - A nomen dubium?
- Aramornis (Sheep Creek Middle Miocene of Snake Creek Quarries, USA)
The supposed Grus prentici is not a true crane; it was eventually placed in the genus Paragrus (Lambrecht 1933:520).
Cranes in popular culture
- In Fox's TV series Prison
Break, the protagonist (Michael Scofield) leaves paper folded cranes at
important places in his attempt to arrange escape from prison for himself and his older brother (Lincoln Burrows). Late in the first season it becomes clear that Lincoln used to leave paper cranes by
Michael's bedside when they were kids, and that the crane supposedly stands for 'a familial obligation' and 'watching out for
your own'.
- On The Future Is Wild, a large bird known as the great blue windrunner is a fictional descendant of cranes.
In the Power Ranger Movie, Kimberly gained the power of the crane
In the (1939) movie The Wizard of Oz, a bizarre rumor that one of the Munchkins hanged himself in the forest set is easily
disproved by close inspection of the scene. The supposed body, swinging from a tree branch in the forest set, is actually a live
crane in the background. It can be seen as the characters exit the forest near the Tin Man's cottage.
Myth and lore
The cranes' beauty and their spectacular mating dances have made them highly symbolic birds in many cultures with records
dating back to ancient times. Crane mythology is widely spread and can be found in areas such as the Aegean, South Arabia, China,
Japan and in the Native American cultures of North America. In northern Hokkaidō, the women of the Ainu people, whose culture is more
Siberian than Japanese, performed a crane dance that was captured in 1908 in a photograph by Arnold Genthe. In Korea, a crane dance has been performed in the courtyard of the Tongdosa Temple since the Silla Dynasty (646 CE).
In Mecca, in pre-Islamic South Arabia, the goddesses Allat,
Uzza, and Manah, who were believed to be daughters of and
intercessors with Allah, were called the "three exalted cranes" (gharaniq, an obscure word
on which 'crane' is the usual gloss). See The
Satanic Verses for the best-known story regarding these three goddesses.
The Greek for crane is Γερανος (Geranos), which gives us the
Cranesbill, or hardy geranium. The crane was a bird of omen. In the tale of Ibycus and the cranes, a thief attacked Ibycus (a poet of the 6th century BCE) and left him for dead. Ibycus
called to a flock of passing cranes, who followed the murderer to a theater and hovered over him until, stricken with guilt, he
confessed to the crime.
Pliny the Elder wrote that cranes would appoint one of their number to stand guard
while they slept. The sentry would hold a stone in its claw, so that if it fell asleep it would drop the stone and waken.
Aristotle describes the migration of cranes in The History of Animals,
adding an account of their fights with Pygmies as they wintered near the source of the Nile. He describes as untruthful an
account that the crane carries a touchstone inside it that can be used to test for gold when
vomited up. (This second story is not altogether implausible, as cranes might ingest appropriate gizzard stones in one
locality and regurgitate them in a region where such stone is otherwise scarce)
Also, the word "pedigree" comes from the Old French
phrase, "pie de grue", which means "foot of a crane", as the pedigree diagram looks similar to the branches coming out of a
crane's foot.
A crane is considered auspicious in China, Japan and
Vietnam. It is one of the symbols of longevity and is often represented with other symbols of
long life, such as pine, bamboo, and the tortoise. Vietnamese people consider crane and dragon to be symbols of their culture. In
feudal Japan the crane was protected by the ruling classes and fed by the peasants. When the feudal system was abolished in the
Meiji era of the 19th century, the protection of cranes was lost. With effort they have been brought back from the brink of
extinction. Japan has named one of their satellites tsuru (crane, the bird). According
to tradition, if one folds 1000 origami cranes one's wish for health will be granted. Since the
death of Sadako Sasaki this applies to a wish for peace as well.
Also, traditional Chinese 'heavenly cranes' (tian-he) or 'blessed cranes'
(xian-he) were messengers of wisdom. Legendary Taoist sages were transported between heavenly
worlds on the backs of cranes.
See also
References
- Hayes, M.A. (2005): Divorce and extra-pair paternity as alternative mating strategies in monogamous sandhill
cranes. MS thesis, University of South Dakota, Vermilion, S.D.. 86 p. PDF fulltext at the International
Crane Foundation's Library
- Lambrecht, Kálmán (1933): Handbuch der Palaeornithologie. Gebrüder Bornträger, Berlin.
- Miller, Alden H. & Sibley, Charles G. (1942): A New Species of Crane from the Pliocene of California.
Condor 44: 126-127. PDF
fulltext
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