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"Crocodile" Dundee

 
Movies:

Crocodile Dundee

  • Director: Peter Faiman
  • AMG Rating: starstarstarstar
  • Genre: Comedy
  • Movie Type: Urban Comedy, Adventure Comedy
  • Themes: Fish Out of Water
  • Main Cast: Paul Hogan, Linda Kozlowski, John Meillon, Mark Blum, Michael Lombard
  • Release Year: 1986
  • Country: AU
  • Run Time: 98 minutes
  • MPAA Rating: PG13

Plot

Accustomed to a simple life in the Australian Outback, a legendary crocodile hunter has trouble adjusting to his new surroundings when an American journalist brings him to New York City. This Australian comedy delivers exactly what one would expect: plenty of fish-out-of-water gags about the hunter's reactions to the absurdity of modern urban life. Though he initially seems rather naive, Paul Hogan's "Crocodile" Dundee soon demonstrates that his natural ways are rather quite well-suited to city life, proving himself equally adept at defeating muggers and charming members of high society. Along the way, as one might expect, a romance develops between the rugged hunter and the hardened journalist, who finds herself enchanted by his down-to-earth behavior. The story is not particularly original, but the film's good-natured humor proved extremely palatable to audiences, as indicated by its worldwide box office success. ~ Judd Blaise, All Movie Guide

Review

The worldwide hit Crocodile Dundee made Australian Paul Hogan a household name in the U.S. and introduced "G'Day, Mate" to the popular vernacular. The basis for the film is simple and relatively charming: girl brings tough country guy to the big city and he falls in love with her. It's King Kong all over again; or more specifically, an idea loosely stolen from one of the Johnny Weissmuller Tarzan movies, Tarzan's New York Adventure. Unfortunately, the romantic angle in Dundee is undermined by the lack of chemistry between Hogan and co-star Linda Kozlowski, whose performance is generally poor. What remains is a comedy about an out-of-towner winning over the loonies of New York City, and cartoonish as it may be, the film is carried by Hogan's charisma. He's bemused, good-natured, and darn-near irresistible. This is the role that Hogan was born to do, and it's hard to imagine him ever finding a more suitable part. ~ Brendon Hanley, All Movie Guide

Cast

David Gulpilil - Neville Bell; Irving Metzman - Doorman; Maggie Blinco - Ida; Steve Rackman - Donk; Anne Francine - Fran; Paul Greco - New Yorker; Reginald VelJohnson; Graham "Grace" Walker - Bellhop; Paula Herold

Credit

Norma Moriceau - Costume Designer, Peter Faiman - Director, David Stiven - Editor, Jane Scott - Line Producer, Peter Best - Composer (Music Score), Graham "Grace" Walker - Production Designer, Russell Boyd - Cinematographer, John Cornell - Producer, Jane Scott - Producer, Paul Hogan - Screen Story, John Cornell - Screenwriter, Paul Hogan - Screenwriter, Ken Shadie - Screenwriter, Gretchen Rau - Set Decorator

Similar Movies

Barry McKenzie Holds His Own; Coming to America; Doc Hollywood; The Gods Must Be Crazy; The Gods Must Be Crazy 2; Hercules in New York; My Cousin Vinny; Tarzan's New York Adventure; The Adventures of Barry McKenzie; Cool Runnings; The Air up There; The Cowboy Way; Little Indian, Big City; Jungle 2 Jungle; George of the Jungle; Heonggong Ya Fungkwong; Bonanza (Endangered Species); Snow Dogs; The Crocodile Hunter: Collision Course
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Crocodile Dundee

Theatrical release poster
Directed by Peter Faiman
Produced by John Cornell
Written by John Cornell
Paul Hogan
Ken Shadie
Starring Paul Hogan
Music by Peter Best
Cinematography Russell Boyd
Editing by David Stiven
Distributed by Paramount Pictures
20th Century Fox (in some European countries)
Release date(s) 26 September 1986
Running time 94 minutes
Country United States
Australia
Language English
Budget $8,800,000
Gross revenue $328,203,506
Followed by "Crocodile" Dundee II

"Crocodile" Dundee is a 1986 Australian comedy film set in the Australian Outback and in New York City. It stars Paul Hogan as the weathered Mick Dundee and Linda Kozlowski as Sue Charlton.

Inspired by the true life exploits of Rodney Ansell, the film was made on a budget of under $10 million as a deliberate attempt to make a commercial Australian film that would appeal to a mainstream American audience, but proved to be a worldwide phenomenon. Released on 30 April 1986 in Australia, and on 26 September 1986 in the United States, it was the second highest grossing film in the United States in that year and went on to become the number one film worldwide at the box office.

There are two versions of the film: The Australian version, and the American/international version, with much of the Australian slang replaced with more commonly understood terms, and also being slightly shorter, lacking several scenes. The international version also changes the title to "Crocodile" Dundee, adding the quotation marks. The film was followed by two sequels: 1988's Crocodile Dundee II and 2001's Crocodile Dundee in Los Angeles.

Contents

Plot

Sue Charlton, one of the protagonists, is a feature writer for Newsday and is romantically involved with her editor, Richard. She travels to Australia to meet Michael J. "Crocodile" Dundee, a man who is reported to have lost a leg to a crocodile's attack, at an outback settlement. There, Sue is startled to find that the story of his fight with the crocodile is exaggerated, in that his leg is still intact, although it bears a bite scar.

Sue, Dundee, and the latter's aide Walter travel into the wilderness, where "Mick" (as Dundee is called) demonstrates his skills by using a version of horse whispering to subdue a wild buffalo and killing a crocodile that attacks Sue. One evening, Mick introduces Sue to Neville Bell, the son of a tribal elder. Mick and "Nev" then attend an Aboriginal tribal dance ceremony whereof the object is to pay respect to Neville's father and to the land. Sue, as a woman, is forbidden to take part in the ritual; but she follows and hides to observe it. While hiding, she uses her camera's telescoping lens to find Mick. She sees him look at her, letting her know that he is aware of her presence and enforcing her idea that he is somehow supernaturally 'in touch' with the world around him.

They travel the same route that Mick took when he was injured, arriving at a freshwater lagoon. There Sue and Mick share a kiss. They are interrupted by Walter, who is returning to fetch them from the bush. Sue invites Mick to accompany her to New York, where he is met with contempt and some jealousy by Richard. He undergoes a number of awkward moments where he displays an equal amount of unfamiliarity with his surroundings, as by trying to dodge the bottom of an escalator; asking the African-American limo driver Gus his tribal background; trying by trial and error to ascertain the use of a bidet; touching the genitals of a cross-dresser to verify his gender; washing his clothes in the bath; and mixing a partygoer's cocaine with steaming water and instructing him to inhale the vapors. He demonstrates a sense of justice when he beats a pimp who has used profane language in front of his two prostitutes, and later when he witnesses a purse-snatching and knocks the running thief insensate with a thrown can of food.

The most famous scene in the movie occurs when Mick and Sue are menaced by a trio of punks, one of whom brandishes a switchblade. Sue advises Mick to give the thief his wallet, because the thief has a knife. Mick merely chuckles at the switchblade: "That's not a knife", he scoffs, drawing his much larger outback Bowie knife and slashing the would-be mugger's nylon jacket with the words: "That's a knife!". When the thieves run away, he dismisses the incident as a prank.

Mick and Sue become enamored of each other, which leads to further jealousy on Richard's part. Richard tries to undermine Mick and his influence over Sue. When Richard proposes marriage to Sue at a dinner party, Mick is upset and goes 'walkabout' to reconcile himself to his situation. Sue searches for Mick and tracks him to a subway station where he is waiting for a train to Grand Central Station. There, they talk back and forth through the subway by having members of the crowd relay their words. When she declares her refusal to marry Richard in favor of her own attachment to Mick, he walks to her on the heads and raised hands of the jubilant crowd and embraces her, concluding the story.

Cast

Awards

Award wins:

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