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American Theater Guide:

Rachel Crothers

Crothers, Rachel (1878–1958), playwright. Born in Bloomington, Illinois, she had dabbled at playwriting before she entered the State Normal School of Illinois. After studying acting at the Stanhope‐Wheatcroft School and performing professionally for several seasons, Crothers abandoned acting when her first play, Nora (1903), was produced. Her first successful work was The Three of Us (1906), a story of a spunky sister who protects her brothers' interests in a Nevada mine. Several subsequent plays had short runs before she had better luck with A Man's World (1910), Young Wisdom (1914), Old Lady 31 (1916), A Little Journey (1918), and 39 East (1919). Crothers then hit her stride with a series of plays that explored the roles men and women played in contemporary society: He and She (1920), Nice People (1921), Mary the Third (1923), Expressing Willie (1924), A Lady's Virtue (1925), Venus (1927), Let Us Be Gay (1929), As Husbands Go (1931), and When Ladies Meet (1932). Her last play was Susan and God (1937), describing the problems that ensue when a rich matron discovers religion. During World War I Crothers founded Stage Women's War Relief. She was a consummate craftsman, who, as Howard Taubman noted, “used the stage to articulate the case for woman's freedom. When the battle was won, she did not shrink from poking fun at the liberated woman's pretensions.”

 
 
Columbia Encyclopedia: Crothers, Rachel
(krŭth'ərz) , 1878–1958, American playwright and director, b. Bloomington, Ill., grad. Illinois State Normal Univ., 1892. Her plays, many of which were social comedies treating the ethical problems of women, were notable for their craftsmanship. Among her major successes were The Three of Us (1906), A Man's World (1909), He and She (1911), Old Lady 31 (1916), Let Us Be Gay (1929), and Susan and God (1937).
 
Works: Works by Rachel Crothers
(1878-1958)

1906The Three of Us. The Illinois-born director and playwright's first theatrical success is about a sister and her two brothers who own a Nevada silver mine. The play is praised for its natural characterization and minimal reliance on stage contrivance.
1909A Man's World. The first of the playwright's dramas about the challenges faced by modern women in marriage and society. It concerns a writer who rears another woman's illegitimate child and refuses to marry her own lover, who is discovered to be the father, because she morally condemns the system that allows men to evade their paternal responsibilities. The play, called by Arthur Hobson Quinn "one of the most significant dramas of the decade," helps establish Crothers as the leading woman playwright of her era.
1913Ourselves. Crothers dramatizes the social evil of prostitution, which she attributes to a double standard that grants men the indulgence of their sexual appetite while condemning women in the process.
1920He and She. First produced in 1911 under the title The Herfords, the play concerns husband and wife artists whose marriage is threatened when the wife wins a commission for which both had competed. She (played by Crothers) forgoes the award to save her marriage. The drama is greeted as a thoughtful study of the plight of the emancipated woman and the double standard regarding women's roles. Crothers would follow it with a series of plays exploring gender issues, marriage, and the "new woman," including Nice People (1921), Mary the Third (1923), and Let Us Be Gay (1929).
1921Nice People. Crothers's comedy concerns a trio of hedonistic flappers, one of whom decides to settle down to a conventional life to the dismay of the other two. The play is greeted as a lively and knowing reflection of contemporary values.
1923Mary the Third. This generational comedy shows a flapper who eventually bows to the pressure to live a conventional life. It is typical of Crothers's shrewd looks at contemporary life from a woman's perspective.
1924Expressing Willie. Crothers's comedy about a toothpaste magnate who builds a luxurious mansion on Long Island and attracts a group of spongers and social climbers anticipates some of the themes developed in F. Scott Fitzgerald's The Great Gatsby (1925).
1929Let Us Be Gay. One of Crothers's best comedies concerns a divorced woman trying to protect a young girl from the advances of her ex-husband.
1931As Husbands Go. Crothers's sophisticated comedy describes two women from Dubuque who have flings in Europe that cause them to contemplate divorce and remarriage when they return home.
1932When Ladies Meet. In Crothers's comedy, a woman writer falls in love with her married publisher and meets his wife to discover what they have in common.
1937Susan and God. Crothers's final play records the religious conversion of a vain, selfish woman.

 
Wikipedia: Rachel Crothers

Rachel Crothers (12 December, 18785 July, 1958) was a prolific and successful American playwright and theater director, known for her well-crafted plays. One of the most famous was Susan and God (1937), which was made into a film by MGM in 1940 starring Joan Crawford and Frederic March.

Crothers was born in Bloomington, Illinois, USA. Asked how to pronouce her name, she told The Literary Digest it rhymed with brothers. (Charles Earle Funk, What's the Name, Please?, Funk & Wagnalls, 1936.)

Rachel Crothers’ parents were Dr. Eli Kirk Crothers and Dr. Marie Louise (de Pew) Crothers. Her mother was one of the first woman physicians in Central Illinois.

Rachel graduated from University High School (Normal) in 1891 and Illinois State Normal School (now Illinois State University) in 1892. She studied dramatic arts in Boston and New York City, and acted professionally in New York City. She broke new ground by directing, staging, and casting most of her own plays. She also directed several plays written by others. Rachel’s plays often dealt with social themes and moral problems affecting women in the 20th century, including issues such as the double standard, trial marriages, divorce, and Freudianism.

She established a number of philanthropic groups to improve the welfare of her theatrical colleagues: the United Theatre Relief Committee, the Stage Relief Fund, the Stage Women’s War Relief Fund, and the American Theatre Wing for War Relief. According to her biography on Literature Online, Rachel “distinguished herself as one of the most significant American playwrights of the early twentieth century and as an influential force in the development of modern American drama….”

On April 25, 1939, Rachel Crothers was awarded the Chi Omega sorority national achievement award by Mrs. Franklin D. Roosevelt (Eleanor Roosevelt). This national achievement gold medal award is given “to an American woman of notable accomplishments in the professions, public affairs, art, letters, business and finance, or education.” (Pantagraph, April 26, 1939)

She died in her Danbury, Connecticut home in 1958.

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American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/  Read more
Works. The Chronology of American Literature, edited by Daniel S. Burt. Copyright © 2004 by Houghton Mifflin Company. Published by Houghton Mifflin Company. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Rachel Crothers" Read more

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