Movie Type: Graphic & Applied Arts, Interpersonal Relationships
Themes: Life in the Arts, Eccentric Families, Tortured Genius
Main Cast: Charles Crumb, Maxon Crumb, Robert Crumb, Aline Kominsky
Release Year: 1994
Country: US
Run Time: 119 minutes
MPAA Rating: R
Plot
So well-regarded was the documentary Crumb (1994) that the failure of it and of the same year's equally acclaimed Hoop Dreams (1994) to result in Oscar nominations caused a media furor which forced the Academy of Motion Picture Arts and Sciences to revamp its documentary nomination process. Robert Crumb is a respected but controversial underground comic book artist and writer whose creations include the popular "Keep on Truckin'" and Fritz the Cat (1972). Crumb's adult subject matter includes weird sexual obsessions, social criticism, and personal, confessional observations about abnormal human psychology. The genesis and meaning of Crumb's work is explained through a series of interviews with his colleagues, former lovers, and especially family members, which reveal a horrific upbringing that has crippled both Crumb and his siblings -- but has also fueled the artist's groundbreaking work. A long-time friend of the film's subject, director Terry Zwigoff followed Crumb (1994) with another comic book-related project, Ghost World (2000), a drama based on a story from the anthology series "Eightball" by Daniel Clowes. ~ Karl Williams, All Movie Guide
Review
Filmmaker Terry Zwigoff was able to make Crumb because of his friendship with the subject, but the film is definitely not hagiography. Because much of the artist's work is so personal, any study of Robert Crumb must take into account his prickly and decidedly randy personality. Zwigoff also had a great sense of timing, catching Crumb in a bit of a mid-life crisis, as he decamps from his longtime home in California to the south of France. The energy of the 1960s which fueled some of Crumb's most celebrated art has long ago dissipated, and when Crumb convincingly disavows being identified with that tumultuous time (he hates rock music, preferring to listen to his collection of blues music on original 78 rpm vinyl), you sense that he's a man who has been out of step all his life. Rather than merely depict the symptoms of Crumb's worried mind, Zwigoff includes enormously effective interview material with two of Robert's brothers (one of whom died after film was completed). Few filmmakers are allowed that kind of privileged look into their subjects' upbringing, and the brothers' recollections of their childhood and ruminations on their blighted lives suggest that art provided Robert with a reasonably effective way of dealing with past traumas. ~ Tom Wiener, All Movie Guide
Cast
Robert Hughes - Art Critic; Robert Crumb - Himself; Aline Kominsky; Charles Crumb; Maxon Crumb
Credit
Neal Halfon - Co-producer, Terry Zwigoff - Director, Victor Livingston - Editor, Lianne Halfon - Executive Producer, Albert Berger - Executive Producer, Lawrence Wilkinson - Executive Producer, Michael Chin - Camera Operator, Jon Else - Camera Operator, Tomas Tucker - Camera Operator, Ashley James - Camera Operator, Kyle Kibbe - Camera Operator, Maryse Alberti - Cinematographer, David Lynch - Producer, Lynn O'Donnell - Producer, Terry Zwigoff - Producer, Scott Breindel - Sound/Sound Designer
The poster art for Crumb has a caricature of Robert Crumb (drawn by the artist himself) with a gun held to the back of his head. Robert Crumb's life is, it seems, just that -- perverse, violent, disturbing. Yet there's a genteel element to it, too, which we find described in the genteel music used for the film -- a collection of early jazz and ragtime pieces, most of them performed by pianist David Boeddinghaus and guitarist Craig Ventresco, with a few items drawn from old 78 rpm sides. The overall effect is on the sweet and befuddled side, the charming inverse of Crumb's life, and reflective of Crumb's passion for this music (he founded the Cheap Suit Serenaders, a band devoted to this kind of music). Just beware of one thing -- the album runs over seventy minutes and includes a plethora of cuts, none of which have track numbers anywhere on the sleeve, reducing the listener to a counting job. This is a minor complaint, however. ~ Steven McDonald, All Music Guide
Representative Albums: "Romance Is a Slow Dance," "Seconds, Minutes, Hours," "Organic Machine"
Biography
The San Francisco alternative rock band Crumb was formed in 1993 by vocalist Robby Cronholm and guitarist Mark Weinberg, longtime friends who first began writing and performing together while still in high school. After playing their earliest shows as an acoustic duo, Crumb soon swelled to a quartet, with any number of bassists and drummers passing through their ranks; in 1994, after self-releasing the LP Happy Blah, the group welcomed bassist Matt Powell before signing to Qwest Records to cut their 1996 major label debut Romance Is a Slowdance. With new bassist Jim Bowser and drummer Mike Dugan, Crumb resurfaced in 1998 with ...seconds, minutes, hours..., their first record for the Red Ant label. ~ Jason Ankeny, All Music Guide
Crumb is considered a moving film about the experiences and characters of the Crumb family, particularly Robert Crumb's brothers, Maxon and Charles, his wife and children (his sisters declined to be interviewed).
Robert Crumb initially did not want to make the film, but eventually agreed. There was a rumour, accidentally created by Roger Ebert, that Terry Zwigoff made Crumb cooperate by threatening to shoot himself. Ebert has clarified this in the commentary of the film's recent re-release.