1936 -
Israeli poet.
Dahlia Ravikovitch was born near Tel Aviv. Her father was killed by a drunken driver when she was six, a trauma that she describes in her collection of autobiographical stories, Death in the Family (1976), and that reappears in various guises throughout her work. Raised on a kibbutz and in Haifa, she studied at the Hebrew University of Jerusalem and in England, and then worked as a teacher and as a journalist. The author of eight volumes of poetry and the recipient of several awards, among them the prestigious Israel Prize for Literature (1998), Ravikovitch also has published short stories, children's books, and Hebrew translations of English poetry.
Ravikovitch's poems are predominantly personal and written in high diction, finicky form, and idiosyncratic vocabulary, at times mythological or archaic. These properties merge, in her highly charged poems, with simple, almost childlike syntax, tone, and point of view, creating a unique simultaneity of dreamlike beauty and lurking danger, a perfect aesthetic expression of struggle. This tension is dominant in A Love of an Orange, Ravikovitch's first collection (1959), and is recognizable in works such as The Third Book (1969). Later volumes manifest a tendency toward simpler expression.
During the 1980s, the war in Lebanon sparked a poetic-political protest in which Ravikovitch took part. The voice of her poetry identifies with the vulnerable and speaks frequently of the feminine condition. Her retrospective collection, The Complete Poems So Far (1995), confirms her status as one of Israel's leading poets and its foremost woman poet.
Bibliography
Pincas, Israel. "Leaving Traces." Modern Hebrew Literature 1 (1988): 36 - 39.
Ravikovitch, Dahlia. A Dress of Fire, translated by Chana Bloch. New York: Sheep Meadow Press; London: The Menard Press, 1976.
Ravikovitch, Dahlia. The Window: New and Selected Poems, translated by Chana Bloch and Ariel Bloch. Riverdale-on-Hudson, NY: Sheep Meadow Press, 1989.
Weiseltier, Meir. "Real Love Is Not What It Seems to Be." Modern Hebrew Literature 17 (1996): 15 - 19.
— NILI GOLD
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