Frohman, Daniel (1851–1940), producer. Like his younger brother, Charles Frohman, he was born in Sandusky, Ohio, and came to New York, where he served in various capacities on several newspapers, including the Tribune, the Standard, and the Daily Graphic, before becoming an advance man for the Georgia Minstrels from 1874 to 1879. With Charles and his other brother, Gustave, he then helped manage Steele MacKaye's Madison Square Theatre, also assisting in sending out road companies of the theatre's hits. In 1885 he took over the old Lyceum Theatre and opened it with In Spite of All. Employing an excellent stock company that he developed there, Frohman quickly mounted such successes as The Highest Bidder (1887), The Wife (1887), Lord Chumley (1888), and The Charity Ball (1889). The performances of E. H. Sothern in two of these helped start that actor on his career as a major figure. An important later success was The Prisoner of Zenda (1895). He also produced several plays by Henry Arthur Jones and Arthur Wing Pinero, offering the American premieres of such plays as The Case of Rebellious Susan (1894) and Trelawny of the Wells (1898). For a time in 1899, after Daly's death, he managed Daly's Theatre. After the Lyceum was demolished in 1902, he built a new (and current) Lyceum a year later. With time he gradually abandoned producing but remained active in theatrical affairs. From 1904 until his death he served as president of the Actors' Fund of America. He found time as well to write several books, including two volumes of reminiscences, Memories of a Manager (1911) and Daniel Frohman Presents (1935), and a collection of essays on theatrical history, Encore (1937). Unlike his squat, clean‐shaven brother Charles, he was a wiry, balding man with a closely cropped beard and moustache.




