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Danny Gatton

 
Artist: Danny Gatton
Danny Gatton

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Influenced By:

Worked With:

Robert Gordon, Shannon Ford, Chris Spedding, Tony Garnier, Rob Stoner, Ed Eastridge, John Previti, Lance Quinn

Formal Connection With:

The Fat Boys
  • Born: September 04, 1945, Washington D.C.
  • Died: October 04, 1994, Newburg, MD
  • Active: '60s, '70s, '80s, '90s
  • Genres: Country
  • Instrument: Guitar
  • Representative Albums: "Hot Rod Guitar: The Danny Gatton Anthology", "Portraits", "In Concert
  • Representative Songs: "Blues Newburg", "Sun Medley: Mystery Train/My Baby Left Me/That's All Right", "Elmira St. Boogie

Biography

Guitar virtuoso Danny Gatton was known for the incredibly wide stylistic range of his playing; based in rockabilly, Gatton's musical vocabulary included R&B, pop, country, rock, and jazz, all of which he could play effectively. Gatton began playing at age nine, joining his first band, the Lancers, three years later. In 1960, Gatton pursued a jazz direction when he joined the Offbeats, where pianist/organist Dick Heintze proved to be one of Gatton's biggest influences. The band broke up four years later, and Gatton moved to Nashville to get into session work; there he met Roy Buchanan, who briefly became his roommate and taught him more about his instrument of choice. Eventually, Gatton built a reputation as a top-notch guitarist around his native Washington, D.C., area through his club performances. He recorded an album with his backing band the Fat Boys titled American Music in 1975 and followed it with Redneck Jazz in 1978. The band on the latter featured steel guitarist Buddy Emmons, drummer Dave Elliott, and eventual longtime cohorts Evan Johns on vocals and rhythm guitar and John Previti on bass.

Gatton's albums led to offers from other musicians to join their bands. Lowell George extended an invitation after leaving Little Feat, but was found dead two days later. Gatton wound up touring with country singer Roger Miller and rockabilly artist Robert Gordon, giving him national exposure and a growing cult among guitar fans, who traded bootlegs of Gatton concerts. Gatton returned to Washington, D.C., to be near his friends and family while playing up and down the East Coast with several bands and doing session work. When Gatton purchased an old farmhouse in need of expensive renovations in 1988, he decided to pursue his music career more seriously. He released his first solo album since 1978 the next year, Unfinished Business, which drew notices from several guitar-oriented magazines as well as Rolling Stone. Elektra Records signed him during the summer, and he made his major-label debut in 1991 with the tremendously varied instrumental album 88 Elmira St. 1992 saw Gatton's first straight-ahead jazz album, New York Stories, recorded for none other than Blue Note. Gatton toured the nation solo for the first time in 1993 in support of Cruisin' Deuces, but its lack of success, coupled with the departure of A&R man Howard Thompson from Elektra, spelled the end of Gatton's association with the label. Gatton returned to session work to pay the bills, but sustained a further blow when rhythm guitarist Billy Windsor died of a heart attack early in 1994. Gatton collaborated with organ virtuoso Joey DeFrancesco on Relentless in May and toured Europe during the summer. Sadly, on October 4, 1994, Gatton locked himself in his garage and shot himself. He left behind no explanation. ~ Steve Huey, All Music Guide
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Wikipedia: Danny Gatton
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Danny Gatton
Birth name Daniel Wood Gatton
Born September 4, 1945(1945-09-04)
Washington, D.C.
Died October 4, 1994 (aged 49)
Maryland
Genres Jazz, Blues, Rockabilly
Occupations Musician
Instruments Guitar
Years active 1960 - 1994
Website http://www.dannygatton.com
Notable instruments
Fender Telecaster

Danny Gatton (September 4, 1945October 4, 1994) was an American guitarist who committed suicide at his Maryland home in 1994. A biography, Unfinished Business: The Life and Times of Danny Gatton by Ralph Heibutzki, was published in 2003. It has a voluminous discography. Gatton was ranked 63rd on Rolling Stone magazine's 100 Greatest Guitarists of all Time in 2003.[1]

Contents

Early life

Gatton was born in Washington, D.C. on September 4, 1945. His father, Daniel W. Gatton Sr., was a rhythm guitarist known for his unique percussive style, who left his musical career to raise his family in a more stable profession. The younger Gatton grew up to share his father's passion for the instrument.

Career

Danny Gatton began his career playing in bands while still a teenager. He began to attract wider interest in the 1970s while playing guitar and banjo for the group Liz Meyer & Friends. He made his name as a performer in the Washington, DC, area during the 1980s, both as a solo performer and with his Redneck Jazz Explosion, in which he would trade licks with virtuoso pedal steel player Buddy Emmons over a tight bass-drums rhythm which drew from blues, country, bebop and rockabilly influences. He also backed Robert Gordon and Roger Miller. He contributed a cover of "Apricot Brandy", a song by Elektra Records-supergroup Rhinoceros, to the 1990 compilation album Rubáiyát.

Playing style

Gatton's playing combined musical styles such as jazz, blues and rockabilly in an innovative fashion, and he was known by some as "the Telemaster" (a portmanteau of "Telecaster", Gatton's guitar of choice, and "Master"). He was also called "the world's greatest unknown guitarist". His most common nickname was "The Humbler", owing to his ability to "humble" or out-play anyone willing to go up against him in "head cutting" jam sessions. A photo published in the October 2007 issue of Guitar Player magazine shows Gatton playing in front of a neon sign that says "Victims Wanted".

However, he never achieved the commercial success that his talent arguably deserved. His album 88 Elmira Street was up for a 1990 Grammy Award for the song "Elmira Street Boogie" in the category Best Rock Instrumental Performance, but was beaten out by Eric Johnson for "Cliffs of Dover".

His skills were most appreciated by his peers such as Eric Clapton, Willie Nelson, Steve Earle, and his childhood idol Les Paul. During his career, Gatton appeared on stage with guitar heroes such as Alvin Lee and Jimmie Vaughan, the latter literally walking in one night on a Gatton club gig. There is also an apocryphal rumor about an onstage "head-cutting" jam between Gatton and fellow Washington, DC-area resident (and Telecaster player) Roy Buchanan. (Gatton had roomed with Buchanan in Nashville in the mid '60s and became frequent "jamming partners" according to Guitar Player Magazine's October 2007 issue). In 1993, Gatton was invited by rocker Chris Isaak to record tracks for Isaak's San Francisco Days CD. Reports of where Gatton's playing can be heard on the CD vary, with unconfirmed reports placing him on either "Can't Do A Thing (To Stop Me)", "5:15" or "Beautiful Houses". Gatton reportedly brought a customized Fender Telecaster and Stratocaster to the recording session.

He usually played a 1953 Fender Telecaster (Fender now manufactures a replica of his heavily customized instrument), with Joe Barden pickups and Fender Super 250L's, or Nickel Plated Steel (.010 to .046 with a .015 for the G) strings. As a slide Gatton would often use a beer bottle or mug (still half full of beer) without regard to whether it might spill all over stage or his guitar (most likely, a clever gimmick by the showman).[2] During a 1991 performance on Austin City Limits he follows this by wiping the guitar neck with a rag, then holding the rag between his fingers and the frets, all the while playing flawlessly.

He always played with a jazz style teardrop pick, and was capable of intricate passages combining Bluegrass, bebop, and garage sounds, executed with amazing clarity and at dizzying speeds. His picking technique was a hybrid combination of pick and fingers, primarily his middle and ring fingers on his right hand. The basis of his picking technique was banjo rolls—he was an accomplished banjo player and learned the traditional (Scruggs style) right hand technique from playing the banjo.

Also among his admirers are Les Paul, James Burton, Lenny Breau, Joe Bonamassa,Vince Gill, Evan Johns (of "Evan Johns and His H-Bombs"), Chris Cheney, Bill Kirchen, Albert Lee, Steve Vai, Buckethead, Arlen Roth, Ricky Skaggs, Slash ("Guns N' Roses"), and Richie Sambora.[2]

Suicide

On October 4, 1994, Gatton locked himself in his garage in Newburg, Maryland and shot himself. [2] He left behind no explanation. In retrospect of his suicide, people around Danny have suggested that he may have gone in and out of depression for many years.

On January 10, 11 and 12th, 1995, Tramps club in New York held a three-night Tribute to Danny Gatton featuring dozens of Gatton's musical admirers, the highlight of which was a twenty-minute guitar lover's dream of seeing Les Paul, James Burton and Albert Lee all performing together. Those shows (with all musicians performing for free) raised $25,000 for Gatton's widow and daughter.

Discography

  • 1975 - American Music
  • 1978 - Redneck Jazz
  • 1987 - Unfinished Business
  • 1990 - Blazing Telecasters (live 4/27/84)
  • 1991 - 88 Elmira St.
  • 1992 - New York Stories
  • 1993 - Cruisin' Deuces
  • 1994 - Relentless (with Joey DeFrancesco)
  • 1995 - Redneck Jazz Explosion (live 12/31/78)
  • 1996 - The Humbler (with Robert Gordon)
  • 1998 - In Concert 9/9/94
  • 1998 - Untouchable
  • 1998 - Portraits
  • 1999 - Anthology
  • 2004 - Funhouse (live 6/10-11/88)
  • 2005 - Oh No! More Blazing Guitars (with Tom Principato)

Further reading

Heibutzki, Ralph (2003). Unfinished Business: The Life and Times of Danny Gatton. San Francisco: Backbeat Books. ISBN 0-87930-748-X. 

References

  1. ^ The 100 Greatest Guitarists of All Time : Rolling Stone
  2. ^ a b c Heibutzki, Ralph (2003). Unfinished Business: The Life and Times of Danny Gatton. Backbeat Books, San Francisco. p. 186. ISBN 0-87930-748-X. 

External links


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Tom Principato and Danny Gatton: Blazing Telecasters (1984 Music Film)
American Music (1975 Album by Danny & The Fat Boys)
Relentless (1994 Album by Danny Gatton/Joey DeFrancesco)

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