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Danny Kaye

 
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Danny Kaye, Actor / Singer / Humanitarian

Danny Kaye
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  • Born: 18 January 1913
  • Birthplace: Brooklyn, New York
  • Died: 3 March 1987
  • Best Known As: Song-and-dance star of The Court Jester

Name at birth: David Daniel Kominski

Danny Kaye was one of the most popular entertainers in the United States and England during the 1940s and '50s, thanks largely to a string of successful films that showcased his witty song-and-dance routines. Kaye worked on Broadway, having success in the early '40s with Lady in the Dark. Audiences loved his energy and clever wit and he was a popular stage performer during World War II, frequently working with material written by his wife, lyricist Sylvia Fine. He made more than a dozen popular movies, including The Secret Life of Walter Mitty (1947), The Inspector General (1959) and The Court Jester (1956). For years Kaye was a spokesman for the United Nation's Children's Fund, and in 1954 he was awarded a special Oscar for his humanitarian efforts. During the '60s he was on TV, the star of The Danny Kaye Show (1963-67), but his style of entertainment was no longer the rage and his popularity waned. His last performance on screen was for the television movie Skokie (1981).

One of Kaye's more famous routines is from The Court Jester and includes the line "the pellet with the poison's in the vessel with the pestle, the chalice from the palace has the brew that is true."

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(born Jan. 18, 1913, New York, N.Y., U.S. — died March 3, 1987, Los Angeles, Calif.) U.S. actor and comedian. He worked as a comic busboy in Catskills resorts from age 13 and later worked in vaudeville and nightclubs, developing his trademark pantomimes, rapid-fire nonsense songs, and physical antics. He was a success on Broadway in The Straw Hat Revue (1939) and Lady in the Dark (1940), in which he upstaged the legendary Gertrude Lawrence. His movie debut in Up in Arms (1944) was followed by starring roles in The Secret Life of Walter Mitty (1947), The Inspector General (1949), Hans Christian Andersen (1952), and White Christmas (1954). He starred on television in The Danny Kaye Show (1963 – 67). Much of his comedy material was written by his wife, Sylvia Fine. Kaye was awarded an honorary Academy Award in 1955. He began his long association with UNICEF in 1953 and logged thousands of miles (frequently piloting his own plane) on behalf of the organization. He was awarded the Jean Hersholt Humanitarian Award in 1982 and the French Legion of Honour in 1986.

For more information on Danny Kaye, visit Britannica.com.

Kaye, Danny [né David Daniel Kominsky] (1913–87), comic actor. The slim, supple, Brooklyn‐born comedian worked in vaudeville and at summer camps before making his Broadway debut in The Straw Hat Revue (1939). He called attention to himself as the effeminate Russell Paxton in Lady in the Dark (1941), in which he sang the tongue‐twisting “Tschaikowsky.” After appearing in Let's Face It! (1941), he left for Hollywood and, except for appearances in vaudeville at the Palace and at the Ziegfeld, did not return to New York until he starred in the musical Two by Two (1970), in which he clowned as the Biblical Noah. Biography: Nobody's Fool: The Lives of Danny Kaye, Martin Gottfried, 1994.

American entertainer Danny Kaye (1913-1987) was a versatile performer with strong roots in the vaudevilletradition. While his trademark was his stunning ability to spit out musical patter at incredible speed, Kaye also endeared himself to audiences with his enviable talents as dancer, singer, and actor. Off the stage and screen, Kaye was a Renaissance man whose interests included classical conducting, exotic cooking, and piloting airplanes. And at least as important as the joy he brought audiences, was the hope he brought children through his tireless efforts for the United Nations International Children's Fund (UNICEF).

Kaye was born David Daniel Kaminsky, on January 18, 1913, in the Brooklyn borough of New York City. He was the youngest of three sons born to Clara Nemerovsky and Jacob Kaminsky, both immigrants from the Ukraine. His father, who had been a horse trader, turned to the tailoring trade in New York. Kaye had bigger dreams, however. He dropped out of Brooklyn's Thomas Jefferson High School to pursue a show-business career with a guitar-playing friend, but the duo only lasted a short time on the road before heading back home.

Brooklyn to Broadway

For a while after Kaye's return to Brooklyn, he worked at a series of uninspired positions. These included soda jerk, office boy, and insurance appraiser. While none of the jobs lasted, he did have some rather spectacular failures, including being fired from his insurance job as a result of math errors that allowed a claimant a tidy $36,000 extra in payout benefits. Happily, Kaye was destined for other things.

Kaye found a better reception for his talents in the summer resorts of the Catskill Mountains. He began seasonal work at the White Roe Lake resort as a tummler, or general entertainer, in 1929. There, he was rewarded for cavorting and making people laugh, and he began to shine. In 1933, Kaye hooked up with the Three Terpsichoreans, a vaudeville song-and-dance act, and toured with them in Asia. Around that time, he also adopted the name Danny Kaye, changing it legally it 1943. During the Asian tour, audiences that did not speak English forced Kaye to explore such techniques as nonsense dialects and exaggerated physicality, techniques that would later become fundamental to his comic style.

Kaye continued his striving for recognition throughout the 1930s. One of the undoubted turning points in his career was his collaboration with composer/lyricist Sylvia Fine. Fine had a keen insight into Kaye's unique gifts, along with the skill to highlight them through her talent for song writing. Indeed, Kaye's long-sought-after Broadway debut, 1939's The Straw Hat Revue, was largely made up of Fine's material, and the show drew some favorable notice. Also romantically involved, the couple married on January 3, 1940, and a long, profitable, and tumultuous partnership was born.

Performer Extraordinaire

After a successful nightclub run in 1940 at New York City's La Martinique, Kaye finally made a real mark on Broadway in the Moss Hart/Kurt Weill/Ira Gershwin musical, Lady in the Dark, in 1941. He stopped the show - and supposedly enraged its star, Gertrude Lawrence - with "Tchaikovsky," a Fine composition that required Kaye to spit out 50 names of Russian composers in under 40 seconds. Next up was a starring role opposite Eve Arden in Cole Porter's Let's Face It, in which he delighted audiences with another Fine tongue twister, "Melody in Four-F." 1941 was also the year that the United States entered World War II. Unable to serve in the military because of a back problem, Kaye spent much of the early 1940s performing both at home and abroad in support of the troops. In 1943, he moved to Hollywood in order to kick-start his movie career. Already hugely popular, he was received with open arms and put under contract to producer Samuel Goldwyn.

Kaye began his Hollywood career with 1944's Up in Arms, going on to appear in a total of 17 movies, at the rate of nearly one per year until 1969. Although many felt that his energy and distinctive talents were best appreciated in person, he became one of the big screen's brightest stars for at least a decade. His early films included Wonder Man (1945), The Kid from Brooklyn (1946), and a signature performance in 1947's The Secret Life of Walter Mitty. Kaye's comedies were often complex and required his playing more than one part (as Walter Mitty, for instance, he had seven roles). Others, such as Hans Christian Andersen, became classics for children, while White Christmas became a holiday classic. Still others, such as the 1956 film The Court Jester, showcased the vocal virtuosity that made Kaye a star. In that movie, his most famous line was, "The pellet with the poison's in the vessel with the pestle, the chalice from the palace has the brew that is true." Kaye's last feature film was 1969's The Madwoman of Chaillot, where he played opposite Katharine Hepburn. He garnered his first Academy Award, for "service to the Academy, the motion picture industry, and the American people," in 1954.

In addition to his success in the cinema, Kaye remained quite a hit on stage. In 1948, he took his one-man show to the London Palladium and the crowds went wild. The show broke all attendance records, and made history as the Royal Family actually left the royal box in favor of the first row to better enjoy the actor's performance.

Beginning in the 1960s, Kaye started branching out to include television on his resume. His variety program The Danny Kaye Show ran from 1963 to 1967 and won him an Emmy Award in its first year on the air. He picked up another Emmy in 1975 for Danny Kaye's Look-in at the Metropolitan Opera, and guest starred and performed in many specials and series. Most notable among these later performances was Kaye's critically acclaimed portrayal of a Holocaust survivor in the 1981 television movie, Skokie. For all his accolades and contributions to the stage, screen, and concert hall, Kaye had a great deal more to offer the world.

UNICEF

Perhaps unsurprisingly for a man with such whimsical wit and boyish charm, Kaye had a deep love and respect for children. That interest led him to be the first celebrity spokesperson for the United Nations International Children's Emergency Fund (UNICEF), and he served as that organization's goodwill ambassador from 1954 until his death in 1987. As UNICEF spokesman, he traveled thousands of miles in his relentless efforts to raise money for the fund. Most famous was Kaye's 1975 trip, in which he flew to 65 cities in five days. To him, it was all worthwhile. UNICEF.com quoted Kaye as once saying, "I believe deeply that children are more powerful than oil, more beautiful than rivers, more precious than any other natural resource a country can have. I feel that the most rewarding thing I have ever done in my life is to be associated with UNICEF."

In 1965, Kaye was asked to accept the Nobel Peace Prize on UNICEF's behalf. His humanitarian efforts for children also received notice from the Academy of Motion Picture Arts and Sciences again in 1982, when he received that organization's Jean Hersholt Humanitarian Award. Even the Danish government recognized Kaye's unstinting labors for the cause, awarding him knighthood in 1983. For Kaye, however, it was all about the kids. His daughter, Dena, quoted her father's thoughts on the appeal of children many years later in Town & Country. "'Children,' he said, 'instinctively recognize what is true and what is not."'

Renaissance Man

Some found Kaye a thorny man, demanding and temperamental. He was, for instance, famously particular about punctuality, believing that being late indicated a lack of respect for the other person's time. His relationship with his wife was allegedly turbulent as well, although Fine met that supposition with wry wit in a 1953 New York Herald Tribune interview, cited by William A. Henry III of Time. "I can't say what Danny Kaye is like in private life," she reportedly quipped. "There are too many of him." Yet another perspective was given to Kaye's daughter in the Town & Country article, when Kaye's longtime personal assistant, Suzanne Hertfelder noted, "People said [Kaye] was difficult. What is difficult about expecting 100 percent if you give 100 percent?" Whatever his foibles, faults, or virtues, few could deny Kaye's zest for life and ability to find creative outlets.

In the early 1960s, despite his inability to read music, Kaye began conducting symphonies at the behest of noted conductor Eugene Ormandy. He went on to pick up the baton for more than 50 orchestras, including the New York Philharmonic. While he could not help but incorporate some wacky antics, such as conducting "The Flight of the Bumblebee" with a flyswatter, Kaye gained the respect of such luminaries as violinists Zubin Mehta and Itzhak Perlman, along with raising money for various charitable causes.

Kaye also was licensed as a commercial pilot, starting with small planes and graduating to 747s, and he often flew his UNICEF missions himself. Among his other avocations were Chinese cooking expert, baseball enthusiast/investor - he had a financial stake in the Seattle Mariners from 1977 to 1981 - golf aficionado, and ping pong whiz. Echoing his childhood dream of being a doctor, he also nursed a lifelong interest in medicine, often donning a mask and gown to observe surgeons in the operating theater. It all intensely interested him. As his daughter quoted him in Town & Country, "I'm crazy about what I do. When I'm conducting, I think that's my favorite; when I fly an airplane, that's what I like best; and when I travel for UNICEF, that satisfies me the most."

Endgame

For all his absorbing outside activities and pastimes, Kaye's greatest legacy was as a performer. His ability to connect with an audience and bring people into his world was unparalleled. Not coincidentally, his sense of responsibility to the public was equally great. One example of this was his return to Broadway in the 1970 Richard Rogers musical, Two by Two. Although he injured himself during the show's run, he carried on with his performance for ten months, using either crutches or a wheelchair. Although some found it disruptive, it was the kind of dedication that professionals of Kaye's ilk would admire and understand.

One of the most beloved and admired entertainers of his time, Kaye died in Los Angeles, California on March 3, 1987, with his wife and daughter at his side. His daughter later recalled Harry Belafonte's thoughts on her dad in Town & Country: "Danny accepted no boundaries. That's the highest form of creative energy." The John F. Kennedy Center for the Performing Arts put it another way, noting on its Website: "As a youngster, David Daniel Kaminsky wanted to be a doctor. He has become one, using what is considered the best medicine."

Books

Contemporary Heroes and Heroines, Volume 4, Gale Group, 2000.

Scribner Encyclopedia of American Lives, Volume 2: 1986-1990, Charles Scribner's Sons, 1999.

Periodicals

Seattle Times, December 23, 1996.

Sunday Times (London, England), January 8, 1995.

Time, March 16, 1987.

Times (London, England), March 4, 1987.

Town & Country, August, 2003.

UN Chronicle, June, 1983.

Online

"Danny Kaye," UNICEF Web site, http://www.unicef.org/people/people - danny - kaye.html (December 20, 2004).

John F. Kennedy Center for the Performing Arts Web site,http://www.kennedy-center.org/calendar/index.cfm?fuse action=showIndividual&entitY; - id=3748&source; - type=A (December 20, 2004).

Quotes By:

Danny Kaye

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Quotes:

"Life is a great big canvas, and you should throw all the paint on it you can."

AMG AllMovie Guide:

Danny Kaye

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Biography

Inimitable, multi-talented entertainer Danny Kaye first gained fame on Broadway by upstaging the great Gertrude Lawrence in Lady in the Dark in 1941 with an unforgettable rendition of the "Tchaikovsky," in which he rapidly fired off the names of 54 Russian composers in 38 seconds. Born David Daniel Kaminski, a garment worker's son in Brooklyn, New York, Kaye left school at age 13 to work as a mischievous busboy in the popular "borscht belt" resorts of the Catskill Mountains. While endeavoring to break into vaudeville and nightclub acts as a singer and dancer, Kaye also occasionally worked as a soda jerk and an insurance salesman. In 1939, he made his Broadway debut in Straw Hat Revue with Imogene Coca. Following the run of Lady in the Dark, he began making a series of educational films during the '30s. In 1943, he signed a movie contract with producer Sam Goldwyn, and became a star when he appeared in Up in Arms (1944). A talented mimic, physical comedian, singer and dancer, he was unlike any performer who had come before him. Kaye specialized in playing multiple roles or personalities in such films as Wonder Man (1945), The Kid From Brooklyn (1946), The Secret Life of Walter Mitty (1947), The Inspector General (1949), and On the Riviera (1951). Probably his best films are The Court Jester (1956), which contains the unforgettable "pellet with the poison's in the vestle with the pestle" routine, based on similar but less effective bits in earlier films, and White Christmas (1954). His wife, composer-lyricist Sylvia Fine, wrote most of his best gags and patter numbers throughout his career. Though tremendously popular during the mid-'40s through the '50s -- most particularly in Great Britain, where played to record-breaking crowds in the Palladium in 1948 and 1949 (he even made personal visits to Buckingham Palace) -- his bright star began to wane in the late 1950s when he began spending most of his time working for UNICEF, and traveling the world-over to entertain impoverished children. In the early to mid-'60s, he starred in The Danny Kaye Show, a comedy-variety television series for which he won an Emmy in 1964. He also found time to conduct symphony orchestras and appear in Two by Two on Broadway. In 1955, Kaye was awarded an honorary Oscar; the Motion Picture Academy also awarded him the Jean Hersholt Award in 1982 for his selfless work with UNICEF. ~ Sandra Brennan, Rovi

Biography

A gifted mimic and peerless physical comedian, Danny Kaye ranked among America's most popular entertainers in the years during and following World War II. Rubber-faced and manic, he rose to stardom in film and in television, on record and on Broadway, easily adapting from outrageous novelty songs to tender ballads; for all of his success as a performer, however, his greatest legacy remains his tireless humanitarian work -- so close were his ties to the United Nations International Children's Emergency Fund (UNICEF) that when the organization received the Nobel Peace Prize, Kaye was tapped to accept it.

Born David Daniel Kominsky on January 13, 1918 in Brooklyn, New York, he dropped out of high school at the age of 14 to hitchhike with his friend Louis Elison to Florida, where the duo sang for money. Upon returning to New York they teamed in an act dubbed Red and Blackie, later working as "toomlers" (i.e. creators of tumult, or all-around entertainers) on the borscht-belt circuit in the Catskills. In 1933 he joined the Three Terpsichoreans' vaudeville act, performing for the first time as "Danny Kaye; " after touring the country in the stage revue La Vie Paree, the troupe sailed to the Orient in 1934. In Japan and China, Kaye developed his pantomime and face-making techniques; he also began singing in gibberish, allowing only the occasional word to be rendered intelligible.

After returning stateside in 1936, Kaye worked with comedian Nick Long Jr. and toured with Abe Lyman's Band before journeying to London to play the city's cabaret circuit. The trip proved unsuccessful, and soon Kaye was back in New York; there he met pianist and songwriter Sylvia Fine, who became not only his performing partner but also his wife. Fine wrote many of Kaye's best known songs, including "Stanislavsky," "Pavlova" and "Anatole of Paris; " much of the material he then performed on Broadway in The Straw Hat Revue, which opened in 1939. Kaye subsequently appeared in Moss Hart's The Lady in the Dark in what became a star-making performance; he then moved on to Cole Porter's Let's Face It! before touring in support of the war effort, where he sold about $1million in bonds over a period of just six months.

Kaye made his feature film debut in 1944's Up in Arms. The following year he began hosting his own CBS radio program, launching a number of hit songs including "Dinah," "Tubby the Tuba," "Minnie the Moocher," "Ballin' the Jack," "Bloop Bleep" and "Civilization; " "I've Got a Lovely Bunch of Coconuts," his lone U.S. chart hit, was released in 1950. In 1947 he starred in The Secret Life of Walter Mitty, arguably his definitive screen role; following an appearance in 1948's A Star Is Born he made a triumphant return to London, appearing in a series of record-breaking performances at the Palladium as well as several Royal Command Performances. Kaye then went to Canada in 1950, becoming the first solo performer to star at the Canadian National Exhibition, before returning to Britain in 1952 for a tour of the nation's provincial music halls.

Amidst this flurry of activity Kaye continued his film career, and after completing 1951's On the Riviera he began work on Hans Christian Andersen, one of the most successful motion pictures in the history of MGM Studios; two of its Frank Loesser-penned songs, "The Ugly Duckling" and 'Wonderful Copenhagen," reached the Top Five on the U.K. pop charts. In 1954, Kaye appeared in both Knock on Wood and White Christmas; after 1956's The Court Jester, he starred as 1920s cornet player Red Nichols in 1958's The Five Pennies, appearing with Louis Armstrong. From 1963 to 1967, he hosted his own television variety program, The Danny Kaye Show, before returning to Broadway in 1969 in The Madwoman of Challiot. A year later, he starred in the Richard Rodgers and Martin Charnin musical Two by Two.

In the 1970s and 1980s Kaye regularly conducted classical orchestras; he also appeared frequently on television, winning an Emmy for 1975's "Danny Kaye's Look-In and the Metropolitan Opera," produced for CBS' Festival of Lively Arts for Young People series. He also starred in small-screen productions of Pinocchio and Peter Pan. From the early 1950s on, however, much of Kaye's time was spent in support of UNICEF, and he served as the charitable organization's ambassador-at-large for 34 years. Awarded a Special Oscar in 1954, he also received the Academy of Motion Picture Arts and Science's Jean Hersholt Humanitarian Award in 1982. After suffering a heart attack, Danny Kaye died on March 3, 1987; he was 74 years old. ~ Jason Ankeny, Rovi

Discography

Merry Andrew [Original Soundtrack]

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Wikipedia on Answers.com:

Danny Kaye

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Danny Kaye
Born David Daniel Kaminsky
January 18, 1913(1913-01-18)
Brooklyn, New York, U.S.
Died March 3, 1987(1987-03-03) (aged 74)
Los Angeles, California, U.S.
Occupation Actor, singer, comedian
Years active 1935–1986
Spouse Sylvia Fine (1940-1987) (his death) 1 child

Danny Kaye (born David Daniel Kaminsky; January 18, 1913 – March 3, 1987)[1] was a celebrated American actor, singer, dancer, and comedian. His best known performances featured physical comedy, idiosyncratic pantomimes, and rapid-fire nonsense songs.

Kaye starred in 17 movies, notably The Kid from Brooklyn (1946), The Secret Life of Walter Mitty (1947), The Inspector General (1949), Hans Christian Andersen (1952), and — perhaps his most accomplished performance — The Court Jester (1956). His films were extremely popular, especially his bravura performances of patter songs and children's favorites such as The Inch Worm and The Ugly Duckling. He was the first ambassador-at-large of UNICEF and received the French Legion of Honor in 1986 for his many years of work with the organization.[2]

Contents

Early years

David Daniel Kaminsky was born to Ukrainian Jewish immigrants in Brooklyn. Jacob and Clara Nemerovsky Kaminsky and their two sons, Larry and Mac, left Ekaterinoslav two years before his birth; he was the only one of their sons born in the United States.[3] He spent his early youth attending Public School 149 in East New York, Brooklyn, where he began entertaining his young classmates with songs and jokes,[4] before moving to Thomas Jefferson High School, but he never graduated.[5] His mother died when he was in his early teens. Clara enjoyed the impressions and humor of her youngest son and always had words of encouragement for them; her death was a great loss for young Danny.

Not long after his mother's death, Danny and his best friend ran away to Florida. Danny sang while his friend Louis played the guitar; the pair eked out a living like this for a while. When Danny did return to New York, his father did not pressure him to return to school or to get a job, giving his son the chance to mature and discover his own abilities.[6] Danny said he had wanted to become a surgeon as a young boy, but there was no chance of the family being able to afford a medical school education for him.[3][7] He held a succession of jobs after leaving school: a soda jerk, insurance investigator, office clerk. Most of them ended with him being fired. He lost the insurance job when he made an error that cost the insurance company $40,000. The dentist who had hired him to look after his office during his lunch hour did the same when he found Danny using his drill to create designs in the office woodwork.[3][8] He learned his trade in his teenage years in the Catskills as a tummler in the Borscht Belt.[4]

Kaminsky's first break came in 1933 when he was asked to become one of the "Three Terpsichoreans", a vaudeville dance act. He opened with them in Utica, New York using the name Danny Kaye for the first time.[4] The act toured the United States, then signed on to perform in the Orient with the show La Vie Paree.[9] The troupe left for six months in the Far East on February 8, 1934. While the group was in Osaka, Japan, a hurricane hit the city. The hotel Kaye and his colleagues stayed in suffered heavy damage; a piece of the hotel's cornice was hurled into Kaye's room by the strong wind, nearly killing him. By performance time that evening, the city was still in the grip of the storm. There was no power and the audience had become understandably restless and nervous. To keep everyone calm, Kaye went on stage, his face lit by a flashlight, and sang every song he could recall as loudly as he was able.[3] The experience of trying to entertain audiences who did not speak English is what brought him to the pantomimes, gestures, songs and facial expressions which eventually made him famous.[4][8] Sometimes it was necessary just to try to get a meal. Kaye's daughter, Dena, tells a story her father related about being at a restaurant in China and trying to order chicken. Kaye flapped his arms and clucked, giving the waiter his best imitation of a chicken. The waiter nodded his understanding, bringing Kaye two eggs. His interest in cooking began on the tour.[4][9]

When he returned to the United States, jobs were in short supply; Kaye struggled for bookings. One of the jobs was working in a burlesque revue with fan dancer Sally Rand. After the dancer dropped one of her fans while trying to chase away a fly, Kaye was hired to be in charge of the fans so they were always held in front of her.[4][8]

Career

Promotional flyer for The Straw Hat Revue, 1939. Kaye met his wife, Sylvia Fine, while working in it.

Danny Kaye made his film debut in a 1935 comedy short titled Moon Over Manhattan. In 1937 he signed with New York–based Educational Pictures for a series of two-reel comedies. Kaye usually played a manic, dark-haired, fast-talking Russian in these low-budget shorts, opposite young hopefuls June Allyson or Imogene Coca. The Kaye series ended abruptly when the studio shut down permanently in 1938. He was still working in the Catskills at times in 1937, using the name Danny Kolbin.[10][11] Kaye's next venture was a short-lived Broadway show, where Sylvia Fine was the pianist, lyricist and composer. The Straw Hat Revue opened on September 29, 1939 and closed after ten weeks, but it was long enough for critics to take notice of Danny Kaye's work in it.[3][12] The glowing reviews brought an offer for both Kaye and his new bride, Sylvia, to work at La Martinique, an upscale New York City nightclub. Kaye performed with Sylvia as his accompanist. This is where playwright Moss Hart saw Danny in action, which led to his being cast in Hart's Lady in the Dark.[3][8]

Kaye scored a personal triumph in 1941, in the hit Broadway comedy Lady in the Dark. His show-stopping number was "Tchaikovsky", by Kurt Weill and Ira Gershwin, in which he sang the names of a whole string of Russian composers at breakneck speed, seemingly without taking a breath.[13][14] By the next Broadway season, he was the star of his own show about a young man who is drafted called Let's Face It!.[15]

His feature film debut was in producer Samuel Goldwyn's Technicolor 1944 comedy Up in Arms,[16] a remake of Goldwyn's Eddie Cantor comedy Whoopee! (1930).[17] Kaye's rubber face and fast patter were an instant hit,[citation needed] and rival producer Robert M. Savini cashed in almost immediately by compiling three of Kaye's old Educational Pictures shorts into a makeshift feature, The Birth of a Star (1945).[18]

Kaye starred in a radio program of his own, The Danny Kaye Show, on CBS in 1945–1946.[19] It had a stellar cast (including Eve Arden, Lionel Stander, and Big Band leader Harry James), and was scripted by radio notable Goodman Ace and respected playwright-director Abe Burrows. The radio program's popularity rose quickly. Before Kaye had been on the air a year, he tied with Jimmy Durante for fifth place in the Radio Daily popularity poll.[8] Kaye was asked to participate in a USO tour following the end of World War II. It meant he would be absent from his radio show for close to two months at the beginning of the season. Kaye's friends filled in for him, with a different guest host each week.[20] Kaye was the first American actor to visit postwar Tokyo; it was his first time there after touring there some ten years before with the vaudeville troupe.[21][22] When Kaye asked to be released from his radio contract in mid 1946, he agreed not to accept another regular radio show for one year and also to limit his guest appearances on the radio programs of others.[20][23] Many of the show's episodes survive today, and are notable for Kaye's opening "signature" patter.[8]

"Git gat gittle, giddle-di-ap, giddle-de-tommy, riddle de biddle de roop, da-reep, fa-san, skeedle de woo-da, fiddle de wada, reep!"

Danny Kaye on USO tour at Sasebo, Japan, October 25, 1945. Kaye and his friend, Dodgers manager Leo Durocher, made the trip.[21]

Kaye was sufficiently popular that he inspired imitations:

Kaye starred in several movies with actress Virginia Mayo in the 1940s, and is well known for his roles in films such as The Secret Life of Walter Mitty (1947), The Inspector General (1949), On the Riviera (1951) co-starring Gene Tierney, Knock on Wood (1954), White Christmas (1954, in a role originally intended for Fred Astaire, then Donald O'Connor),The Court Jester (1956), and Merry Andrew (1958). Kaye starred in two pictures based on biographies, Hans Christian Andersen (1952) about the Danish story-teller, and The Five Pennies (1959) about jazz pioneer Red Nichols. His wife, writer/lyricist Sylvia Fine, wrote many of the witty, tongue-twisting songs Danny Kaye became famous for.[7][24] She was also an associate producer.[25] Some of Kaye's films included the theme of doubles, two people who look identical (both played by Danny Kaye) being mistaken for each other, to comic effect.

While his wife wrote Kaye's material, there was much of it that was unwritten, springing from the mind of Danny Kaye, often while he was performing. Kaye had one character he never shared with the public; Kaplan, the owner of an Akron, Ohio rubber company, came to life only for family and friends. His wife, Sylvia, described the Kaplan character:[26]

"He doesn't have any first name. Even his wife calls him just Kaplan. He's an illiterate pompous character who advertises his philanthropies. Jack Benny or Dore Schary might say, "Kaplan, why do you hate unions so?" If Danny feels like doing Kaplan that night, he might be off on Kaplan for two hours."

When he appeared at the London Palladium music hall in 1948, he "roused the Royal family to shrieks of laughter and was the first of many performers who have turned English variety into an American preserve." Life magazine described his reception as "worshipful hysteria" and noted that the royal family, for the first time in history, left the royal box to see the show from the front row of the orchestra.[27][28][29] He later related that he had no idea of the familial connections when the Marquess of Milford Haven introduced himself after one of the shows and said he would like his cousins to see Kaye perform.[14] Kaye also later stated that he never returned to the venue because there was no way to re-create the magic of that time.[30] Kaye had an invitation to return to London for a Royal Variety Performance in November of the same year.[31] When the invitation arrived, Kaye was busy at work on The Inspector General (which had a working title of Happy Times for a while). Warners stopped work on the film to allow their star to attend.[32]

He hosted the 24th Academy Awards in 1952. The program was broadcast only on radio. Telecasts of the Oscar ceremony would come later. During the 1950s, Kaye visited Australia, where he played "Buttons" in a production of Cinderella in Sydney. In 1953, Kaye started his own production company, Dena Pictures, named for his daughter. Knock on Wood was the first film produced by his firm. The firm expanded into television in 1960 under the name Belmont Television.[33][34]

Kaye in 1955

Kaye entered the world of television in 1956 through the CBS show See It Now with Edward R. Murrow.[35] The Secret Life of Danny Kaye combined his 50,000 mile, ten country tour as UNICEF ambassador with music and humor.[36][37] His first solo effort was in 1960 with an hour-long special produced by Sylvia and sponsored by General Motors; there were similar specials in 1961 and 1962.[3] He hosted his own variety hour on CBS television, The Danny Kaye Show, from 1963 to 1967, which won four Emmy awards and a Peabody award.[38][39] During this period, beginning in 1964, he acted as television host to the annual CBS telecasts of MGM's The Wizard of Oz. Kaye also did a stint as one of the What's My Line? Mystery Guests on the popular Sunday night CBS-TV quiz program. Kaye later served as a guest panelist on that show. He also appeared on the NBC interview program Here's Hollywood.

In the 1970s Kaye tore a ligament in his leg during the run of the Richard Rodgers musical Two by Two, but went on with the show, appearing with his leg in a cast and cavorting on stage from a wheelchair.[38][40] He had done much the same on his television show in 1964 when his right leg and foot were seriously burned from an at-home cooking accident. The camera shots were planned so television viewers did not see Kaye in his wheelchair.[41]

In 1976, he played the role of Mister Geppetto in a television musical adaptation of Pinocchio with Sandy Duncan in the title role. Kaye also portrayed Captain Hook opposite Mia Farrow in a musical version of Peter Pan featuring songs written by Anthony Newley and Leslie Bricusse. It was shown on NBC-TV in December, 1976 as part of The Hallmark Hall Of Fame series. He guest-starred much later in his career in episodes of The Muppet Show, The Cosby Show[42] and in the 1980s revival of The Twilight Zone.

In many of his movies, as well as on stage, Kaye proved to be a very able actor, singer, dancer and comedian. He showed quite a different and serious side as Ambassador for UNICEF and in his dramatic role in the memorable TV movie Skokie, in which he played a Holocaust survivor.[38] Before his death in 1987, Kaye demonstrated his ability to conduct an orchestra during a comical, but technically sound, series of concerts organized for UNICEF fundraising. Kaye received two Academy Awards: an honorary award in 1955, the Jean Hersholt Humanitarian Award and the Screen Actors Guild Annual Award in 1982.[13]

Kaye was enamored of music. While he often claimed an inability to read music, he was quite the conductor, and was said to have perfect pitch. Kaye's ability with an orchestra was brought up by Dimitri Mitropoulos, who was then the conductor of the New York Philharmonic Orchestra. After Kaye's guest appearance, Mitropoulos remarked, "Here is a man who is not musically trained, who cannot even read music, and he gets more out of my orchestra than I ever have."[5] Kaye was often invited to conduct symphonies as charity fundraisers[7][13] and was the conductor of the all-city marching band at the season opener of the Los Angeles Dodgers in 1984. Over the course of his career he raised over US$5,000,000 in support of musicians pension funds.[43]

In 1980, Kaye hosted and sang in the 25th Anniversary of Disneyland celebration, and hosted the opening celebration for Epcot in 1982 (EPCOT Center at the time), both of which were aired on prime-time American television.

Other projects

Cooking

In his later years he took to entertaining at home as chef – he had a special stove installed in his patio – and specialized in Chinese and Italian cooking.[13] The specialized stove Kaye used for his Chinese dishes was fitted with special metal rings for the burners to allow the heat from them to be highly concentrated. Kaye needed to install a trough with circulating ice water so he could use the burners.[44] Kaye also taught Chinese cooking classes at a San Francisco Chinese restaurant in the 1970s.[45] The theater and demonstration kitchen underneath the library at the Culinary Institute of America in Hyde Park, New York is named for him.[46]

Danny referred to his kitchen as "Ying's Thing". While filming The Madwoman of Chaillot in France, he phoned home to ask his family if they would like to eat at "Ying's Thing" that evening; Kaye then flew home for dinner.[9] Not all of his efforts in the kitchen turned out well. After flying to San Francisco for a recipe for sourdough bread, he came home and spent hours preparing loaves. When his daughter asked about the bread, Kaye tried showing her by hitting the bread on the kitchen table. His bread was hard enough to chip it.[9] Kaye approached his kitchen work with enthusiasm, making his own sausages and other items needed for his cuisine.[44][47] His work as a chef earned him the "Les Meilleurs Ouvriers de France" cuilinary award; Kaye was the only non-professional to achieve this honor.[5]

Flying

Like many in the film business, Danny was an aviation enthusiast. He became seriously interested in learning how to fly in 1959. An enthusiastic and accomplished golfer, Kaye gave up golf in favor of flying.[48] When Kaye went for his first written pilot's exam, he brought a liverwurst sandwich in case he was there for hours. The first plane Kaye owned was a Piper Aztec.[49][50] Kaye got his first license as a private pilot of multi-engine aircraft, not getting certified for operating a single engine plane until six years later.[49] He was an accomplished pilot, rated for airplanes ranging from single engine light aircraft to multi-engine jets.[13] Kaye held a commercial pilot's license and had flown every type of aircraft except military planes.[5][49][51] A vice-president of Learjet, Kaye owned and operated a Learjet 24.[49] He supported many flying projects. In 1968, he was Honorary Chairman of the Las Vegas International Exposition of Flight, a major show that utilized most facets of the city’s entertainment industry while presenting a major air show. The operational show chairman was well-known aviation figure, Lynn Garrison. Kaye flew his own plane to 65 cities in five days on a mission designed to help UNICEF.[5]

Danny Kaye was very fond of the legendary arranger Vic Schoen. Schoen had arranged for him on White Christmas, The Court Jester, and albums and concerts with the Andrews Sisters. In the 1960s Vic Schoen was working on a show in Las Vegas with Shirley Temple. He was injured in a car accident. When Danny Kaye heard about the accident, he immediately flew his own plane to McCarran Airport to pick up Schoen and bring him back to Los Angeles to guarantee the best medical attention.

Baseball

Kaye was part-owner of baseball's Seattle Mariners along with his partner Lester Smith from 1977 to 1981.[13][52] Prior to that, the lifelong fan of the Brooklyn/Los Angeles Dodgers recorded a song called "The D-O-D-G-E-R-S Song (Oh really? No, O'Malley!)", describing a fictitious encounter with the San Francisco Giants, which was a hit during the real-life pennant chase of 1962. That song is included on Baseball's Greatest Hits compact discs. A good friend of Leo Durocher, he would often travel with the team.[8] In addition to being an owner, Kaye had an encyclopedic knowledge of the game.[13]

Medicine

He also had a longstanding interest in medicine and was permitted to observe surgery on several occasions.[8][53] He was an honorary member of the American College of Surgeons and the American Academy of Pediatrics.[13]

Charity

Throughout his life, Kaye donated to various charities. Working alongside UNICEF's Halloween fundraiser founder, Ward Simon Kimball Jr., the actor educated the public on impoverished children in deplorable living conditions overseas and assisted in the distribution of donated goods and funds. His involvement with UNICEF came about in a very unusual way. Kaye was flying home from an appearance in London in 1949 when one of the plane's four engines lost its propeller and caught fire. The problem was initially thought to be serious enough that it might need to make an ocean landing; life jackets and life rafts were made ready. The plane was able to head back over 500 miles to make a landing in Shannon, Ireland. On the way back to Shannon, the head of the Children's Fund, Maurice Pate, had the seat next to Danny Kaye and spoke at length to him about the need for recognition for the Fund. Their discussion continued on the flight from Shannon to New York; it was the beginning of the actor's long association with UNICEF.[54][55]

The bench at Danny Kaye's grave in Kensico Cemetery.

Death

Kaye died of a heart attack in March 1987, following a bout with hepatitis. Kaye had quadruple bypass heart surgery in February 1983; he contracted hepatitis from a blood transfusion he received at that time.[13][42] He left a widow, Sylvia Fine, and a daughter, Dena.[56] He is interred in the Kensico Cemetery in Valhalla, New York. His grave is adorned with a bench that contains friezes of a baseball and bat, an aircraft, a piano, a flower pot, musical notes, and a glove. Kaye's name, birth and death dates are inscribed on the glove.[57] The United Nations held a memorial tribute to him at their New York headquarters.[58][59]

Personal life

Kaye and his wife, Sylvia, both grew up in Brooklyn, living only a few blocks apart, but they did not meet until they were both working on an off-Broadway show in 1939.[60] Sylvia was an audition pianist at the time.[7][24][61] Danny and Sylvia discovered that the dentist whose office he had been hired to watch was Sylvia's father, Samuel Fine.[8] They were married on January 3, 1940.[56][62] Kaye, working in Florida at the time, proposed on the telephone; the couple were married in Fort Lauderdale.[63] Their daughter, Dena, was born on December 17, 1946.[12][64]

Both Kaye and his wife raised their daughter without any parental hopes or aspirations for her future. Kaye said in a 1954 interview, "Whatever she wants to be she will be without interference from her mother nor from me."[6][47] When she was very young, Dena did not like seeing her father perform because she did not understand that people were supposed to laugh at what he did.[65]

During World War II, the Federal Bureau of Investigation investigated rumors that Kaye dodged the draft by manufacturing a medical condition to gain 4-F status and exemption from military service. FBI files show he was also under investigation for supposed links with Communist groups. The allegations were never substantiated, and he was never charged with any associated crime.[66]

After Kaye and his wife became estranged,[12][67][68] he was allegedly involved with a succession of women, though he and Fine never divorced.[69][70] The best-known of these women was actress Eve Arden.[53][71]

There are persistent rumors that Kaye was either homosexual or bisexual, and some sources claim that Kaye and Laurence Olivier had a ten-year relationship in the 1950s while Olivier was still married to Vivien Leigh.[72] A biography of Leigh states that the alleged relationship caused her to have a breakdown.[73] The alleged relationship has been denied by Olivier's official biographer, Terry Coleman.[74] Joan Plowright, Olivier's widow, has dealt with the matter in different ways on different occasions: she deflected the question (but alluded to Olivier's "demons") in a BBC interview.[75] However, in her memoirs Plowright denies that there had been an affair between the two men.[76] Producer Perry Lafferty reported: "People would ask me, 'Is he gay? Is he gay?' I never saw anything to substantiate that in all the time I was with him.”[53] Kaye’s final girlfriend, Marlene Sorosky, reported that he told her, "I've never had a homosexual experience in my life. I've never had any kind of gay relationship. I've had opportunities, but I never did anything about them."[53]

Honors, awards, tributes

Filmography

Film

# Title Year Role Director Co-stars Filmed in
1. Moon Over Manhattan[81] 1935 Himself Al Christie Sylvia Froos, Marion Martin Black and white
2. Dime a Dance[82] 1937 Eddie Al Christie Imogene Coca, June Allyson Black and white
3. Getting an Eyeful[83] 1938 Russian Al Christie Charles Kemper, Sally Starr Black and white
4. Cupid Takes a Holiday[84] 1938 Nikolai Nikolaevich (bride-seeker) William Watson Douglas Leavitt, Estelle Jayne Black and white
5. Money on Your Life[85] 1938 Russian William Watson Charles Kemper, Sally Starr Black and white
6. Up in Arms 1944 Danny Weems Elliott Nugent Dinah Shore, Dana Andrews Technicolor
7. Wonder Man 1945 Edwin Dingle / Buzzy Bellew H. Bruce Humberstone Virginia Mayo, Vera-Ellen, Steve Cochran Technicolor
8. The Kid from Brooklyn 1946 Burleigh Hubert Sullivan Norman Z. McLeod Virginia Mayo, Vera-Ellen, Steve Cochran, Eve Arden Technicolor
9. The Secret Life of Walter Mitty 1947 Walter Mitty Norman Z. McLeod Virginia Mayo, Boris Karloff, Fay Bainter, Ann Rutherford Technicolor
10. A Song Is Born 1948 Professor Hobart Frisbee Howard Hawks Virginia Mayo, Benny Goodman, Hugh Herbert, Steve Cochran Technicolor
11. It's a Great Feeling 1949 Himself David Butler Dennis Morgan, Doris Day, Jack Carson Technicolor
12. The Inspector General 1949 Georgi Henry Koster Walter Slezak, Barbara Bates, Elsa Lanchester, Gene Lockhart Technicolor
13. On the Riviera 1951 Jack Martin / Henri Duran Walter Lang Gene Tierney, Corinne Calvet Technicolor
14. Hans Christian Andersen 1952 Hans Christian Andersen Charles Vidor Farley Granger, Zizi Jeanmaire Technicolor
15. Knock on Wood 1954 Jerry Morgan / Papa Morgan Norman Panama
Mevin Frank
Mai Zetterling, Torin Thatcher Technicolor
16. White Christmas 1954 Phil Davis Michael Curtiz Bing Crosby, Rosemary Clooney, Vera-Ellen, Dean Jagger VistaVision
Technicolor
17. The Court Jester 1956 Hubert Hawkins Norman Panama
Mevin Frank
Glynis Johns, Basil Rathbone, Angela Lansbury VistaVision
Technicolor
18. Merry Andrew 1958 Andrew Larabee Michael Kidd Salvatore Baccaloni, Pier Angeli CinemaScope
Metrocolor
19. Me and the Colonel 1958 Samuel L. Jacobowsky Peter Glenville Curd Jürgens, Nicole Maurey, Françoise Rosay, Akim Tamiroff Black and white
20. The Five Pennies 1959 Red Nichols Melville Shavelson Barbara Bel Geddes, Louis Armstrong, Tuesday Weld VistaVision
Technicolor
21. On the Double 1961 Pfc. Ernie Williams Melville Shavelson Dana Wynter, Margaret Rutherford, Diana Dors Panavision
Technicolor
22. The Man from the Diner's Club 1963 Ernest Klenk Frank Tashlin Cara Williams, Martha Hyer Black and white
23. The Madwoman of Chaillot 1969 The Ragpicker Bryan Forbes Katharine Hepburn, Charles Boyer Technicolor

Television

  • Autumn Laughter (1938) (experimental telecast)
  • The Secret Life of Danny Kaye (1956) (See It Now special)
  • An Hour With Danny Kaye (1960 and 1961) (specials)
  • The Danny Kaye Show with Lucille Ball (1962) (special)
  • The Danny Kaye Show (1963–1967) (series)
  • The Lucy Show: "Lucy Meets Danny Kaye" (1964) (guest appearance)
  • Here Comes Peter Cottontail (1971) (voice)
  • The Enchanted World of Danny Kaye: The Emperor's New Clothes (1972) (special)
  • An Evening with John Denver (1975) (special)
  • Pinocchio (1976) (special)
  • Peter Pan (1976) (special)
  • The Muppet Show (1978) (guest appearance)
  • Disneyland's 25th Anniversary (1980) (special guest appearance)
  • An Evening with Danny Kaye (1981) (special)
  • Skokie (1981)
  • The New Twilight Zone: "Paladin of the Lost Hour" (1985) (guest appearance)
  • The Cosby Show: "The Dentist" (1986) (guest appearance)

Discography

Studio Albums

Soundtracks

Story Albums

Compilations

References

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