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Danny Whitten

 
Artist: Danny Whitten

Worked With:

David Briggs, Billy Talbot, Ralph Molina, Neil Young
  • Born: May 08, 1943, Columbus, GA
  • Died: November 18, 1972, Los Angeles, CA
  • Active: '60s, '70s
  • Genres: Rock
  • Instrument: Guitar

Biography

Although he died early in his music career with Crazy Horse, Danny Whitten was the group's original leader and main focus. Not much is known about Whitten's early years, except that he was originally from the East Coast. Whitten met up with future Crazy Horse bandmember Billy Talbot at a Los Angeles club in the mid-'60s, and the duo (neither of whom played instruments at that point) formed a vocal group they dubbed Danny and the Memories. One of the bandmembers, Lou Molina, suggested that the newly formed outfit recruit his cousin Ralph, who was soon welcomed onboard. After an obscure single failed to chart, the group eventually changed styles and members when psychedelic rock became all the rage, with only Whitten, Talbot, and Ralph Molina remaining, they also picked up instruments (Whitten on guitar, Talbot on bass, and Molina on drums). Changing the band's name to the Rockets, the trio enlisted members George and Leon Whitsell (both guitarists), and to give its sound an original twist, electric violinist Bobby Notkoff.

The Rockets issued a lone, underappreciated self-titled debut in 1968, which came and went with little fanfare. But the band did make a fan out of Buffalo Springfield member Neil Young, who had jammed with the group on-stage while they were performing an extended residency at the famed Whisky A Go-Go on the Sunset Strip. After Young had split from Springfield and issued a solo debut, he wanted to assemble a raw and rocking band for a set of new tunes he'd penned for his second solo album so he invited the trio of Whitten, Talbot, and Molina to play on it. They accepted, which brought the end of the Rockets and the birth of Neil Young & Crazy Horse. The resulting album, 1969's Everybody Knows This Is Nowhere, not only remains one of Young's best albums, but one of rock's all-time classics, spawning such radio staples as "Cinnamon Girl" and the jamfests "Down by the River" and "Cowgirl in the Sand" -- the latter two tracks showing that Young had found a perfect guitar foil in Whitten.

The new group toured to enthusiastic audiences (Young thought of the group as his "Rolling Stones," while another group he was in at the same time, Crosby, Stills, Nash & Young, as his "Beatles") as Crazy Horse contributed to Young's next album, 1970's classic After the Goldrush (which included another Whitten/Young guitar duel in "Southern Man"). Crazy Horse signed a record deal with Reprise Records around this time, issuing a self-titled debut in 1971 (adding extra members Nils Lofgren on guitar and Jack Nitzsche on piano). Although the album failed to match the commercial success of their work with Young, it received favorable reviews -- especially the Whitten-penned and sung ballad "I Don't Want to Talk About It."

But instead of enjoying his newly found success, Whitten sank further and further into heroin addiction -- leading to his dismissal from Crazy Horse shortly after the debut's release (the group would carry on with replacement members), and serving as the inspiration for Young's classic "The Needle and the Damage Done." With Whitten growing dangerously more out of control now that he had no musical outlet, his old friend Young invited him to play guitar as part of a group he was assembling to tour arenas in late 1973, figuring it may finally help Whitten set his life straight. The only prerequisite Young asked from Whitten was that he be completely drug-free, which Whitten accomplished by replacing heroin with another vice -- alcohol. When Whitten proved to barely be able to play, he was sent back home. The same night he was fired, November 18, 1972, and given 50 dollars for a plane ticket to fly back home, he was found dead from a drug overdose at the age of 29 (Molina would later admit that in addition to his drug problems, Whitten was also distraught over his mother's then-recent death).

Whitten's death would later serve as the basis for one of Young's darkest songs (and albums), "Tonight's the Night," while Young would eventually reunite with Crazy Horse, and new member Frank "Poncho" Sampedro taking Whitten's place in the group. Whitten's death remains a sad waste of talent as artists like Rod Stewart, Rita Coolidge, Everything but the Girl, and Nils Lofgren have covered his aforementioned ballad "I Don't Want to Talk About It" over the years. Whitten was also discussed (albeit briefly) in the 1997 Neil Young & Crazy Horse documentary Year of the Horse. ~ Greg Prato, All Music Guide
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Danny Whitten

Background information
Birth name Daniel Ray Whitten
Born May 8, 1943(1943-05-08)
Columbus, Georgia, U.S.
Died November 18, 1972 (aged 29)
Los Angeles, California, U.S.
Genres Hard rock, Country rock, Blues-rock
Occupations Musician, Songwriter
Instruments Guitar, Vocals
Years active 1965–1972
Labels White Whale, Reprise
Associated acts Crazy Horse, Neil Young
Website www.dannywhitten.com

Danny Ray Whitten (May 8, 1943 – November 18, 1972) was an American musician and songwriter best known for his work with Neil Young and Crazy Horse, and for the song "I Don't Want To Talk About It", a hit for Rita Coolidge and Rod Stewart.

Contents

Biography

Whitten was born on May 8, 1943 in Columbus, Georgia. His parents split up when he was young. He and his sister, Brenda, lived with their mother, who worked long hours as a waitress.[1] His mother remarried when he was 9 and the family moved to Canton, Ohio.[1]

Whitten joined Billy Talbot and Ralph Molina among others in the doo-wop group Danny and the Memories. After recording an obscure single, "Can't Help Loving That Girl of Mine", core members of the group moved to San Francisco where they morphed into a folk-psychedelic rock act called The Psyrcle. Whitten played guitar, Molina drums, and Talbot played bass and piano.

By 1967, the group took on brothers George and Leon Whitsell on additional guitars and vocals, as well as violinist Bobby Notkoff, the sextet calling themselves The Rockets. They signed with independent label White Whale Records, working with producer Barry Goldberg for the group's self-titled album in mid-1968. The album sold poorly, a total of around 5000 copies, and the group seemed destined for obscurity. An encounter at the Whisky A Go-Go club would change all that.

Songwriter Neil Young, fresh from departing the splinters of his group Buffalo Springfield with one album of his own under his belt, began jamming with the Rockets and expressed interest in recording with Whitten, Molina and Talbot. The trio agreed, so long as they were allowed to simultaneously continue on with The Rockets: Young acquiesced initially, but imposed a rehearsal schedule that made that an impossibility. At first dubbed "War Babies" by Young, they soon became known as Crazy Horse.

Recording sessions led to Young's second album, Everybody Knows This Is Nowhere credited as Neil Young with Crazy Horse with Whitten on second guitar and vocals. Although his role was that of support, Whitten sang the album's opening track "Cinnamon Girl" along with Young, both duplicating the melody line in harmony, and Whitten and Young blazed on guitar alongside each other, the two meshing seamlessly on the record's epics, Down By the River and Cowgirl in the Sand. These tracks would influence the grunge movement of the 1990s, and all three songs, due in no small part to Whitten, would be counted among Young's most memorable work, continuing to hold a place in his performance repertoire to this day.

As did so many other rock musicians in the late 1960s, Whitten began using heroin and quickly became addicted. Although he participated in the early stages of Young's next solo effort, After the Gold Rush, Whitten and the rest of Crazy Horse were dismissed about halfway through the recording sessions, in part because of Whitten's heavy drug use. Whitten performs on Oh, Lonesome Me, I Believe in You, and When You Dance I Can Really Love. Young wrote and recorded The Needle and the Damage Done during this time, with direct references to Whitten's addiction and its role in the destruction of his talent.

Acquiring a recording contract and expanded to a quintet in 1970, Crazy Horse recorded its first solo album, released in early 1971. The debut album included five songs by Whitten, with two standout tracks being a song co-written by Young which would show up later on a Young album, (Come On Baby Let's Go) Downtown, and Whitten's most famous composition, I Don't Want To Talk About It, a heartfelt ballad that would receive many cover versions and offer the promise of unfulfilled talent.

Unfortunately, Whitten continued to drift, his personal life ruled almost totally by drugs. He was kicked out of Crazy Horse by Talbot and Molina, who used replacements on the band's two albums of 1972. In October of that year, after receiving a call from Young to play rhythm guitar on the upcoming tour behind Young's Harvest album, Whitten showed up for rehearsals at Young's home outside San Francisco. While the rest of the group hammered out arrangements, Whitten lagged behind, figuring out the rhythm parts, though never in sync with the rest of the group. Young, who had more at stake after the success of Harvest, fired him on November 18, 1972, giving Whitten a plane ticket to Los Angeles and $50 to get himself some help. Once in Los Angeles, Whitten spent the money on heroin and overdosed, dying at age 29. After Whitten's death, all of his belongings — which consisted of some clothes and a gold record — fit into a cardboard box.

Years later, Young told biographer Jimmy McDonough that for a long time after Whitten died, he felt responsible for Whitten's death. It took him years to stop blaming himself. "Danny just wasn't happy", Young said. "It just all came down on him. He was engulfed by this drug. That was too bad. Because Danny had a lot to give, boy. He was really good."

Whitten's death was apparent in Young's music, and it could be said that Young's entire Ditch Trilogy is Young dealing with the death of Whitten. Tonight's the Night contained a live version of Young and Crazy Horse from 1970 of "(Come On Baby Let's Go) Downtown," ironically a lament about scoring drugs, which Whitten wrote and sang lead vocals.

Discography

See also

Notes

  1. ^ a b McDonough, Jimmy. Shakey: Neil Young's Biography, p. 274

External links


 
 
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