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Dictionary of Dance:

David Adams

Adams, David (b Winnipeg, 16 Nov. 1928). Canadian dancer. He studied at the Winnipeg Ballet School, Sadler's Wells School, and with Volkova and Gontcharov, making his adult debut with the Royal Winnipeg Ballet in 1946. In the same year he joined Sadler's Wells Ballet then danced with various companies before becoming first soloist with National Ballet of Canada in 1951. In 1961 he joined London Festival Ballet and in 1970 the Royal Ballet where he danced until 1976. He created roles in several works, including Taras's Designs with Strings (1948) and MacMillan's Anastasia (1971 version). He was director of Ballet for All from 1976 to 1977. With the Toronto-based Encore! Encore! dance reconstruction project he and his brother Lawrence Adams and sister-in-law Miriam Adams have begun reviving the heritage of Canadian ballet, including in 1999 reconstructing Boris Volkoff's The Red Ear of Corn (1949).

 
 
Wikipedia: David Adams (dancer)

David Adams (born November 16, 1928) is a Canadian ballet dancer and a founding member of the National Ballet of Canada.

After his training under Gweneth Lloyd at the Royal Winnipeg Ballet, David began his performing career with England's Metropolitan Ballet. Here he met Celia Franca, who would become the founding Artistic Director of the National Ballet of Canada. He also shared the stage with Eric Bruhn, Sonia Arova and John Taras, performing Design With Strings, Dances from Galanta and other works in a tour of Scandinavia.

He returned to Canada in 1949 and after a brief musical theatre diversion in Vancouver and California, moved to Toronto to join Celia Franca during the formative years of Canada's National Ballet. He remained with the company until 1963, using his knowledge of classical dance and stagecraft to build an audience for the company, and introducing Canada's first home-grown principal ballerina, his wife Lois Smith. He also played a part in the birth of television in his native country, directing and performing in weekly productions for the fledgling Canadian Broadcasting Corporation (CBC).

In 1961, David moved to England, dancing with the London Festival Ballet (1961-69) and Royal Ballet (1970-1976). During his time with Festival Ballet, he became known in Europe as "Peer Gynt" because of the familiarity of ballet audiences with his appearance in that role. He danced with Margot Fonteyn, Galina Samsova, Toni Lander, Lynn Seymour, Svetlana Beriosova and many, many others during a long and distinctive career which brought him to the Middle East, South America and Japan.

David's contributions to "the art" include a body of choreography. Two of his own works, Suite in G and Walpurgisnacht, became part of the repertoire with Festival Ballet. Pas de deux Romantique (1961), Barbara Allen (1961), Pas de Six (1960), The Littlest One (1959), Pas de Chance (1956), Ballet Behind Us (1952) and Masquerade pas de deux (1951) are part of his contributions to the National Ballet of Canada.

In 1977, David relocated to Edmonton, Alberta, where he turned his talents to choreography and teaching and the occasional performance. He joined the Alberta Ballet under Brydon Paige, alternating between the roles of choreographer, ballet master, technical director and principal dancer. In 1980, David played a key role in the creation of both the dance and theatre programmes at Grant MacEwan College. His phenomenal memory and experience, in combination with a delightful sense of humour, made him a very popular teacher for many years. He retired from active teaching in 1998 and began work on a range of historic, artistic and technical memoirs.

In 2004, he was made an Officer of the Order of Canada. On September 2, 2005, he was presented the insignia of Officer of the Order of Canada by Adrienne Clarkson during a private ceremony held in Stony Plain, Alberta.

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Dictionary of Dance. The Oxford Dictionary of Dance. Copyright © 2000, 2004 by Oxford University Press. All rights reserved.  Read more
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