David Zinman is an American conductor, well known for his broad repertoire with large emphasis on recent music both in North America and Europe. His own instrument was the violin, which he studied at Oberlin College Conservatory of Music in Ohio. He took a Masters in composition at the University of Minnesota in 1963. During the same period he attended the Berkshire Music Center at Tanglewood. French conductor Pierre Monteux noticed him, leading to Zinman's enrolling in Monteux's conducting school in Maine. From 1961 to 1963 Zinman served as Monteux's assistant, and he considers Monteux his primary mentor.
He appeared as a guest conductor at the Nederlands Kammerorkest, after which the organization engaged him as its conductor. He held that position from 1965 to 1977. His success in Holland led one of the country's leading full-size orchestras, the Rotterdam Philharmonic, to invite him to be its music director (1979-82). He also conducted at the Holland Festival. In the meantime he had been music adviser (1972-74) and music director (1974-85) of the Rochester (NY) Philharmonic. In 1983 he became principal guest conductor of the Baltimore Symphony Orchestra. This association was elevated to the position of music director in 1985.
Zinman has been known for a very broad repertoire and innovative programming. In Baltimore he added a summer music festival, a discovery series of contemporary music, and Saturday morning "Casual Concerts," with commentary by the conductor. His highly acclaimed recordings on such labels as Telarc, Argo, and Sony Classics include music as traditional as the Elgar symphonies and overtures and as unusual as Michael Daugherty's Metropolis Symphony, based on characters and situations from the Superman comic books. He has helped spark interest in a new type of American symphonic music. Turning its back on the abstruse, international sound of the 12-tone music that was current around the world between 1950 and 1980, Zinman had helped promote an type of tonal music featuring the driving rhythms that characterize American popular and jazz music. Although the music is often controversial, the presence of such elements in this music thrills much of the established audience and attracts a new one.
In 1998 Zinman stepped down from his Baltimore position, but continued as music director and chief conductor of the Zurich Tonhalle Orchestra (since 1995), and as music director of the Aspen Music Festival. ~ Joseph Stevenson, All Music Guide
After early violin studies at the Oberlin Conservatory, Zinman studied theory and composition at the University of Minnesota and took up conducting at Tanglewood. He then worked in Maine with Monteux from 1958 to 1962, serving as his assistant from 1961 to 1964.
In the USA, Zinman was music director of the Rochester Philharmonic Orchestra from 1974 to 1985. With the Baltimore Symphony Orchestra, he served two years as principal guest conductor, and became the orchestra's music director in 1985. During his Baltimore tenure, Zinman began to incorporate the ideas of the historically informed performance movement into performances of the Beethoven symphonies.[1] Upon the conclusion of his tenure as music director in 1998, he was named the orchestra's conductor laureate. However, in protest at what he saw the Baltimore orchestra's overly conservative programming in the years since his depature, Zinman resigned the title of conductor laureate in protest in 2001.[2] In 1998, Zinman was appointed music director of the Aspen Music Festival and School, where he founded and directs its American Academy of Conducting.[3]
Zinman became music director of the Tonhalle Orchester Zurich in 1995. His programme innovations in Zurich include a series of late-night concerts, "Tonhalle Late", which combine classical music and a nightclub setting.[4] His recordings for Arte Nova of the complete Beethoven symphonies utilised the Jonathan Del Mar critical edition and received critical acclaim. He has subsequently recorded Beethoven overtures and concertos with the Tonhalle.[5][6][7] Zinman conducted the Tonhalle Orchestra in its first-ever appearance at The Proms in 2003.[8] His current contract with the Tonhalle Orchestra is through 2010.
