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Death to Smoochy

 
Movies:

Death to Smoochy

  • Director: Danny DeVito
  • AMG Rating: star
  • Genre: Comedy
  • Movie Type: Black Comedy, Showbiz Comedy
  • Themes: Fired or Laid-Off, Out For Revenge, Nothing Goes Right
  • Main Cast: Robin Williams
  • Release Year: 2002
  • Country: US
  • Run Time: 109 minutes
  • MPAA Rating: R

Plot

Danny DeVito steps behind the camera for this darkly funny satire that combines elements of Barney and Friends with the real-life Pee-Wee Herman scandal while recalling the director's previously twisted black comedies Throw Momma From the Train (1987) and The War of the Roses (1989). Robin Williams stars as Randolph Smiley, a popular children's show host known professionally as "Rainbow Randolph." Dismissed from his beloved job when he's caught taking payola, Randolph becomes increasingly mentally unhinged and the target of his delusional revenge fantasies is Sheldon Mopes (Edward Norton), otherwise known as Smoochy, the fuchsia rhino character that has replaced him and soared to national popularity. Randolph soon learns that his ex-girlfriend and network executive Nora Wells (Catherine Keener) is sleeping with Sheldon, so he sets out to kill Smoochy, egged on by an unexpected ally: corporate president Marion Frank Stokes (Jon Stewart), who should be profiting from Smoochy's rise to fame, except for the fact that he and his cronies are unable to control the idealistic Sheldon's on-air agenda. Death to Smoochy (2002) co-stars Harvey Fierstein, Vincent Shiavelli, and Michael Rispoli. ~ Karl Williams, All Movie Guide

Review

A satire about whacking a Barney-like character sounds funnier on paper than it appears on screen, even with black comedy king Danny De Vito behind the camera. The moment nauseating children's figures were accepted into the mainstream, the idea of doing violence to them became an obvious punchline, so De Vito's Death to Smoochy has neither the bite nor the originality it aspires to. (See Kevin Smith's Dogma for another example of rage directed toward a corporate kiddie creation, the similarly named Mooby). The film does have ambition, but the messages about corruption and consumerism are mixed, acted out by too many characters over the course of a busy plot that heaps on scenes without momentum. Edward Norton seems to have taken lessons on mugging from co-star Robin Williams; his gee-whiz naïf, which channels Woody Harrelson's simpleton from Cheers, is strangely unrealized. Meanwhile, Catherine Keener proves she can play, well, Catherine Keener. In his first of a trio of "darker" roles in 2002 (along with Insomnia and One Hour Photo), Williams comes off okay by the cheery standard he set for himself in the late '90s, but his character slips to the periphery, fighting for air among too many distracting secondary characters. His over-the-top jealousy might feel more organic had Adam Resnick written Rainbow Randolph's downfall as a function of his age and irrelevance, rather than a hackneyed sting operation. Some critics hazed the movie more than it deserved, but it's easy to understand why they were frustrated to the point of such vitriol. ~ Derek Armstrong, All Movie Guide

Cast

Robin Williams - Randolph Smiley, AKA 'Rainbow Randolph'; Matthew Arkin - Save the Rhino Man; Hank Azaria; Adam Bryant - Man in Crowd #2; Michael Copeman - Reporter #1; Danny DeVito - Burke Bennett; Pam Ferris - Tommy Cotter; Louis Giambalvo - Sonny Gordon; Todd Graff - Skip Kleinman; Richard Hamilton - Old Vagrant; Phil Jarrett - Reporter #3; Catherine Keener - Nora Wells; Peter Keleghan - News Anchor; Bill Lake - Bartender; Gerry Quigley - Ian; Fred Scialla - Man in Crowd; Tracey Walter - Ben Franks; Harvey Fierstein - Merv Green; Vincent Schiavelli - Buggy Ding Dong; Philip Craig - Senator; Bruce McFee - Roy; Vito Rezza - Lead Cop; Nick Taylor - Henry the Thug; Johnny "Cha-Cha" Ciarcia - Autograph Man; Michael Rispoli - Spinner Dunn; Salma Hayek; Edward Norton - Sheldon Mopes; Jon Stewart - Marion Frank Stokes; Danny Woodburn - Angelo Pike; Angela Bullock - Reporter #6; Elvis Stojko; Thomas Lyons - Reporter #5; John Cleland - John; Craig Eldridge - Husband; Judy White - Wife; Tim MacMenamin - Danny; Glen Cross - Jimmy; Richard A. Cocchiaro Jr. - Mitch the Thug; Colin Moult - Rhinette/Krinkle Kid #1; Nikolai Tichtchenko - Rhinette/Krinkle Kid #2; Martin Klebba - Rhinette/Krinkle Kid #3; Tonya Renee Banks - Rhinette/Krinkle Kid #4; Christy Artran - Rhinette/Krinkle Kid #5; Natasha Kinne - Smoochy's Secretary; Shawn Byfield - Rickets; Melissa DiMarco - Tara; Dan Duran - Hunter; James Carroll - Reporter #2; Suzanne Leonard Feliz - Reporter #4; Robert M. Sussman - Reporter #7; George Blumenthal - Reporter #8; Hugo Jansuzian - Hispanic Dad; Silvia Rojas - Hispanic Mom; Mario Andres Torres - Hispanic Boy; Sabrina Jansuzian - Hispanic Girl; Richard Ziman - Man in Crowd #3; Frank Anello - NYPD; Samantha Cordero - Little Girl; Rothaford Gray - Ellis; Dave Brown - McCall; James Binkley - Cop #1; Dylan Roberts - Stagehand; Lou Cantres - Little Girl's Dad; Lauren Flanigan - Opera Diva; Cara Wakelin - Princess

Credit

Tamara Deverell - Art Director, Jeffery MacDonald - Art Director, Joshua Levinson - Associate Producer, Lisa Reardon - Associate Producer, John Kreidman - Associate Producer, Anthony Ortiz - Boom Operator, Jason McFarling - Boom Operator, Erika Schengili-Roberts - Boom Operator, Margery Simkin - Casting, Ross Clydesdale - Casting, Barry Lather - Choreography, Elvis Stojko - Choreography, Harold Michelson - Consultant/advisor, Krystyna Newman - Consultant/advisor, Jody Hediem - Co-producer, Jill Besnoy - Co-producer, Doug Davison - Co-producer, Jane Ruhm - Costume Designer, Derek Baskerville - Costume Designer, Sandi Figueroa - Costume Designer, Joseph La Corte - Costume Designer, Anita Simard - Costume Designer, David J.Webb - First Assistant Director, Danny DeVito - Director, Jon Poll - Editor, Jerry Decarlo - Hair Styles, Thomas Solari - Hair Styles, Sandra Mikki - Location Manager, Deb Parker - Location Manager, David Newman - Composer (Music Score), David Newman - Songwriter, Adam Resnick - Songwriter, Cheri Minns - Makeup, Ve Neill - Makeup, Selena Miller - Makeup, Thomas Weston - Camera Operator, Peter Luxford - Camera Operator, Howard Cummings - Production Designer, Anastas Michos - Cinematographer, Nan Skiba - Production Manager, Peter Macgregor-Scott - Producer, Andrew Lazar - Producer, David Kelson - Production Sound, Enrico Campana - Set Designer, Catherine Doherty - Set Designer, Ellen Christiansen - Set Designer, Paul Rutledge - Stunts, Kent Lutrell - Stunts, Kelly Jones - Stunts, Rick Parker - Stunts, Bryan Thomas - Stunts, Dave Van Zeyl - Stunts, Suzanne Cunliffe-Brown - Stunts, Jason Guja - Stunts, Blair Koski-Klein - Stunts, Christopher McGuire - Stunts, Keith Siglinger - Stunts, Jeffrey Lee Gibson - Stunts Coordinator, Jamie Jones - Stunts Coordinator, Mark Bero - Special Effects Supervisor, Laird McMurray - Special Effects Supervisor, Debra-Lee Lamothe - Technical Advisor, Jan Foster - Unit Production Manager, Joe Barzo - Unit Production Manager, Adam Resnick - Screenwriter, William Mesa - Visual Effects Supervisor, Jeffrey A. Okun - Visual Effects Supervisor, Rick Parker - Animal Trainer/Wrangler, Joe Everett - Unit Publicist, Warren Paeff - Associate Editor, Yvonne Collins - First Assistant Camera, John Colavecchia - First Assistant Camera, Chris Silano - First Assistant Camera, Peter Masterson - First Assistant Camera, J. Wayne Parker - Key Grip, Thomas Prate Jr. - Key Grip, Robert Rice - Key Grip, Robert DaPrato - Key Grip, Ve Neill - Makeup Supervisor, Joshua Levinson - Post Production Supervisor, Shelley A. Boylen - Production Coordinator, Koula Sossiadis - Production Coordinator, Daniel Boxer - Properties Master, Vic Rigler - Properties Master, Skip Lievsay - Re-Recording Mixer, Mark Smith - Re-Recording Mixer, Ron Bartlett - Re-Recording Mixer, Wilma Garscadden-Gahret - Script Supervisor, Michael Rispoli - Second Assistant Director, Bruno Bryniarski - Second Assistant Director, Dylan Hopkins - Second Assistant Director, Steve Kirshoff - Special Effects Coordinator, Takashi Seida - Still Photographer, K.C. Bailey - Still Photographer, Skip Lievsay - Supervising Sound Editor, Jeffrey White - Visual Effects Producer, Tom O'Connell - ADR Mixer, Craig Steele - ADR Mixer, Tom Warren - Assistant Art Director, Kim Hinju - Assistant Art Director, Mia Sturup - Assistant Costumer Designer, Bill Almeida - Assistant Chief Lighting Technician, Tom Loo - Assistant Chief Lighting Technician, Kelly Shanks - Assistant Hair, Carey Depalma - Assistant Location Manager, Stephen Yate - Assistant Location Manager, Pip Ayotte - Assistant Makeup, Andreas Haas - Assistant Production Coordinator, Daniel Kenney - Assistant Properties, Jonathan Kovacs - Assistant Properties, Julie Lindner - Assistant Sound Editor, Igor Nicolet - Assistant Sound Editor, Ken Burke - Best Boy Grip, Richard Teodorczyk - Best Boy Grip, Emily Loreto - Casting Associate, Michelle Short - Casting Associate, Morris Flam - Chief Lighting Technician, Gary Deneault - Chief Lighting Technician, Clay Liversidge - Chief Lighting Technician, Bob Rodgers - Chief Lighting Technician, Ron Petagna - Construction Coordinator, Joe Curtin - Construction Coordinator, Norm Macleod - Dialogue Editor, Ronald Burke - Dolly Grip, Thomas Care - Dolly Grip, Sylvia Fay - Extra Casting, Donna Dupere Taylor - Extra Casting, Lara Johnston - First Assistant Editor, Elizabeth Schmidt - First Assistant Editor, David Tarnawsky - First Assistant Editor, Robert Doyle - First Assistant Editor, Anne O'Brian - First Assistant Editor, Carrie Puchkoff - First Assistant Editor, Marko Costanza - Foley Artist, Dave Flinch - Foley Editor, Todd Millner - Foley Editor, Paul Shue - Foley Editor, Grant Van Der Slagt - Key Costumer, Victor De Nicola Jr. - Key Hairstylist, Jennifer O'Halloran - Key Hairstylist, Marlene Aarons - Key Make-up, Gary G. Harmer - Leadman, Peter Dunbar - Leadman, Margot E. Therre - Lead Scenic Artist, Jennifer O. Hill - Post Production Assistant, Ken Ryan - Production Accountant, Glenn Locke - Scenic Artist, Cylvan Desrouleaux - Second Assistant Camera, Beth Nobes - Second Assistant Camera, Beck Hoehn - Second Assistant Camera, Lee Kazista - Second Assistant Camera, Jack Boem - Second Second Assistant Director, Murphy Occhino - Second Second Assistant Director, Donna Hamilton - Set Dresser, Brenton Brown - Set Dresser, Pat Hanley-Cummings - Set Dresser, Flash Film Works - Visual Effects, George A. Lara - Foley Mixer, Mo Henry - Negative Cutter, Amanda Alden - Production Secretary, Rafael Lima - Production Secretary, Richard Fellegara - Set Medic/First Aid, Sonya Kowalenko - Set Medic/First Aid, Reneé Tondelli - Supervising ADR Editor, Tim Davis - Video Assist, Joel Holland - Video Assist, Greg Williams - Video Playback, Scott Rouse - Assistant Music Editor, Marc Kuitenbrouwer - Head Carpenter

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Wikipedia: Death to Smoochy
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Death To Smoochy

Death to Smoochy poster
Directed by Danny DeVito
Produced by Andrew Lazar
Peter Macgregor-Scott
Written by Adam Resnick
Starring Robin Williams
Edward Norton
Danny DeVito
Catherine Keener
Jon Stewart
Music by David Newman
Cinematography Anastas N. Michos
Editing by Jon Poll
Distributed by Warner Bros.
Release date(s) March 29, 2002
Running time 107 minutes
Country United States
Language English
Budget $51,000,000

Death to Smoochy is a 2002 dark comedy film directed by Danny DeVito. It stars Robin Williams, Edward Norton, Catherine Keener, and Jon Stewart.

Contents

Plot

Randolph Smiley, a.k.a. "Rainbow Randolph" (Robin Williams) enjoys his life and career as a happily corrupt children's television show host until he is caught in a FBI sting for accepting bribes from parents who want their children on the show. He is soon replaced by the "squeaky clean" Sheldon Mopes (Edward Norton) and his character, Smoochy the Rhino (a parody of Barney the Dinosaur). Randolph finds himself unemployed and homeless, virtually outcast from television by his two-faced associate Marion Stokes (Jon Stewart). In an effort to return to his life in the spotlight, Randolph develops several schemes to bring down Sheldon Mopes in hopes of reclaiming his time slot.

Mopes quickly finds himself losing creative control over his show to his hardened producer Nora Wells (Catherine Keener). With the help of his new agent Burke Bennett (Danny DeVito), Mopes renegotiates his contract and is named Executive Producer. He is also approached by Irish mob boss Tommy Cotter (Pam Ferris), who wants Mopes to create a spot on his show for her cousin Spinner (Michael Rispoli), a former boxer. Sheldon reluctantly adds Spinner to the show, first as a cowbell wielding game warden, and later on as Smoochy's cousin Moochy.

Rainbow Randolph barges onto the Smoochy set

In between all of this, Mopes has to contend with the constant interference of Rainbow Randolph, who hatches several unsuccessful schemes for destroying Smoochy's character and regaining his show. Mopes is also enraged to learn that Burke signed him up to star in a Smoochy ice show, something Mopes refuses to do because he feels they exploit children. Burke warns Mopes not to back out of the ice show, and when he does anyway he is approached by Merv Green (Harvey Fierstein) on behalf of the Parade of Hope charity. Green reveals that the Parade of Hope is corrupt, and that they are counting on an ice show to generate money for them. Smoochy again refuses to do the show and is warned by Green to reconsider. Shortly afterward, Smoochy is approached by Rainbow Randolph in disguise, who asks him to do a charity children's show at a tractor parts warehouse. Smoochy quickly accepts and is led to a stage where he cannot see the audience. Smoochy quickly discovers he's been duped into performing at a neo-Nazi rally, which is raided by the police. Smoochy is labeled a racist and is fired from Kidnet, replaced by cartoons. Rainbow Randolph then approaches Nora Wells for his old job back, but accidentally lets it slip that he framed Smoochy. Randolph is arrested and Smoochy's reputation and show are restored.

With his clout restored, Smoochy decides to do the ice show after all. He decides that all the profits will go to the drug rehab clinic he used to work at, which was closed due to lack of funding. He offers the kids free souvenirs and healthy snacks. Angered by being cut out of the take, Burke approaches the Parade of Hope and offers them a deal: They kill Smoochy, he installs a new show host that will cooperate with their profit skimming. Green orders his men to "kill the rhino", but in their stupidity they accidentally kill Spinner in his Moochy costume. They are quickly discovered by Tommy Cotter, and she and Irish mob kill Green and his men in revenge. Meanwhile, a destitute Rainbow Randolph corners Mopes and Nora in their penthouse and threatens to kill them. They talk him down and discover that he's very depressed. Mopes offers to be his friend and let him stay in the penthouse until he's better.

Burke and Stokes hire heroin addict Buggy Ding Dong (Vincent Schiavelli), another former children's show host, to assassinate Mopes during his ice show. Buggy attacks Angelo (Danny Woodburn) and steals his backstage pass. Angelo calls Rainbow Randolph, who rushes to the ice show and stops the assassination by tackling Buggy just as he fires his sniper rifle from the rafters. Randolph and Buggy struggle for control over the rifle until Buggy falls to his death. After Sheldon realizes that Burke and Stokes set him up, he chases after Burke into an alley. Sheldon pulls a gun and threatens to kill Burke, but Tommy and her men arrive just in time to stop him. The movie ends with Smoochy and Rainbow Randolph launching a new show together.

Cast

Production

The movie was filmed in Toronto, Hamilton, Ontario[1] and New York City. Including Union Station, all of the TV studio scenes were shot at the Toronto Film Studios. The scenes involving ice-skating were filmed at Maple Leaf Gardens in Toronto and were choreographed and performed by Canadian figure skaters.

Reception

The film was poorly received by many film critics. Exceptions though included J. Hoberman of The Village Voice, who wrote that "Death to Smoochy is often very funny, but what's even more remarkable is the integrity of DeVito's misanthropic vision."[2]

Though it received a wide release, playing in some 2,164 theaters its opening weekend in the United States, the film was a box office disaster, grossing $4,266,463 its opening weekend, and a mere $8,382,691 overall, with negligible foreign box office receipts.[3] Considering it had a production budget of some $50 million, Death to Smoochy was a financial flop. Danny DeVito begins the DVD audio commentary with the lines "Hello. It's Danny. It's been, um... I guess now a few months since the release of Death to Smoochy, so the mourning period is over."

References

External links


 
 

 

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