The record has an interestingly stately air to it, considering Polly Eltes' breathy, quirky vocals and Michael Karoli's apparent fascination with variations on reggae rhythms (not too surprising, considering the spiritual link between Can and the output of Jamaican mixers.) The complete set would be more compelling and striking, though, if there were a little more focus -- Karoli and Eltes spend quite a bit of time simply drifting into thematic hooks, leaving the listener in limbo for too long on a regular basis. When it clicks, though, it is excellent. ~ Steven McDonald, All Music Guide
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