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Bolger, Dermot (1959- ), poet, novelist, dramatist, and publisher. He was born in Dublin and educated at Beneavin College before working as a factory hand, 1978-9, library assistant, 1979-84, then writer and publisher. He founded the Raven Arts Press in 1979, issuing also in that year The Habit of Flesh, poems. Further collections include No Waiting America (1981), Internal Exiles (1986), and Leinster Street Ghosts (1989). His first novel Night Shift (1985) tells how Donal Flynn copes with the brutality of city life. The Woman's Daughter (1987) deals with the physical and sexual abuse of women. The Journey Home (1990) was followed by Emily's Shoes (1992), an exploration of the roots of a man's unhappiness. Other novels include: A Second Life (1994), Father's Music (1997), and Finbar's Hotel (1997, with others). Blinded by the Light (1990) was a play staged by the Abbey Theatre; In High Germany (1990) was produced at the Gate as was The Holy Ground (1990). He became executive editor of New Island Books in 1992.

 
 
Wikipedia: Dermot Bolger

Dermot Bolger (born 1959) is an Irish novelist, playwright and poet born in Finglas, a suburb of Dublin.

His work is quite often concerned with the articulation of the experiences of working-class characters who, for various reasons, feel alienated from society. Bolger questions the relevance of traditional nationalist concepts of Irishness, arguing for a more plural and inclusive society. In the lat3 70s Bolger set up the seminal Raven Arts Press. He is currently one of a group of artists working in South Dublin as In Context 3, Public Art Commission see http://incontext.southdublin.ie/index.php?option=com_content&task=view&id=215&Itemid=271

Bolger's novels

  • Night Shift (1985)
  • The Woman’s Daughter (1987 &1991)
  • The Journey Home (1990)
  • Emily’s Shoes (1992)
  • A Second Life (1994)
  • Father’s Music (1997)
  • Temptation (2000)
  • The Valparaiso Voyage (2001)
  • The Family on Paradise Pier (2005)

Bolger's plays

  • The Lament for Arthur Cleary (1989)
  • Blinded by the Light (1990)
  • In High Germany (1990)
  • The Holy Ground (1990)
  • One Last White Horse (1991)
  • A Dublin Bloom (1994)
  • April Bright (1995)
  • The Passion of Jerome (1999)
  • Consenting Adults (2000)
  • From these Green Heights (2005)
  • The Townlands of Brazil (2006)
  • Walking the Road (2007)
  • Ranelagh Bus (2007)

Bolger's poetry

  • The Habit of Flesh (1980)
  • Finglas Lilies (1981)
  • No Waiting America (1982)
  • Internal Exiles (1986)
  • Leinster Street Ghosts (1989)
  • Taking my Letters Back (1998)
  • The Chosen Moment (2004)

Research work about the author

  • La réécriture de l'histoire dans les Romans de Roddy Doyle, Dermot Bolger et Patrick McCabe by Alain Mouchel-Vallon (PhD thesis, 2005, Reims University, France). http://www.sudoc.abes.fr
  • The State of the Nation: Paradigms of Irishness in the Drama and Fiction of Dermot Bolger by Damien Shortt (PhD thesis, 2006, Mary Immaculate College, University of Limerick, Ireland)
  • Ryan, Ray. Ireland and Scotland: Literature and Culture, State and Nation, 1966-2000. Oxford University Press, 2002.
  • Paschel, Ulrike: No mean city? : the image of Dublin in the novels of Dermot Bolger, Roddy Doyle and Val Mulkerns. - Frankfurt am Main [u.a.] : Lang, 1998. – X, 170 S. - (Aachen British and American studies ; 1). - ISBN 3-631-33530-X
  • Merriman, Vic: Staging contemporary Ireland : heartsickness and hopes deferred. In: The Cambridge companion to contemporary Irish drama / Shaun Richards, ed. - Cambridge : Cambridge Univ. Pr., 2004 ; pp. 244-257 (On The lament for Arthur Cleary, 1989)
  • Murphy, Paul: Inside the immigrant mind : nostalgic versus nomadic subjectivities in late twentieth-century Irish drama. In: Australasian drama studies, 43 (2003, Oct), pp. 128-147 (On A Dublin quartet)
  • Tew, Philip: The lexicon of youth in Mac Laverty, Bolger, and Doyle : Theorizing contemporary Irish fiction via Lefebvre's Tenth Prelude. In: Hungarian Journal of English and American Studies, 5:1 (1999), pp. 181-197
  • Harte, Liam: A kind of scab : Irish identity in the writings of Dermot Bolger and Joseph O'Connor. In: Irish studies review, 20 (1997 autumn), pp. 17-22
  • MacCarthy, Conor: Ideology and geography in Dermot Bolger's The Journey home. In: Irish university review: A journal of Irish studies, 27:1 (1997 Spring-Summer), pp. 98-110
  • Merriman, Vic: Centring the wanderer : Europe as active imaginary in contemporary Irish theatre. In: Irish university review: a journal of Irish studies, 27:1 (1997Spring-Summer), pp. 166-181 (On The Lament of Arthur Cleary)
  • Aragay, Mireia: Reading Dermot Bolger's The Holy Ground : national identity, gender and sexuality in post-colonial Ireland. In: Links and letters, 4 (1997), pp. 53-64
  • Turner, Tramble T.: Staging signs of gender. In: Semiotics 1994: Annual proceedings volumes of the Semiotic Society of America. 19 / John Deely (ed.) ... New York <NY> : Lang, 1995. pp. 335-344 (On The lament for Arthur Cleary, 1989)
  • Dantanus, Ulf.: Antæus in Dublin? In: Moderna språk (97:1) 2003, pp. 37-52.
  • Battaglia, Alberto.: Dublino: oltre Joyce. Milan: Unicopli, 2002. pp. 130. (Città letterarie.)
  • Dumay, Émile-Jean.: Dermot Bolger dramaturge. In: Études irlandaises (27:1) 2002, pp. 79-92.
  • MacCarthy, Conor.: Ideology and geography in Dermot Bolger's The Journey Home. In: Irish University Review (27:1) 1997, pp. 98-110.
  • Dumay, Émile-Jean.: La subversion de la nostalgie dans The Lament for Arthur Cleary de Dermot Bolger. In: Études irlandaises (21:2) 1996, pp. 111-23.
  • Fiérobe, Claude: Irlande et Europe 1990: The Journey Home de Dermot Bolger. In: Études irlandaises (19:2) 1994, pp. 41-49.
  • Kearney, Colbert: Dermot Bolger and the dual carriageway. In: Études irlandaises (19:2) 1994, pp. 25-39.

 
 

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Irish Literature Companion. The Concise Oxford Companion to Irish Literature. Copyright © 1996, 2000, 2003 by Oxford University Press. All rights reserved.  Read more
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