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Desi Arnaz

 

Desi Arnaz (1917-1986) is best known for the popular 1950s television show "I Love Lucy", a situation comedy that he helped create along with his wife Lucille Ball, to whom he was married from 1940 to 1960. Arnaz played "Ricky Ricardo," a struggling Cuban-born bandleader whose high-spirited wife Lucy (played by Ball) was forever engaged in some sort of comedic mischief. Behind the scenes, Arnaz was known as a savvy businessman and producer and a trailblazer in the early years of television.

Although network executives were at first reluctant to cast the heavily accented Arnaz alongside an all-American redhead like Lucy, Arnaz and Ball agreed to contribute $39,000 from their salaries toward production costs of I Love Lucy to ensure that the series would be launched. The comedy quickly emerged as one of the most popular shows of the decade. As Scholastic Update noted in 1988, Arnaz's role on the show helped Americans to "accept Hispanic immigrants not just as exotic outsiders, but as Hispanic-Americans."

Desiderio Alberto Arnaz y De Acha was born on March 2, 1917 in Santiago, Cuba. His father Desiderio was mayor of Santiago and a wealthy property owner whose holdings included a cattle ranch, two dairy farms, and a villa on a small island in Santiago Bay. Desi's mother, the former Dolores de Acha, was the daughter of one of the founders of the Bacardi rum company. As a teenager, Arnaz was expected to attend college before embarking on a career in law and politics.

Fled Cuba

However, political unrest in Cuba dramatically changed the direction of Arnaz's life. In August 1933, the Arnaz home in Santiago was burned and ransacked. While Arnaz and his mother managed to escape to safety, his father, a newly elected congressman, was put in prison. While there, he was advised by the new chief of state, Fulgencio Batista, that he would be freed if he left the country. Promising to send for his wife (whom he'd later divorce) and son, Arnaz's father set out for Miami.

In June 1934, the 17-year-old Desi arrived in America and was greeted by his father, who had established an import-export company with two other refugees in Miami. To save money, father and son lived in the company warehouse and ate cans of pork-and-beans. They used baseball bats to ward off the rats that scurried through the building. After school, young Arnaz worked cleaning bird cages for a man who sold canaries on consignment in area drug stores.

Musical Beginnings

During this time, Arnaz was recommended to a band-leader by a girlfriend's grandfather. Armed with a used guitar purchased for $5 from a pawnshop and a facility with the instrument - he'd used it often in Cuba to serenade the opposite sex - Arnaz persuaded his father to let him take this new $39-a-week job at the Roney Plaza Hotel. Xavier Cugat, the "king" of Latin dance music soon discovered the young musician. Upon graduating from high school and serving a stint in the Cugat orchestra, Arnaz debuted his own band in Miami Beach in December 1937.

The Desi Arnaz Orchestra won favorable reviews in New York and Miami. Collaborators, Lorenz Hart and Richard Rodgers, asked the young orchestra leader to audition for their upcoming Broadway musical Too Many Girls. Arnaz landed the part of the Latin American exchange student. Soon the 23-year-old was on his way to Hollywood to appear in the film version of the musical, starring 28-year-old studio actress, Lucille Ball.

"Lucy and Desi's first scene together in the movie Too Many Girls required him to take one glance at her and swoon dead away in ecstasy," commented Warren G. Harris in Lucy & Desi. "It didn't take much acting skill; by then, they were already in love in real life." The relationship was passionate and tumultuous from the start, punctuated by clashes of temper and jealousy. Many of the disagreements centered on Arnaz's flirtatious nature. Still, they came to care deeply for one another. Arnaz called her "Lucy" even though she had long called herself "Lucille." "I didn't like the name Lucille," Arnaz recalled in his autobiography. "That name had been used by other men. 'Lucy' was mine alone."

Lucy and Desi

On November 30, 1940, Ball and Arnaz were married in Connecticut with a wedding ring purchased at the last minute from Woolworth's. "Eloping with Desi was the most daring thing I ever did in my life," Ball recalled, according to Lucy & Desi. "I never fell in love with anyone quite so fast. He was very handsome and romantic. But he also frightened me, he was so wild. I knew I shouldn't marry him, but that was one of the biggest attractions." Upon returning to California, the couple settled into a five-acre ranch in Chatsworth, just outside of Los Angeles. Mindful of the practice of naming their residence after themselves as actors Douglas Fairbanks and Mary Pickford had done, the couple decided on Desilu after eliminating such other possibilities as Arnaball, Ballarnaz, and Ludesi.

In May 1943, Arnaz received his draft notice to serve in World War II. Because of an injury, however, he saw only non-combat duty at Birmingham Hospital, 15 minutes away from Desilu. Convinced that Arnaz was being unfaithful to her, Ball filed for divorce in September of 1944. The divorce, though, was voided by a quick reconciliation.

Arnaz' officially shortened his name during his stint in the service (from Desiderio Alberto Arnaz y de Acha to Desi Arnaz). When his military service concluded, he returned to Hollywood, only to find his opportunities limited by his heavy accent. Despite critical acclaim for his performance in the movie Batman and gossip columnist Louella Parson's prediction that he'd be the next Rudolph Valentino, Arnaz found it difficult to secure significant parts. The new 22-piece Arnaz Orchestra, though, was getting favorable reviews, and Arnaz eventually landed a role in the movie Cuban Pete, in which he was touted as "The Rhumba-Rhythm King."

In 1948, Arnaz and Ball formed Desilu Productions to coordinate their various stage, screen, and radio activities. A year later, Arnaz asked Ball to marry him again - this time in an official Catholic ceremony. The ceremony was later played out again, albeit in a more fanciful manner, in an episode of I Love Lucy.

By 1950, Arnaz and Ball had both established themselves in the medium of radio. Arnaz first served as the bandleader for Bob Hope's radio show, then as host of the musical quiz show Your Tropical Trip; Ball portrayed the scatterbrained housewife on the radio serial My Favorite Husband. When the CBS television network decided to turn My Favorite Husband into a TV series, Ball insisted that Arnaz be cast as her husband. As the show's producer as well as its leading man, Arnaz helped bring movie-quality techniques to live television and negotiated a deal whereby Desilu retained full ownership of the show.

Fame and Fortune

Ball gave birth to the couple's first child, Lucie Desiree, on July 17, 1951, just as scriptwriters were putting the finishing touches on I Love Lucy for the show's October 15, 1951 premiere. The principal characters were Ricky Ricardo, a struggling Latin bandleader who would burst into Spanish whenever he got particularly exasperated, and his wife Lucy, a wacky housewife with showbiz aspirations but no real talent. Before long, I Love Lucy was a smash hit, televised around the world. "Rather than repelling audiences as CBS had feared," wrote Harris, "Desi's flamboyant Cuban-ness apparently had the opposite effect of attracting viewers." Casting Arnaz as a TV husband was "a case of awkwardness being recognized as an asset," observed a critic for the New York Times. The show won Emmy awards in 1952 and 1953 for best situation comedy.

As stars of the most popular show in America, Arnaz and Ball were under constant pressure to live up to the happily married image of their TV counterparts. But while tensions in the marriage increased, the series' popularity continued to grow. More Americans watched the January 13, 1953, episode featuring the birth of "Little Ricky" than tuned in to the inauguration of President Eisenhower, according to the New York Times. Lucille Ball gave birth to Desi Jr., the very same day.

Arnaz attributed the success of the show mostly to his wife's performance as the daffy Lucy. Madelyn Pugh Davis, a writer for the show, said in People magazine in 1991: "He always knew she was the star. Never in all those years did I ever hear him say, Where's my part?" Under Arnaz's direction, Desilu Productions became a media giant. In 1955 I Love Lucy began re-broadcasting earlier episodes - the first reruns ever shown of a current prime-time show - because so many viewers with brand-new televisions had missed the show's early years. As the New York Times observed, "The appeal of reusable filmed programs led eventually to a seismic shift in television production from New York to Hollywood, and made the program's creators millionaires."

In addition to I Love Lucy, Desilu produced such hits as Our Miss Brooks, The Untouchables, and The Danny Thomas Show. Arnaz and Ball also appeared together in movies such as The Long, Long Trailer and Forever, Darling. In 1957, Desilu bought RKO Studios, where he and Ball had met in 1940. By the mid-195Os Desilu was an empire that grossed about $15 million annually and employed 800 people.

Personal Struggles

Arnaz's personal life, however, was less healthy. Diagnosed with diverticulitis, a disease of the colon, he worked out a deal with CBS to replace I Love Lucy with a series of one-hour specials. Of greater importance, though, was the state of his marriage with Ball. Arnaz's well-documented drinking and womanizing took a tremendous toll on the relationship. "The more our love life deteriorated, the more we fought, the more unhappy we were, the more I drank," Arnaz wrote in his autobiography. "The one thing I have never been able to do is work and play concurrently and in moderation, whatever that means."

On March 2, 1960, Arnaz's forty-third birthday, I Love Lucy was brought to a close after 179 half-hour episodes, 13 one-hour specials and nine years on the air. Ending with the usual kiss-and-make-up ending, the last show gave no inkling about the state of the marriage off the air. On the following day, March 3, 1960, Ball filed for a divorce, which, for the sake of the two children, was amicable. Two years later, in 1962, Arnaz pulled out of Desilu Productions, selling his stock to Ball for $3 million. Running Desilu had "ceased to be fun," he said in his autobiography. "I was happier cleaning birdcages and chasing rats."

Arnaz spent much of his time immediately after the divorce on his 45-acre horse-breeding farm in Corona, California. Still, his bond with Ball was never completely severed, and, in the fall of 1962, he was brought in as executive producer of his ex-wife's new series The Lucy Show.

Throughout the 1960s and 1970s, Arnaz remained active in show business. In 1967, he launched the NBC series The Mothers-in-Law, starring Eve Arden and Kaye Ballard. In 1976, Arnaz published his autobiography, A Book, which included an epilogue about Ball that stated, "I loved her very much and, in my own and perhaps peculiar way, I will always love her." Arnaz appeared on Saturday Night Live with Desi Jr. to promote the book.

Lonely End

In 1986, after years of smoking four or five Cuban cigars a day, Arnaz was diagnosed with lung cancer. Ball stayed with him for several hours before he lapsed into a coma. He died in the arms of his daughter, Lucie, on December 2, 1986. He was "a good daddy, but a lonely man at times, one who chose a difficult path," she said of him in Lucy & Desi.

Books

Harris, Warren G., Lucy & Desi, Thorndike Press, 1992.

Metz, Robert, CBS: Reflections in a Bloodshot Eye, Playboy Press, 1975.

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Desi Arnaz

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Biography

A musican, singer, songwriter, actor and television producer, Arnaz came to the US from Cuba when he was sixteen and became a professional bandleader of popular Latin music. He married actress Lucille Ball in 1940 and, in 1951, costarred with her in their long-running and successful television series, I Love Lucy, in which he played the charming but long-suffering husband/straightman, Ricky Ricardo, a successful nightclub owner and entertainer. Arnaz insisted that the series be photographed on 35mm film at a time when syndicated reruns were a thing of the future and a TV show was lucky to even be preserved as a 16mm kinescope. He hired top Hollywood cinematographer Karl Freund for the job and supervised the entire making of the series through his and Ball's company, Desilu Productions. Arnaz appeared in several films with and without Ball up until 1960 when they were divorced and she bought out his interest in Desilu. In 1982 he came out of retirement to play a corrupt mayor and father to Raul Julia in the film, The Escape Artist. He died of lung cancer in 1986. ~ Bruce Lawton, Rovi
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Desi Arnaz

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Bandleader, actor, television producer

Desi Arnaz will forever be identified with nightclub entertainer Ricky Ricardo, the character he played on the classic television series I Love Lucy. The role mimicked at least two aspects of his real life: he was married to his costar, Lucille Ball, and before becoming involved in television he made his living as the hardworking leader of a rumba band. His achievements as a musician, actor, producer, and director were all a far cry from the career planned for him while he was growing up in Cuba. The son of a powerful politician and a woman said to be one of the great beauties of Latin America, he spent his youth enjoying his family’s vast wealth. He was to study law at the University of Notre Dame in Indiana, then return home to a readymade practice.

Those plans crumbled on August 12, 1933, when the first Batista revolution, in which Fulgencio Batista y Zaldivar organized a military coup and eventually became president, swept Cuba. Arnaz’s father was jailed, and his money and property were confiscated. Sixteenyear-old Desi and his mother fled to Miami, Florida, where they spent the next six months negotiating the release of Desi, Sr. Young Desi, who barely spoke English, struggled through classes at St. Patrick’s High School in Miami during the day, then worked to help pay the rent at the dingy boardinghouse that was now home. His first job was cleaning birdcages; he later graduated to working in a railyard, bookkeeping, and driving taxis and trucks.

The expensive education his family had envisioned for Arnaz was now out of the question, so he began considering other ways to advance himself. In 1937 he auditioned as a singer for Miami Beach’s high-class Roney Plaza Hotel. He borrowed a suit for the occasion and convinced his former classmates from St. Patrick’s to crowd the audience at his trial performance. Thanks to their enthusiastic cheering, he was hired to front the Siboney Septet for $50 a week. Bandleader Xavier Cugat saw Arnaz perform at the Roney and asked the young singer to tour with him. The pay was only $35 a week, but the experience and exposure were invaluable. After a year with Cugat, Arnaz confidently struck out on his own and was soon bringing in $750 per week as the headliner at the La Conga Cafe. Before long, he and his newly formed orchestra were playing dates at the best clubs in the United States, including New York City’s Copacabana.

Married Lucille Ball
During a Copacabana engagement, Arnaz was spotted by George Abbot, who gave the Cuban a leading role in his musical Too Many Girls. RKO Studios bought

the film rights to the hit show and invited Arnaz to Hollywood to recreate his character. The female lead was filled by an RKO contract actress, Lucille Ball, who became romantically involved with Arnaz soon after they met. Everyone from studio executives to gossip columnists considered the relationship a bad idea, but the pair continued seeing each other even after filming stopped and their careers took them to different parts of the country. On November 14,1940, Ball went to New York City on a personal appearance tour. Arnaz was there, playing the Roxy Theatre. After the band’s last show, Ball and Arnaz eloped, taking their vows before a justice of the peace at the Byram River Beagle Club in Greenwich, Connecticut.

The marriage was troubled from the start, largely due to the conflicting schedules of the two performers. Ball’s contract with RKO kept her tied to Hollywood and necessitated early morning makeup calls. Arnaz traveled constantly with his band, and even when he had a local engagement, he usually arrived home just as his wife was leaving. Although he had parts in several films—Cuban Pete and Holiday in Havana were written especially for him and featured music he composed—his movie career never developed enough to take him away from the nightclub circuit. The couple once estimated that in the first eleven years of their marriage, they spent just three years’ time together and paid more than $29,000 in telephone and telegraph charges to each other. Their lives stabilized somewhat during 1946 and 1947, when Arnaz replaced Stan Kenton as the musical director of Bob Hope’s radio show, but in 1948 he headed out on the road again.

America’s Favorite Couple
Ball saw a way to save her marriage when CBS approached her in 1949 with the idea of turning her very successful radio program, My Favorite Husband, into a television show. She agreed, on the condition that Arnaz would be cast opposite her, thereby giving him a job that would not require constant touring. CBS rejected the idea, believing that the notion of an all-American woman married to a Cuban orchestra leader would be unacceptable to audiences. To prove them wrong, Arnaz and Ball put together an ambitious vaudeville revue featuring a series of comic routines about a woman trying to crash her bandleader husband’s show. Vaudeville was nearly dead at the time, but the Lucy-Desi act drew rave reviews and large audiences. Once convinced, CBS agreed to let Arnaz costar in Ball’s television show, I Love Lucy.

Behind the Scenes
The program was an immediate success and is now regarded as a classic of television comedy. Arnaz was the perfect foil for Ball’s antics, and his musical numbers, set in the fictional Tropicana nightclub, lent variety and interest to the program. Behind the camera, Arnaz immersed himself in work as the head of Desilu Productions, the couple’s production team, and proved to be a shrewd television executive. He produced many other popular series, including December Bride, Our Miss Brooks, The Untouchables, and The Danny Thomas Show, and he created the three-camera technique still used for filming situation comedies.

Despite all efforts to save it, the Arnaz marriage ended in divorce in 1960, and the Lucy-Desi comedy partnership terminated as well. Arnaz went into semiretirement a few years later, spending most of his time on his horse farm in Del Mar, California. He did occasional television work, producing several pilots and the comedy series The Mothers-in-Law. In 1982 he played a straight dramatic role in Francis Coppola’s film The Escape Artist. Poor health plagued him throughout the 1970s aand 1980s, however, and in 1986 he died of lung cancer at his home in Del Mar.

Sources
Books
Andrews, Bart, The "I Love Lucy" Book, Doubleday, 1985.
Arnaz, Desi, A Book, William Morrow, 1976.

Periodicals
Look, June 3, 1952.
Newsweek, February 18, 1952.
New York Times, December 3, 1986.
People, February 18, 1991.
Time, June 6, 1952, December 15, 1986.
  • Genres: Latin

Biography

To most of the public, Desi Arnaz is known as the lovable, temperamental Ricky Ricardo, husband of Lucille Ball in the 1950s (in real life and on screen) on one of the most successful television series of all time, I Love Lucy. Within the industry, he's known as one of the forces behind Desilu Productions. Yet before he became an international star, he was known primarily as a musician, not an actor or executive. It was Arnaz who may have done more to popularize the conga in the United States than any other figure, leading an orchestra that mixed Latin-Cuban music with big-band pop, and putting it over to the masses with his irresistibly good-natured, melodramatic vocals. He's attracted far less critical acclaim than more ambitious Latin-American hybrids like Machito, the Dizzy Gillespie Orchestra of the late '40s, or his one-time mentor Xavier Cugat, but his recordings contain a surprising amount of shake-em-loose verve.

Born in Santiago, Cuba, Arnaz moved to Miami in his teens, and began to work as a conga player, singer, and guitarist. For six months, he apprenticed with Xavier Cugat's orchestra, and then split to form a band of his own. He made his first sides as a bandleader around 1940 with his La Congra Orchestra, and his New York shows created enough of a buzz to get him a stage role in a musical by Richard Rodgers and Lorenz Hart, Too Many Girls, in 1939. He repeated his Too Many Girls role on screen, leading to a Hollywood career and his marriage to comedienne Lucille Ball.

After serving in the Army during World War II, Arnaz focused on music for the rest of the 1940s, cutting quite a few infectious sides for Victor between 1946 and 1949. Certainly some of his accented routines could be corny, but he and his orchestra could also whip up a storm on tracks like "Babalu" and "El Cumbanchero," achieving his avowed goal of combining the rhythm of Machito with the melody of Andre Kostelanetz. After recording his last session for Victor in 1949, Arnaz refocused his attention on Hollywood, putting his musical career on permanent back burner after becoming one of television's first superstars with I Love Lucy. ~ Richie Unterberger, Rovi
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Desi Arnaz

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Desi Arnaz

Lucille Ball and Desi Arnaz, 1957.
Born Desiderio Alberto Arnaz y de Acha III
March 2, 1917(1917-03-02)
Santiago de Cuba, Cuba
Died December 2, 1986(1986-12-02) (aged 69)
Del Mar, California, United States
Occupation Actor, musician, producer
Years active 1936–82
Spouse Lucille Ball (1940–60) (divorced) 2 children
Edith Mack Hirsch (1963–85 (her death)

Desi Arnaz (March 2, 1917 – December 2, 1986) was a Cuban-born American musician, actor and television producer. While he gained international renown for leading a Latin music band, the Desi Arnaz Orchestra, he is best known for his role as Ricky Ricardo on the American TV series I Love Lucy, starring with Lucille Ball, to whom he was married at the time.

Contents

Early life

Desi Arnaz was born Desiderio Alberto Arnaz y de Acha III in Santiago de Cuba to Desiderio Alberto Arnaz II (1894–1973) and his wife Dolores de Acha (1896–1988). His father was Santiago's youngest mayor and also served in the Cuban House of Representatives. His mother's father was Alberto de Acha, one of the three founders of Bacardi Rum. According to Arnaz himself, in his autobiography A Book (1976), the family owned three ranches, a palatial home, and a vacation mansion on a private island in Santiago Bay, Cuba. Following the 1933 revolution, led by Fulgencio Batista, which overthrew President Gerardo Machado, Alberto Arnaz was jailed and all of his property was confiscated. He was released after six months when U.S. officials, who believed him to be neutral, intervened on his behalf. The family then fled to Miami, Florida, where Desi attended St. Patrick Catholic High School. In the summer of 1934 he attended Saint Leo Prep[1] (near Tampa) to help improve his English.

Film career

Arnaz as a musician, 1950.

In the US Desi Arnaz turned to show business to support himself. In 1939, he starred on Broadway in the musical Too Many Girls. He went to Hollywood the next year to appear in the show's movie version at RKO, which starred Lucille Ball. Arnaz and Ball married on November 30, 1940. Arnaz also played guitar for Xavier Cugat.[2]

Arnaz appeared in several movies in the 1940s, notably Bataan (1943). He received his draft notice, but before reporting he injured his knee. He completed his recruit training, but was classified for limited service during World War II. He was assigned to direct United Service Organization (U.S.O.) programs at a military hospital in the San Fernando Valley. Discovering the first thing the wounded soldiers requested was a glass of cold milk, he arranged for movie starlets to meet them and pour the milk for them. Following his discharge from the Army, he formed another orchestra, which was successful in live appearances and recordings. He sang for troops in Birmingham Hospital with John Macchia and hired his childhood friend Marco Rizo to play piano and arrange for the orchestra. When he became successful in television, he kept the orchestra on his payroll, and Rizo arranged and orchestrated the music for I Love Lucy.

I Love Lucy

A scene from "Lucy Goes to Scotland",1956

On October 15, 1951, Arnaz starred in the premiere of I Love Lucy, in which he played a fictitious version of himself, Cuban orchestra leader Enrique "Ricky" Ricardo. His co-star was his real-life wife, Lucille Ball, who played Ricky's wife, Lucy. Television executives had been pursuing Ball to adapt her very popular radio series My Favorite Husband for television. Ball insisted on Arnaz playing her on-air spouse so the two would be able to spend more time together.

The original premise was for the couple to portray Lucy and Larry Lopez, a successful show business couple whose glamorous careers interfered with their efforts to maintain a normal marriage. Market research indicated, however, that this scenario would not be popular, so Jess Oppenheimer changed it to make Ricky Ricardo a struggling young orchestra leader and Lucy an ordinary housewife who had show business fantasies but no talent. (The character name "Larry Lopez" was dropped because of a real-life bandleader named Vincent Lopez, and was replaced with "Ricky Ricardo".) Ricky would often appear at, and later own, the Tropicana Club which, under his ownership, he renamed Club Babalu.

Initially, the idea of having Ball and the distinctly Latino Arnaz portray a married couple encountered resistance as they were told that Desi's Cuban accent and Latin style would not be agreeable to American viewers.[3] The couple overcame these objections, however, by touring together, during the summer of 1950, in a live vaudeville act they developed with the help of Spanish clown Pepito Pérez, together with Ball's radio show writers. Much of the material from their vaudeville act, including Lucy's memorable seal routine, was used in the pilot episode of I Love Lucy. Segments of the pilot were recreated in the sixth episode of the show's first season.

Desilu Productions

With Ball, he founded Desilu Productions. At that time, most television programs were broadcast live, and as the largest markets were in New York, the rest of the country received only kinescope images. Karl Freund, Arnaz's cameraman, and even Arnaz himself have been credited with the development of the multiple-camera setup production style using adjacent sets that became the standard for all subsequent situation comedies to this day. However, this is refuted by the full account of the history of the multiple-camera setup. The use of film enabled every station around the country to broadcast high-quality images of the show. Arnaz was told that it would be impossible to allow an audience onto a sound stage, but he worked with Freund to design a set that would accommodate an audience, allow filming, and also adhere to fire and safety codes.

Network executives considered the use of film an unnecessary extravagance. Arnaz convinced them to allow Desilu to cover all additional costs associated with the filming process, under the stipulation that Desilu owned and controlled all rights to the film. Arnaz's unprecedented arrangement is widely considered to be one of the shrewdest deals in television history. As a result of his foresight, Desilu reaped the profits from all reruns of the series.

Arnaz also pushed the network to allow them to show Lucille Ball while she was pregnant. According to Arnaz, the CBS network told him, "You cannot show a pregnant woman on television". Arnaz consulted a priest, a rabbi, and a minister, all of whom told him that there would be nothing wrong with showing a pregnant Lucy or with using the word pregnant. The network finally relented and let Arnaz and Ball weave the pregnancy into the story line, but remained adamant about eschewing use of pregnant, so Arnaz substituted expecting, pronouncing it 'spectin' in his Cuban accent. Oddly, the official titles of two of the series' episodes employed the word pregnant: "Lucy Is Enceinte", employing the French word for pregnant, and "Pregnant Women Are Unpredictable", although the episode titles never appeared on the show itself.

In addition to I Love Lucy, he executive produced The Ann Sothern Show, Those Whiting Girls and was briefly involved in several other series such as The Untouchables. He also produced the feature film Forever, Darling (1956), in which he and Ball starred.

The original Desilu company continued long after Arnaz's divorce from Ball, both producing its own shows and providing production facilities to other producers. Among the later shows produced at Desilu shows: The Andy Griffith Show, The Dick Van Dyke Show, The Lucy Show, and Star Trek. When Ball sold her share of Desilu to what became Paramount Television, Arnaz went on to form his own production company from the ashes of his share of Desilu, and with the newly formed Desi Arnaz Productions, he made The Mothers-In-Law (at Desilu) for United Artists Television and NBC, this ran for two seasons from 1967-68. Arnaz's company would be succeeded-in-interest by the company now known as Desilu, Too. Both Desilu, Too and Lucille Ball Productions work hand-in-hand with MPI Home Video in the home video re-issues of the Ball/Arnaz material not currently owned by CBS (successor-in-interest to Paramount Television, which in turn succeeded the original Desilu company). This material includes Here's Lucy and the aforementioned The Mothers-In-Law, as well as many programs and specials Ball and Arnaz made independently of each other.

Beliefs

Arnaz and Ball decided that the show would maintain what Arnaz termed "basic good taste", and were therefore determined to avoid ethnic jokes as well as humor based on handicaps, mental disabilities, and so on. Arnaz recalled that the only exception consisted of making fun of Ricky Ricardo's accent, and noted that even these jokes worked only when Lucy, as his wife, did the mimicking.

Arnaz was patriotic. In his memoirs, speaking of the United States, he wrote: "I know of no other country in the world" in which "a sixteen-year-old kid, broke and unable to speak the language" could achieve the successes he had. Over the show's nine-year run, the fortunes of the Ricardos mirror that of the archetypal 1950s American Dream. At first, they lived in a tiny, if pleasant brownstone apartment. Later, Ricardo got his big chance and moved, temporarily, to a fashionable hotel suite in Hollywood. Shortly after returning to New York, they had the opportunity to travel to Europe. Finally, Ricky and Lucy moved into a house in the wealthy Westport, Connecticut, countryside.

Marriages

with Lucille Ball in Los Angeles, 1953.

Arnaz and Ball's marriage was turbulent, and she initiated divorce proceedings in 1944, but returned to him before the interlocutory decree became final. He and Ball are the parents of actress Lucie Arnaz (born 1951) and actor Desi Arnaz, Jr. (born 1953).

Arnaz's marriage with Ball began to collapse under the strain of his growing problems with alcohol and womanizing. According to his memoir, the combined pressures of managing the production company as well as supervising its day-to-day operations had greatly worsened as it grew much larger, and he felt compelled to seek outlets to alleviate the stress. Arnaz was also suffering from diverticulitis. Ball divorced him in 1960. When Ball returned to weekly television, she and Arnaz worked out an agreement regarding Desilu, wherein she bought him out.

Arnaz married his second wife, Edith Mack Hirsch, on March 2, 1963, and greatly reduced his show business activities. He served as executive producer of The Mothers-in-Law, and during its two-year run, made four guest appearances as a Spanish matador, Señor Delgado. He was widowed in 1985, when his wife Edith died.

Although both Arnaz and Ball remarried to other spouses after their divorce in 1960, they remained friends, and grew closer in his final decade. "'I Love Lucy' was never just a title", wrote Arnaz in the last years of his life.[4]Family home movies later aired on television showed Ball and Arnaz playing together with their grandson Simon shortly before Arnaz's death.

Later life

Arnaz appeared with his son in the 1974 television special, "California, My Way".

In the 1970s, Arnaz co-hosted a week of shows with daytime host and producer Mike Douglas. Vivian Vance appeared as a guest. Arnaz also headlined a Kraft Music Hall special on NBC that featured his two children, with a brief appearance by Vance. To promote his autobiography, A Book, Arnaz, on February 21, 1976, served as a guest host on Saturday Night Live, with his son, Desi, Jr., also appearing. The program contained spoofs of I Love Lucy and The Untouchables. The spoofs of I Love Lucy were supposed earlier concepts of the show that never made it on the air, such as "I Love Louie", where Desi lived with Louis Armstrong. He also read Lewis Carroll's poem "Jabberwocky" in a heavy Cuban accent (he pronounced it "Habberwocky"). Arnaz, Jr. played the drums and, supported by the SNL band, Desi sang both "Babalu" and another favorite from his dance band days, "Cuban Pete"; the arrangements were similar to the ones used on I Love Lucy. He ended the broadcast by leading the entire cast in a raucous conga line through the SNL studio.

Arnaz and his wife eventually moved to Del Mar, California, where he lived the rest of his life in semi-retirement. He owned a 45-acre horse breeding farm in Corona, California, and raced thoroughbreds. He contributed to charitable and non-profit organizations, including San Diego State University. Arnaz would make a guest appearance on the TV series Alice, starring Linda Lavin and produced by I Love Lucy co-creators Madelyn Pugh (Madelyn Davis) and Bob Carroll, Jr.

Death

Arnaz was diagnosed with lung cancer in 1986. He died several months later on December 2, 1986, at the age of 69. Lucille telephoned him two days before his death, on what would have been their 46th wedding anniversary. They shared a few words, mostly "I love you." She said, "All right, honey. I'll talk to you later."

Arnaz was cremated and the whereabouts of his ashes are unknown. His death came just five days before Lucille Ball received the Kennedy Center Honors.

Desi was survived by his children and his mother, Dolores, who died in 1988 at the age of 92.[5]

Legacy

Desi Arnaz has two stars on the Hollywood Walk of Fame: one at 6327 Hollywood Boulevard for contributions to motion pictures, and one at 6220 Hollywood Boulevard for television. There is a Lucille Ball-Desi Arnaz Center museum in Jamestown, New York (birthplace of Lucille Ball) and a Desi Arnaz Bandshell in Lucille Ball Memorial Park in Celoron, New York (childhood home of Lucille Ball).

Filmography

As actor

As producer

  • 1967: The Mothers-In-Law (executive producer) (56 episodes, 1967–1969)
  • 1968: Land's End (TV) (producer)
  • 1966: The Carol Channing Show (TV) (producer)
  • 1961: The Untouchables (executive producer) (3 episodes, 1961–1962)
  • 1962: The Lucy Show (executive producer) (1 episode, 1962)
  • 1958: The Ann Sothern Show (executive producer) (93 episodes, 1958–1961)
  • 1960: New Comedy Showcase TV series (executive producer) (unknown episodes)
  • 1957: The Lucy-Desi Comedy Hour (executive producer) (13 episodes, 1957–1960)
  • 1958: The Texan TV series (executive producer) (unknown episodes)
  • 1958: The Fountain of Youth (TV) (executive producer)
  • 1952: I Love Lucy (executive producer) (131 episodes, 1952–1956) (producer) (26
  • 1956: I Love Lucy Christmas Show (TV) (producer)
  • 1956: Forever, Darling (producer)
  • 1955: Those Whiting Girls TV series (executive producer) (unknown episodes)

As writer

As director

Soundtracks

  • 2001: I Love Lucy's 50th Anniversary Special (TV) (performer: "California, Here I Come", "Babalu (Babalú)") ... aka "The I Love Lucy 50th Anniversary Special" – USA (DVD title)
  • 1958: The Lucy-Desi Comedy Hour (1 episode, 1958) ... aka "We Love Lucy" – USA (syndication title) – Lucy Wins a Race Horse (1958) TV episode (performer: "The Bayamo")
  • 1952: I Love Lucy (3 episodes, 1952–1956) ... aka "Lucy in Connecticut" - USA (rerun title) ... aka "The Sunday Lucy Show" - USA (rerun title) ... aka "The Top Ten Lucy Show" – USA (rerun title) – Lucy and Bob Hope (1956) TV episode (performer: "Nobody Loves the Ump" (uncredited)) – Ricky's European Booking (1955) TV episode (performer: "Forever, Darling" (uncredited)) – Cuban Pals (1952) TV episode (performer: "The Lady in Red", "Similau")
  • 1956: Forever, Darling (performer: "Forever, Darling" (reprise))
  • 1949: Holiday in Havana (writer: "Holiday In Havana", "The Arnaz Jam")
  • 1946: Desi Arnaz and His Orchestra (performer: "Guadalajara", "Babalu (Babalú)", "Tabu (Tabú)", "Pin Marin") ... aka "Melody Masters: Desi Arnaz and His Orchestra" - USA (series title)
  • 1942: Four Jacks and a Jill ("Boogie Woogie Conga" 1941))
  • 1941: Father Takes a Wife ("Perfidia" (1939), "Mi amor" (1941))
  • 1940: Too Many Girls (performer: "Spic 'n' Spanish", "You're Nearer", "Conga") ("'Cause We Got Cake")

Biography

  • 1960: A Book (autobiography up to 1960)
  • 1976: Another Book (1960 onward—never completed beyond outline)[citation needed]
  • 1994: Desilu: The Story of Lucille Ball and Desi Arnaz By Coyne Stephen Sanders and Tom Gilbert (author) (Whole life, and focuses prominently on the Business affairs of Desilu Productions)(PNT)

See also

References

  1. ^ Horgan, James J. (1990). Pioneer College: The Centennial History of Saint Leo College, Saint Leo Abbey, and Holy Name Priory. Saint Leo College Press. p 463
  2. ^ A Book; Arnaz, Desi
  3. ^ Silver, Allison (July 16, 2009). "Sotomayor: More 'Splainin' to Do". The Huffington Post. http://www.huffingtonpost.com/allison-silver/sotomayer-more-splainin-t_b_236347.html. Retrieved 2010-06-18. "CBS executives originally did not want Ball, a sassy redhead, married to a Latino on the program" 
  4. ^ Desilu: The Story of Lucille Ball and Desi Arnaz.
  5. ^ Social Security Death Index

External links


 
 
Related topics:
Desi Arnaz: Saturday Night Live (TV Episode) (1976 Comedy TV Episode)
The Best of Desi Arnaz [Collectables] (2006 Album by Desi Arnaz)
Hollywood Anniversary: I Love Lucy (TV Episode) (1955 Comedy TV Episode)

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