Results for Desi Arnaz
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Artist:

Desi Arnaz

Born:
Mar 02, 1917 in Santiago, Cuba

Died:
Nov 02, 1986

Representative Songs:

"Babalu," "Carnival in Rio," "Tico-Tico"

Representative Albums:

Babalu, Cuban Originals, The Best of Desi Arnaz: The Mambo King

Similar Artists:

Performed Songs By:

Margarita Lecuona
  • Genre: Latin
  • Active: '30s, '40s, '50s
  • Instrument: Vocals

Biography

To most of the public, Desi Arnaz is known as the lovable, temperamental Ricky Ricardo, husband of Lucille Ball in the 1950s (in real life and on screen) on one of the most successful television series of all time, I Love Lucy. Within the industry, he's known as one of the forces behind Desilu Productions. Yet before he became an international star, he was known primarily as a musician, not an actor or executive. It was Arnaz who may have done more to popularize the conga in the United States than any other figure, leading an orchestra that mixed Latin-Cuban music with big-band pop, and putting it over to the masses with his irresistibly good-natured, melodramatic vocals. He's attracted far less critical acclaim than more ambitious Latin-American hybrids like Machito, the Dizzy Gillespie Orchestra of the late '40s, or his one-time mentor Xavier Cugat, but his recordings contain a surprising amount of shake-em-loose verve.

Born in Santiago, Cuba, Arnaz moved to Miami in his teens, and began to work as a conga player, singer, and guitarist. For six months, he apprenticed with Xavier Cugat's orchestra, and then split to form a band of his own. He made his first sides as a bandleader around 1940 with his La Congra Orchestra, and his New York shows created enough of a buzz to get him a stage role in a musical by Richard Rodgers and Lorenz Hart, Too Many Girls, in 1939. He repeated his Too Many Girls role on screen, leading to a Hollywood career and his marriage to comedienne Lucille Ball.

After serving in the Army during World War II, Arnaz focused on music for the rest of the 1940s, cutting quite a few infectious sides for Victor between 1946 and 1949. Certainly some of his accented routines could be corny, but he and his orchestra could also whip up a storm on tracks like "Babalu" and "El Cumbanchero," achieving his avowed goal of combining the rhythm of Machito with the melody of Andre Kostelanetz. After recording his last session for Victor in 1949, Arnaz refocused his attention on Hollywood, putting his musical career on permanent back burner after becoming one of television's first superstars with I Love Lucy. ~ Richie Unterberger, All Music Guide
 
 
Actor:

Desi Arnaz

  • Born: Mar 02, 1917 in Santiago, Cuba
  • Died: Dec 02, 1986
  • Occupation: Actor
  • Active: '40s-'60s, '90s
  • Major Genres: Comedy
  • Career Highlights: The Long, Long Trailer, Father Takes a Wife, Too Many Girls
  • First Major Screen Credit: Too Many Girls (1940)

Biography

A musican, singer, songwriter, actor and television producer, Arnaz came to the US from Cuba when he was sixteen and became a professional bandleader of popular Latin music. He married actress Lucille Ball in 1940 and, in 1951, costarred with her in their long-running and successful television series, I Love Lucy, in which he played the charming but long-suffering husband/straightman, Ricky Ricardo, a successful nightclub owner and entertainer. Arnaz insisted that the series be photographed on 35mm film at a time when syndicated reruns were a thing of the future and a TV show was lucky to even be preserved as a 16mm kinescope. He hired top Hollywood cinematographer Karl Freund for the job and supervised the entire making of the series through his and Ball's company, Desilu Productions. Arnaz appeared in several films with and without Ball up until 1960 when they were divorced and she bought out his interest in Desilu. In 1982 he came out of retirement to play a corrupt mayor and father to Raul Julia in the film, The Escape Artist. He died of lung cancer in 1986. ~ All Movie Guide

 
Biography: Desi Arnaz

Desi Arnaz (1917-1986) is best known for the popular 1950s television show "I Love Lucy", a situation comedy that he helped create along with his wife Lucille Ball, to whom he was married from 1940 to 1960. Arnaz played "Ricky Ricardo," a struggling Cuban-born bandleader whose high-spirited wife Lucy (played by Ball) was forever engaged in some sort of comedic mischief. Behind the scenes, Arnaz was known as a savvy businessman and producer and a trailblazer in the early years of television.

Although network executives were at first reluctant to cast the heavily accented Arnaz alongside an all-American redhead like Lucy, Arnaz and Ball agreed to contribute $39,000 from their salaries toward production costs of I Love Lucy to ensure that the series would be launched. The comedy quickly emerged as one of the most popular shows of the decade. As Scholastic Update noted in 1988, Arnaz's role on the show helped Americans to "accept Hispanic immigrants not just as exotic outsiders, but as Hispanic-Americans."

Desiderio Alberto Arnaz y De Acha was born on March 2, 1917 in Santiago, Cuba. His father Desiderio was mayor of Santiago and a wealthy property owner whose holdings included a cattle ranch, two dairy farms, and a villa on a small island in Santiago Bay. Desi's mother, the former Dolores de Acha, was the daughter of one of the founders of the Bacardi rum company. As a teenager, Arnaz was expected to attend college before embarking on a career in law and politics.

Fled Cuba

However, political unrest in Cuba dramatically changed the direction of Arnaz's life. In August 1933, the Arnaz home in Santiago was burned and ransacked. While Arnaz and his mother managed to escape to safety, his father, a newly elected congressman, was put in prison. While there, he was advised by the new chief of state, Fulgencio Batista, that he would be freed if he left the country. Promising to send for his wife (whom he'd later divorce) and son, Arnaz's father set out for Miami.

In June 1934, the 17-year-old Desi arrived in America and was greeted by his father, who had established an import-export company with two other refugees in Miami. To save money, father and son lived in the company warehouse and ate cans of pork-and-beans. They used baseball bats to ward off the rats that scurried through the building. After school, young Arnaz worked cleaning bird cages for a man who sold canaries on consignment in area drug stores.

Musical Beginnings

During this time, Arnaz was recommended to a band-leader by a girlfriend's grandfather. Armed with a used guitar purchased for $5 from a pawnshop and a facility with the instrument - he'd used it often in Cuba to serenade the opposite sex - Arnaz persuaded his father to let him take this new $39-a-week job at the Roney Plaza Hotel. Xavier Cugat, the "king" of Latin dance music soon discovered the young musician. Upon graduating from high school and serving a stint in the Cugat orchestra, Arnaz debuted his own band in Miami Beach in December 1937.

The Desi Arnaz Orchestra won favorable reviews in New York and Miami. Collaborators, Lorenz Hart and Richard Rodgers, asked the young orchestra leader to audition for their upcoming Broadway musical Too Many Girls. Arnaz landed the part of the Latin American exchange student. Soon the 23-year-old was on his way to Hollywood to appear in the film version of the musical, starring 28-year-old studio actress, Lucille Ball.

"Lucy and Desi's first scene together in the movie Too Many Girls required him to take one glance at her and swoon dead away in ecstasy," commented Warren G. Harris in Lucy & Desi. "It didn't take much acting skill; by then, they were already in love in real life." The relationship was passionate and tumultuous from the start, punctuated by clashes of temper and jealousy. Many of the disagreements centered on Arnaz's flirtatious nature. Still, they came to care deeply for one another. Arnaz called her "Lucy" even though she had long called herself "Lucille." "I didn't like the name Lucille," Arnaz recalled in his autobiography. "That name had been used by other men. 'Lucy' was mine alone."

Lucy and Desi

On November 30, 1940, Ball and Arnaz were married in Connecticut with a wedding ring purchased at the last minute from Woolworth's. "Eloping with Desi was the most daring thing I ever did in my life," Ball recalled, according to Lucy & Desi. "I never fell in love with anyone quite so fast. He was very handsome and romantic. But he also frightened me, he was so wild. I knew I shouldn't marry him, but that was one of the biggest attractions." Upon returning to California, the couple settled into a five-acre ranch in Chatsworth, just outside of Los Angeles. Mindful of the practice of naming their residence after themselves as actors Douglas Fairbanks and Mary Pickford had done, the couple decided on Desilu after eliminating such other possibilities as Arnaball, Ballarnaz, and Ludesi.

In May 1943, Arnaz received his draft notice to serve in World War II. Because of an injury, however, he saw only non-combat duty at Birmingham Hospital, 15 minutes away from Desilu. Convinced that Arnaz was being unfaithful to her, Ball filed for divorce in September of 1944. The divorce, though, was voided by a quick reconciliation.

Arnaz' officially shortened his name during his stint in the service (from Desiderio Alberto Arnaz y de Acha to Desi Arnaz). When his military service concluded, he returned to Hollywood, only to find his opportunities limited by his heavy accent. Despite critical acclaim for his performance in the movie Batman and gossip columnist Louella Parson's prediction that he'd be the next Rudolph Valentino, Arnaz found it difficult to secure significant parts. The new 22-piece Arnaz Orchestra, though, was getting favorable reviews, and Arnaz eventually landed a role in the movie Cuban Pete, in which he was touted as "The Rhumba-Rhythm King."

In 1948, Arnaz and Ball formed Desilu Productions to coordinate their various stage, screen, and radio activities. A year later, Arnaz asked Ball to marry him again - this time in an official Catholic ceremony. The ceremony was later played out again, albeit in a more fanciful manner, in an episode of I Love Lucy.

By 1950, Arnaz and Ball had both established themselves in the medium of radio. Arnaz first served as the bandleader for Bob Hope's radio show, then as host of the musical quiz show Your Tropical Trip; Ball portrayed the scatterbrained housewife on the radio serial My Favorite Husband. When the CBS television network decided to turn My Favorite Husband into a TV series, Ball insisted that Arnaz be cast as her husband. As the show's producer as well as its leading man, Arnaz helped bring movie-quality techniques to live television and negotiated a deal whereby Desilu retained full ownership of the show.

Fame and Fortune

Ball gave birth to the couple's first child, Lucie Desiree, on July 17, 1951, just as scriptwriters were putting the finishing touches on I Love Lucy for the show's October 15, 1951 premiere. The principal characters were Ricky Ricardo, a struggling Latin bandleader who would burst into Spanish whenever he got particularly exasperated, and his wife Lucy, a wacky housewife with showbiz aspirations but no real talent. Before long, I Love Lucy was a smash hit, televised around the world. "Rather than repelling audiences as CBS had feared," wrote Harris, "Desi's flamboyant Cuban-ness apparently had the opposite effect of attracting viewers." Casting Arnaz as a TV husband was "a case of awkwardness being recognized as an asset," observed a critic for the New York Times. The show won Emmy awards in 1952 and 1953 for best situation comedy.

As stars of the most popular show in America, Arnaz and Ball were under constant pressure to live up to the happily married image of their TV counterparts. But while tensions in the marriage increased, the series' popularity continued to grow. More Americans watched the January 13, 1953, episode featuring the birth of "Little Ricky" than tuned in to the inauguration of President Eisenhower, according to the New York Times. Lucille Ball gave birth to Desi Jr., the very same day.

Arnaz attributed the success of the show mostly to his wife's performance as the daffy Lucy. Madelyn Pugh Davis, a writer for the show, said in People magazine in 1991: "He always knew she was the star. Never in all those years did I ever hear him say, Where's my part?" Under Arnaz's direction, Desilu Productions became a media giant. In 1955 I Love Lucy began re-broadcasting earlier episodes - the first reruns ever shown of a current prime-time show - because so many viewers with brand-new televisions had missed the show's early years. As the New York Times observed, "The appeal of reusable filmed programs led eventually to a seismic shift in television production from New York to Hollywood, and made the program's creators millionaires."

In addition to I Love Lucy, Desilu produced such hits as Our Miss Brooks, The Untouchables, and The Danny Thomas Show. Arnaz and Ball also appeared together in movies such as The Long, Long Trailer and Forever, Darling. In 1957, Desilu bought RKO Studios, where he and Ball had met in 1940. By the mid-195Os Desilu was an empire that grossed about $15 million annually and employed 800 people.

Personal Struggles

Arnaz's personal life, however, was less healthy. Diagnosed with diverticulitis, a disease of the colon, he worked out a deal with CBS to replace I Love Lucy with a series of one-hour specials. Of greater importance, though, was the state of his marriage with Ball. Arnaz's well-documented drinking and womanizing took a tremendous toll on the relationship. "The more our love life deteriorated, the more we fought, the more unhappy we were, the more I drank," Arnaz wrote in his autobiography. "The one thing I have never been able to do is work and play concurrently and in moderation, whatever that means."

On March 2, 1960, Arnaz's forty-third birthday, I Love Lucy was brought to a close after 179 half-hour episodes, 13 one-hour specials and nine years on the air. Ending with the usual kiss-and-make-up ending, the last show gave no inkling about the state of the marriage off the air. On the following day, March 3, 1960, Ball filed for a divorce, which, for the sake of the two children, was amicable. Two years later, in 1962, Arnaz pulled out of Desilu Productions, selling his stock to Ball for $3 million. Running Desilu had "ceased to be fun," he said in his autobiography. "I was happier cleaning birdcages and chasing rats."

Arnaz spent much of his time immediately after the divorce on his 45-acre horse-breeding farm in Corona, California. Still, his bond with Ball was never completely severed, and, in the fall of 1962, he was brought in as executive producer of his ex-wife's new series The Lucy Show.

Throughout the 1960s and 1970s, Arnaz remained active in show business. In 1967, he launched the NBC series The Mothers-in-Law, starring Eve Arden and Kaye Ballard. In 1976, Arnaz published his autobiography, A Book, which included an epilogue about Ball that stated, "I loved her very much and, in my own and perhaps peculiar way, I will always love her." Arnaz appeared on Saturday Night Live with Desi Jr. to promote the book.

Lonely End

In 1986, after years of smoking four or five Cuban cigars a day, Arnaz was diagnosed with lung cancer. Ball stayed with him for several hours before he lapsed into a coma. He died in the arms of his daughter, Lucie, on December 2, 1986. He was "a good daddy, but a lonely man at times, one who chose a difficult path," she said of him in Lucy & Desi.

Books

Harris, Warren G., Lucy & Desi, Thorndike Press, 1992.

Metz, Robert, CBS: Reflections in a Bloodshot Eye, Playboy Press, 1975.

 
Wikipedia: Desi Arnaz


Desi Arnaz
Birth name Desiderio Alberto Arnaz y de Acha III
Born March 2 1917(1917--)
Santiago de Cuba, Cuba
Died December 2 1986 (aged 69)
Del Mar, California, United States
Years active 19361986
Spouse(s) Lucille Ball (1940–1960)
Edith Mack Hirsch (1963–1985; her death)

Desi Arnaz (born Desiderio Alberto Arnaz y de Acha III) (March 2, 1917December 2, 1986) was a Cuban musician, actor, comedian and television producer.

Early life

Desi Arnaz was born in Santiago de Cuba, Cuba's second largest city, to a wealthy family. His ancestors had been among the original recipients of Spanish land grants in the eighteenth century. His father, Desidero Alberto Arnaz (March 8, 1894 - May 31, 1973) was Santiago's youngest mayor and then served in the Cuban House of Representatives. The 1933 revolution, led by Fulgencio Batista, overthrew the American-backed President Gerardo Machado, landed his father in jail for six months, and stripped his family of its wealth and power. Arnaz's father was released when U.S. officials, who believed him to be neutral during the revolt, intervened on his behalf. Arnaz and his parents then fled to Miami, Florida.

Music career

Arnaz began his career as a professional musician in 1936 as an Afro-Cuban jazz musician, playing guitar and percussion for a Latin orchestra. He took a pay cut to work in New York City for mentor Xavier Cugat, whom he would later describe as a world-class cheapskate but excellent teacher. Arnaz returned to Miami six months later to lead his own Latin musical group. It was there he introduced America to the conga line. After forming his own orchestra he returned to New York.

Arnaz was equally successful as a recording artist. Beginning his musical career in 1937, he released what became his signature song, the Santeria-flavored "Babalú", in 1946. The song was written by Margarita Lecuona, a renowned composer and cousin of famed Cuban composers Ernesto and Ernestina Lecuona. "Babalú" was released for RCA Victor.

Film career

In 1939, he starred on Broadway in the successful musical Too Many Girls. He then went to Hollywood to appear in the 1940 movie version at RKO, which starred actress and comedian Lucille Ball.

Arnaz appeared in several movies in the 1940s, most notably Bataan (1943). Shortly after he received his draft notice, but before he was actually inducted, he injured his knee. Although he made it through boot camp, he was eventually classified for limited service, and ended up directing United Service Organizations (U.S.O.) programs at a military hospital in the San Fernando Valley. In his memoirs, he recalled discovering that the first thing soldiers requested was almost invariably a glass of cold milk, so he arranged for beautiful starlets to greet the wounded soldiers as they disembarked and pour milk for them. After leaving the Army, he formed another orchestra, which was successful in live appearances and recordings. After he became engaged in television, he kept the orchestra on his payroll throughout the period he remained an active producer.

I Love Lucy

He produced and starred in I Love Lucy, in which he played a fictitious version of himself, Cuban orchestra leader Ricky Ricardo, and starring his real-life wife, Lucille Ball, as Ricky's wife, Lucy. Television executives had been pursuing Ball to adapt her very popular radio series My Favorite Husband for television. Ball insisted on Arnaz playing her on-air spouse, so the two would be able to spend more time together. The original premise was for the couple to portray Lucy & Larry Lopez, a successful show business couple (he a band leader, she an actress) whose glamorous careers interfered with their efforts to maintain a normal marriage. Market research indicated, however, that this scenario would not be popular, so Arnaz changed it to make Ricky a struggling young orchestra leader and Lucy a plain housewife with showbiz fantasies but no talent at all. He would often play in and later own, Tropicana Club, which under his ownership, he renamed Club Babalu. Initially, the idea of having Ball and the distinctly Latino Arnaz portray a married couple encountered resistance, for he was told that his Cuban accent and Latin style would not be agreeable to American viewers; but the couple overcame these objections by touring together in a live vaudeville act they developed with the help of Spanish clown, Pepito Perez, and Ball's radio show writers. Much of the material from their vaudeville act was used in the original "I Love Lucy" pilot, including Lucy's memorable seal routine. (The pilot originally ran as the third episode of the show's first season.)

Desilu Productions

With Ball, he founded Desilu Productions. At this time, most television programs were broadcast live, and as the largest markets were in New York, the rest of the country received only kinescope images (the result of placing 35 mm or 16 mm film cameras in front of a television monitor shipping the prints to other time zones for broadcast at a later date, resulting in extremely poor quality). Arnaz developed the multiple-camera setup production style using adjacent sets that became the standard for all subsequent situation comedies to this day. The use of film enabled every station around the country to broadcast high-quality images of the show. Initially, Arnaz was told that it would be impossible to allow an audience onto a sound stage, but he worked with the famous cameraman Karl Freund to design a set that would accommodate an audience, allow filming, and also adhere to fire and safety codes.

Network executives considered the use of film an unnecessary extravagance. Arnaz convinced them to allow Desilu to cover all additional costs associated with the filming process, under the stipulation that Desilu owned and controlled all rights to the film. Arnaz's unprecedented arrangement is widely considered to be one of the shrewdest deals in television history. As a result of his foresight, Desilu reaped the profits from all re-runs of the series.

Arnaz also pushed the network to allow them to show Lucille Ball while she was pregnant. According to Arnaz, the CBS network told him, "You cannot show a pregnant woman on television." Arnaz consulted a priest, a rabbi and a minister, all of whom told him that there would be nothing wrong with showing a pregnant Lucy or with using the word pregnant. The network finally relented and let Arnaz and Ball weave the pregnancy into the story line, but remained adamant about eschewing use of pregnant, so Arnaz substituted expecting, pronouncing it 'spectin' in his Cuban accent. Oddly, the official title of the episode announcing the pregnancy was "Lucy Is Enceinte," employing the French word for pregnant.

In addition to I Love Lucy, he produced December Bride, The Mothers-in-Law, The Lucy Show, Those Whiting Girls, Our Miss Brooks, The Danny Thomas Show, Leave It to Beaver, The Andy Griffith Show, and The Untouchables, all Top Ten shows in their time. He is also credited with the invention of the rerun.

Beliefs

"Good taste"

Also worth noting is the firm stance Arnaz and Ball took as to "basic good taste," avoiding racial or ethnic jokes, poking fun at the handicapped, and the like. Arnaz recalled that the only exception consisted of making fun of Ricky Ricardo's accent—and noted that even these jokes worked only when Lucy, as his wife, did the mimicking. "When Fred and Ethel made fun of Ricky's accent, they didn't get a laugh."

Patriotism

Arnaz was adamantly patriotic—in his memoirs, the first object of thanks was the United States itself: "I know of no other country in the world," he said, in which "a sixteen-year old kid, broke and unable to speak the language," could reach the astonishing heights of success that he had. Arnaz' warm feelings towards his adopted country most likely influenced the storyline of I Love Lucy in certain subtle ways. Over the show's six-year run, the fortunes of the Ricardos closely mirror that of the archetypal 1950s American Dream: at first, they live in a tiny brownstone apartment; Ricky's fortunes continue to improve, and they move into a slightly larger one with a view after Little Ricky is born. Later, Ricky gets his big break and goes to Hollywood; shortly after returning to New York, all of them have the chance to travel through Europe, an adventure few Americans of the time could afford. Finally, Lucy and Ricky echo the Zeitgeist of 1950s America and head for the suburbs. Fred Mertz, with his unrelenting stinginess and fears about money, symbolizes the lean years of the Depression, now a fading memory.

Marriages

Arnaz married Lucille Ball on November 30, 1940 and initiated divorce proceedings in 1944, but reconciled before the interlocutory decree became final.

He and Ball were the parents of actress Lucie Arnaz (born 1951) and actor Desi Arnaz, Jr. (born 1953).

Arnaz's marriage with Ball began to collapse under the strain of his serious problems with alcohol, drugs, and womanizing. According to his memoir, the combined pressures of managing the production company as well as supervising its day-to-day operations had greatly worsened as it grew much larger. Arnaz was also suffering from diverticulitis. He and Ball divorced in 1960; she was 48 and he was 43. When Ball returned to weekly television, she and Arnaz worked out an agreement regarding Desilu wherein she bought him out. According to Paramount Studios, Arnaz broke up his relationship with Lucille two years before their divorce. The last straw was when he was caught making out with another woman inside the Paramount Studios. This is where Ball says Arnaz crossed the line.

Three years after the divorce, Arnaz married his second wife, Edith Mack Hirsch, on March 2, 1963 and greatly reduced his show business activities. He served as executive producer of The Mothers-in-Law, and during its two-year run, made four very amusing guest appearances as a Spanish matador, Senor Delgado.

Although Arnaz remarried after his divorce from Ball in 1960, they remained friends. It was evident that they still loved each other very much, as they continued to speak by telephone every single night until his death. Despite the divorce, he continued to send Lucy flowers every year on their wedding anniversary, which was November 30 (June 19 was the date they were married in a church). After their divorce, Lucille got into an accident while making a film with Bob Hope. When Arnaz heard, he rode by horse from his ranch to the hospital. Family home movies later aired on television showed Ball and Arnaz playing together with their mutual grandson, Simon (or "Simón", if Arnaz's mock protests are to be believed), shortly before his death.

Later life

In the 1970s, he co-hosted a week of shows with daytime TV favorite Mike Douglas. Vivian Vance appeared as a guest, and in this brief reunion viewers could see the genuine affection each had for the other. Arnaz also headlined a Kraft Music Hall special on NBC that featured his two children, with a brief appearance by Vance. To promote his autobiography, A Book, in 1976 Arnaz served as a memorable guest host on Saturday Night Live with his son, Desi, Jr., also appearing. Arnaz played the drums and sang a song in Spanish, and also read Lewis Carroll's poem "Jabberwocky" in a heavy Cuban accent (he pronounced it "Habberwocky"). He ended the broadcast by leading the entire cast in a raucous conga line through the SNL studio.

Desi and Edith eventually moved to Del Mar, where he lived the rest of his life in semi-retirement. He owned a 45-acre horse breeding farm in Corona and raced thoroughbreds. He contributed generously to charitable and non-profit organizations, including San Diego State University. Arnaz would make a guest appearance on the TV series Alice, starring Linda Lavin and produced by "I Love Lucy" co-creators Madelyn Pugh (Madelyn Davis) and Bob Carroll, Jr. This would be one of Arnaz's last television appearances remembered by American audiences.

Death

Edith died of lung cancer in March 1985. Desi, a lifelong smoker, was himself diagnosed with lung cancer in early 1986. He died several months later on December 2, 1986, at age 69. His death came just five days before Lucille Ball received the Kennedy Center Honors. Robert Stack read a written statement prepared by Desi just days before which ended with the line, "I Love Lucy was never just a little title..."

Desi's body was cremated and his ashes were scattered. A widely published photograph taken at his funeral mass shows Lucille Ball emerging from the church.

Legacy

Desi Arnaz has two stars on the Hollywood Walk of Fame, for contributions to motion pictures at 6327 Hollywood Boulevard, and for television at 6220 Hollywood Boulevard.

Filmography

  • Too Many Girls (1940)
  • Father Takes a Wife (1941)
  • Four Jacks and a Jill (1942)
  • The Navy Comes Through (1942)
  • Bataan (1943)
  • Screen Snapshots: Hollywood in Uniform (1943) (short subject)
  • Cuban Pete (1946)
  • Desi Arnaz and His Orchestra (1946) (short subject)
  • Jitterumba (1947) (short subject)
  • Holiday in Havana (1949)
  • I Love Lucy (1953) (unreleased compilation film of episodes from the show).
  • The Long, Long Trailer (1954)
  • Forever Darling (1956)
  • Salsa (1976) (documentary)
  • The Escape Artist (1982)

Biography

  • A Book (1976) (autobiography up to 1960)
  • Another Book (1960 onward -- never completed beyond outline)

See also

External links


Persondata
NAME Arnaz, Desi
ALTERNATIVE NAMES
SHORT DESCRIPTION American musician
DATE OF BIRTH March 2 1917(1917--)
PLACE OF BIRTH Santiago de Cuba
DATE OF DEATH December 2 1986
PLACE OF DEATH Del Mar, California

 
 

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Copyrights:

Artist. Copyright © 2008 All Media Guide, LLC. Content provided by All Music Guide ® , a trademark of All Media Guide, LLC. All rights reserved.  Read more
Actor. Copyright © 2006 All Media Guide, LLC. All rights reserved.  Read more
Biography. © 2006 through a partnership of Answers Corporation. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Desi Arnaz" Read more

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