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Destroy All Monsters

 
Artist: Destroy All Monsters
 
Destroy All Monsters

Group Members:

Niagara, Mike Kelley, Michael Davis, Ron Asheton, Cary Loren, Jim Shaw, Rob King, Larry Miller, Ben Miller

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  • Formed: 1973, Detroit, MI
  • Disbanded: 1985
  • Genres: Rock
  • Representative Albums: "1974-76," "Bored," "Silver Wedding Anniversary"
  • Representative Songs: "Bored," "What Do I Get?," "Detroit: Rock City"

Biography

An anti-rock band founded in direct reaction to the pretensions and complacency of 1970s pop music, the Detroit-based noise deconstructionists Destroy All Monsters earned their greatest notoriety at the peak of the punk era, thanks to a lineup that included alumni of the MC5 and the Stooges. Named after a cult-favorite Japanese monster movie, Destroy All Monsters was formed in 1973 by art students Niagara (a former model), Jim Shaw, Mike Kelley, and Cary Loren; influenced by everything from underground comix to film noir to psychedelia, the highly visual group was experimental and abrasive, with Niagara's Betty Boop-vocals and squealing violin cresting atop waves of trance-like sonic dementia.

The original incarnation of Destroy All Monsters never widely released any official recordings, and by 1976 both Shaw and Kelley had exited to continue their graphic art careers, both later gaining considerable notoriety as underground talents. Niagara and Loren continued on, recruiting brothers Larry and Ben Miller (space guitar and saxophone, respectively); within six months, former Stooges guitarist Ron Asheton and onetime MC5 bassist Michael Davis had also signed on, pointing the group's sound in a more dynamic and energetic direction. Upon releasing their first-ever single, 1978's "Bored," Destroy All Monsters became darlings of the British music press, based largely upon the connection to the Stooges' legacy; "Bored" was soon set for U.K. release on the Cherry Red label, which licensed the record before ever even hearing it.

Even as a second single, "Meet the Creeper," was being readied for release, Destroy All Monsters was coming apart; tensions within the group had come to a head when Niagara left longtime boyfriend Loren to hook up with Asheton, and soon Loren, as well as the Miller brothers, left the band over creative differences. In response, Loren issued a 1979 live EP, The Days of Diamonds; a year later, he, the Millers, and drummer Rob King formed Xanadu, recording an EP, Black-Out in the City, co-produced by Kelley and Shaw. Meanwhile, the remaining members of Destroy All Monsters carried on until 1985 before finally disbanding. In the wake of a 1994 box set, the original lineup occasionally re-formed to play live and record new material. A concert set, Live in Tokyo & Osaka, appeared in 2008. ~ Jason Ankeny, All Music Guide
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Wikipedia: Destroy All Monsters
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Destroy All Monsters
Directed by Ishirō Honda
Produced by Tomoyuki Tanaka
Written by Ishirō Honda
Takeshi Kimura
Starring Akira Kubo
Jun Tazaki
Yukiko Kobayashi
Yoshio Tsuchiya
Kyôko Ai
Music by Akira Ifukube
Cinematography Taiichi Kankura
Editing by Ryohei Fujii
Distributed by Toho
Flag of the United States AIP
Release date(s) August 1, 1968
May 23, 1969 (US)
Running time 88 min (US)
Language Japanese
English
Preceded by Son of Godzilla
Followed by All Monsters Attack

Destroy All Monsters, released in Japan as All-Out Charge of the Monsters (怪獣総進撃?, lit. "Kaiju Soushingeki"), is a 1968 daikaiju eiga (Monster Movie). The ninth in Toho Studios' Godzilla series, it was directed by Ishiro Honda with special effects by Eiji Tsuburaya and Sadamasa Arikawa.

The film features 11 monsters: Godzilla, Mothra, King Ghidorah, Rodan, Gorosaurus, Anguirus, Kumonga, Manda, Minilla, Baragon, and Varan.

Contents

Plot

At the close of the 20th Century, all of the Earth's kaiju have been collected and confined in an area known as Monster Island, by the United Nations Science Committee, in the Ogasawara island chain. A special control center is constructed underneath the island to ensure the monsters stay secure, and serve as a research facility to study them.

When communications with Monster Island are suddenly and mysteriously severed, and all of the monsters begin attacking world capitals, Dr. Yoshida of the UNSC orders Captain Yamabe and the crew of his spaceship, Moonlight SY-3, to investigate Ogasawara. There, they discover that the scientists, led by Dr. Otani, have become mind-controlled slaves of a feminine alien race identifying themselves as the Kilaaks, who reveal that they are in control of the monsters. Their leader demands that the human race surrender, or face total annihilation.

Godzilla attacks New York City, Rodan invades Moscow, Mothra lays waste to Beijing, Gorosaurus destroys Paris, and Manda attacks London, which is set in to motion to take attention away from Japan, so the aliens can establish an underground stronghold near Mt. Fuji in Japan. The Kilaaks then turn their next major attack on Tokyo, and without serious opposition, become arrogant in their aims, until the UNSC discover the Kilaaks have switched to broadcasting the control signals from their base under the Moon's surface. In a desperate battle, the crew of the SY-3 destroy the Kilaak's lunar outpost and return the alien control system to Earth.

With all of the monsters under the control of the UNSC, the Kilaaks unleash their hidden weapon, King Ghidorah. The three-headed space monster is dispatched to protect the alien stronghold at Mt. Fuji, and battles Godzilla, Minilla, Mothra, Rodan, Gorosaurus, Anguirus, Kumonga, Manda, Baragon, and Varan. While seemingly invincible, King Ghidorah is eventually overpowered by the combined strength of the Earth monsters and is killed. Refusing to admit defeat, the Kilaaks produce their trump card, a burning monster they call the Fire Dragon, which begins to torch cities and destroys the control center on Ogasawara. Captain Yamabe pursues this new threat in the SY-3, and narrowly achieves victory for the human race. The Fire Dragon is revealed to be a flaming Kilaak saucer and is destroyed. Godzilla and the other monsters are eventually returned to Monster Island to live in peace.

Original screenplay

There was an initial screenplay with the preliminary title All Monsters Attack Directive, which would have many of the same elements, which would be used in the eventual film. However the difference was that the film would have ten monsters, instead of eleven. This first draft for the project included monsters that would appear in the final film, such as Godzilla, Mothra, King Ghidorah, Rodan, Baragon, Varan, Kumonga, and Manda. The other two monsters were Maguma from 1962's Gorath and Ebirah from 1966's Godzilla vs. the Sea Monster, were also put into early script. The roles for the two monsters are unknown, except that Maguma was to be one of the guardians of the Kilaak base with Baragon, who would have been the ones to fend off the SDF. The film’s title was later changed to Destroy All Monsters, and Ebirah and Maguma were replaced with Anguirus, Minilla and Gorosaurus.

U.S. versions

American International Pictures released the film theatrically in North America in 1969. The Americanization was handled by Titan Productions (formerly Titra Studios).

There were some minor alterations done to prepare the film for U.S. release:

  • Dialogue was dubbed to English (featuring the voices of actors such as Hal Linden).
  • Dialogue: First line of opening narration changed from "It's the end of the 20th Century," to the year specific, "The year is 1999."
  • Deleted: Opening credits; Moved to the end of the film and changed to white credits against a black background with the original Ifukube cue.

This version has been replaced on home video and television by Toho's "International Version". While uncut and widescreen (slightly cropped), it features an English dub track produced by William Ross' Tokyo-based Frontier Enterprises used to sell the film to overseas markets in 1968. Subsequently, American International Pictures found the dubbing to be substandard and handed the film over to Titan Productions in New York to record a new English dialogue track. Considered by fans and critics to be the preferred English-language dubbing, AIP's arguably superior version is unfortunately now considered "lost".

Critical reception of U.S. Release

The New York Times did not review the film on first release, but film critic Howard Thompson gave it a positive review on a re-release at a children's matinee with the Bugs Bunny short, Napoleon Bunny-Part, in December 1970. He commented, "...the feature wasn't bad at all of this type. The trick photography and especially the blended sweep and skill of the miniature settings provided the visual splash. The human beings, with good dubbed English voices, were a personable lot as they wrestled with some outer space culprits who had rounded up Japan's favorite monsters and turned them against the planet earth."

DVD releases

ADV Films

  • Released: 1999
  • Aspect Ratio: Widescreen (2.35:1) (non-anamorphic)
  • Sound: English 2.0
  • Region 1
  • Note: Contains Toho's International Version; No interactive menu.

ADV Films

  • Released: May 18, 2004
  • Aspect Ratio: Widescreen (2.35:1) (non-anamorphic)
  • Sound: English 2.0
  • Supplements: CD soundtrack album
  • Region 1
  • Note: 50th Anniversary Edition; Includes CD soundtrack album and new cover art but film disc is identical to 1999 edition.

External links

References

  • Thompson, Howard. Destroy All Monsters (film review). The New York Times. December 14, 1970.

 
 

 

Copyrights:

Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Destroy All Monsters" Read more

 

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