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Digital Underground

 
Artist: Digital Underground
Digital Underground

Group Members:

Shock-G, Money-B, Jeremy "Jay-Z" Jackson, DJ Fuze, 2Pac, PeeWee, Schmoovy-Schmoov, Chopmaster J

Similar Artists:

Influenced By:

Followers:

Performed Songs By:

Edmund Vance Cook, Carrie Askew, Greg Jacobs, George Clinton

Formal Connection With:

See Digital Underground Lyrics
  • Formed: 1987, Oakland, CA
  • Disbanded: 1996
  • Genres: Rap
  • Representative Albums: "Sex Packets," "Sons of the P," "Playwutchyalike: The Best of Digital Underground"
  • Representative Songs: "The Humpty Dance," "Doowutchyalike," "Same Song"

Biography

While hip-hop was consumed by the hardcore, noisy political rap of Public Enemy and the gangsta rap of N.W.A., Digital Underground sneaked out of Oakland with their bizarre, funky homage to Parliament-Funkadelic. Digital Underground built most of their music from P-Funk samples and developed a similarly weird sense of style and humor, highlighted by Shock-G's outrageous costumes and the whole band's parade of alter egos. Of all these alter egos, Shock-G's Humpty Hump -- a ridiculous comical figure with a Groucho Marx nose and glasses and a goofy, stuttering voice -- was the most famous, especially since he was immortalized on their breakthrough single, "The Humpty Dance." Over the course of their career, Digital Underground have featured a numerous members, but throughout it all, Shock-G has remained at their core, developing the band's sound and style, which they had from the outset, as their 1990 debut, Sex Packets, proved. Sex Packets was an instant hit, thanks the loopy single "The Humpty Dance," and while they never scaled such commercial heights ever again, their role in popularizing George Clinton's elastic funk made them one of the most important hip-hop groups of their era.

Shock-G (born Gregory E. Jacobs, August 25, 1963) spent most of his childhood moving around the East Coast with his family, eventually settling in the Bay Area of California. He dropped out of high school in the late '70s and spent several years pursuing a life of crime before eventually finishing his degree and going to college to study music. Along with Chopmaster J, Shock-G formed Digital Underground in 1987, and the duo released a single, "Underwater Rimes," that year, which went to number one in the Netherlands. In 1989, the group signed with Tommy Boy, and that summer "Doowutchyalike" became an underground hit. By that time, Digital Underground had expanded significantly, featuring DJ Fuze, Money-B (born Ron Brooks), and Schmoovy-Schmoov (born Earl Cook). Sex Packets, the group's debut album, was released in the spring of 1990, and "The Humpty Dance," which was rapped by Shock-G's alter ego Humpty Hump, climbed all the way to number 11 on the pop charts, peaking at number seven on the R&B charts. With its P-Funk samples, jazzy interludes, and innovative amalgam of samples and live instrumentation, Sex Packets received positive reviews and went platinum by the end of the year.

Digital Underground followed Sex Packets in early 1991 with This Is an EP Release, their first recording to feature rapper Tupac Shakur. The EP went gold and set the stage for their second album, Sons of the P, which was released that fall. On the strength of the gold single "Kiss You Back," Sons of the P also went gold, but it received criticism for its similarity to Sex Packets. By the time Digital Underground delivered their third album, The Body-Hat Syndrome in late 1993, hip-hop had become dominated by gangsta rap, particularly the drawling G-funk of Dr. Dre, which ironically was heavily indebted to Clinton. Consequently, their fan base diminished significantly, and The Body-Hat Syndrome disappeared shortly after its release. Nearly three years later, Digital Underground returned with Future Rhythm, which spent a mere three weeks on the charts. Who Got the Gravy? followed in 1998. ~ Stephen Thomas Erlewine, All Music Guide
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Wikipedia: Digital Underground
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Digital Underground

Digital Underground circa 2005.
Background information
Also known as D.U.,
Digital,
Tha Underground,
D-Flow
Origin Oakland, California
Genres Hip hop, Alternative hip hop, funk
Years active 1987-2008
Labels Tommy Boy, Critique Records, Rhino Records, jake Records
Associated acts 2Pac, Luniz, Saafir, Raw Fusion
Members
Shock G (Humpty Hump) (Piano Man)
(MC Blowfish)
(Rackadelic)
(Peanut Hakeem Anafu Washington)
(MC Butta-Fly)
Money-B
Jeremy Jackson (DJ-JZ)
DJ Nu-Stylez
Cleetis Mack (Clee)
2Fly Eli
DJ Fuze
Chopmaster J
Kent Racker
Nzazi Malonga
Tupac Shakur
Schmoovy-Schmoov
Pee Wee (Ramone Gooden)
Saafir
Esinchill
BINC
Young Mass
Kenny K
Metaphysical
Numskull of the Luniz
Dialect Lector
Kenya Gruve (Eric Baker)
Boni Boyer
Mystic
DOT
Roniece Levias
Big Money Odis
Juan Carlos
Kim Morgan

Digital Underground was an alternative rap group from Oakland, California. They could also have been accurately defined as a "project" or "music family" rather than a group as their personnel steadily changed and rotated with each new album & tour. [1]

Contents

Background

1991 d.u. illustration by "Rackadelic", Shock G's graffiti alias. Left to right: Tupac, Pee Wee, Humpty Hump, Shock G, Money B, DJ Fuze.
1991 d.u. illustration by "Rackadelic", Shock G's graffiti alias. Left to right: Tupac, Pee Wee, Humpty Hump, Shock G, Money B, DJ Fuze.

The crew's leader was Greg “Shock G” Jacobs (also known as Humpty Hump), who originally formed the group in 1987 with Jimi Dright of Berkeley, California (also known as Chopmaster J), and Tampa Hip-Hop radio deejay Kenneth Waters (also known as Kenny-K). [2]

Jacobs spent most of his youth in Tampa Florida and New York City. Heavily influenced by the various Funk bands of the 1970s, Digital Underground sampled their music frequently, which quickly became a defining element of West Coast rap. Their ‘alternative’ status owes much to their unabashedly comical and often spaced-out image, which lay in contrast to the gangster rap that most west coast acts focused on. In the very beginning, the group's image was more militant, and was intended to be a tribute to social activists The Black Panthers, but when Public Enemy became a prominent band, Jacobs chose to take the image in a more whimsical direction; that of an updated Parliament-Funkadelic for the hip-hop audience. As "Rackadelic", Jacobs designed detailed album covers and cartoon-laced liner notes, in homage to Parliament-Funkadelic album designs. Digital Underground is also notable for launching the career of member Tupac Shakur, as well as spinning off many side projects and solo acts, including Raw Fusion, Saafir, and female artist Mystic. [3]

The group appeared "live band style" in the movie Nothing but Trouble, directed by Dan Aykroyd.

Following the release of their "Doowutchyalike" single & video in the summer of 1989, and then boosted by the explosion of "The Humpty Dance" in 1990, Digital Underground toured nearly every year up until 2008; thousands of live shows, including Europe, Japan, Canada, Australia, and a near non-stop U.S. schedule. While the group's origins lay mostly in Oakland and Berkeley California, various characters & voices from around the U.S. graced the albums over the years, with Shock G, Money-B, and Humpty Hump being the only names to appear on every album. Other recurring key contributors were David Elliot (DJ Fuze), and deejay/producer Jeremy Jackson (J-Beats, formally DJ-JZ), who both assisted Jacobs in developing the sound. [4]

After twenty years of touring, Shock G announced that the group would officially disband in 2008. Shortly after that announcement was made, the group also confirmed that their May 2008 album ..Cuz A d.u. Party Don't Stop! would be their last studio effort. [5]

Albums

  • Sex Packets, the group's debut album, was released in the spring of 1990 following the success of it's two lead-off singles. First came the bizarre & outrageous "Doowutchyalike," a moderate club hit, followed by the even more outrageous mega-hit "The Humpty Dance," a humorous dance number that climbed all the way to #11 on the pop charts, #7 on the R&B charts, and #1 on the Billboard Rap Singles chart. It was rapped by Shock G's flamboyant alter ego Humpty Hump, and featured a hypnotically-pulsating bassline, flirty samples, and a particularly potent drumtrack that was sought after by so many different artists & producers that it quickly became the most sampled hip hop recording, with well over 50 confirmed usages in other songs.[6] Sex Packets delivered on the promise of it's singles too, with an abundance of P-Funk samples, jazzy interludes, and an innovative amalgam of samples and live instrumentation, earning it positive reviews and platinum sales. In addition, it's is a concept album, devoting roughly a third of it's lyrical content to the topic of "G.S.R.A." (Genetic Suppression Relief Antedotes), a pharmaceutical substance that's produced in the form of a large glowing pill (about the size of a quarter), which comes in a condom-sized package, and is developed by the government to provide its intended users (Astronauts and the like) with a satisfying sexual experience in situations where the quest-for/attainment-of such experiences would be counterproductive to the mission at hand. (or at least according to Digital Underground!)


  • This is an EP Release is the RIAA Gold certified second Digital Underground release, from which two songs were featured in the film Nothin But Trouble starring Dan Aykroyd, Chevy Chase, Demi Moore, and John Candy. Both songs could be considered hip hop hybrids; "Tie The Knot," for it's loose jazzy piano tracks and comedic interpretation of "Bridal Chorus;" and "Same Song" for it's extensive organ solo and improvised organ bits throughout the song, making it one of hip hop's first singles to successfully integrate live instrumentation with music samples. This is also a hip hop landmark for rap star, Tupac Shakur, who made his debut on the latter song, and who ominously portrayed an African king in the video. He also can be heard clowning around on "The Way We Swing (Remix)" as a background vocalist, adding humorous ad-libs between the verses.


  • D.U.'s third album Sons of the P featured two hit singles, "No Nose Job" and "Kiss You Back", the latter of which featured multi-layered choruses and background vocals sung by Boni Boyer who briefly worked with D.U. shortly after her stint with Prince's Sign of the Times/Love Sexy band.[7] Despite the fact that a choir of singers were portrayed in the video, the actual studio singing was exclusively Boni on all tracks, excluding the male voices.[8] It is sometimes mistakenly reported that Kiss You Back was co-written & co-performed by George Clinton,[9] [10] but his name appropriately appears in the writers credit due to a sample of "(Not Just) Knee Deep" by Funkadelic. He did however actively participate in the writing and recording of the title track "Sons of the P", which he also contributed vocals to, and which marked one of the earliest studio guest appearances by Clinton on a Hip Hop release,[11] preceeded only by Kurtis Blow's "Magilla Gorilla" released in 1986.[12] Both the album and the single "Kiss You Back" were each certified Gold by the RIAA.
    Lead vocalist Shock G in 1991 during the group's "Sons of the P" tour.
    Lead vocalist Shock G in 1991 during the group's "Sons of the P" tour.


  • Rebounding, in the charts anyway, from the relative downturn of "Sons.. ", their fourth album The Body-Hat Syndrome found the group continuing to cultivate its own brand of P-Funk culture, stuffing what had been the group's first year of silence with a fresh batch of funk-infused rap. With the edgy grind of the leading single, "The Return of the Crazy One," and its accompanying X-rated video (reworked for public consumption) boosting the band back into the spotlight, the rest of the album unfurled to less than outstanding crossover commercial acclaim. The album's second single, an anti-racism cultural awareness politico called "Wussup Wit the Luv," featured an inspired solo from Funkadelic guitarist Michael Hampton, as well as a verse and video appearance from Tupac Shakur. This would be the last time Tupac appeared on any Digital Underground release, while lead rappers Saafir and Clee were added to the line up. This album also features "The Humpty Dance Awards", the groups humorous shout-out to the many artists who sampled the Humpty Dance prior to 1993. Since then the list has grown to over 50 songs and can be viewed at the bottom of the Sex Packets Wikipedia page.


  • Humpty Hump performing with Digital Underground at Wild 98.7's Wildsplash concert in Clearwater, Florida 3/10/07.
    Humpty Hump performing with Digital Underground at Wild 98.7's Wildsplash concert in Clearwater, Florida 3/10/07.
    Future Rhythm, the groups fifth album would be their first independent release, and it spawned two songs that were featured in the Wayans brother's film Don't Be a Menace to South Central While Drinking Your Juice in the Hood; "Food Fight", which featured Humpty Hump and Del tha Funkee Homosapien trading verses, and "We Got More" with the Luniz, which is also featured twice on the films' soundtrack- once as a full song, and once as an intro edited to the beginning of "Winter Wars" by Ghostface Killa. The album also boasts an early performance from rapper Sly Boogy while still a member of the Black Spooks, who appeared on the song "Fool Get a Clue". [13]


  • In 1999, ten years after the groups first release, they released Who Got The Gravy? which struggled to reach #91 on the Top 200 R&B/Hip-Hop Albums charts. The album intentionally featured several east coast rappers at a time when the east vs. west rivalry was at an all-time high, in an attempt to both ignore and ridicule it. The guests included New York City natives Big Pun, Biz Markie, and KRS One, and introduced west coast bay area newcomers Esinchill and female emcee Mystic. [14]


  • Digital Underground's final studio album was released on May 20, 2008, ..Cuz A D.U. Party Don't Stop!!, although a substantial portion of it was recorded at a live show from 2005. Shortly before its release the group disbanded as Shock expressed interest in "moving on to explore other ventures." [15]


Discography

Albums

Soundtracks

Compilations

Videos

  • "Doowutchyalike" (1989)
  • "The Humpty Dance" (1990)
  • "Doowutchyalike" (video remix) (1990)
  • "Same Song" (1991)
  • "Kiss You Back" (1991)
  • "No Nose Job" (1992)
  • "Return of the Crazy One" (1993)
  • "Wussup Wit the Luv" (1994)
  • "Oregano Flow" (1996)
  • "Walk Real Kool" (1996)
  • "Wind Me Up" (1998)

DVDs

References

External links


 
 

 

Copyrights:

Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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