Dink Johnson was nothing if not versatile, as one can judge from the three instruments that he played. Johnson started out working in New Orleans as a pianist in Storyville. He traveled to Los Angeles where he was a member of Bill Johnson's Creole Band in 1913, as a drummer. Johnson freelanced, played drums during Jelly Roll Morton's stay in California and in 1922 recorded with Kid Ory's band (Spikes' Seven Pods of Pepper), on clarinet! Johnson spent much of his career in California, leading the Five Hounds of Jazz (later renamed the Los Angeles Six) and then mostly working as a solo pianist. Although he ran his own restaurant in Los Angeles, he remained active as a player into the late '40s. Johnson was much better-known locally then he was nationally, performing in an early style that fell between stride and ragtime. Dink Johnson recorded fairly extensively (mostly as a pianist) for American Music during 1946-47, Euphonic (1948) and Nola (1950). ~ Scott Yanow, All Music Guide
For many years he was based in Los Angeles, California where he led a band in the 1920s and later ran a bar.
He made more recordings in the 1940s and 1950s, mostly on piano, although also doing some one-man band recordings, playing all three of his instruments through over dubbing.
Johnson's piano style was influenced by Jelly Roll Morton (his brother-in-law); his clarinet playing by Larry Shields. Johnson also wrote tunes, including "The Krooked Blues" (recorded by King Oliver) and "So Different Blues".