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DJ Spooky

 
Artist: DJ Spooky
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DJ Spooky

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DJ Faust, Byzar, Invisibl Skratch Piklz, Rob Swift, Tipsy, We, DJ Wally, DJ Shadow, Tricky, Ben Neill, Ulf Langheinrich, Company Flow, The X-ecutioners, DJ Soul Slinger, Neotropic, Mix Master Mike, Techno Animal, DJ Rupture, Madlib, Cut Chemist, Yoga Frog, DJ Cam, Peanut Butter Wolf, Gonzales, The Orb, Jurassic 5, Sensurreal, Ming + FS, Alec Empire

Influenced By:

Kool DJ Herc, Sun Ra, Prince Paul, Grandmaster Flash, Christian Marclay, Steve Reich, John Cage

Performed Songs By:

Paul Miller

Worked With:

Chris Flam, Arto Lindsay

Formal Connection With:

Scanner, Guillermo E. Brown, Badawi, William Parker, Matthew Shipp, Joe McPhee, Micah Gaugh, Daniel Bernard Roumain, Sasha Lazard, Carl Hancock Rux, Steve Cohen
  • Born: 1970, Washington, D.C.
  • Active: '90s, 2000s
  • Genres: Electronica
  • Instrument: DJ, Producer
  • Representative Albums: "Songs of a Dead Dreamer," "The Secret Song," "File Under Futurism"
  • Representative Songs: "Galactic Funk," "Post-Human Sophistry," "File Under Futurism"

Biography

DJ Spooky (That Subliminal Kid) is the most noted (and notorious) proponent of turntablism, an approach to hip-hop and DJing whose philosophy merges avant-garde theories of musique concrète with the increased devotion paid to mixing techniques during the 1990s. Though he's overly intellectual at times (to the detriment of his recordings, interviews, and mixing dates), Spooky was a critical figure in spotlighting the DJ as a post-modern poet in his own right. Influenced equally by John Cage and Sun Ra as well as Kool Herc and Grandmaster Flash, few artists did more to mainstream the DJ-as-artist concept than he.

Spooky was born Paul Miller in Washington, D.C. His father was a lawyer and member of the faculty at Howard University but died when Miller was only three. He inherited his father's record collection, which, along with frequent trips around the world (thanks to his mother's international fabric store), opened his eyes to a wide range of music. Growing up in the '80s saw Miller interested in D.C.'s hardcore punk scene and British ska-punk as well as go-go music. While attending college in Maine, Spooky began mixing on his own radio show and attempted to introduce his KRS-One tapes into classroom discussions on deconstruction (an idea made quite conceivable just ten years later). After graduating with degrees in French literature and philosophy, he moved to New York, where he wrote science fiction alongside advertising copy and pursued visual art as well. He was still into hip-hop, however, and formed the underground Soundlab collective (with We, Byzar, Sub Dub, and others), a scene that later morphed into the illbient movement.

After an assortment of singles and EPs during 1994-1995, Spooky gained a record contract from Asphodel in 1996 and released his debut album, Songs of a Dead Dreamer. The single "Galactic Funk" became a hit on the club scene, leading to recording appearances with Arto Lindsay and remixing spots for Metallica, Sublime, Nick Cave, and Spookey Ruben; Spooky also began writing regular journalist columns, for The Village Voice and Vibe. As if that didn't keep him busy, he also released the mix album Necropolis: The Dialogic Project, recorded a Paul D. Miller solo LP titled Viral Sonata, and performed in a new digital version of the Iannis Xenakis composition Kraanerg. His second proper album, 1998's Riddim Warfare, saw Spooky with a cast including disparate indie world figures from Dr. Octagon to Thurston Moore. He has also mounted visual exhibits at the Whitney Museum in New York and scored the award-winning 1998 film Slam.

One year later, he released File Under Futurism, a co-production with the Freight Elevator Quartet. 2000 saw the release of a collaborative effort with Scanner entitled The Quick and the Dead. The highly praised mix CD Under the Influence appeared the following year, but the next real album to appear from the DJ was 2002's Modern Mantra. That same year, as part of its Blue Series Continuum, Six Degrees released Optometry, a collaboration featuring Spooky with numerous progressive jazz artists such as William Parker and Matthew Shipp. Its remix companion, Dubtometry, appeared early in 2003. In 2004 Spooky teamed with the dub outfit Twilight Circus for Riddim Clash released by Play. The same year he was courted to remix two different label's output. A mix of Sub Rosa material appeared as Rhythm Science in January, and Thirsty Ear gave Spooky access to their Blue Series for Celestial Mechanix, released in June. In 2005, Drums of Death, a collaboration with Slayer and Fantômas drummer Dave Lombardo, came out, followed the next year by the DJ Spooky-curated collection 50,000 Volts of Trojan Records.

A year later the DJ remixed some favorites from the legendary reggae label's catalog on the fascinating album Creation Rebel. In 2008, Spooky edited Sound Unbound, a collection of essays on music and art. That same year, he made an appearance in FLicKeR, a documentary about the Dream Machine, an invention pioneered by Brion Gysin. In 2009, Miller issued The Secret Song, his first new studio release of original material in a decade. He collaborated with a slew of artists, including a jazz quartet, a chamber ensemble, pianist Vijay Iyer, various rappers including members of the Jungle Brothers, wordsmith Mike Ladd, and Sonic Youth's Thurston Moore. The disc was packaged with a DVD that included his soundtrack to a visual montage of two of the earliest films by Russian director Dziga Vertov. ~ John Bush, All Music Guide
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Wikipedia: DJ Spooky
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Home > Library > Miscellaneous > Wikipedia
This article is about the musician. For other people named Spooky, see Spooky (disambiguation).
DJ Spooky

Photo by Robert Masotti
Background information
Birth name Paul D. Miller
Also known as That Subliminal Kid
Born 1970 in Washington, D.C., U.S.
Genres Electronica, Jazz, Dub, Reggae, Illbient
Occupations Disc jockey
Music producer
Years active 1996 – present
Labels Asphodel Records
Associated acts Dave Lombardo
Website djspooky.com

DJ Spooky, That Subliminal Kid (born Paul D. Miller, 1970), is a Washington DC-born electronic and experimental hip hop musician whose work is often called "illbient" or "trip hop". He is a turntablist, a producer, an author and a postmodern intellectual.[citation needed] He borrowed his stage name from the character The Subliminal Kid in the novel Nova Express by William S. Burroughs. He is also a professor at the European Graduate School.[citation needed]

Contents

Early life

Miller grew up in Washington DC and attended Sidwell Friends High School, his father was the Dean of the Howard University Law school and his mother is a writer. Spooky became interested in punk and go-go music. He attended Bowdoin College in Brunswick, Maine, earning degrees in French literature and philosophy.[citation needed]

Career

Spooky began writing science fiction and formed a collective called Soundlab with several other artists.

In the mid-1990s, Spooky began recording a series of singles and EPs. His debut LP, Songs of a Dead Dreamer, is now widely regarded as a formative influence on illbient. Riddim Warfare (see 1998 in music) was an underground hit that include collaborations with Kool Keith and other cult figures in indie rock like Sonic Youth's Thurston Moore who also appears on DJ Spooky's 2009 album release "The Secret Song."

He then worked with several other artists on various collaborations and mix CDs, returning in 2002 with Modern Mantra. That same year saw the release of Optometry, a widely acclaimed collaboration with avant-jazz players Matthew Shipp, William Parker, Guillermo E. Brown and Joe McPhee. (This album also features portions of a breaks record by Billy Martin of Medeski Martin & Wood.) In a classical vein, he has collaborated with the ST-X Ensemble in performances of the music of Iannis Xenakis. His film compositions have been performed by Kronos Quartet for the soundtrack to his remix of DW. Griffith's 1915 film Birth of a Nation. The film score was written by DJ Spooky. Kronos Quartet also performed DJ Spooky's remix of Steve Reich's composition "City Life."

DJ Spooky has collaborated with Ryuichi Sakamoto on several projects including The Discord Symphony which toured Japan extensively in 1997. The concert and album were released as an enhanced CD containing both a full audio program and multimedia computer files. It features spoken-word performances by Laurie Anderson, David Byrne, Patti Smith, David Sylvian, DJ Spooky, David Torn, and Bernardo Bertolucci. Miller also participated on Ryuichi Sakamoto's anti war project "Chain-Music" along with Towa Tei (formerly of Dee-Lite), Christian Fennesz, Carsten Nicolai, Pansonic, and Cornelius, in 2007. It is a concept project based on collage that makes an anti-war statement through music exchange. 'Chain-Music'.

2005 saw the release of "Drums of Death", DJ Spooky's CD based on sessions he recorded with Dave Lombardo of Slayer. Other guest artists include Chuck D. of Public Enemy and Vernon Reid of Living Colour. The record was co-produced by Jack Dangers of Meat Beat Manifesto.

In 2006, he produced two extensive compilations of classic Jamaican music from the archives of Trojan Records, the 40 year old Jamaican record label founded by Chris Blackwell and Lee Gopthal. The U.S. release, In Fine Style: DJ Spooky Presents 50,000 Volts of Trojan Records focused on "selections" from the archive, while the UK and worldwide release, Riddim Come Forward was a continuous mix. The compilation features a roster of Jamaica's most renowned artists and producers like Lee "Scratch" Perry, Bob Marley, Peter Tosh, U-Roy, King Tubby and Prince Jammy.

In 2008 his work Being Black (featuring Ursula Rucker) was included on the compilation album Crosstalk: American Speech Music (Bridge Records) produced by Mendi + Keith Obadike. Hey is just one of 9 artists who participated in thetruth.com’s Remix Project, where he remixed the Sunny Side song “Tough Love”.

DJ Spooky joined the 9th annual Independent Music Awards judging panel to assist independent musicians' careers.[1] [2] [3] He was also a judge for the 3rd Independent Music Awards.[4]

DJ Spooky has said that much of his work "deals with the notion of the encoded gesture or the encrypted psychology of how music affects the whole framework of what the essence of 'humaness' [sic] is... To me at this point in the 21st century, the notion of the encoded sound is far more of a dynamic thing, especially when you have these kinds of infodispersion systems running, so I'm fascinated with the unconscious at this point." [5]

DJ Spooky's CD The Secret Song is slated for release October 6, 2009 on Thirsty Ear Records. It has guest appearances by Thurston Moore, The Coup, Mike G. of the Jungle Brothers, Rob Swift of the X-Ecutioners, Mike Ladd, Vijay Iyer, and many others. String arrangements for the album were done by film soundtrack composers Peter Stopinchsky and Graham Reynolds with the Golden Arm Ensemble, and edited/sampled by DJ Spooky. The Secret Song is a manifesto about our overloaded digital culture.

Other work

DJ Spooky on location for film shoot, for his film Terra Nova: The Antarctic Symphony. Antarctica. Antarctic Peninsula, 2008

DJ Spooky composed the score for the 1998 film Slam, featuring poet/actor Saul Williams in the lead role. The film went on to win both the Cannes Camera D'Or and the Sundance Festival Film Festival Grand Jury Prize. He also made an appearance in the 2008 feature documentary by Nik Sheehan about Brion Gysin and the Dreamachine entitled 'FLicKeR'.

His work as an artist has appeared in a wide variety of contexts such as the Whitney Biennial; The Venice Biennial; the Ludwig Museum in Cologne, Germany; Kunsthalle, Vienna; The Andy Warhol Museum, Paula Cooper Gallery and many other museums and galleries. In 2007 his work appeared in the Africa Pavilion in the 52nd Venice Biennial. This remix of music from Africa was also distributed freely online, and promoted by the blog Boing Boing. "You give away a certain amount of your stuff, and then the cultural economy of cool kicks in," DJ Spooky said.[6]

In 2004 DJ Spooky released a book, Rhythm Science published by MIT Press. The same year saw the launch of his film/music/multimedia performance piece "DJ Spooky's Rebirth of a Nation". A live audio/video re-mix of D. W. Griffith's The Birth of a Nation which includes footage from choreographer Bill T. Jones and a score newly composed by DJ Spooky, "Rebirth of a Nation" was commissioned by the Lincoln Center Festival, The Festival d'Automne a Paris, The Spoleto Festival USA, and the Vienna Festival. DJ Spooky continues to tour the world performing this work. "Rebirth of a Nation" was released as a film in 2009.

Sound Unbound, a collection of writing about sound art, digital media, and contemporary composition, edited by DJ Spooky, with writings from Brian Eno, Jonathan Lethem, Chuck D, Steve Reich, Cory Doctorow, Saul Williams, Pierre Boulez, Mendi & Keith Obadike, Hans Ulrich Obrist, Jaron Lanier, Moby, and many others, came out on MIT Press early 2008. Longtime collaborator Roy Christopher was Assistant Editor on the project.

DJ Spooky is also a professor of music mediated art at the European Graduate School where he co-teaches (with Michael Schmidt) Intensive Summer Seminars in Saas-Fee, Switzerland.

In August 2009, DJ Spooky visited the Republic of Nauru in the Micronesian South Pacific to do research and gather material for a project in development, with a working title of The Nauru Elegies: A Portrait in Sound and Hypsographic Architecture.

DJ Spooky's multimedia performance piece Terra Nova: Sinfonia Antarctica was commissioned by BAM for the 2009 Next Wave Festival; The Hopkins Center/Dartmouth College; UCSB Arts & Lectures; Melbourne International Arts Festival; and the Festival dei 2 Mondi in Spoleto, Italy. With video projections and a score composed by DJ Spooky, performed by the International Contemporary Ensemble in the United States, and Alter Ego Ensemble in Europe, Australia and beyond, "Terra Nova: Sinfornia Antarctica" is a portrait of a rapidly transforming continent.

DJ Spooky's Rebirth of a Nation was commissioned in 2004 by the Lincoln Center Festival; Spoleto Festival USA; Weiner Festwochen; and the Festival d'Automne a Paris. It was the artist's first large-scale multimedia performance piece, and has been performed in venues around the world, from the Sydney Festival to the Herod Atticus Amphitheater, more than fifty times. The DVD version of "Rebirth of a Nation" was released by Anchor Bay Films/Starz Media in late 2008.

Discography

Albums

  • Necropolis (Knitting Factory Works KFW 185), March 1996
  • Songs of a Dead Dreamer (Asphodel Records 0961), April 1996
  • Synthetic Fury EP (Asphodel Records 0110), February 1998
  • Haunted Breaks Volumes I and II (Liquid Sky Music), October and December 1998
  • Riddim Warfare (Outpost-Geffen CD), September 1998; (Asphodel Records Vinyl), December 2002
  • Under the Influence (Six Degrees PRCD 1056-2) (DJ mix record), September 2001
  • Songs of a Dead Dreamer (2002 Edition) (Asphodel Records 2009), January 2002
  • Modern Mantra (Shadow/Instinct SDW 135-2) (DJ mix record), May 2002
  • Optometry (Thirsty Ear THI 57121.2), July 2002
  • Drums of Death DJ Spooky vs. Dave Lombardo (Thirsty Ear), April 2005

Singles and EPs

  • Galactic Funk (Asphodel 101), 1997
  • Object Unknown (with remixes by DJ Spooky and Kut Masta Kurt) (Outpost/Geffen CD; Asphodel vinyl), August 1998
  • Peace in Zaire (with remixes by Ambassador Jr., and The Dub Pistols) promotional/White Label Only (Outpost/Geffen), April 1999
  • Subliminal Minded EP-Peace in Zaire Remixes (Bar None Records), October 1999
  • Catechism featuring Killah Priest (Synchronic), August 2002, SYC 002
  • Optometrix 12” (Thirsty Ear), June 2003, THI 57132.1

Labels

Paul D. Miller and miscellaneous albums

  • Death in Light of the Phonograph: Excursions into the Pre-linguistic Asphodel Records, September 1996, (limited edition) Originally accompanied installation at Annina Nosei Gallery.
  • The Viral Sonata Asphodel Records. Originally accompanied installation for The Whitney Biennial 1997
  • ftp>snd>untitled> Nest Magazine CD, accompanying November 2001 issue
  • Another Forensic Charade, accompanying catalogue to exhibition at Magasin 3, Stockholm, Sweden, September, December 2001 (limited edition)

Collaborative releases and mix records

  • Template 12” DJ Spooky and Totemplow (Manifold Records), 1998
  • 10” DJ Spooky and Alan Licht (Manifold Records), 1998
  • Kaotik : Transgression DJ Spooky and Totemplow (Manifold Records), June 1999
  • 10” DJ Spooky and Arto Lindsay (Manifold Records), July 1999
  • 10” DJ Spooky and Quoit (Manifold Records), 2000
  • 10” DJ Spooky and Merzbow (Manifold Records), 2000
  • DJ Spooky vs. The Freight Elevator Quartet: File Under Futurism (Caipirinha Records), September 1999
  • The Quick and the Dead DJ Spooky and Scanner (Sulphur Records) Meld series, 2000-01-31, Cat No. MELCD001 (UK) BBWULCD004 (US)
  • Anodyne (Main, core and Peripheral mixes) Picture disk w/Sound Secretion (BSI Records) Cat. BSI 014-1, October 2000
  • Cinemage by Ryuichi Sakamoto w/ David Sylvian, 2000.
  • Catechism (DJ Spooky w/Killah Priest) (Blue Juice Records/UK) BJ007, 2001-06-26
  • DJ Spooky: Under the Influence: A mix with Six Degrees Records, September 2001
  • Mondern Mantra: A label mix for Shadow Records, May 2002
  • Dubtometry fearturing Mad Professor, Lee “Scratch” Perry, and others — a remix of “Optometry (Thirsty Ear), March 2003, THI 57128.2
  • Rhythm Science Audio Companion — C-Side: companion to Rhythm Science book, 2003
  • Riddim Clash with Twilight Circus (PLAY Label), April 2004
  • Celestial Mechanix: a label mix for Thirsty Ear Records, June 2004
  • DJ Spooky presents In Fine Style: 50,000 Volts of Trojan Records: a 2CD label mix for Trojan Records, June 2006
  • DJ Spooky presents Riddim Come Forward: 50,000 Volts of Trojan Records: a 2CD label mix for Trojan Records, UK release, October 2006
  • Creation Rebel (Trojan/Sanctuary), October 2007

Film scores

  • SLAM (Offline/Tri-Mark) Grand Prize winner, Sundance, 1998; Cannes, Camera D'Or, 1998; October 1998 commercial release.
  • Quattro Noza (Fountainhead Films) Sundance competition finalist, 2003

Multimedia, web and misc. projects

  • Stuzzicadenti DJ Spooky and Diego Cortez, May 2000
  • Marcel Duchamp remix, LA Museum of Contemp. Art, 2002

Remixes

  • Hooverphonic – "2Wicky" Epic
  • Spookey Ruben – "Incedental Drift Mix" TVT Records
  • DJ Krush – "Ryuki" (Lulu's Peace Mix) TVT Records
  • Ben Neill – "Pentagram: La Mer Mix and Undertow Mix" (Verve Antilles) 1996
  • Ben Neill – "Sistrum into Grapheme" Astralwerks
  • James Plotkin Sawtooth Swirl "DJ Spooky's Irreducible Gated Momentum Dub Mix" (9:40), 1997 (Rawkus ptv 1136-2)
  • Walter Ruttman's Weekend for Engaged Magazine Vol. 6, London, UK
  • Hovercraft Stereo Specific Polymerization "Mad Psychotic Hyper-Accelerated Lower East Side Mix" (5:57)
  • Earth Crooked Axis for String Quartet "Kool Stereo Arc" Dub Mix (8:42)
  • Arto Lindsay – "Mundo Civilizado Inversion Mix" 7:28, Gramavision, June 1997, GLP 79519
  • Metallica – For Whom the Bell Tolls "The Irony Of It All" 4:41 for Spawn Soundtrack, Immortal/Epic Records, New Line Cinema; August 1997, EK68494
  • Sublime – "Doin' Time" (Life Sentence Remix) 5:43 MCA Records; September 1997
  • Free Kitten – Jam #1 "Spatialized Chinatown Express Mix" (6:24), Kill Rock Stars, November 1997. KRS 286
  • Nick Cave – "Red Right Hand" for Scream 2 soundtrack Capitol Records, December 1997
  • The Swirlies – "In Harmony: DJ Spooky's Retrograde Transposition Mix" (6:15) Taang! Records
  • Bally Sagoo – Tum Bin Jiya "Isomorphic Flux Mix" 6:47 Higher Ground/Sony
  • Skeleton Key – "Wide Open" (DJ Spooky's Full Spectrum Mix) Capitol Records
  • KoЯn – "Got the Life" Immortal/Epic, November 1998 (Limited Edition)
  • Cibo Matto – "Swords and Paintbrush" Warner Bros., 1999
  • Steve Reich – "City Life" Coalition/None Such Recordings, March 1999
  • Show Lee Netsu: Electro: snd>>cd: zero sum mix BMG Funhouse (Japan) BVCR-11015, October 1999
  • Hydroponic Sound System Routine Insanity/Evolution Records, September 2000
  • Kahimi Karie Tilt Polydor KK Records (Japan), 2000
  • "Rock the Nation" (DJ Spooky sound Unbound instrumental remix) with Michael Franti and Spearhead (Six Degrees Records), 2001
  • Merzbow – Ikebana Merzbow Important Records, 2003
  • Meat Beat Manifesto - "Storm The Studio R.M.X.S." Tino Corp., September 2003
  • Sub Rosa Revisited, a catalog mix. Sub Rosa SR 201, November 2003
  • Yoko Ono – "Rising" on "Yes, I'm a Witch" Astralwerks 2007
  • Sagol 59 - "Leeches Remix" JDub Records 2008

Tracks on compilations, soundtracks and miscellaneous releases

  • "Galactic Funk" on This is Home Entertainment (Home Entertainment Records/Liquid Sky Music)
  • "Hologrammic Dub" on The Night Shift, 1996 (C&S Records)
  • "Surface Noise" (Theme of the Hungry Ghost), Sonic Soul Records 001,1996
  • "Fourth Inversion" on The Resonance Found at the Core of the Bubble, 1996 (Bubble Core Records)
  • "Prologue (The Duchamp Effect)" on Mind The Gap 15 Gozno Circus GC021, 1997
  • "Muzique Mecanique Dub" and "Muzique Psychotique" on Electric Ladyland Vol. 3 (Force X Records).
  • "Vorticities" on State Of the Union, 1996 (Atatvistic Records)
  • "Step In Stand Clear" on Storm of Drones (Sombient)
  • "Temporally Displaced" , also on Offbeat
  • Collaboration with Amiri Baraka on Black Dada Nihilismus on Offbeat: A Red Hot Sound Trip, 1996, Red Hot/Whitney Museum/Wax Trax-TVT compilation released in conjunction with The Whitney Museum's "The Beats: A Retrospective" installation.
  • In Visual Ocean on Gilles Deleuze: In Memoriam (Mille Plateaux Records)
  • "The Nasty Data Burst" & "Journey" (Paraspace Mix) on Valis: The Destruction of Syntax (Subharmonic Records)
  • "Machinic Phylum" (Crippled Symmetries Mix) on Future Audio, 1996 (Freeze Records)
  • "The Terran Invasion of Alpha Centauri Year 2794" on Dub Terror Exhaust with Bill Laswell, 1996 (Subharmonic Records)
  • "Primary Inversion" on This is Home Entertainment 2, 1996 (Liquid Sky Music/Jungle Sky Records HE 008)
  • "Black Djinn Trance" (w/Bill Laswell, Jah Wobble) on War Smash Hits, 1996 (Sub Rosa Records SR 105)
  • "Zero Gravity Dub" on Synthetic Pleasures Vol. 2 Caipirinha Productions, 1997
  • "Soon Forward, Anansi's Gambit" (DJ Spooky's On the Island of the Lost Souls Mix), and "Why Patterns" on Incursions in Illbient, 1997 (Asphodel 0968)
  • "Island Of Lost Souls" on The Freestyle Files, 1997, Studio K7 (Germany)
  • The Western Lands (A Dangerous Road Mix) w/ William Burroughs, Bill Laswell, etc. on Material; Seven Souls, 1997, (Triloka/Mercury 314 534 905)
  • Iannis Xenakis: Analogiques A + B on Ianissimo! (w/STX Ensemble), 1997 (Vandenburg Wave VAN 0003)
  • Iannis Xenakis: Kraanerg (w STX Ensemble), 1997 (Asphodel 0975)
  • Discord w/ Ryuichi Sakamoto, David Torn and orchestra. Live in Japan, 1997 (Güt/For Life FLCG 3028)
  • "Object Unknown", "Pandemonium", and "Degree Zero Launch" CD-ROM (The Product), 1998
  • "Reconstruction and The 6th Degree", 1998 on Electric Ladyland 5 (Mille Plateau 48)
  • "He Who Leaves No Trace" for Invisible Soundtracks (Leaf Records)
  • "Solar Physics" DJ Spooky and Sir Menelik for Rawkus Records
  • "Polymorphia 2000: Ill Konceptual Mix" for Kunsthalle, Vienna
  • "Haunted: Ill Konceptual Mix" for Kunsthaus, Zurich
  • "Reciprocal Presupposition; Seuqigolana" (Suntropic Inversion Mix) for The End of Utopia (Sub Rosa/SR132), 1998
  • "Stereo Specific Polymerization" (Beneath the Underdog Mix) (Word Sound Records) 10", 1998
  • "Interlude" DJ Spooky and Vinicius Cantuaria for Onda Sonora (Red Hot and Lisbon)
  • "Soon Forward, Synaptic Dissonance" for Asphodelic (Asphodel), 1999
  • "Turn Table Eyzd, UMM" for Hi-Fidelity Dub Chapter II Guidance Recordings GDRC-575), January 2000
  • "Conduit 23" for “Wreck This Mess Remission 2” Noise Museum
  • "Reciprocal Presupposition and Dance of the Morlocks" on '"Condo Painting'" soundtrack Gallery Six Records, April, 2000
  • "Rapper’s Relight" on one:it’s all good, man Saul Goodman records, February 2001
  • "Another Forensic Charade" on Electric Ladyland — Clickhop Version 1.0 Mille Plateaux Records, 2001
  • "If/When" on Scissors (Play label/Japan; Play 002), June 2001
  • "FTP>Bundle / Conduit 23" on VA: An Anthology of Noise & Electronic Music (Sub Rosa/SR 190), April 2002
  • "Catechism" (instrumental) (Blue Juice Records/UK) BJCD013, September 2002
  • "That Subliminal Kid vs. The Last Mohican" on Thirsty Ear Presents The Blue Series Sampler (The Shape of Jazz to Come) (Thirsty Ear), 2003
  • "Strictly Turtableyzed Hmm.." on Hi-Fidelity Dub Sessions (Guidance Recordings), 2004

Sideman appearances

References

  1. ^ Independent Music Awards
  2. ^ MicControl
  3. ^ Top40-Charts.com
  4. ^ Independent Music Awards - Past Judges
  5. ^ ªªHyperdub¬¬¬¬¬Softwar
  6. ^ Kirsner, Scott (2009). Fans, Friends & Followers: Building an Audience and a Creative Career in the Digital Age. Boston, MA: CinemaTech Books. p. 99. ISBN 1442100745. http://www.scottkirsner.com/fff. 

External links

Interviews


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