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Doc Pomus

 
Artist: Doc Pomus
Doc Pomus

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Worked With:

John Rossi, Greg Piccolo, Rich Lataille, Doug James, Preston Hubbard, Big Joe Turner
  • Born: January 27, 1925, New York, NY
  • Died: March 14, 1991, New York, NY
  • Active: '40s, '50s, '60s
  • Genres: Rock
  • Instrument: Producer, Vocals, Liner Notes
  • Representative Albums: "It's Great to Be Young and in Love," "Send for the Doctor," "Blues in the Red"

Biography

The legendary Doc Pomus found success as one of the finest white blues singers of the 1940s before becoming one of the greatest songwriters in the history of American popular music. The author of many of the most popular rock & roll songs of the 1960s, he composed "Save the Last Dance for Me,'' "This Magic Moment," "Sweets for My Sweet" and dozens of others, including Elvis Presley's "Viva Las Vegas" "Little Sister," and "(Marie's the Name) His Latest Flame."

Crippled by polio in his childhood, Pomus -- born Jerome Felder on June 27, 1925 in Brooklyn, New York -- became interested in singing blues and writing songs after hearing a Big Joe Turner record when he was 15; he played saxophone at the time, and after hearing Turner, blues music became his obsession. By the mid-'50s, after singing in a thousand blues clubs, Pomus came to a crossroads in his career: he was in his early 30s and decided he wanted to get married, but realizing he'd never support himself and a wife singing blues, he decided to become a songwriter. He then realized he needed a collaborator, and found one in his piano-playing partner for dozens of years, Mort Shuman.

Together, Pomus and Shuman wrote the words and music to such hits as "Little Sister," "Suspicion," "Can't Get Used to Losing You," "Surrender," "Viva Las Vegas" and many more. After securing their own office in the Brill Building, the team continued to crank out hit after hit; Presley alone ended up recording more than 20 of their songs throughout his career, including items like "Mess of Blues." In addition, Pomus and Shuman also wrote songs for Fabian ("Turn Me Loose" and "I'm a Man"), Bobby Darin ("Plain Jane") and Dion, for whom they wrote "Teenager in Love."

Pomus worked tirelessly for singers he believed in, and among those he believed in was Little Jimmy Scott, a jazz balladeer from Cleveland who first came to New York in the late '40s as part of Lionel Hampton's band. He also played significant career boosting roles for people like his hero Big Joe Turner, Dr. John, Lou Reed and dozens of others. Pomus contracted lung cancer and died in March 1991, but not before a string of benefit shows were held for him at clubs around New York; after Scott performed "Someone to Watch Over Me" at Pomus' memorial service, the singer was signed to a five album deal with Warner Bros. Pomus' memory lives on via the Washington, D.C.-based Rhythm and Blues Foundation's Doc Pomus Financial Assistance program. ~ Richard Skelly, All Music Guide
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Wikipedia: Doc Pomus
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Doc Pomus (June 27, 1925 - March 14, 1991) was a twentieth century American blues singer and songwriter. He is best known as the lyricist of many rock and roll hits. Pomus was inducted into the Rock and Roll Hall of Fame in the category of non-performer in 1992.[1] He was also inducted into the Songwriters Hall of Fame in 1992.[2] and the Blues Hall of Fame.[3]

Contents

Biography

Born Jerome Solon Felder in Brooklyn, New York of Jewish heritage,[4] he became a fan of the blues after hearing Big Joe Turner on record. Pomus had polio as a boy and got around on crutches. Due to post-polio syndrome, exacerbated by an accident, he eventually used a wheelchair. He died in 1991 from lung cancer, at the age of 65.

His brother is New York attorney Raoul Felder.

Using the stage name "Doc Pomus," he began performing as a teenager, becoming a white blues singer. In the 1950s, Pomus started songwriting in order to make enough money to support his wife. By 1957, Pomus had given up performing in order to devote himself full-time to songwriting. He collaborated with pianist Mort Shuman to write for Hill & Range Music Co./Rumbalero Music at its offices in New York City's Brill Building. Their songwriting efforts had Pomus write the lyrics and Shuman the melody, although quite often they worked on both. They wrote these hit songs: "A Teenager in Love"; "Save The Last Dance For Me"; "Hushabye"; "This Magic Moment"; "Turn Me Loose"; "Sweets For My Sweet"; "Go Jimmy Go", "Can't Get Used to Losing You"; "Little Sister"; "Suspicion"; "Surrender"; "Viva Las Vegas"; and "(Marie's the Name) His Latest Flame."

During the late 1950s and early 1960s Pomus also wrote with Phil Spector ("Young Boy Blues"; "Ecstasy"; "Here Comes The Night"; "What Am I To Do?"), Mike Stoller and Jerry Leiber ("Young Blood" and "She's Not You") and other Brill Building-era writers. Pomus also wrote "Lonely Avenue", which became a 1956 hit for Ray Charles.[5]

In the 1970s and 1980s in his eleventh-floor, two-room apartment, at the Westover Hotel at 253 West 72nd Street, Pomus wrote songs with Dr. John, Ken Hirsch and Willy DeVille for what he said were "...those people stumbling around in the night out there, uncertain or not always so certain of exactly where they fit in and where they were headed." These later songs ("There Must Be A Better World," "There Is Always One More Time," "That World Outside," "You Just Keep Holding On," and "Something Beautiful Dying" in particular), which were recorded by Willy DeVille, B. B. King, Irma Thomas, Marianne Faithful, Charlie Rich, Ruth Brown, Dr. John, James Booker, and Johnny Adams, are considered by some, including writer Peter Guralnick, musician, songwriter Dr. John and producer Joel Dorn to be signatures of his best craft.

Legacy and influence

Together with Shuman and individually, Pomus was a key figure in the development of popular music. They wrote such hits as "Save the Last Dance for Me", "This Magic Moment", "Sweets for My Sweet", "Viva Las Vegas", "Little Sister", "Surrender", "Can't Get Used to Losing You", "Suspicion", "Turn Me Loose" and "A Mess of Blues".[6] He was elected to the Songwriters Hall of Fame and the Rock and Roll Hall of Fame and in 1991 was the first white recipient of the Rhythm and Blues Foundation Pioneer Award.[7] Ray Charles did the honors via a pre-recorded message. The songs written and co-written by Pomus are referenced as standards of songwriting by token of sheer prolific consistency, and continue to be covered by musicians of every generation.[citation needed]

The song "Doc’s Blues" [8] was written as a tribute to Pomus by his close friend, Andrew Vachss. The lyrics originally appeared in Vachss’ 1990 novel Blossom. Doc’s Blues was later recorded by bluesman Son Seals, on Seals' last album, Lettin’ Go. [9] He was personally responsible for Lou Reed's exposure to the music industry in the early 1960s, and is one of two friends memorialized on Reed's 1992 album Magic and Loss (the other being Rotten Rita).

In 1995, Rhino Records released a tribute album to Pomus titled Till The Night Is Gone. It offers performances of Pomus songs by Bob Dylan, Brian Wilson, Dion, Dr. John, Irma Thomas, Solomon Burke, John Hiatt, Shawn Colvin, Aaron Neville, Lou Reed, The Band, B. B. King, Los Lobos and Rosanne Cash.

Further reading

  • Alex Halberstadt (2007) Lonely Avenue: The Unlikely Life And Times Of Doc Pomus. New York: DeCapo Press.

References

External links


 
 
Learn More
Jose Feliciano [1980] (1980 Album by José Feliciano)
Johnny Adams Sings Doc Pomus: The Real Me (1991 Album by Johnny Adams)
Till the Night is Gone: A Tribute to Doc Pomus (1995 Album by Various Artists)

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