Contents: IntroductionPlot Summary Characters Style Critical Overview Criticism Sources For Further Study |
Themes
Love
Love is the major theme of the novel. It functions as the motivating force of knight-errantry. In the several real adventures (for example, Dorotea and Cardenio or Basilio and Quiteria), where there is a question of forced conjugation, love conquers all: "true love cannot be divided, but must be free and uninhibited." In each of these encounters, there are lessons about the nature of love. These lessons are spelled out in ABC fashion in "The Tale of Ill-Advised Curiosity." Love also allows forgiveness, even of murder — as is the case of Claudia and Don Vicente.
The theme of love never really involves the character of Don Quixote. He speaks favorably of true love and prevents a quarrel (as in the situation with Camacho the Rich), but because the theme of love deals with what is true in reality, Don Quixote plays no part in the many reunions that occur in the novel. In fact, in the case of Luscinda and Don Fernando, Don Quixote is asleep and dreaming when their tense reunion occurs.
War and Peace
"There are two roads by which men can travel and reach wealth and honor: one is the way of letters, the other the way of arms." Don Quixote has chosen arms. In fact, he believes that fighting for what is right is as important as anything else. He is not a big believer in modern warfare; instead, he prefers the ancient, chivalric duels that pit one man against another.
There is also a desire for peace. Don Quixote, by his words and actions, prefers the Arcadian life. He admirably defends the art of poetry and in the end wishes to lead the simple life of a shepherd with no mention of revenging his honor. Sancho shows a preference for this quiet alternative when he questions the chase. The Duke tells us that all rulers partake in the exercise of the chase to keep their skills fresh, for "chase is the image of war." But Sancho wonders if it isn't a waste to always be at war "killing an animal that has done no harm to anyone." The same could be said about the other victims of Don Quixote's efforts to revive knight-errantry.
Fear
In the life of a knight-errant, fans, admirers, and squires often broach the topic of fear. Sancho is in constant fear for his own safety and for that of his master. However, as Sancho admits to his wife, such a life makes him happy. For whether he climbs an oak tree or runs away, Sancho is just happy to be a part of the action. And that adventure is the main thing; as both Don Quixote and Sancho believe, it is better to try and maybe fail than not to try at all.
At the height of his powers, right after defeating the Knight of the Mirrors, Don Quixote passes the ultimate test of courage. In the face of this test, Don Quixote reveals a truth about fear. "Fear will make [danger] seem bigger by half." Subsequently, he faces and defeats the lion. Everyone is impressed by the feat, although the narrator downplays the event. It is Don Quixote's willingness to face up to his fears that is the true achievement.
Sanity and Insanity
Don Quixote becomes obsessed with the idea of knight-errantry to the point of losing himself. His loss of reason is similar to that of any person who becomes obsessed with something. As he says to his niece, "if these knightly thoughts did not monopolize all my faculties, there would be nothing I could not do."
Indeed, Don Quixote never quite loses his mind, he simply indulges — to the fullest extent — his imagination. It is a conscious effort, "and that is where the subtleness of my plan comes in. A knight-errant who goes mad for a good reason deserves no credit; the whole point consists in going crazy without cause." That is, if knight-errantry were in fashion, Don Quixote would not be unique. If he succeeds in resuscitating chivalry, he will become famous.
The point of Don Quixote's knight-errantry is to make a fantasy come true. Living a fantasy even for a short time is more than most hidalgos could say. His friends unwittingly bring his wish to fruition better than he could have possibly hoped. Everyone wins, for "what the world needed most of all was plenty of knights-errant" and by acting in his fantasy, his friends help revive the traditions of knight-errantry.
In fact, it is their indulgence — their cooperation with the fantasy — that fulfills Don Quixote's dream and "astonished [him], and for the first time he felt thoroughly convinced that he was a knight-errant in fact and not in imagination." Don Quixote's madness, sadly, is the only way for adults to play in the serious world of Spain's Golden Age.




