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Dory Previn

 
Artist: Dory Previn

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Ron Tutt, Peter Jameson, David Cohen, Tom Keene
  • Born: October 22, 1929, Rahway, NJ
  • Active: '50s, '60s, '70s, '80s
  • Genres: Soundtrack
  • Instrument: Vocals, Guitar
  • Representative Albums: "Mythical Kings and Iguanas/Reflections in a Mud Puddle," "Mary C. Brown and the Hollywood Sign/On My Way to Where," "Mary C. Brown and the Hollywood Sign"
  • Representative Songs: "Mythical Kings and Iguanas," "Lady With the Braid," "Angels and Devils the Followi"

Biography

Dory Previn was a successful lyricist for motion picture theme songs during the 1960s and early 1970s, earning three Academy Award nominations for best song; in the mid-1970s and early 1980s, she published books of memoirs and wrote and performed in musical theater works. But she remains best known for the six albums of original songs and one live album she released in a confessional, singer-songwriter style between 1970 and 1976.

Previn was born on October 22. Different sources list the year of her birth as early as 1925, though 1929 seems most probable. She was deeply influenced by her father, who was mentally disturbed due to his experience in World War I, and she had a difficult childhood. She began to perform in her teens and after high school attended the American Academy of Dramatic Arts for a year. Thereafter, she was worked as an actress and a dancer, until she began writing song lyrics, which landed her a job at MGM where she wrote under the name Dory Langdon. She was assigned to collaborate with composer André Previn, with whom she became romantically involved. In May 1957, she recorded an album of her songs, The Leprechauns Are Upon Me, with Previn and Kenny Burrell accompanying her, for Verve Records. She and Previn married on November 7, 1959.

In 1960, continuing to use the name Dory Langdon, she began to get frequent assignments to write lyrics for songs used in motion pictures, usually in collaboration with her husband. That year, the Previn-Langdon song "The Faraway Part Of Town," sung in the film Pepe by Judy Garland, was nominated for an Academy Award for Best Song. The Previns' "A Second Chance" from the 1962 film Two For The Seesaw earned them another nomination. They also wrote independent songs, and during the early 1960s they had cuts on albums by Doris Day, Eileen Farrell, and Jack Jones, while their film songs were recorded by such performers as Bobby Darin, Sammy Davis, Jr., and Eddie Fisher. In 1964, Dory Previn collaborated with Harold Arlen on "So Long, Big Time!," which was recorded by Tony Bennett for his album The Many Moods Of Tony.

In 1965, she suffered a nervous breakdown and was institutionalized briefly. Nevertheless, she continued to write with her husband, and began to use the name Dory Previn professionally for the first time. Frank Sinatra recorded their song "You're Gonna Hear From Me," from the 1965 film Inside Daisy Clover, on his 1966 That's Life album. The Previns' last creative work together was some of their most popular: In 1967, they wrote five songs for Valley Of The Dolls. The Valley Of The Dolls soundtrack album spent six months in the charts, and Dionne Warwick scored a Top Ten hit with her recording of the theme song, while her own Valley Of The Dolls LP went gold.

In the late 1960s, André Previn made a transition from composing music for films to conducting orchestras worldwide, while living abroad. He took up with 24-year-old actress Mia Farrow, and when it became known that she was pregnant by him, he and Dory Previn separated in the spring of 1969. Their divorce became final in July 1970, and he married Farrow. Dory Previn expressed her outrage in the song "Beware Of Young Girls."

Buffeted by the dissolution of her marriage, Previn, after being institutionalized again, returned to writing for films in an increasingly introspective style typified by both "(Theme From) Valley Of The Dolls" and her next major film song, "Come Saturday Morning" (music by Fred Karlin) from The Sterile Cuckoo (1969). The Sandpipers, who sang the song in the film, recorded it for a Top 40 hit, and it earned Previn her third Oscar nomination.

She signed with the new Mediarts company founded by former Capitol Records executive Alan Livingston and producer Nik Venet. The result was Mediarts Records' first release and her first album in 13 years, On My Way To Where (July 1970), which sold 25,000 copies. The album's lyrics were published in book form in 1971. Previn sold more than 50,000 copies of her second album, Mythical Kings And Iguanas, released in 1971. Mediarts was then sold to United Artists Records, which reissued her first two albums and released her third, Reflections In A Mud Puddle/Taps Tremors And Time Steps, later in 1971. In 1972 came Mary C. Brown And The Hollywood Sign, a thematic album about Hollywood misfits whose songs were intended for a musical revue that ran briefly in Los Angeles in November 1972. Meanwhile, Previn's screenplay, Third Girl From The Left, was filmed and broadcast as a TV movie on ABC on March 10, 1973; she also wrote the title song and sang it in the film.

Previn, who refused to fly, rarely performed live, which tended to limit her commercial success (though four of her albums just missed charting among the top 200 bestsellers). But she did do a few shows, and on April 18, 1973, she performed a concert at Carnegie Hall in New York that was recorded and released later that year as a double LP, Live At Carnegie Hall. She then switched to Warner Bros. Records and released Dory Previn in 1974, followed by We're Children Of Coincidence And Harpo Marx in 1976. That year, she published her first autobiography, Midnight Baby. It was followed by a second volume, Bog-Trotter, in 1980. Also in 1980, she performed in a musical revue of her songs, Children Of Coincidence, in Dublin. The show was filmed and broadcast on Irish television under the title Hunky Dory.

Previn was not much heard from after the start of the 1980s, though she performed in London as late as 1986 and wrote a stage work, The Flight Of The Gooney Bird. In the late 1990s, her publishing came under the aegis of Williamson Music, the publishing arm of the Rodgers and Hammerstein Organization, which published The Dory Previn Songbook, featuring illustrations by her husband, Joby Baker. Meanwhile, BGO Records in England licensed and reissued her United Artists albums on CD. ~ William Ruhlmann, All Music Guide
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Actor: Dory Previn
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  • Born: Oct 22, 1929
  • Occupation: Actor
  • Active: '60s-'70s
  • Major Genres: Drama
  • Career Highlights: Inside Daisy Clover, Two of a Kind, Harper
  • First Major Screen Credit: Inside Daisy Clover (1965)

Biography

Dory Previn (aka Dory Langdon) was a successful lyricist for motion picture theme songs during the 1960s and early 1970s, earning three Academy Award nominations for Best Song. Later in her career, she became a critically acclaimed singer-songwriter. She was born on October 22. Different sources list the year of her birth as early as 1925, though 1929 seems most probable. She was deeply influenced by her father, who was mentally disturbed due to his experience in World War I, and she had a difficult childhood. She began to perform in her teens and after high school attended the American Academy of Dramatic Arts for a year. Thereafter, she worked as an actress and a dancer until she began writing song lyrics, which landed her a job at MGM, where she wrote under the name Dory Langdon. She was assigned to collaborate with composer André Previn, with whom she became romantically involved. She and Previn married on November 7, 1959.

In 1960, continuing to use the name Dory Langdon, she began to get frequent assignments to write lyrics for songs used in motion pictures, usually in collaboration with her husband. That year they wrote "Your Smile" for Who Was That Lady?, though it was cut from the film; the title song for Tall Story (music also by Shelly Manne); and "Why Are We Afraid" for The Subterraneans, again a cut song. The lyricist also added words to David Raksin's theme for The Bad and the Beautiful to create the song "Love is for the Very Young." But her most extensive and successful work in 1960 was her several collaborations for Pepe: "That's How It Went, All Right" and "The Faraway Part of Town", with André Previn, the latter sung in the film by Judy Garland and nominated for an Academy Award; "Suzie", with Johnny Green; the title song, originally a German tune by Hans Wittstatt; and "Lovely Day", the English lyric to "Concha Nacar", composed by Augustin Lara and Maria Teresa.

Dory Previn's next film assignment came with the 1961 film The Long and the Short and the Tall, for which she and Sim Simmons wrote "Hi Jig A Jig, Cook A Little Pig." Later that year, she and her husband's "One, Two, Three Waltz" was used in One, Two, Three. In 1962, the Previns wrote "Mine For The Moment" for Four Horsemen of the Apocalypse and "A Second Chance" for Two for the Seesaw. The latter earned Dory Previn her second Academy Award nomination. The Previns wrote "Look Again," used to exploit Irma La Douce in 1963, and in 1964 contributed two songs to Goodbye Charlie, a title song and "Seven at Once."

In 1965, Dory Previn suffered a nervous breakdown and was institutionalized briefly. Nevertheless, she continued to write with her husband, and began to use the name Dory Previn professionally for the first time. In 1965, the Previns had two songs in Inside Daisy Clover, "The Circus is a Wacky World" and "You're Gonna Hear From Me." They wrote songs for three 1966 films: "Livin' Alone," used in Harper; a title song written to exploit The Fortune Cookie; and the title song for The Swinger. Their last creative work together was some of their most popular: In 1967, they wrote five songs for Valley of the Dolls, "Come Live With Me," "Give A Little More," "I'll Plant My Own Tree," "It's Impossible," and "(Theme From) Valley of the Dolls." The Valley of the Dolls soundtrack album spent six months on the charts, and Dionne Warwick scored a Top Ten hit with her recording of the theme song, while her own Valley of the Dolls LP went gold. Dory Previn also wrote scripts for television series during the 1960s.

In the late 1960s, André Previn made a transition from composing music for films to conducting orchestras worldwide, while living abroad. He took up with 24-year-old actress Mia Farrow, and, when it became known that she was pregnant by him, he and Dory Previn separated in the spring of 1969. Their divorce became final in July 1970, and he married Farrow. Buffeted by the dissolution of her marriage, Dory Previn, after being institutionalized again, returned to writing for films in an increasingly introspective style typified by both "(Theme From) Valley of the Dolls" and her next major film song, "Come Saturday Morning" (music by Fred Karlin) from The Sterile Cuckoo (1969). The Sandpipers, who sang the song in the film, recorded it for a Top 40 hit, and it earned Previn her third Oscar nomination. The same year, she and John Williams wrote the title song for Daddy's Gone A-Hunting. In 1970, she wrote both words and music for "Didn't I Turn Out Nice?," used in the film Up in the Cellar.

Previn's increasingly personal style and the trend toward confessional singer-songwriters in the early 1970s earned her the opportunity to launch a career as a recording artist, and she released her debut album, On My Way to Where, in July 1970. She wrote the lyrics to the title song of Last Tango in Paris (1973) with music by Gato Barbieri. On March 10, 1973, ABC broadcast the TV movie Third Girl From the Left, for which she had written the screenplay and the title song, which she sang in the film. ~ William Ruhlmann, All Movie Guide
Wikipedia: Dory Previn
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Dory Previn
Birth name Dorothy Veronica Langan
Also known as Dory Langdon
Dory Previn Shannon
Dory Shannon
Born October 22, 1929 (1929-10-22) (age 80)
(Note: some sources state her birth year as 1925.)
Rahway, New Jersey, United States
Occupations Singer, songwriter, lyricist
Instruments Vocals, guitar
Labels Verve
United Artists
Warner Bros. Records

Dory Previn, née Dorothy Veronica Langan[1] (born 22 October 1925 or 1929[2]), is an American lyricist, singer-songwriter and poet.

During the late 1950s and 1960s she was a lyricist for motion picture songs, and with her first husband André Previn received several Academy Award nominations. In the 1970s, after their divorce, she released six albums of original songs and an acclaimed live album. Dory Previn's lyrics from this period are characterised by their originality, their irony, and their honesty in dealing with her troubled personal life, as well as more generally about relationships, sexuality, religion and psychology. She has continued to work since then as a writer of song lyrics and prose.

Contents

Life and career

Early years

She was born in Rahway, New Jersey[3], the eldest daughter in a strict Catholic family of Irish origin. She had a troubled relationship with her father, especially during childhood. He had served in the First World War and been gassed, which led to periods of depression and violent mood swings. He tended to alternately embrace and reject Dory, but supported her when she began to show talents for singing and dancing. However, his mental health deteriorated after the birth of a second daughter, culminating in a paranoid episode in which he boarded the family up in their home and held them at gunpoint for several months. Dory’s childhood experiences, described in her autobiography Midnight Baby, had a profound effect on her later life and work.

After high school, Dory attended the American Academy of Dramatic Arts for a year before having to leave due to financial difficulties. [4] She then toured as a chorus line dancer and singer, and started to write songs. She later wrote[5]:- "I have been an actress, model, and chorus girl. I've worked at odd jobs - secretary, salesgirl, accounting in a filling station, waitress - anything to keep me going while I pursued my writing." At this time, she entered a brief first marriage which ended in divorce soon after.[6]

Lyricist and marriage, 1958-1969

Through a chance contact with movie producer Arthur Freed, she landed a job as a lyricist at MGM. There she met, and began collaborating with, composer André Previn. In 1958, as Dory Langdon, she recorded an album of her songs, The Leprechauns Are Upon Me, with Previn and Kenny Burrell accompanying her, for Verve Records.

She and Previn married in 1959. The couple collaborated on a number of songs used in motion pictures, including "The Faraway Part Of Town" sung in the film Pepe by Judy Garland, which was nominated for an Oscar for Best Song in 1960. In 1961 they wrote "One, Two, Three Waltz" for the movie One, Two, Three, and in 1962 wrote "A Second Chance" for the movie Two For The Seesaw, which won them a second Oscar nomination. They also wrote non-movie songs recorded by Doris Day, Jack Jones, Bobby Darin, Sammy Davis Jr., and others. In 1964, Dory Previn collaborated with Harold Arlen on "So Long, Big Time!," which was recorded by Tony Bennett. [4] Later in 1966, the song was covered by Carola, accompanied by Heikki Sarmanto Trio.[7]

By the mid-1960s, André Previn had become a classical music conductor, touring worldwide. Dory had a morbid fear of air travel and did not join him. In 1965, she suffered a nervous breakdown. However, she continued to write with her husband, on songs including "You're Gonna Hear From Me" recorded by Frank Sinatra, and began to use the name Dory Previn professionally. In 1967, they wrote five songs for the movie Valley of the Dolls. The soundtrack album spent six months in the charts, and Dionne Warwick had a pop hit with her version of the theme song. [4] In 1968, Dory wrote a new English libretto for Mozart’s opera The Impresario. [8] The following year she won a third Oscar nomination for "Come Saturday Morning", with music by Fred Karlin, from the movie The Sterile Cuckoo. A hit version was recorded by The Sandpipers. [9]

In 1965 Dory Previn's mental health deteriorated, she suffered a nervous breakdown and was briefly institutionalized in a psychiatric hospital. In 1968 André Previn transitioned from composing film scores to conducting symphony orchestras, most notably the London Symphony Orchestra. While in London he began an affair with the then 24-year-old actress Mia Farrow who was working on the film A Dandy in Aspic[10]. In the spring of 1969 Dory discovered that Farrow had become pregnant, compelling her to separate from her husband. Their divorce became final in July 1970 - André Previn subsequently married Farrow .[4] This betrayal led to Dory being institutionalised again, where she was treated with Electroconvulsive therapy [11]. The treatment seemed to change her outlook as a songwriter, making her more introspective. She subsequently expressed her feelings regarding Farrow, and the end of her marriage in the song "Beware of Young Girls", on her 1971 album Mythical Kings and Iguanas, featuring some acerbic, amusing and insightful lyrics, as can be seen in the excerpts below:

"Beware of young girls who come to your door,
Wistful and pale, twenty and four,
Delivering daises with delicate hands.
Beware of young girls, too often they crave,
To cry at a wedding... And dance on a grave."

"She was my friend, my friend, my friend.
She was invited to my house, Oh yes she was,
And although she knew my love was true, and no ordinary thing,
She admired my wedding ring, she admired my wedding ring."

"We were friends, oh yes we were,
And she just took him from my life, oh yes she did.
So young and vain, she brought me pain, but I'm wise enough to say,
She will leave him one thoughtless day, she just leave him and go away, Oh yes."

Singer-songwriter, 1970-1980

The cover of Dory Previn's On My Way To Where (1970)

In 1970 she signed as a solo artist with the Mediarts company founded by Alan Livingston and Nik Venet, and recorded her first album for 12 years, On My Way To Where. [4] Much of the album, which like several subsequent albums was produced by Venet, deals with her experiences in the late 1960s. "Mister Whisper" examines episodes of psychosis from within the confines of a psychiatric hospital, while "Beware of Young Girls" is a scathing attack on Mia Farrow and her motives for befriending the Previns. (Farrow belatedly apologized to Dory in her memoir What Falls Away). The track "With My Daddy in the Attic" is a chilling piece dealing with Stockholm Syndrome and fantasies of incest. The album's lyrics were published in book form in 1971.

Her second album of this period, Mythical Kings and Iguanas, released in 1971, was even more successful. United Artists Records then took over Mediarts and released her third album, Reflections in a Mud Puddle. The album was voted one of the best albums of 1972 by Newsweek magazine, and was included in the New York Times critics' choice as one of the outstanding singer-songwriter albums of the 1970s. "Taps, Tremors and Time-Steps: One Last Dance for my Father," the second side of Reflections In a Mud Puddle, is a personal account of the deterioration of their relationship and her anguish at their differences remaining unresolved at the time of her father's death. In 1972 she released Mary C. Brown and the Hollywood Sign, a thematic album about Hollywood misfits--Mary C. Brown, an actress who kills herself jumping from Hollywood's letter ´H´, apparently based upon real-life Peg Entwistle--whose songs were intended for a musical revue that ran briefly in Los Angeles. Previn teamed up with producer Zev Bufman to stage it on Broadway, but the previews were poor and the show was cancelled before it opened.[12]

Her albums maintained a balance of intensely personal lyrics and wider commentary— "A Stone for Bessie Smith" is about the premature death of singer Janis Joplin, while "Doppelgänger" examines the latent savagery of humanity. Self-conscious spirituality at the expense of the tangible is criticised in "Mythical Kings and Iguanas", while songs dealing with emotionally frail characters appear as "Lady With the Braid", "Lemon-Haired Ladies", and "The Altruist and the Needy Case". Feminist issues and dilemmas are explored in "Brando" and "The Owl and the Pussycat", while the male ego is attacked with wit and irony in "Michael, Michael", "Don't Put Him Down", and "That Perfect Man". In 1973, her screenplay Third Girl From The Left was filmed and broadcast as a TV movie.[4] She also undertook some public performances that year, including a concert in New York on April 18, 1973. This was recorded and released later as a double LP, Live At Carnegie Hall[1], which featured in a book of the two hundred best rock albums. She also continued to collaborate on music for movies and TV. Her last film credit was the title song for Last Tango in Paris (1973), with music by Gato Barbieri.

She then switched to Warner Bros. Records, and released the album Dory Previn[2] in 1974, followed by We're Children of Coincidence and Harpo Marx in 1976. Overcoming her fear of flying, she toured in Europe in the late 1970s, and in 1980 performed in a musical revue of her songs, Children Of Coincidence, in Dublin. [4]

She withdrew from music for a period, and wrote two autobiographies, Midnight Baby: an Autobiography (1976, ISBN 0-02-299000-4) and Bogtrotter: An Autobiography with Lyrics (1980, ISBN 0-385-14708-2). The latter title refers to her Irish heritage: "bogtrotter" is a derogatory term for an Irish person. She also wrote Schizo-phren, a one-woman play with songs.

Later life

From the 1980s, she often used the name Dory Previn Shannon, Shannon being her mother's maiden name.[13] In 1983 she wrote and appeared in a musical statement on nuclear war, August 6, 1945, in Los Angeles. Working for television, she won an Emmy Award in 1984 for "We'll Win this World" (from Two of a Kind) with Jim Pasquale, and an Emmy nomination in 1985 for "Home Here" (from Two Marriages) with Bruce Broughton.[14]

In 1984 she married actor and artist Joby Baker. She performed in London in 1986, and also wrote a stage work, The Flight Of The Gooney Bird. She last appeared in concert in 1988, in Dublin and at the Donmar Warehouse in London. As a writer, her short stories have appeared in several publications, and she has also worked on a novel, Word-Play with an Invisible Relative. She has also lectured on lyric writing, recording, and writing autobiographies at various American universities.[14] Baker provided illustrations for The Dory Previn Songbook, published in 1995, which contains songs from her period with United Artists.

In 1997 she collaborated with André again, to produce a piece for soprano and ensemble entitled The Magic Number. [15]This was first performed by the New York Philharmonic, with André Previn as conductor and Sylvia McNair performing the soprano part. A piano reduction was published by G. Schirmer, Inc (ISBN 0-7935-8803-0).

In 2002 Dory Previn released a royalty-free recording available via the internet entitled Planet Blue.[16] This contains a mixture of recent and previously unreleased material dealing with environmental degradation and the threat of nuclear disaster.

At the time of writing[when?], she continues to work, in spite of having suffered several strokes, which have affected her eyesight. She continues to live in Massachusetts with her husband Joby Baker.

A new compilation of her early 1970s work, entitled The Art of Dory Previn, was released by EMI on January 21, 2008.

Tributes

Scottish indie pop band Camera Obscura released a song called "Dory Previn" on their 2006 album Let's Get Out of This Country. [17]

Discography

Original albums

Download only

  • Planet Blue—(2002)

Compilation albums

  • One A.M. Phonecalls - (1977) United Artists
  • In Search of Mythical Kings: The U.A. Years - (1993) EMI
  • The Art of Dory Previn - (2008) EMI

Previn's material from her period with United Artists has been re-issued on CD under the Beat Goes On label.

References

  1. ^ Some sources incorrectly give her birth name as Langdon
  2. ^ Some sources give her year of birth as 1925, and a few state 1930. The California Divorce Index states 1925, but the majority of reliable sources state 1929.
  3. ^ Dory Previn: Information and Much More from Answers.com
  4. ^ a b c d e f g allmusic ((( Dory Previn > Biography )))
  5. ^ bio of Dory Previn
  6. ^ "I'm Insane, Says Dory Previn" People magazine, January 17, 1977, pp. 62-67.
  7. ^ Jazzpuu-8. Carola & Heikki Sarmanto Trio Jazzpuu
  8. ^ Television - Time
  9. ^ PREVIN, Dory : MusicWeb Encyclopaedia of Popular Music
  10. ^ http://www.imdb.com/title/tt0062859/
  11. ^ http://www.ect.org/famous-shock-patients/
  12. ^ Urban Icons - Hollywood Sign
  13. ^ Dory Previn, Midnight Baby: an Autobiography (1976) ISBN 0-02-299000-4
  14. ^ a b Rodgers & Hammerstein Organization
  15. ^ CHRONICLE - New York Times
  16. ^ Dory Previn: Planet Blue
  17. ^ Camera Obscura Lyrics, Photos, Pictures, Paroles, Letras, Text for every songs

External links



 
 
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