Duncan Phyfe

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Mahogany side chair designed by Phyfe, 1807; in The Henry Francis du Pont Winterthur Museum, … (credit: Courtesy of The Henry Francis du Pont Winterthur Museum, Delaware)

(born 1768, near Loch Fannich, Ross and Cromarty, Scot. — died Aug. 16, 1854, New York, N.Y., U.S.) Scottish-born U.S. furniture designer. His family settled in Albany, N.Y., c. 1784; there he became an apprentice cabinetmaker and eventually opened his own shop. In 1792 he moved to New York City, where he changed the spelling of his name and became so successful that he employed 100 carvers and cabinetmakers. He was one of the first Americans to use the factory method of manufacturing furniture successfully. Though he did not originate a new furniture style, he interpreted fashionable European styles — Sheraton, Regency, Directoire, Empire — with such grace that he became a major exponent of Neoclassicism. His furniture, decorated with typical period ornaments such as harps and acanthus leaves, was generally of high-quality mahogany.

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(b Loch Fannich, nr Inverness, 1768; d New York, 16 Aug 1854). American cabinetmaker of Scottish birth. He moved to America with his family about 1784 and settled in Albany, NY, where he served his apprenticeship. About 1792 he moved to New York and opened his own shop; his business prospered, and he moved to a new location on Partition Street. As his reputation spread, the most fashionable people in the city, including John Jacob Astor, William Bayard and De Witt Clinton, sought his services. His shop grew to be one of the largest in the city, and he shipped furniture to customers in New Jersey, Philadelphia and the south, particularly Charleston, SC.

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Duncan Phyfe (1768-1854), Scottish-born American cabinetmaker, was one of the best-known and finest furniture makers in the United States.

Duncan Phyfe was born at Loch Fannich. He probably served an apprenticeship as a cabinetmaker. The Phyfe family emigrated to Albany, N.Y., in 1783 or 1784, where the father opened a cabinetmaking shop. Duncan soon went to New York City; he is listed in the New York Directory for 1792. He eventually settled on Partition (later Fulton) Street, buying additional property as his business expanded. His high-quality furniture was very much in demand in New York and Philadelphia. It is also believed that he had agents in the South.

Phyfe carried on the business under his own name until, in 1837, it was changed to Duncan Phyfe and Son. Ten years later, because he had amassed a great fortune, he decided to discontinue the business and sold the entire stock on hand at auction. Upon retirement he lived in the house on Fulton Street until his death in 1854.

European furniture pattern books were available to both Phyfe and his patrons at the outset of his career. His early work shows a fondness for the designs of Thomas Sheraton. Next he came under the influence of the French Directoire style and, a bit later, the Empire style, two influences which have come to be considered the most characteristic of his work. In the period between 1837 and 1847, the Phyfe firm produced heavy plain furniture which in no way had the style or quality of his earlier works.

Reddish mahogany from Cuba and Santo Domingo was greatly favored by Phyfe at the beginning of his career. He paid as much as $1, 000 for a single log and personally supervised the cutting of the veneers. Much of Phyfe's fame as a cabinetmaker was based on his artistic use of veneers. His other chief decorative devices were turning, reeding, and carving. After 1830 much of the furniture was made of rosewood. Phyfe summed up the quality of the late work with the phrase "butcher furniture." His furniture was expensive in its day; bills dated 1816 indicate that a "piece" table cost $265 and a sofa $122.

In addition to developing an individual style and producing high-quality workmanship, Phyfe introduced the factory method into American cabinetmaking. From the apprenticeship system, with no division of labor, he evolved a system where individual craftsmen performed specific duties. All of the work was executed, however, under Phyfe's supervision, and his personal genius was largely responsible for the excellence of his furniture.

Further Reading

The best work on Phyfe is Nancy McClelland, Duncan Phyfe and the English Regency, 1795-1830 (1939). A biography and analysis of his furniture are in Charles O. Cornelius, Furniture Masterpieces of Duncan Phyfe (1922). A sketch of Phyfe's life and work is in Ethel Hall Bjerkoe, The Cabinetmakers of America (1957).

Sofa, ca. 1810-15. Attributed to the workshop of Duncan Phyfe. Mahogany, cherry, pine, gilt brass, and modern upholstery. On loan to the Cincinnati Art Museum

Duncan Phyfe (1768-August 16, 1854)^[1] was one of 19th century America’s leading furniture makers.

Born Duncan Fife in Loch Fannich, Scotland, he immigrated to Albany, New York, at age 16 and served as a cabinetmaker’s apprentice.^[1] In 1792, he changed the spelling of his name, moved to New York City,^[1] and opened his own business in 1794, which eventually employed over a hundred workers. He became known as one of America's leading cabinetmakers by selling furniture for relatively low prices. Although Phyfe’s work encompassed a broad range of the period’s classical styles, Empire, Sheraton, Regency, Federal and French Classical among them, he is most famous for his simple style, a reaction to the imported French designs popular at the time. Duncan Phyfe's furniture can be seen in the White House Green Room.

References

1. ^ ^{a b c} Millikin, Donald D. (1976). "Phyfe, Duncan". in William D. Halsey. Collier's Encyclopedia. 19. New York: Macmillan Educational Corporation. p. 1. 

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