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| Biography: Edgar Laurence Doctorow |
E.L. Doctorow (born 1931) is widely regarded as one of America's pre-eminent novelists of the 20th Century. His work is philosophically probing, employing an adventurous prose style, and the use of historical and quasi-historical figures, situations, and settings. Politically active and outspoken, Doctorow urges other writers to follow his lead in expressing their opinions about issues outside the literary community.
Edgar Laurence Doctorow was born on January 6, 1931 in the Bronx, New York. He was named after the great poet and short story writer Edgar Allen Poe, who had also lived in the Bronx. Doctorow's parents were both second-generation Americans who descended from Russian Jews. His mother, Rose (Levine) Doctorow, was an accomplished pianist. His father, David Richard Doctorow, owned a music shop. When his business was wiped out during the Depression, he sold home appliances to support the family.
Doctorow's household was rife with literary, intellectual, and political discussion. He would later characterize his childhood milieu as "a lower middle-class environment of generally enlightened socialist sensibility." Both Doctorow and his older brother had aspirations of being novelists. "I always knew that writing was my calling," Doctorow told Time magazine. For a long time, however, he would resist this impulse, on the advice of friends and family. "People told me to look for physical labor and under no circumstances to get involved with the book business in Manhattan."
Education
Upon finishing grade school, Doctorow attended the prestigious Bronx High School of Science. He then enrolled at Kenyon College in Gambier Ohio, a liberal arts school known to be a hub of literary study. One of Doctorow's professors at Kenyon was the renowned poet and critic, John Crowe Ransom. At this point, Doctorow was not focused on a literary career, however, preferring to major in philosophy. He also tried his hand at acting, appearing on stage in a number of campus productions.
After earning his undergraduate degree with honors in 1952, Doctorow moved on to graduate study in English drama at New York's Columbia University in the autumn of 1952. Here he was introduced to the work of the German Romantic playwright Heinrich Von Kleist, whose writing had a profound effect on the young student. Doctorow later modeled the protagonist of his most famous novel, Ragtime on the hero of one of Kleist's novels.
While studying at Columbia, Doctorow met and married Helen Setzer, a fellow graduate student. He was drafted into the Army in 1953 and was stationed in Frankfurt, Germany, where Helen gave birth to the couple's first child. Upon leaving the service, Doctorow returned to New York, where he got a job at the reservations desk at La Guardia Airport. Tired of this, he moved on to a position as an "expert reader" for Columbia Pictures. His responsibilities included reading a novel a day and writing a 1200-word critique evaluating its cinematic potential. Doctorow acknowledged that the job gave him insights into the structure and pacing of genre novels that he would later use in his own writing.
Early Novels
In 1959, Doctorow accepted a job as an editor for the New American Library. He remained there until 1964, using his free time to work on his own fiction. In 1960, Doctorow published his first novel, Welcome to Hard Times. A Western genre story, it was set in the newly settled Dakota Territory of the 1800s. The tale was told from the point of view of the mayor of the frontier town of Hard Times, in the form of a series of journal entries. Critics responded favorably, and the book was later turned into a motion picture starring Henry Fonda. Although Doctorow was now an established novelist, he was still unable to support his family entirely through his writing. He, therefore, accepted the post of editor-in-chief at Dial Press in 1964.
In 1966, Doctorow completed work on his second novel, Big as Life. This time he chose science fiction as his genre, spinning an outlandish tale about a group of people who band together to fight off two giant humanoids attacking Manhattan. The book was perplexing to some reviewers; others dismissed it as potboiler science fiction. Doctorow later withdrew the novel from print entirely, apparently disappointed at the critical reception it received.
Acclaim for Daniel
As editor-in-chief at Dial Press, Doctorow spent the last few years of the 1960s working with some of the most talented authors of the time, including Norman Mailer, James Baldwin, and Richard Condon. But he quit his position in 1969 in order to devote more time to his own writing. The fruit of that effort was Doctorow's first non-genre novel, The Book of Daniel (1971).
The title character was based on Michael Meeropol, the son of executed Communist spies Julius and Ethel Rosenberg. Doctorow believed the execution was a major political crime of the 1950s and tried to express his confusion and outrage through the character of Daniel. He did extensive research into the lives of the Rosenbergs in preparation for writing his book. The hard work paid off, as critics almost universally praised the new work. The Book of Daniel was nominated for a National Book Award and made part of the required reading list at a number of colleges and universities.
Awards and Riches
It took Doctorow four years to produce his next novel, but critics found it worth the wait. Ragtime, set in the decade prior to World War I, wove together a number of interconnected story lines, featuring both real-life and imaginary characters. Historical figures such as Harry Houdini, William Howard Taft, and Sigmund Freud appear in its pages, though the major themes of the novel revolve around the fictional Coalhouse Walker, a black piano player persecuted for a crime he did not commit. The novel was an enormous critical and commercial success, fulfilling Doctorow's own vow that the book would reach vast new constituencies. Ragtime sold 200,000 copies in hardcover in its first year alone, and netted a lucrative $2 million for the paperback sale. It won Doctorow the National Book Critics Circle Award for fiction and was adapted as a feature film in 1982 and a Broadway musical in 1997.
With his first novel of the 1980's, Loon Lake, Doctorow returned once again to historical fiction. Set in and around the Adirondacks during the Great Depression, the book follows the wanderings of an ambitious drifter. Its experimental prose style and non-linear structure made it a difficult read for some, but critical response was mostly positive. For his next book, 1984's Lives of the Poets, Doctorow eschewed the novel form entirely, preferring to collect six short stories and a novella, all of which dealt with the relationship between art and politics.
Artist and Advocate
During this same period, Doctorow himself was exploring that relationship through his actions and public pronouncements. Now an internationally famous and acclaimed author, he found time in his hectic schedule to publicly expound on his views about political and cultural matters. In 1980, Doctorow appeared before a Senate subcommittee to decry the encroachment of the entertainment industry into publishing. In 1983, the outspoken author delivered a scathing commencement address at Sarah Lawrence College in which he excoriated Ronald Reagan as "the most foolish and insufficient president in our history." Later that year he traveled to Beijing, China, where he lambasted American officials for encouraging the Chinese to translate and publish American books without duly compensating the American writers.
Doctorow became extremely active within the literary community. In 1982, he was appointed the Lewis and Loretta Gluckman Chair of American Literature at New York University. In 1984, he was elected to the American Academy and Institute of Arts and Letters. The following year he appeared at the Twentieth International PEN Conference to urge America's writers to speak out on political issues. Doctorow later had published a distillation of that argument in essay form entitled "The Passion of Our Calling."
Bronx Novels
Doctorow's sixth novel, World's Fair, appeared in 1986. In it, Doctorow tackled a new literary form, the memoir, writing from the point of view of one Edgar Altschuler, a young man growing up in the Bronx during the Great Depression. Again, real historical personages and events like the Hindenburg disaster and the New York World's Fair of 1939, gave depth and verisimilitude to the narrative. Hailed as a triumph by literary critics, World's Fair was awarded the American Book Award for fiction.
The Bronx again provided the setting for Doctorow's next novel, Billy Bathgate, published in 1989. The book again explores the relationship between history and myth, as it follows the title character through his immersion in the gangster underworld of the 1930's. Young Bathgate's mentor throughout is the real-life gangster, Dutch Schultz. One of Doctorow's most accessible and accomplished novels, Billy Bathgate became an international bestseller and earned Doctorow the National Book Critics Circle Award for fiction.
Doctorow in the 1990's
In the 1990's, Doctorow slowed his pace somewhat, publishing only one major new work of fiction. He purchased a summer home on Long Island and organized a three-day annual retreat weekend called "The Sag Harbor Initiative." There artists and politicians gathered to discuss major issues of the day.
Doctorow's eighth novel, The Waterworks, appeared in 1994. Set in New York City in the aftermath of the Civil War, the suspenseful narrative is told by an old, wry newspaper editor. Its real protagonist is Martin Pemberton, one of the paper's employees, who embarks on a quest to find the father he thought was long dead. Laced with historical and contemporary allusions, the book echoes earlier Doctorow works in its sweeping examination of the interaction among different social classes.
Further Reading
Harter, Carol C. and James R. Thompson, E.L. Doctorow Twayne Publishers, 1990.
Levine, Paul, E.L. Doctorow Methuen, 1985.
Morris, Christopher D., Conversations with E.L. Doctorow University Press of Mississippi, 1999.
Parks, John G., E.L. Doctorow Continuum, 1991.
| Spotlight: E. L. Doctorow |

From our Archives: Today's Highlights, January 6, 2006
| Columbia Encyclopedia: E. L. Doctorow |
Bibliography
See R. Trenner, ed., E. L. Doctorow, Essays and Conversations (1983); C. D. Morris, ed., Conversations with E. L. Doctorow (1999); studies by P. Levine (1985), C. C. Harter and J. R. Thompson (1990), C. D. Morris (1991), J. G. Parks (1991), D. Fowler (1992), B. Siegel, ed. (2000), M. M. Tokarczyk (2000), and H. Bloom, ed. (2002).
| Works: Works by E. L. Doctorow |
| 1960 | Welcome to Hard Times. Reacting to the movie scripts he had encountered as a reader at Columbia Pictures in the late 1950s, Doctorow radically reinterprets the western in his first novel, which shows a psychopathic killer's destruction of a frontier town. It challenges many western myths in a dark moral parable on the persistence of evil and the difficulty of resisting destruction. |
| 1966 | Big as Life. Doctorow's unusual second novel imagines the impact of the arrival of a pair of nearly motionless nude giants in New York Harbor. According to Doctorow, "Unquestionably, it is the worst I've done." |
| 1971 | The Book of Daniel. Doctorow's third novel is a fictional biography of a young man whose parents have been executed during the Cold War, suggestive of the fates of convicted spies Julius and Ethel Rosenberg. The novel thoughtfully explores America of the 1950s and 1960s, mixing fact and fiction in a fashion that would become a Doctorow trademark. |
| 1975 | Ragtime. Doctorow rewrites the rules of the historical novel in his inventive story, set at the turn of the twentieth century and incorporating real events and actual personages, such as Harry Houdini, Emma Goldman, J. Pierpont Morgan, and Henry Ford, in imaginary scenes and relationships. The novel's success would lead to a screen adaptation and a Broadway musical version. |
| 1978 | Drinks Before Dinner. Doctorow's attempt at drama is a purposely talky play of ideas, featuring a main character, who, at gunpoint, harangues a gathering on the collapse of modern civilization. Doctorow credits Gertrude Stein and Mao Zedong for inspiring the "rhythm of repetition" in the play's language. |
| 1980 | Loon Lake. Set in the 1930s, this novel traces the journeys of a young man during the Great Depression. He leaves Paterson, New Jersey, to seek his fortune and finds himself entrapped in the world of Loon Lake, a cold and remote setting in the Adirondack Mountains, where he confronts the tyranny of wealth and power. The book is thus a vehicle for Doctorow's indictments of American capitalism. |
| 1984 | Lives of the Poets. Doctorow's story collection contains the admired work "The Hunter," the title novella, and "The Waterworks," a brief sketch of what would become his 1994 novel, The Waterworks. |
| 1985 | World's Fair. Set during the 1938 World's Fair, the novel focuses on a young boy growing up in the Bronx and a world still coming out of the Depression, poised on the eve of World War II. It includes a loving picture of home life, a sense of secure domesticity that is relatively rare in the annals of great American fiction. |
| 1989 | Billy Bathgate. Doctorow wins the PEN/Faulkner Award and the National Book Critics Circle Award for this novel about a Bronx youth who gets involved with the Dutch Schultz gang in Depression-era New York. |
| 1993 | Jack London, Hemingway, and the Constitution. Doctorow's first essay collection consists of literary criticism, political insights, and historical meditations. |
| 1994 | The Waterworks. Set in New York City in 1871, the novel centers on Augustus Pemberton, a tycoon presumed to be dead until his son spots him one day on a Manhattan street. Doctorow grandly re-creates the world of Boss Tweed and waterfront taverns, the era of robber barons and the mansions they erect in their capital of capitalism. The mystery is never quite solved, even though the novel's detective does penetrate the waterworks, the venue for the metropolis's conniving financiers. |
| Quotes By: E. L. Doctorow |
Quotes:
"I try to avoid experience if I can. Most experience is bad."
"There is no longer any such thing as fiction or nonfiction; there's only narrative."
"Murders are exciting and lift people into a heart-beating awe as religion is supposed to do, after seeing one in the street young couples will go back to bed and make love, people will cross themselves and thank God for the gift of their stuporous lives, old folks will talk to each other over cups of hot water with lemon because murders are enlivened sermons to be analyzed and considered and relished, they speak to the timid of the dangers of rebellion, murders are perceived as momentary descents of God and so provide joy and hope and righteous satisfaction to parishioners, who will talk about them for years afterward to anyone who will listen."
"You can't remember sex. You can remember the fact of it, and recall the setting, and even the details, but the sex of the sex cannot be remembered, the substantive truth of it, it is by nature self-erasing, you can remember its anatomy and be left with a judgment as to the degree of your liking of it, but whatever it is as a splurge of being, as a loss, as a charge of the conviction of love stopping your heart like your execution, there is no memory of it in the brain, only the deduction that it happened and that time passed, leaving you with a silhouette that you want to fill in again."
"In the twentieth century one of the most personal relationships to have developed is that of the person and the state. It's become a fact of life that governments have become very intimate with people, most always to their detriment."
"The writer isn't made in a vacuum. Writers are witnesses. The reason we need writers is because we need witnesses to this terrifying century."
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E. L. Doctorow
| Wikipedia: E. L. Doctorow |
| This article includes a list of references or external links, but its sources remain unclear because it has insufficient inline citations. Please help to improve this article by introducing more precise citations where appropriate. (February 2009) |
| E. L. Doctorow | |
|---|---|
E.L. Doctorow, (photograph by Mark Sobczak) |
|
| Born | January 6, 1931 Bronx, New York |
| Occupation | writer, editor, professor |
| Nationality | American |
| Alma mater | Kenyon College, Columbia University |
| Writing period | 1960 - present |
| Notable work(s) | The Book of Daniel, Ragtime, World's Fair, Billy Bathgate, The March |
| Spouse(s) | Helen Setzer |
Edgar Lawrence Doctorow (born January 6, 1931, New York, New York) is an American author.
Contents |
Edgar Lawrence ("E.L.") Doctorow was born in the Bronx, New York City, the son of second-generation Americans of Russian Jewish descent. He attended city public grade schools and the Bronx High School of Science where, surrounded by mathematically gifted children, he fled to the office of the school literary magazine, Dynamo, where he published his first literary effort, The Beetle, which he describes as ”a tale of etymological self-defamation inspired by my reading of Kafka.”
Doctorow attended Kenyon College, where he studied with the poet and New Critic, John Crowe Ransom, acted in college theater productions and majored in Philosophy. After graduating with Honors in 1952 he did a year of graduate work in English Drama at Columbia University before being drafted into the army. He served with the Army of Occupation in Germany in 1954-55 as a corporal in the signal corps.
He returned to New York after his military service and took a job as a reader for a motion picture company where he said he had to read so many Westerns that he was inspired to write what became his first novel, Welcome to Hard Times. He began the work as a parody of the Western genre, but the piece evolved into a novel that asserted itself as a serious reclamation of the genre before he was through. It was published to positive reviews in 1960.
Doctorow had married a fellow Columbia drama student, Helen Setzer, while in Germany and by the time he had moved on from his reader’s job in 1960 to become an editor at the New American Library, (NAL) a mass market paperback publisher, he was the father of three children. To support his family he would spend nine years as a book editor, first at NAL working with such authors as Ian Fleming and Ayn Rand, and then, in 1964 as Editor-in-chief at The Dial Press, publishing work by James Baldwin, Norman Mailer, Ernest J. Gaines and William Kennedy, among others.
In 1969 Doctorow left publishing in order to write, and accepted a position as Visiting Writer at the University of California, Irvine, where he completed The Book of Daniel, a freely fictionalized consideration of the trial and execution of Julius and Ethel Rosenberg for allegedly giving nuclear secrets to the Soviet Union during the Cold War. Published in 1971 it was widely acclaimed, called a “masterpiece” by The Guardian, and it launched Doctorow into "the first rank of American writers" according to the New York Times.[1]
Doctorow’s next book, written in his home in New Rochelle, New York, was Ragtime (1975), since accounted one of the hundred best novels of the 20th century by the Modern Library Editorial Board.[2]
Doctorow’s subsequent work includes the award winning novels World's Fair (1985), Billy Bathgate (1989) and The March (2005); two volumes of short fiction, Lives of the Poets I (1984) and Sweetland Stories (2004); and two volumes of selected essays, Jack London, Hemingway, and the Constitution (1993) and Creationists (2006). He is published in over thirty languages.
He has taught at Sarah Lawrence College, the Yale School of Drama, the University of Utah and Princeton University. He is currently Loretta and Lewis Glucksman Professor of English and American Letters at New York University.
Doctorow has donated his papers to the Fales Library of New York University. He is the recipient of the National Humanities Medal conferred at the White House in 1998.[3]
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Mentioned in
Writing is like driving at night in the fog. You never see further than your headlights, but you can make the whole trip that way.

- E. L. Doctorow