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Earl Hooker

 
Artist: Earl Hooker
Earl Hooker

Similar Artists:

Influenced By:

Followers:

Performed Songs By:

Mel London, John Lee Hooker

Worked With:

Johnny Big Moose Walker, Gino Skaggs, Ed Michel, Lafayette Leake, Brownie McGhee, Paul Asbell, Louis Myers, Willie Dixon
  • Born: January 15, 1929, Clarksdale, MS
  • Died: April 21, 1970, Chicago, IL
  • Active: '50s, '60s, '70s
  • Genres: Blues
  • Instrument: Slide Guitar, Guitar, Vocals
  • Representative Albums: "Simply the Best," "Two Bugs & A Roach," "His First & Last Recordings"
  • Representative Songs: "Blue Guitar," "The Leading Brand," "Off the Hook"

Biography

If there was a more immaculate slide guitarist residing in Chicago during the 1950s and '60s than Earl Hooker, his name has yet to surface. Boasting a fretboard touch so smooth and clean that every note rang as clear and precise as a bell, Hooker was an endlessly inventive axeman who would likely have been a star had his modest vocal abilities matched his instrumental prowess and had he not been dogged by tuberculosis (it killed him at age 41).

Born in the Mississippi Delta, Hooker arrived in Chicago as a child. There he was influenced by another slide wizard, veteran Robert Nighthawk. But Hooker never remained still for long. He ran away from home at age 13, journeying to Mississippi. After another stint in Chicago, he rambled back to the Delta again, playing with Ike Turner and Sonny Boy Williamson. Hooker made his first recordings in 1952 and 1953 for Rockin', King, and Sun. At the latter, he recorded some terrific sides with pianist Pinetop Perkins (Sam Phillips inexplicably sat on Hooker's blazing rendition of "The Hucklebuck").

Back in Chicago again, Hooker's dazzling dexterity was intermittently showcased on singles for Argo, C.J., and Bea & Baby during the mid-to-late '50s before he joined forces with producer Mel London (owner of the Chief and Age logos) in 1959. For the next four years, he recorded both as sideman and leader for the producer, backing Junior Wells, Lillian Offitt, Ricky Allen, and A.C. Reed and cutting his own sizzling instrumentals ("Blue Guitar", "Blues in D-Natural"). He also contributed pungent slide work to Muddy Waters' Chess waxing "You Shook Me". Opportunities to record grew sparse after Age folded; Hooker made some tantalizing sides for Sauk City, Wisconsin's Cuca Records from 1964 to 1968 (several featuring steel guitar virtuoso Freddie Roulette).

Hooker's amazing prowess (he even managed to make the dreaded wah-wah pedal a viable blues tool) finally drew increased attention during the late '60s. He cut LPs for Arhoolie, ABC-BluesWay, and Blue Thumb that didn't equal what he'd done at Age, but they did serve to introduce Hooker to an audience outside Chicago and wherever his frequent travels deposited him. But tuberculosis halted his wandering ways permanently in 1970. ~ Bill Dahl, All Music Guide
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Wikipedia: Earl Hooker
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Earl Hooker

Background information
Birth name Earl Zebedee Hooker
Born January 15, 1929(1929-01-15)
Origin Clarksdale, Mississippi, United States
Died April 21, 1970 (aged 41)
Chicago, Illinois, United States
Genres Delta blues
Chicago blues
Occupations Guitarist
Instruments Guitar
Years active 1940s – 1970
Labels Arhoolie, Sun, King

Earl Hooker (January 15, 1929 – April 21, 1970) was an American blues guitarist. Hooker was a Chicago slide guitarist in the same league as Elmore James, Hound Dog Taylor, and his mentor, Robert Nighthawk. Some Chicago blues guitarists even consider Hooker to have been the greatest slide guitarist ever.[1]

Contents

Biography

Born Earl Zebedee Hooker in Clarksdale, Mississippi, from a musically inclined family (he was a cousin of John Lee Hooker), he taught himself to play the guitar around the age of 10, and shortly thereafter his family migrated to Chicago, where he began attending the Lyon & Healy Music School in 1941.[2] From the knowledge he gained there Hooker eventually became proficient on the drums and piano, as well as banjo and mandolin. Whilst a teenager, Hooker performed on Chicago street corners, occasionally with Bo Diddley. He also developed a friendship with Robert Nighthawk, which led to Hooker's interest in the slide guitar and some performances with Nighthawk's group outside of Chicago.[3] In 1949, Hooker moved to Memphis Tennessee, joined Ike Turner's band, and toured the Southern United States.[4]

Being in Memphis led to some performances with Sonny Boy Williamson on his KFFA radio program, King Biscuit Time, and to Hooker's first recording dates.[4] By the mid 1950s Hooker was back in Chicago and fronting his own band. He became a steady figure on the Chicago blues scene, and regularly traveled to cities such as Gary and Indianapolis, Indiana, playing blues clubs.

Hooker made his first recordings, in 1952 and 1953 for small record labels, Rockin', King, and Sun.[3] He performed on the 1965 European tour with Joe Hinton, (which included an appearance on the UK pop music television program Ready Steady Go!) and a return trip overseas with the American Folk Blues Festival package in 1969. Hooker spent most of the 1960s playing in Chicago clubs with his band, often with Junior Wells.[4] Hooker played slide guitar on the 1962 Muddy Waters recording "You Shook Me".[4] In 1969 he recorded an album, Hooker 'n Steve, with organist and pianist Steve Miller (not to be confused with the guitarist and bandleader Steve Miller) for Arhoolie Records.

Hooker also helped popularize the double-neck guitar.[3] The 1970 album Sweet Black Angel, with co-producer Ike Turner, contained songs "I Feel Good", "Drivin' Wheel", "Country and Western", "Boogie", Don't Blot! "Shuffle", "Catfish Blues", "Crosscut Saw", "Sweet Home Chicago", "Mood", and "Funky Blues".

Hooker died at the age of 41 in Chicago, Illinois, after a lifelong struggle against tuberculosis, which is alluded to in the title of a 1972 compilation album of his work, There's a Fungus Among Us and on his song, "Two Bugs and a Roach."[4] He is interred in the Restvale Cemetery in Alsip, Illinois.[5] His story was told in a 2001 book by author Sebastian Danchin titled Earl Hooker, Blues Master.[6]

Although Hooker did not receive the public recognition to the same extent as some of his contemporaries, Jimi Hendrix proclaimed Hooker as the "master of the wah-wah"; and his talent was respected by B. B. King, Ike Turner, Junior Wells, Buddy Guy and Magic Sam.[citation needed]

Selective discography

Year Title Label Comments
1968 The Genius of Earl Hooker Cuca recorded Sauk City, WI 1964 - 1967
1969 Two Bugs & A Roach Arhoolie recorded Chicago 1968
1969 Don't Have to Worry Bluesway recorded Los Angeles 1969
1969 Sweet Black Angel Blue Thumb recorded Los Angeles 1969
1970 Hooker 'n Steve Arhoolie recorded Berkeley 1969
1972 Funk. The Last of the Great Earl Hooker Blues on Blues recorded Chicago 1969
1972 His First and Last Recordings Arhoolie various labels 1952, 1953, 1968, 1969
1993 Play Your Guitar, Mr. Hooker! Black Top Cuca recordings 1964-1967
1999 Simply the Best: Earl Hooker Collection MCA various labels 1956-1969
2003 Blue Guitar: The Chief and Age Sessions 1959-1963 P-Vine recorded Chicago 1959-1963
2006 An Introduction to Earl Hooker Fuel Chief/Age recordings 1959-1962

References

  1. ^ Santelli, Robert. The Big Book of Blues, Penguin Books, page 213, (2001) - ISBN 0141001453
  2. ^ Unsung Heroes of The Blues Earl Hooker: The Best Yet?
  3. ^ a b c "Biography by Bill Dahl". Allmusic.com. http://www.allmusic.com/cg/amg.dll?p=amg&searchlink=EARL|HOOKER&sql=11:3ifuxq95ldke~T1. Retrieved May 31, 2009. 
  4. ^ a b c d e Russell, Tony (1997). The Blues - From Robert Johnson to Robert Cray. Dubai: Carlton Books Limited. pp. 118. ISBN 1-85868-255-X. 
  5. ^ Find a Grave: Earl Z. Hooker
  6. ^ Danchin, Sebastian. Earl Hooker, Blues Master, University Press of Mississippi, (2001) - ISBN 157806306X.

External links


 
 
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Blues in D Natural (1979 Album by Various Artists)
Guitar Player Presents Legends of Guitar: Electric Blues, Vol. 1 (1990 Album by Various Artists)
Big Boss Men [Cass] (1998 Album by Various Artists)

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