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Edmund Gosse

 

(born Sept. 21, 1849, London, Eng. — died May 16, 1928, London) British literary historian and critic. He worked principally as a librarian and translator (of Henrik Ibsen's plays, among many other works). He wrote the literary histories 18th Century Literature (1889) and Modern English Literature (1897), as well as biographies of Thomas Gray, John Donne, Ibsen, and others, and introduced many works by continental European writers to English readers. Many of his critical essays were collected in French Profiles (1905), and his autobiography, Father and Son (1907), has been much admired.

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Columbia Encyclopedia: Sir Edmund William Gosse
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Gosse, Sir Edmund William (gŏs), 1849-1928, English biographer and critic. He was lecturer in English literature at Trinity College, Cambridge (1884-90) and librarian of the House of Lords (1904-14). Although he wrote with enthusiasm and wit, his scholarship was often inaccurate and thus much of his critical work has been superseded. He did, however, introduce English readers to Ibsen and other Scandinavian writers as well as to some modern French writers and painters. Among the many biographies he wrote were those of Gray (1882), Donne (1899), Sir Thomas Browne (1905), Ibsen (1907), Swinburne (1917), and Congreve (rev. ed. 1924). Father and Son (1907), his best work, describes his relationship with his father, Philip Henry Gosse (1810-88), an English naturalist and author of zoological works, whose biography Edmund had written (1890). Included among Edmund's several volumes of verse are On Viol and Flute (1873) and New Poems (1879). He was knighted in 1925.

Bibliography

See his essays on Scandinavian poetry and Studies in the Literature of Northern Europe (1879); his correspondence with A. Gide, 1904-28 (ed. by L. F. Brugmans, 1959); his diary, ed. by R. L. Peters and D. G. Halliburton (1966); biography by J. D. Woolf (1972).

Quotes By: Sir Edmund Gosse
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Quotes:

"War is the great scavenger of thought. It is the sovereign disinfectant, and its red stream of blood is the Condy's Fluid that cleans out the stagnant pools and clotted channels of the intellect. We have awakened from an opium-dream of comfort, of ease, of that miserable poltroonery of the sheltered life. Our wish for indulgence of every sort, our laxity of manners, our wretched sensitiveness to personal inconvenience, these are suddenly lifted before us in their true guise as the specters of national decay; and we have risen from the lethargy of our dilettantism to lay them, before it is too late, by the flashing of the unsheathed sword."

Wikipedia: Edmund Gosse
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Edmund Gosse in 1857, with father Philip Henry Gosse.

Sir Edmund William Gosse CB[1] (21 September 1849 – 16 May 1928) was an English poet, author and critic, the son of Philip Henry Gosse and Emily Bowes.[2]

Contents

Career

Gosse worked as assistant librarian at the British Museum from 1867 alongside the songwriter Theo Marzials[3], and in 1875 became a translator at the Board of Trade, a post which he held until 1904. From 1904 to 1914 he was chief Librarian of the House of Lords Library. In the meantime, he published his first volume of poetry, On Viol and Flute (1873) and a work of criticism, Studies in the Literature of Northern Europe (1879). Gosse and Robert Louis Stevenson first met while teenagers, and after 1879, when Stevenson came to London on occasion, he would stay with Gosse and his family. He became acquainted with the pre-Raphaelites, and with Thomas Hardy, Alfred Lord Tennyson and Algernon Swinburne.

He became, in the 1880s, one of the most important art critics dealing with sculpture (writing mainly for the Saturday Review) with an interest spurred on by his intimate friendship with the sculptor Hamo Thornycroft. Gosse would eventually write the first history of the renaissance of late-Victorian sculpture in 1894 in a four-part series for the Art Journal, dubbing the movement the New Sculpture.

Sir Edmund Gosse, by John Singer Sargent, 1886

From 1884 to 1890 Gosse lectured in English literature at Trinity College, Cambridge, despite his own lack of academic qualifications. Cambridge University gave him an honorary MA in 1886, and Trinity College formally admitted him as a member, 'by order of the Council', in 1889.[4] From 1904, he was librarian of the House of Lords, where he exercised considerable influence. He wrote for the Sunday Times, and was an expert on Thomas Gray, William Congreve, John Donne, Jeremy Taylor, and Coventry Patmore. He can also take credit for introducing Ibsen's work to the British public. Gosse and William Archer collaborated in translating Hedda Gabler and The Master Builder; those two translations were performed throughout the 20th century. Gosse and Archer, along with Shaw, were perhaps the literary critics most responsible for popularising Ibsen's plays among English-speaking audiences.

His most famous book is the autobiographical Father and Son, about his troubled relationship with his Plymouth Brethren father, Philip, which was dramatised for television by Dennis Potter. Historians caution, though, that notwithstanding its literary excellence, Gosse's narrative is often at odds with the verifiable facts of his own and his parents' lives. [5] In later life, he became a formative influence on Siegfried Sassoon, the nephew of his lifelong friend, Hamo Thornycroft. Sassoon's mother was a friend of Gosse's wife, Ellen. Gosse was also closely tied to figures such as Algernon Charles Swinburne, John Addington Symonds, and André Gide.

After Edmund's mother died of breast cancer, his father married in 1860 the deeply religious Quaker spinster Eliza Brightwen (1813-1900), whose brother Thomas tried to encourage Edmund to become a banker and whose brother George was the husband of Eliza Elder Brightwen (1830- 1906), a naturalist and author, whose first book was published in 1871. After Eliza Elder Brightwen's death, Edmund Gosse arranged fot the publication of her two posthumous works Last Hours with Nature (1908) and Eliza Brightwen, the Life and Thoughts of a Naturalist (1909), both edited by W. H. Chesson, and the latter book with an introduction and epilogue by Gosse.

Works

Published verse

  • Madrigals, Songs, and Sonnets (1870), co-author John Arthur Blaikie
  • On Viol and Flute (1873)
  • King Erik (1876)
  • New Poems (1879)
  • Firdausi in Exile (1885)
  • In Russet and Silver (1894)
  • Collected Poems (1896)
  • Hypolympia, or the Gods on the Island (1901), an "ironic phantasy," the scene of which is laid in the 20th century, though the personages are Greek gods, is written in prose, with some blank verse.

Critical Works

  • English Odes (1881)
  • Seventeenth Century Studies (1883)
  • Life of William Congreve (1888)
  • The Jacobean Poets (1894)
  • Life and Letters of Dr John Donne, Dean of St Paul's (1899)
  • Jeremy Taylor (1904, "English Men of Letters")
  • Life of Sir Thomas Browne (1905)
  • Life of Thomas Gray, whose works he edited (4 vols., 1884)
  • A History of Eighteenth Century Literature (1889)
  • History of Modern English Literature (1897)
  • Vols. iii. and iv. of an Illustrated Record of English Literature (1903-1904) undertaken in connection with Dr Richard Garnett.
  • French Profiles (1905)

Autobiography

Popular culture

External links

References

  1. ^ "The New Year Honours. Three Peerages., Rewards For Public Service., Two O.M.'S.". London: The Times. Thursday, 1 January 1925; Issue 43848. p. 13; col G. 
  2. ^ Sir Edmund Gosse
  3. ^ John Betjeman, Trains and Buttered Toast, John Murray 2007, ISBN 0719561272, page 170
  4. ^ Gosse, Edmund William in Venn, J. & J. A., Alumni Cantabrigienses, Cambridge University Press, 10 vols, 1922–1958.
  5. ^ Ann Thwaite, Glimpses of the Wonderful: The Life of Philip Henry Gosse, 1810-1888 (London: Faber & Faber, 2002), xvi-xvii.

 
 

 

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