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For more information on Edmund Wilson, visit Britannica.com.
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| Biography: Edmund Wilson |
The American critic Edmund Wilson (1895-1972) pursued an independent course that secured him respect and eminence.
Edmund Wilson was born in Red Bank, N.J., on May 8, 1895, the son of a railroad lawyer. He attended Princeton University (1912-1916), where he was editor of the Nassau Literary Magazine and a friend of writers John Peale Bishop and F. Scott Fitzgerald. With Bishop, he was later to publish a miscellany, The Undertaker's Garland (1922); after Fitzgerald's death, Wilson compiled in The Crack-up (1945) the tragic story of the disaster which overtook that novelist.
After taking a bachelor of arts degree, Wilson was briefly a reporter for the New York Sun. Drawn into World War I, he served in a French hospital and in United States intelligence. He then became managing editor of Vanity Fair. The first of his four marriages took place in 1923. He was, in turn, book review editor and associate editor of the New Republic (1926-1931); later he was a book reviewer for the New Yorker (1944-1948).
Despite his very great endowment as a critic, Wilson never settled comfortably into that role and tried his hand repeatedly at other things. Discordant Encounters (1926) is a volume of "dialogues and plays." Five Plays (1954) and other works are theatrical efforts. I Thought of Daisy (1929) and Memoirs of Hecate County (1946), the latter banned as pornographic, are fiction. Poets, Farewell! (1929) is a second volume of verse. It is hard to classify The American Jitters (1932), Europe without Baedeker (1947), The Scrolls from the Dead Sea (1955), and Apologies to the Iroquois (1959) as anything but journalism, albeit journalism of a high order. Marked by the influence of Karl Marx, whether it be criticism or journalism, Wilson's writing shows a strong social consciousness.
Wilson's reputation, however, rests solidly on his critical works: Axel's Castle (1931), The Triple Thinkers (1938), To the Finland Station (1940), The Wound and the Bow (1941), The Boys in the Back Room (1941), Classics and Commercials (1950), The Shores of Light (1952), and individual essays collected in miscellanies. The encompassing and organizing power of his mind, his ability to state with exceptional clarity, his range of learning, and his sensibility are brilliantly displayed in these volumes. He opened new perspectives on novelists Henry James, Rudyard Kipling, Edith Wharton, and Charles Dickens.
On June 13, 1972, Wilson died at his home in Talcottville, N.Y. The house was the setting of his last work: Upstate: Records and Recollections of Northern New York (1971).
Further Reading
Wilson's autobiographical writings are A Piece of My Mind: Reflections at Sixty (1956), A Prelude: Landscapes, Characters and Conversations from the Earlier Years of My Life (1967), and Upstate (1971). Paul Sherman, Edmund Wilson: A Study of Literary Vocation in Our Time (1965), and Warner Berthoff, Edmund Wilson (1968), are surveys of Wilson's life and work. An important new book is Leonard Kriegel, Edmund Wilson (1971). Appreciative assessments are in Lionel Trilling, A Gathering of Fugitives (1955), and Delmore Schwartz, Selected Essays of Delmore Schwartz, edited by Donald A. Dike (1971).
Additional Sources
Costa, Richard Hauer, Edmund Wilson, our neighbor from Talcottville, Syracuse, N.Y.: Syracuse University Press, 1980.
French, Philip, Three honest men: Edmund Wilson, F. R. Leavis, Lionel Trilling: a critical mosaic, Manchester: Carcanet New Press, 1980.
Meyers, Jeffrey, Edmund Wilson: a biography, Boston: Houghton Mifflin, 1995.
| Columbia Encyclopedia: Edmund Wilson |
As a critic Wilson was concerned with the social, psychological, and political conditions that shape literary ideas. His social studies include To the Finland Station (1940), a history of the European revolutionary tradition that praises the Soviet Union (a position he soon reversed), and The American Earthquake (1958), a record of the Great Depression. His versatility is further revealed in his I Thought of Daisy (1929), a novel; Memoirs of Hecate County (1949), short stories; and Five Plays (1954). Wilson also edited F. Scott Fitzgerald's unfinished The Last Tycoon and posthumous The Crack-up (both: 1945). His later works include Israel and the Dead Sea Scrolls (1955), A Window on Russia (1973), and The Devils and Canon Barham: 10 Essays on Poets, Novelists, and Monsters (1973). Wilson's third wife was the author Mary McCarthy.
Bibliography
See his autobiographical Piece of My Mind: Reflections at Sixty (1956) and Upstate: Records and Recollections of Northern New York (1971); his notebooks and diaries, ed. by L. Edel (4 vol., 1975-86); his letters, ed. by E. Wilson (1977); his letters with Vladimir Nabokov, ed. by S. Karlinsky (1979); other letters, ed. by D. Castronova and J. Groth (2002); memoirs of his daughter, R. Wilson (1989); biographies by C. P. Frank (1970), J. Groth (1989), J. Meyers (1995), and L. M. Dabney (2005); studies by G. Douglas (1983) and D. Castronovo (1984 and 1998); bibliography by R. D. Ramsey (1971).
| Works: Works by Edmund Wilson |
| 1929 | I Thought of Daisy. Wilson's first published solo book is a satirical look at New York's bohemian literary circle, where a young man is attracted to two women--Daisy, a chorus girl, and Rita, a young poet. Wilson also publishes in 1929 a collection of verse, Poets, Farewell! |
| 1931 | Axel's Castle: A Study in Imaginative Literature of 1870-1930. Wilson's first collection of critical essays is one of the seminal texts on literary modernism. Wilson links writers such as William Butler Yeats, Paul Valéry, Marcel Proust, James Joyce, Gertrude Stein, and Arthur Rimbaud through their connection to the Symbolist movement. Critic Sherman Paul would write that the book "established the writers of the avant garde in the consciousness of the general reader." |
| 1932 | The American Jitters: A Year of the Slump. Economic, political, and social events of 1931 are reviewed in this collection of articles praised by reviewer John Chamberlain as "probably the best that the period of the depression has brought forth." |
| 1936 | Travels in Two Democracies. Combining a memoir with a travelogue, Wilson contrasts his observations about Depression-era America with life in the Soviet Union. |
| 1937 | This Room and This Gin and These Sandwiches. Wilson's three experimental dramas--The Crime in the Whistler Room, A Winter in Beech Street, and Beppo and Beth--are satiric portraits of American life. Critics generally complain that the art of the dramatist is lacking in these intelligent but talky exercises in social criticism. |
| 1938 | The Triple Thinkers: Ten Essays on Literature. Wilson's collection explores the social and political conflict in writers such as Gustave Flaubert, Henry James, and George Bernard Shaw. It contains essays such as "Marxism and Literature" and "The Historical Interpretation of Literature," discussing the use of Marxist methodology to analyze literature. |
| 1940 | To the Finland Station. Wilson examines European revolutionary and socialist traditions from Jules Michelet to Vladimir Lenin and Leon Trotsky, combining character studies with intellectual history. |
| 1941 | The Wound and the Bow. This collection of important critical essays on writers such as Ernest Hemingway, Henry James, and Edith Wharton includes an examination of Freudian literary theory and the relationship between Marxism and historical interpretation as regards literature. Wilson also publishes The Boys in the Back Room: Notes on California Novelists, a critical assessment of writers who lived in and wrote about California, such as James Cain, John O'Hara, William Saroyan, and John Steinbeck, along with notes on Nathanael West and F. Scott Fitzgerald. |
| 1942 | Note-Books of Night. A miscellany of verses, satires, travel writings, and reminiscences. As poet Louise Bogan observes, the collection demonstrates that "America's most capable critic is not, at his creative lightest, a buffoon, or, at his most serious, a pendant." |
| 1943 | The Shock of Recognition. Wilson edits this innovative anthology of writings on American writers by their peers, from James Russell Lowell on Edgar Allan Poe to a collection of letters from Sherwood Anderson to Van Wyck Brooks. |
| 1946 | Memoirs of Hecate County. Wilson's satirical stories about affluent New York suburbia are notorious for their frank sexuality, sparking protests and calls for the book's suppression. In 1948, the U.S. Supreme Court would uphold a New York court's conviction of the book's publisher (Doubleday) on obscenity charges. |
| 1950 | The Little Blue Light. Wilson's futuristic fantasy of totalitarian control baffles the critics, one of whom writes that if the play "is a joke, it is no laughing matter." |
| 1950 | Classics and Commercials. Wilson's essay collection critiques both popular writing and modernist masterpieces. In the essay "Thoughts on Being Bibliographed" Wilson attacks contemporary intellectuals, the publishing scene, and what he perceives as "the drop of a trajectory in modern literature." |
| 1952 | The Shores of Light: A Literary Chronicle of the Twenties and Thirties. Wilson's miscellany of reworked reviews and essays on literature helps present and explain the work of modernist authors, such as William Faulkner, E. E. Cummings, and Wallace Stevens, to a general audience. It also offers strong assessments of several American writers, including Robert Frost ("excessively dull"), Sinclair Lewis ("flat and unoriginal"), and Willa Cather ("feminine melodrama"). |
| 1955 | The Scrolls from the Dead Sea. Wilson supplies an account of the origin, discovery, and implications of the Dead Sea Scrolls, discovered in 1947. He would revive his essay as The Dead Sea Scrolls, 1947-1969 (1969), incorporating new findings. |
| 1958 | The American Earthquake. This miscellany of Wilson's nonliterary articles from the 1920s and 1930s includes film and drama reviews, social critiques, and several short fictions. |
| 1962 | Patriotic Gore: Studies in the Literature of the American Civil War. Essays devoted to the writings of diverse authors such as soldiers, women diarists, and statesmen, in addition to novelists such as Ambrose Bierce and Albion W. Tourgée. The reevaluation of writings nearly a century old brings fresh insight to and renews interest in some forgotten writers. |
| 1971 | Upstate. Wilson combines reflections on his northern New York summer home with literary comments about his career and the writers he has known. |
| 1975 | The Twenties. Leon Edel edits this compilation of extracts from Wilson's notebooks of the period, providing insights into the critic's life and ideas. |
| 1980 | The Thirties: From the Notebooks and Diaries of the Period. Edited by Leon Edel, this collection records Wilson's own intellectual growth as he comments on the social and literary developments of the decade. |
| 1983 | The Forties: From Notebooks and Diaries of the Period. Wilson writes about ideas for his important books such as The Wound and the Bow, about his travels throughout North America, South America, and Europe, and about literary figures such as Edna St. Vincent Millay and John Dos Passos. |
| 1993 | The Sixties. The final installment of Wilson's published journals ends with an entry written the day before he died. The volume is controversial for its candor about sexual matters and Wilson's misanthropy. |
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| Wikipedia: Edmund Wilson |
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Edmund Wilson (May 8, 1895 – June 12, 1972) was an American writer and literary critic. Wilson is considered by some to have been one of the most important American literary critics of all time.
Contents |
Wilson was born in Red Bank, New Jersey. His father, Edmund Wilson, Sr., was a lawyer and served as New Jersey Attorney General. From 1912 to 1916, he was educated at Princeton University, after attending prep school at The Hill School, where he served as the Editor-in-Chief of the school's literary magazine, The Record. He began his professional writing career as a reporter for the New York Sun, and served in the army during the First World War.
Wilson was the managing editor of Vanity Fair in 1920 and 1921, and later served as Associate Editor of The New Republic and as a book reviewer for The New Yorker and The New York Review of Books. His works influenced novelists Upton Sinclair, John Dos Passos, Sinclair Lewis, Floyd Dell, and Theodore Dreiser. He wrote plays, poems, and novels, but his greatest strength was literary criticism.
He played a recurring role throughout Edna St Vincent Millay's life, from the time she was a foreign correspondent for Vanity Fair magazine, 1921 to 1923, to the end of her life.
Axel's Castle: A Study in the Imaginative Literature of 1870-1930 (1931) was a sweeping survey of Symbolism. It covered Arthur Rimbaud, Auguste Villiers de l'Isle-Adam (author of Axel), W. B. Yeats, Paul Valéry, T. S. Eliot, Marcel Proust, James Joyce, and Gertrude Stein.
In his landmark book To the Finland Station (1940), Wilson studied the course of European socialism, from the 1824 discovery by Jules Michelet of the ideas of Vico culminating in the 1917 arrival of Lenin at the Finland Station of Saint Petersburg to lead the Bolshevik Revolution.
In a celebrated though error-riddled[citation needed] essay on the work of horror writer H.P. Lovecraft, "Tales of the Marvellous and the Ridiculous" (New Yorker November 1945; later collected in Classics and Commercials), Wilson condemned Lovecraft's tales as 'hackwork'.
Wilson was interested in modern culture as a whole, and many of his writings go beyond the realm of pure literary criticism. His early works are heavily influenced by the ideas of Freud and Marx, reflecting his deep interest in their work.
Wilson's critical works helped foster public appreciation for several novelists: Ernest Hemingway, John Dos Passos, William Faulkner, F. Scott Fitzgerald, and Vladimir Nabokov. He was instrumental in establishing the modern evaluation of the works of Dickens and Kipling.
He attended Princeton with Fitzgerald, who referred to Wilson as his "intellectual conscience". After Fitzgerald's early death (at the age of 44) from a heart attack in December 1940, Wilson edited two books by Fitzgerald (The Last Tycoon and The Crack-Up) for posthumous publication, donating his editorial services to help Fitzgerald's family. Wilson was also a friend of Nabokov, with whom Wilson corresponded extensively and whose writing Wilson introduced to Western audiences. However, their friendship was marred by Wilson's cool reaction to Nabokov's Lolita and irretrievably damaged by Wilson's public criticism of what Wilson considered Nabokov's eccentric translation of Pushkin's Eugene Onegin.
Wilson had many marriages and affairs. His first wife was Mary Blair, who had been in Eugene O'Neill's theatrical company. His second wife was Margaret Canby. After her death in a freak accident two years after their marriage, Wilson wrote a long eulogy to her and said later that he felt guilt over having neglected her. From 1938 to 1946, he was married to Mary McCarthy, who like Wilson was well-known for her literary criticism. She admired enormously Wilson's breadth and depth of intellect, and they co-operated on numerous works. In an article in The New Yorker, Louis Menand says "The marriage to McCarthy was a mistake that neither side wanted to be first to admit. When they fought, he would retreat into his study and lock the door; she would set piles of paper on fire and try to push them under it." He wrote many letters to Anaïs Nin, criticizing her for her surrealistic style as opposed to the realism that was then deemed correct writing, and ended by asking for her hand, saying he would "teach her to write",[citation needed] which she took as an insult. Except for a brief falling out following the publication of I Thought of Daisy, in which Wilson portrayed Edna St Vincent Millay as Rita Cavanaugh, Wilson and Millay remained friends throughout life. He later married Elena Mumm Thornton (previously married to James Worth Thornton), but continued to have extramarital relationships.
Wilson was also an outspoken critic of U.S. Cold War policies. He did not pay his USA federal income tax from 1946 to 1955 and was later investigated by the IRS. Opinions vary on his motives, but he also failed to pay his state income taxes during this period, which had little to do with the Cold War.[citation needed]
After a settlement, Wilson received a $25,000 fine rather than the original $69,000 sought by the IRS, perhaps due to his political connections to the Kennedy administration.[citation needed] He received no jail time. In his book The Cold War and the Income Tax: A Protest (1963), Wilson argued that, as a result of competitive militarization against the Soviet Union, the civil liberties of Americans were being paradoxically infringed under the guise of defense from Communism. For these reasons, Wilson also opposed U.S. involvement in the Vietnam War.
Wilson's view of President Lyndon Johnson was decidedly negative. Historian Eric Goldman writes in his memoir The Tragedy of Lyndon Johnson that when Goldman, on behalf of President Johnson, invited Wilson to read from Wilson's writings at a White House Festival Of The Arts in 1965: "Wilson declined with a brusqueness that I never experienced before or after in the case of an invitation in the name of the President and First Lady."
On December 6, 1963, Wilson was presented with the Presidential Medal of Freedom by President Lyndon Johnson.
From 1964 until 1965, he was a Fellow on the faculty in the Center for Advanced Studies at Wesleyan University.[1]
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