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Ferber, Edna (1887–1968), playwright. Born in Kalamazoo, Michigan, the celebrated novelist wrote for the stage, although most of her better plays were collaborations. In 1915, working with George V. Hobart, she gave Ethel Barrymore one of the actress's favorite roles as Our Mrs. Chesney. Following an unsuccessful solo effort, The Eldest, and a collaboration with Newman Levy, $1200 a Year (both in 1920), Ferber joined with George S. Kaufman to write the plays for which she is best remembered: Minick (1924), The Royal Family (1927), Dinner at Eight (1932), and Stage Door (1936). Less well received were two other collaborations with Kaufman: The Land Is Bright (1941) and Bravo! (1948). Two of her novels were made into musicals, Show Boat (1927) and Saratoga (1959), the latter from Saratoga Trunk. Biography: Ferber, Julie Goldsmith Gilbert, 1978.
| Biography: Edna Ferber |
American author Edna Ferber (1887-1968) wrote popular fiction and collaborated on several successful Broadway plays.
Born in Kalamazoo, Mich., Edna Ferber at an early age moved with her family to Appleton, Wis., where she spent most of her childhood. When her father lost his vision, she was forced to forsake her acting ambitions and, at the age of 17, began full-time work as a reporter for the Appleton Daily Crescent. Shortly afterward she joined the staff of the Milwaukee Journal and later the Chicago Tribune. During this period she wrote several short stories, some of which were published in Everybody's Magazine. She discarded a novel which her mother salvaged and had published in 1911 as Dawn O'Hara. Two short-story collections followed, Buttered Side Down (1912) and Roast Beef Medium (1913), and the novels Fanny Herself (1917), The Girls (1921), and Gigolo (1922).
Ferber won her first popular success with the novel So Big, the story of a young widow on a truck farm in Illinois who sacrifices everything for her son's happiness. She was awarded the Pulitzer Prize for it in 1924. Show Boat (1926), perhaps her best novel, tells the story of a showboat performer's love for an unscrupulous gambler. The novel was adapted as a successful Broadway musical the following year. Cimarron, another best seller, dealt with the spectacular Oklahoma land rush of 1889. In the early 1920s Ferber began a fruitful collaboration with playwright George S. Kaufman, producing such plays as Minick (1924), The Royal Family (1927), Dinner at Eight (1932), and Stage Door (1936).
In her later novels Ferber continued to explore various geographical and historical settings. American Beauty (1931) describes Polish immigrants in Connecticut; Come and Get It (1935) is about Wisconsin lumbermen; and Great Son (1945) depicts four generations of a Seattle family.
Many of Ferber's novels have been made into movies, including Saratoga Trunk (1941), which is set in New Orleans and Saratoga Springs, N.Y., and deals with the founding of railroad dynasties; Giant (1950), a story of oil fortunes in contemporary Texas; and Ice Palace (1958), about Alaska, from exploration to the fight for statehood.
Ferber published her first autobiography, A Peculiar Treasure, in 1939 and her second, A Kind of Magic, in 1963. Her often energetic and pleasantly nostalgic work was immensely popular with both the reading public and movie-and playgoers, making her one of America's best-known authors. She died on April 16, 1968, in New York City.
Further Reading
Miss Ferber's fiction is reviewed in Robert Van Gelder, Writers and Writing (1946), and W. Tasker Witham, Panorama of American Literature (1947).
Additional Sources
Gilbert, Julie Goldsmith., Ferber, a biography, Garden City, N.Y.: Doubleday, 1978.
| Columbia Encyclopedia: Edna Ferber |
| Works: Works by Edna Ferber |
| 1913 | Roast Beef, Medium. After publishing a minor novel, Dawn O'Hara (1911), and a short story collection, Buttered Side Down (1912), Ferber achieves her first success by introducing a new fictional type--the career woman--in the character Emma McChesney. The stories in this collection had begun to appear in 1911. Additional adventures of the divorced mother are collected in Personality Plus (1914) and Emma McChesney and Co. (1915). |
| 1924 | Minick. After an unsuccessful solo dramatic effort, The Eldest (1920), and an equally unsuccessful collaboration with Newman Levy in $1200 a Year (1920), Ferber joins forces with Kaufman for the first in a series of hits. Based on one of Ferber's stories, the play concerns an elderly man who must choose between living with his son and daughter-in-law or in an old-folks home. |
| 1924 | So Big. Ferber's popular novel about a mother's sacrifices for her son wins the Pulitzer Prize and contributes to her reputation as the major woman novelist of her day. |
| 1926 | Show Boat. Ferber's novel centers on Magnolia Hawkes, the daughter of a Mississippi River showboat captain. She marries an irresponsible gambler who takes her away from her life on the river and then deserts her. The story continues with the career of their daughter. The novel features an exploration of miscegenation that was daring for its time and would inspire the popular 1927 musical by Hammerstein and Kern. |
| 1930 | Cimarron. Ferber's popular novel capturing life in Oklahoma during the 1899 land rush, the discovery of oil, and more modern history continues the author's documentation of American history and its regions. |
| 1941 | Saratoga Trunk. Ferber's historical novel is set during the 1880s in Saratoga Springs, New York, and New Orleans. |
| 1952 | Giant. Ferber's last major work tells the story of Texas rancher Bick Benedict and the Virginia girl he marries and introduces to Texas life. The novel stirs regional resentment at the perceived unflattering portrait of Texas. A 1956 film version, featuring the last screen appearance by James Dean, would help popularize the novel. |
| Quotes By: Edna Ferber |
Quotes:
"Roast Beef, medium, is not only a food. It is a philosophy. Seated at Life's Dining Table, with the menu of Morals before you, your eye wanders a bit over the entr?es, the hors d'oeuvres, and the things ? la though you know that Roast Beef, medium, is safe and sane, and sure."
"America -- rather, the United States -- seems to me to be the Jew among the nations. It is resourceful, adaptable, maligned, envied, feared, imposed upon. It is warm-hearted, over-friendly; quick-witted, lavish, colorful; given to extravagant speech and gestures; its people are travelers and wanderers by nature, moving, shifting, restless; swarming in Fords, in ocean liners; craving entertainment; volatile. The chuckle among the nations of the world."
"Wasn't marriage, like life, unstimulating and unprofitable and somewhat empty when too well ordered and protected and guarded? Wasn't it finer, more splendid, more nourishing, when it was, like life itself, a mixture of the sordid and the magnificent; of mud and stars; of earth and flowers; of love and hate and laughter and tears and ugliness and beauty and hurt?"
"A woman can look both moral and exciting -- if she also looks as if it was quite a struggle."
"I am not belittling the brave pioneer men but the sunbonnet as well as the sombrero has helped to settle this glorious land of ours."
"Life cannot defeat a writer who is in love with writing; for life itself is a writer's love until death."
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Edna Ferber
| Writer: Edna Ferber |
| Filmography: Edna Ferber |
| Wikipedia: Edna Ferber |
| Edna Ferber | |
|---|---|
circa 1904 |
|
| Born | 15 August 1885 Kalamazoo, Michigan, USA |
| Died | 16 April 1968 (aged 82) New York City, New York, USA |
| Occupation | Novelist, playwright |
| Nationality | United States |
| Genres | drama, romance |
Edna Ferber (15 August 1885 – 16 April 1968) was an American novelist, author and playwright.
Contents |
Ferber was born in 1885 in Kalamazoo, Michigan, to a Hungarian-born Jewish storekeeper and his Milwaukee, Wisconsin-born wife, Jacob Charles and Julia (Neumann) Ferber. After living in Chicago, Illinois and Ottumwa, Iowa, at age 12 Ferber and her family moved to Appleton, Wisconsin, where she graduated from high school and briefly attended Lawrence University. She took newspaper jobs at the Appleton Daily Crescent and the Milwaukee Journal before publishing her first novel. She covered the 1920 Republican and Democratic national conventions for the United Press Association.
Ferber's novels generally featured strong female protagonists, although she fleshed out multiple characters in each book. She usually highlighted at least one strong secondary character who faced discrimination ethnically or for other reasons; through this technique, Ferber demonstrated her belief that people are people and that the not-so-pretty persons have the best character.
Due to her imagination in scene, characterization and plot, several theatrical and film productions have been made based on her works, including Show Boat, Giant, Ice Palace, Saratoga Trunk, Cimarron (which won an Oscar) and the 1960 remake. Two of these works - Show Boat and Saratoga Trunk - were developed into musicals. When composer Jerome Kern proposed turning the very serious Show Boat into a musical, Ferber was shocked, thinking it would be transformed into a typical light entertainment of the 1920s, and it was not until Kern explained that he and Oscar Hammerstein II wanted to create a different type of musical that Ferber granted him the rights. Saratoga , based on Saratoga Trunk, was written at a much later date, after serious plots had become acceptable in stage musicals.
In 1925, she won the Pulitzer Prize for her book So Big, which was made into a silent film starring Colleen Moore that same year. An early talkie movie remake followed, in 1932, starring Barbara Stanwyck and George Brent, with Bette Davis in a supporting role. It was the only movie Stanwyck and Davis ever appeared in together, and Stanwyck played Davis' mother-in-law, although only a year older in real life, which allegedly displeased her, as did the attitude of the hoydenish Davis. A 1953 remake of So Big starred Jane Wyman in the Stanwyck role, and is the version most often seen today.
Ferber was a member of the Algonquin Round Table, a group of wits who met for lunch every day at the Algonquin Hotel in New York. Ferber and another member of the Round Table, Alexander Woollcott, were long-time enemies, their antipathy lasting until Woollcott's death in 1943, although Howard Teichmann states in his biography of Woollcott that this was due to a misunderstanding. According to Teichmann, Ferber once described Woollcott as "a New Jersey Nero who has mistaken his pinafore for a toga."
Ferber was portrayed by Lili Taylor in Mrs. Parker and the Vicious Circle. In 2002 in her hometown of Appleton, Wisconsin, the U.S. Postal Service issued an 83-cent commemorative stamp as part of the "Distinguished Americans" series. Artist Mark Summers, well known for his scratchboard technique, created this portrait for the stamp referencing a black-and-white photograph of Ferber taken in 1927.[1]
Ferber had no children, never married, and is not known to have engaged in a romance or sexual relationship with anyone of either gender. In her early novel Dawn O'Hara, the title character's aunt is said to have remarked, "Being an old maid was a great deal like death by drowning -- a really delightful sensation when you ceased struggling." Ferber did take a maternal interest in the career of her niece Janet Fox, an actress who performed in the original Broadway casts of Ferber's plays Dinner at Eight and Stage Door.
Ferber died at her home in New York City, of cancer, at the age of 82.
Ferber was portrayed by the actress Lili Taylor in the 1994 film Mrs. Parker and the Vicious Circle.[2]
Musicals adapted from Ferber novels:
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