Career Highlights: Mr. Smith Goes to Washington, Annie Get Your Gun, I'm No Angel
First Major Screen Credit: I'm No Angel (1933)
Biography
Hearty American character actor Edward Arnold was born in New York to German immigrant parents. Orphaned at 11, Arnold supported himself with a series of manual labor jobs. He made his first stage appearance at 12, playing Lorenzo in an amateur production of The Merchant of Venice at the East Side Settlement House. Encouraged to continue acting by playwright/ journalist John D. Barry, Arnold became a professional at 15, joining the prestigious Ben Greet Players shortly afterward. After touring with such notables as Ethel Barrymore and Maxine Elliot, he did bit and extra work at Chicago's Essanay Film Studios and New Jersey's World Studios during the early 'teens. Hoping to become a slender leading man, Arnold found that his fortune lay in character parts, and accordingly beefed up his body: "The bigger I got, the better character roles I received," he'd observe later. Following several seasons on Broadway, Arnold made his talking picture debut as a gangster in 1933's Whistling in the Dark. He continued playing supporting villains until attaining the title role in Diamond Jim (1935), which required him to add 25 pounds to his already substantial frame; he repeated this characterization in the 1940 biopic Lillian Russell. Other starring roles followed in films like Sutter's Gold (1936), Come and Get It (1936) and Toast of New York (1937), but in 1937 Arnold's career momentum halted briefly when he was labelled "box office poison" by a committee of film exhibitors (other "poisonous" performers were Joan Crawford and Katharine Hepburn!) Undaunted, Arnold accepted lesser billing in secondary roles, remaining in demand until his death. A favorite of director Frank Capra (who frequently chided the actor for the "phony laugh" that was his trademark), Arnold appeared in a trio of Capra films, playing Jimmy Stewart's millionaire father in You Can't Take It With You (1938), a corrupt political boss in Mr. Smith Goes to Washington (1939), and a would-be fascist in Meet John Doe (1941). Despite the fact that he was not considered a box-office draw, Arnold continued to be cast in starring roles from time to time, notably Daniel Webster in 1941's The Devil and Daniel Webster and blind detective Duncan Maclain in Eyes in the Night (1942) and The Hidden Eye (1945). During the 1940s, Arnold became increasingly active in politics, carrying this interest over into a radio anthology, Mr. President, which ran from 1947 through 1953. He was co-founder of the "I Am an American Foundation," an officer of Hollywood's Permanent Charities Committee, and a president of the Screen Actors Guild. Though a staunch right-wing conservative (he once considered running for Senate on the Republican ticket), Arnold labored long and hard to protect his fellow actors from the persecution of the HUAC "communist witch-hunt." Edward Arnold's last film appearance was in the "torn from today's headlines" potboiler Miami Expose (1956). ~ Hal Erickson, All Movie Guide
Edward Arnold (February 18, 1890 – April 26, 1956) was an Americanactor. He was born on the Lower East Side of New York City as Gunther Edward Arnold Schneider, the son of German immigrants Carl Schneider and Elizabeth Ohse.
Interested in acting since his youth (he made his first stage appearance at the age of 12 as Lorenzo in The Merchant of Venice), Arnold made his professional stage debut in 1907. He found work as an extra for Essanay Studios and World Studios, before landing his first significant role in 1916's The Misleading Lady. In 1919, he left film for a return to the stage, and did not appear again in movies until 1932, when he made his talkie debut in Okay America!. He recreated one of his stage roles in one of his early films, Whistling in the Dark (1933). His role in the 1935 film Diamond Jim boosted him to stardom. He reprised the role of Diamond Jim Brady in the 1940 film Lillian Russell.
Arnold appeared in over 150 movies. Although he was labeled "box office poison" in 1938 by an exhibitor publication (he shared this dubious distinction with Joan Crawford, Greta Garbo, Marlene Dietrich, Mae West, Fred Astaire and Katharine Hepburn), he never lacked for work. Rather than continue in leading man roles, he gave up losing weight and went after character parts instead. Arnold was quoted as saying, "The bigger I got, the better character roles I received." He was such a sought-after actor, he often worked on two pictures at the same time.
In 1940, his autobiography, Lorenzo Goes to Hollywood was published.
Politics
Starting in the 1940s, he became involved in Republican politics and was mentioned as a possible G.O.P. candidate for the United States Senate. He lost a closely contested election for Alderman and said at the time that perhaps actors were not suited to run for political office. A staunch Conservative, he later took a strong stand against alleged Communists in Hollywood while trying to protect actors from the House Un-American Activities Committee. He was also the co-founder of the I Am An American Foundation.
Personal life
He was married three times: Harriet Marshall (1917-1927), with whom he had three children: Elizabeth, Jane and William (who had a short movie career as Edward Arnold, Jr.); Olive Emerson (1929-1948) and Cleo McLain (1951 until his death). He died at his home in Encino, California of a cerebral hemorrhage and is interred in the San Fernando Mission Cemetery.