Share on Facebook Share on Twitter Email
Answers.com

Elbow Room

 

James Alan McPherson's 1977 collection of twelve short stories, Elbow Room, won the Pulitzer Prize for literature in 1978. In his second collection of short stories, McPherson explores the search for, or in some cases the resistance to, psychological elbow room in twentieth-century America. For Virginia Valentine of “Elbow Room”, the ideal is “a self as big as the world”.For others, like the intrusive narrator of the same story, the goal is to discover fresh dimensions of stories and of selfhood. For still others, like the narrator of “Story of a Scar”, the point is to resist growth and human intimacy.

McPherson's handling of the latter narrator illustrates what critics have widely praised as one of his greatest achievements: the ability to universalize the experience of African Americans. The narrator of “Story of a Scar”is black, but his need to translate a scarred woman's story into self-confirming terms and thus remain ignorant of his own inadequacies is a human, not a racial trait. The same point may be made of Virginia's desire to broaden her sense of self. She confronts racism at every turn, but her ideal transcends color.

Critics have also admired McPherson's objectivity and craft. Whether they be black or white, cruel or kind, McPherson's characters are multidimensional and emphatically alive, especially in their speech, for Elbow Room is rich with compelling voices that ring in the ear long after the reading is over. McPherson's narrative voice is equally engaging. Like a poet, he is as interested in modulating a sentence as he is in telling a tale. As a consequence, his stories convey a satisfying sense of order and narrative control even though many of them describe suffering and struggle.

Two secondary themes in Elbow Room are the power of storytelling (for good and ill) and language. Both themes are central in “The Story of a Dead Man”and “Elbow Room”.Each is told by a first-person narrator whose conflicts with other characters, and whose dubious assessment of them, is of primary interest.

So is their language. In “The Story of a Dead Man”, for example, a law-abiding narrator uses the vocabulary of the white, educated middle class to resist the appeal (to him as well as to others) of a jive-talking and probably criminal cousin. By pitting his polished vocabulary and syntax against his cousin's crude and occasionally obscene vernacular, the narrator protects himself against self-discovery.

Although critics are not unanimous on the issue, most find an optimism in Elbow Room that distinguishes it from the bleakness of McPherson's first book, Hue and Cry (1969). In addition to claiming that McPherson is mainly concerned with black, not universal, issues, William Domnarski believes that misery and despair prevail in Elbow Room as they did in Hue and Cry (“The Voices of Misery and Despair”, Arizona Quarterly, 1986). Edith Blicksilver and Jon Wallace argue otherwise, seeing in Elbow Room evidence of McPherson's belief in the possibility of justice, openness, and change.

Bibliography

  • Edith Blicksilver, “The Image of Women in Selected Stories by James Alan McPherson”, CLA Journal 22.4 (1979): 390–401.
  • Jon Wallace, The Politics of Style in Fiction by Berger, McGuane and McPherson, 1992.—Jon Wallace
Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
Idioms: elbow room
Top

Enough space to move about, as in Two hundred on the stage? There won't be any elbow room. This term alludes to having enough room to extend one's elbows. [Late 1500s]


Notes on Short Stories: Elbow Room
Top

Contents:

Author Biography
Plot Summary
Characters
Themes
Style
Historical Context
Critical Overview
Criticism
Sources
Further Reading


James Alan Mcpherson
1977

James Alan McPherson's story "Elbow Room" explores race relations in the United States during the 1960s and 1970s, soon after collapse of the rigid social standards that had been in place since the end of the Civil War, a century earlier. At the center of the story is a young couple: Virginia, a black woman whose travels across the world have opened her eyes to the ways in which American culture can be narrow-minded, and Paul, a white man who has opted out of the Vietnam War as a conscientious objector and is on his own personal search for truth. When they fall in love and marry, a friend of theirs, the story's narrator, predicts that they will find the challenges of being an interracial couple to be more than their youthful idealism has led them to expect. The biggest test comes from Paul's father, who rejects Virginia and the whole idea of the marriage, leading Paul to face life as an outsider. Throughout the telling of the story, McPherson weaves dialogues between the narrator and his editor. The editor, a cold and mechanical voice, insists that the story ought to contain a traditional narrative form and elements, but the narrator explains that the subject of race in the United States is too complex to be approached directly.

This story is a part of a short story collection also called Elbow Room, which won the Pulitzer Prize for Fiction in 1979.

WordNet: elbow room
Top
Note: click on a word meaning below to see its connections and related words.

The noun has one meaning:

Meaning #1: space for movement
  Synonyms: room, way


Wikipedia: Elbow Room
Top
Elbow Room  
Author Daniel C. Dennett
Subject(s) Free will
Genre(s) Philosophy
Publisher MIT Press
Publication date 1984
ISBN 0262040778
OCLC Number 10753084
Dewey Decimal 123.5 19
LC Classification BJ1461 .D426 1984
Preceded by The Mind's I
Followed by The Intentional Stance

Elbow Room: The Varieties of Free Will Worth Wanting (1984) is a book by the American philosopher Daniel Dennett, which discusses the philosophical issues of free will and determinism.

In 1983, Dennett delivered the John Locke Lectures at Oxford on the topic of free will. In 1984, these ideas were published in the book Elbow Room: The Varieties of Free Will Worth Wanting. In this book Daniel Dennett explored what it means for people to have free will. The title, Elbow Room, is a reference to the question: are we deterministic machines with no real freedom of action or do we in fact have some elbow room, some real choice in our behavior?

Contents

Synopsis

Determinism doesn't make humans equivalent to animals

A major task taken on by Dennett in Elbow Room is to clearly describe just what people are as biological entities and why they find the issue of free will to be of importance. In discussing what people are and why free will matters to us, Dennett makes use of an evolutionary perspective. Dennett describes the mechanical behavior of the digger wasp Sphex. This insect follows a series of genetically programmed steps in preparing for egg laying. If an experimenter interrupts one of these steps the wasp will repeat that step again. For an animal like a wasp, this process of repeating the same behavior can go on indefinitely, the wasp never seeming to notice what is going on. This is the type of mindless, pre-determined behavior that humans can avoid. Given the chance to repeat some futile behavior endlessly, people can notice the futility of it, and by an act of free will do something else. We can take this as an operational definition of what people mean by free will. Dennett points out the fact that as long as people see themselves as able to avoid futility, most people have seen enough of the free will issue. Dennett then invites all who are satisfied with this level of analysis to get on with living while he proceeds into the deeper hair-splitting aspects of the free will issue.

From a biological perspective, what is the difference between the wasp and a person? The person can, through interaction with his/her environment, construct an internal mental model of the situation and figure out a successful behavioral strategy. The wasp, with a much smaller brain and different genetic program, does not learn from its environment and instead is trapped in an endless and futile behavioral loop that is strictly determined by its genetic program. It is in this sense of people as animals with complex brains that can model reality and appear to choose among several possible behaviors that Dennett says we have free will.

Both determinism and indeterminism seem to rule out free will

The deeper philosophical issue of free will can be framed as a paradox. On one hand, we all feel like we have free will, a multitude of behavioral choices to select among. On the other hand, modern biology generally investigates humans as though the processes at work in them follow the same biological principles as those in wasps. How do we reconcile our feeling of free will with the idea that we might be mechanical components of a mechanical universe?

What about determinism? When we say that a person chooses among several possible behaviors is there really a choice or does it just seem like there is a choice? Do people just (through the action of their more complex brains) simply have better behaviors than wasps, while still being totally mechanical in executing those behaviors? Dennett gives his definition of determinism on page one: All physical events are caused or determined by the sum total of all previous events. This definition dodges a question that many people feel should not be dodged: if we repeatedly replayed the universe from the same point in time would it always reach the same future? Since we have no way of performing this experiment, this question is a long-term classic in philosophy and physicists have tried to interpret the results of other experiments in various ways in order to figure out the answer to this question. Modern day physics-oriented philosophers have sometimes tried to answer the question of free will using the many-worlds interpretation according to which every time there is quantum indeterminacy each possibility occurs and new universes branch off. Since the 1920s, physicists have been trying to convince themselves that quantum indeterminacy can in some way explain free will. Dennett suggests that this idea is silly. How, he asks, can random resolutions of quantum-level events provide people with any control over their behavior?

Indeterminism is not a solution to the free will problem

Since Dennett wrote Elbow Room (1984) there has been an on-going attempt by some scientists to answer this question by suggesting that the brain is a device for controlling quantum indeterminacy so as to construct behavioral choice. Dennett argues that such efforts to salvage free will by finding a way out of the prison of determinism are wasted.[citation needed]

Control is the kind of freedom "worth wanting"

Dennett discusses many types of free will (1984). Many philosophers have claimed that determinism and free will are incompatible. What the physicists seem to be trying to construct is a type of free will that involves a way for brains to make use of quantum indeterminacy so as to make choices that alter the universe in our favor, or if there are multiple universes, to choose among the possible universes. Dennett suggests that we can have another kind of free will, a type of free will which we can be perfectly happy with even if it does not give us the power to act in more than one way at any given time. Dennett is able to accept determinism and free will at the same time. How so?

We have free will

The type of free will that Dennett thinks we have is finally stated clearly in the last chapter of the book: the power to be active agents, biological devices that respond to our environment with rational, desirable courses of action. Dennett has slowly, through the course of the book, stripped the idea of behavioral choice from his idea of free will. How can we have free will if we do not have indeterministic choice? Dennett emphasizes control over libertarian choice. If our hypothetically mechanical brains are in control of our behavior and our brains produce good behaviors for us, then do we really need such choice? Is an illusion of behavioral choices just as good as actual choices? Is our sensation of having the freedom to execute more than one behavior at a given time really just an illusion? Dennett argues that choice exists in a general sense: that because we base our decisions on context, we limit our options as the situation becomes more specific. In the most specific circumstance (actual events), he suggests there is only one option left to us.[citation needed]

Determinism does not rule out moral responsibility

If people are determined to act as they do, then what about personal responsibility? How can we hold people responsible and punish them for their behaviors if they have no choice in how they behave? Dennett gives a two part answer to this question. First, we hold people responsible for their actions because we know from historical experience that this is an effective means to make people behave in a socially acceptable way. Second, holding people responsible only works when combined with the fact that people can be informed of the fact that they are being held responsible and respond to this state of affairs by controlling their behavior so as to avoid punishment. People who break the rules set by society and get punished may be behaving in the only way they can, but if we did not hold them accountable for their actions, people would behave even worse than they do with the threat of punishment. This is a totally utilitarian approach to the issue of responsibility: there is no need for moral indignation when people break the rules of proper behavior. Is it, then, moral to punish people who are unable to do other than break a rule? Yes, people have the right to come together and improve their condition by creating rules and enforcing them. We would be worse off if we did not do so. Again, an argument for utility.

Fatalism is destructive

One final issue: if people do not have real behavioral choices, why not collapse into fatalism? Again, Dennett's argument is that we may not have behavioral choice, but we do have control of our behavior. Dennett asks us to look around at the universe and ask, can I even conceive of beings whose will is freer than our own? For Dennett, the answer to this question is, no, not really. In Elbow Room, he tries to explain why all the attempts that people have tried to make to prove that people have libertarian choice have failed and are, in the final analysis, not really important anyhow. As humans, we are as much in control of our behavior as anything in the universe. As humans, we have the best chance to produce good behavior. We should be satisfied with what we have and not fret over our lack of libertarian free will.

Some complaints about Elbow Room relate to our intuitions about free will. Some say that Dennett's theory does not satisfactorily deal with the issue of why we feel so strongly that we do have behavioral choice. One answer to this question is that our sensation of having behavioral choice has been carefully selected by evolution. The well developed human sensation of having free will and being able to select among possible behaviors has strong survival value. People who lose the feeling that they can plan alternative behaviors and execute their choice of possible behaviors tend to become fatalistic and stop struggling for survival. According to Dennett, belief in free will is a necessary condition for having free will. When we are planning for the future and thinking about possible actions to take in the future, we are utilizing considerable amounts of biologically expensive resources (brain power). Evolution has designed us to feel strongly that all of our effort of planning pays off, that we control what we do. If this connection between our brains' efforts to model reality and predict the future and so make possible good outcomes is disconnected from our sense of self and our will, then fatalism and self-destructive behaviors are close at hand.

References

  • Dennett, Daniel, Elbow Room: The Varieties of Free Will Worth Wanting, 1984 (ISBN 0-262-54042-8)

 
 

 

Copyrights:

African American Literature. The Concise Oxford Companion to African American Literature. Copyright © 2001, 2002 by Oxford University Press, Inc. All rights reserved.  Read more
Idioms. The American Heritage® Dictionary of Idioms by Christine Ammer. Copyright © 1997 by The Christine Ammer 1992 Trust. Published by Houghton Mifflin Company. All rights reserved.  Read more
Answers Corporation Notes on Short Stories. © 2006 through a partnership of Answers Corporation. All rights reserved.  Read more
WordNet. WordNet 1.7.1 Copyright © 2001 by Princeton University. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Elbow Room" Read more