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Electra Glide in Blue

 
Movies:

Electra Glide in Blue

  • Director: James William Guercio
  • AMG Rating: starstarstar
  • Genre: Action
  • Movie Type: Police Detective Film
  • Themes: Rogue Cops, Underdogs, Murder Investigations
  • Main Cast: Joe Samsil, Robert Blake, Billy Green Bush, Mitchell Ryan, Jeannine Riley, Elisha Cook, Jr.
  • Release Year: 1973
  • Country: US
  • Run Time: 106 minutes

Plot

A police officer who would rather use his brains than his gun is put into a situation where neither can help him in this police drama. John Wintergreen (Robert Blake) is a sawed-off and street-smart Arizona motorcycle cop who dreams of climbing the ladder and becoming a police detective, but his ambitions are scoffed at by his partner, Zipper (Billy "Green" Bush). Wintergreen's superiors tend not to take him seriously due to his short stature, but when he stumbles upon the site of a murder, he digs up enough relevant evidence to insure his advancement to detective status. However, after a few days on the job, Wintergreen begins to realize just how corrupt his superior Poole (Mitchell Ryan) truly is after Poole attempts to frame a local hippie, Bob Zemko (Peter Cetera), for a crime he didn't commit. Adding fuel to the fire is Poole's discovery that he and Wintergreen have been dating the same woman, dancer-turned-barmaid Jolene (Jeannine Riley). Electra Glide in Blue was the first (and to date only) directorial credit for James William Guercio. Successful in the music industry as a manager and producer, Guercio was best known for his association with the top-selling jazz-rock group Chicago; several members of the band appear in the movie, as does a young Nick Nolte in a bit part. On a note of sad irony, Terry Kath, the longtime Chicago vocalist who died in 1978 from a self-inflicted gunshot to the head, plays a gun-wielding killer in this film. ~ Mark Deming, All Movie Guide

Review

Anyone who appreciates the experimental phase Hollywood went through in the '70s is likely to enjoy this effective blend of mystery and social critique. Electra Glide in Blue starts off with the kind of premise that could have worked as an episode of Quincy, M.E. but slowly transforms into a meditation on the challenges of being a honorable person in a world where most people find it easier to be dishonorable. The resulting film is not for all tastes but it is a joy for the adventurous viewer: James William Guercio directs with a grand flair for montage and widescreen visuals and the imagery he chooses is beautifully visualized by ace cinematographer Conrad Hall. Electra Glide in Blue further benefits from strong, lived-in performances by a reliable cast of character actors. Robert Blake is fantastic as John Wintergreen, bringing a great sense of underdog charm and wit to the character, and Mitchell Ryan is alternately scary and pitiful as a "big dog" type cop who isn't as brilliant or upright as he first seems to be. Royal Dano and Elisha Cook Jr. add extra color in smaller roles, and Billy Green Bush offers a performance as Blake's layabout partner that takes on a surprising depth as the film progresses. Finally, it is worth mentioning that Jeannine Riley pulls off an extended monologue scene with great skill as Blake's sometime girlfriend. All in all, Electra Glide in Blue is a slow-burning gem that is well worth the time for students of the New Hollywood era of the '70s. ~ Donald Guarisco, All Movie Guide

Cast

Royal Dano - Coroner; Susan Forristal - Ice Cream Girl; Jeff Ramsey; Peter Cetera - Zemco; Alan R. Gibbs; Ron Rondell; David Wolinski - Bus Driver; Mickey Alzola; Chester Grimes; J.N. Roberts - Belly Flop; Richard Karie; John Scovern; Joe Samsil - Sgt. Ryker; Jason Clark - LA Detective; Terry Kath - Killer; Michael Butler - Truck Driver

Credit

Tom Wilkes - Art Director, Rita Riggs - Costume Designer, Tom Shaw - First Assistant Director, James William Guercio - Director, Jerry Greenberg - Editor, John F. Link - Editor, Jim Benson - Editor, James William Guercio - Composer (Music Score), Harvey Fuqua - Songwriter, James William Guercio - Songwriter, Mark Spoelstra - Songwriter, Alan de Carlo - Songwriter, Frank Griffin - Makeup, Conrad L. Hall - Cinematographer, James William Guercio - Producer, Rupert Hitzig - Producer, Jim Walker - Set Designer, Joe Lombardi - Special Effects, Jerry Brutsche - Stunts, Buddy Ekins - Stunts, Alan R. Gibbs - Stunts, Ron Rondell - Stunts, Mickey Alzola - Stunts, J.N. Roberts - Stunts, Rock Walker - Stunts, Robert Boris - Screenwriter, Michael Butler - Screenwriter, David Kahn - Music Editor, Alan Freed - Featured Music

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Wikipedia: Electra Glide in Blue
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Electra Glide in Blue

Original 1973 movie poster
Directed by James William Guercio
Produced by James William Guercio
Rupert Hitzig
Written by Screenplay:
Robert Boris
Story:
Robert Boris
Rupert Hitzig
Starring Robert Blake
Billy (Green) Bush
Mitchell Ryan
Jeannine Riley
Elisha Cook
Music by James William Guercio
Cinematography Conrad Hall
Editing by Jim Benson
Gerald R. Greenberg
John F. Link
Studio Guercio-Hitzig
Distributed by United Artists
Release date(s) August 19, 1973
Running time 114 minutes
Country United States
Language English

Electra Glide in Blue is a 1973 film starring Robert Blake as a motorcycle cop in Arizona and Billy Green Bush as his partner. The movie was filmed in Monument Valley, and was produced and directed by James William Guercio (who is best known as the producer of Chicago's first eleven albums). The film was entered into the 1973 Cannes Film Festival[1], but was loathed by critics. However, it garnered a great deal of critical acclaim upon its nationwide release. Overall, it saw only limited commercial success.

Several members of Chicago appear in minor roles, including Peter Cetera, Terry Kath, Lee Loughnane and Walter Parazaider, as well as David "Hawk" Wolinski from the Guercio-produced band Madura. Chicago also appears on the movie soundtrack.

Contents

Plot

Blake plays a motorcycle cop named John Wintergreen who patrols the rural Arizona highways with his partner, nicknamed "Zipper" (Billy (Green) Bush). Wintergreen is a rookie cop who resents being in traffic enforcement and wants to be transferred to homicide investigation. Wintergreen is laid-back but upright about enforcing the law, while Zipper is alternately lazy (preferring to read comic books in the shade) and hard-nosed about busting hippies, even going so far as to plant evidence on a young man during a search of his van.

At first his supervisors ignore his request for a transfer; however, he is informed of an apparent suicide by Crazy Willie (Elisha Cook). Wintergreen believes the case is not a suicide, but is instead a murder; after a shouting match with the local coroner (Royal Dano), he meets Detective Harve Poole (Mitchell Ryan), who admires Wintergreen's savvy, and arranges for Wintergreen to be transferred to homicide to help with the case.

Wintergreen's initial joy at being promoted is short-lived, as his relationship with his fellow officers deteriorates. Wintergreen begins increasingly to identify with the hippies whom the other officers are endlessly harassing; in one scene he watches as Harve brutally interrogates the same hippies who had cheerfully lied to Wintergreen about not knowing a suspect by the name of Bob Zemko (Peter Cetera).

Workplace politics also cause him to be quickly demoted back to traffic enforcement; the final straw comes when Harve discovers that Wintergreen has been sleeping with Jolene (Jeannine Riley), Harve's girlfriend and waitress at the local bar. Harve is verbally emasculated by Jolene in front of Wintergreen, his subordinate, when Jolene mocks Harve's sexual prowess (implying that Harve is impotent) and brags that Wintergreen can "go three times in one morning".

Wintergreen eventually realizes that Crazy Willie committed the murder; the victim was an old friend of his who had taken to selling seconal and hanging around with the young hippies. Jealous, Willie had murdered his friend and arranged it so it appeared to be a suicide. Wintergreen then informs Harve that he is "full of horseshit", as Harve was convinced Zemko had committed the murder and stolen money from the victim.

Wintergreen then discovers another terrible fact: Zipper's dream was to own his own Harley-Davidson Electra Glide motorcycle, and had stolen the dead man's drug money (initially blamed on Zemko) to pay for it. Zipper is intoxicated and begins firing his gun at Wintergreen, but hitting one of his neighbors. Horrified, Wintergreen shoots Zipper in self-defense, and Zipper dies in his arms.

On the road again, he encounters the van of the hippie that he and Zipper had interrogated earlier in the film; the hippie is now accompanied in the van by a friend (Terry Kath). Wintergreen pulls the van over when he notices that it is without a front bumper, but when he recognizes the driver and remembers the trouble he and Zipper caused him, Wintergreen pardons the hippies and sends them on their way. As the van drives off, Wintergreen discovers that he is still holding the driver's license, and rides after them in an attempt to return it. However, the hippies interpret it as an arrest attempt (they are apparently carrying drugs in the van), and before Wintergreen is able to return the driver's license, the accompanying hippie leans out the van's back window and shoots Wintergreen with a shotgun. The hippies make their escape, and Wintergreen dies on the desert road, his motorcycle lying some meters ahead of him. The film ends with the song "Tell Me" by Terry Kath and James William Guercio in a static scene of the empty road with the monument rock formations in the distance before the credits begin.[2]

Cast

Production

First-time director Guercio took a salary of one dollar, in order to allow the film's budget to have the money available to hire Conrad Hall as the cinematographer. During their discussions, it transpired that Guercio and Hall disagreed on how the film should look; a compromise was reached where Guercio would shoot the exterior scenes in a manner reminiscent of John Ford's films (which was the look Guercio wanted to achieve), while Hall could set up and shoot all the film's interior scenes any way he saw fit.

According to the DVD commentary, Guercio claims that a majority of the film was shot without permits, because the Arizona State Police would not cooperate with production.

Critical reaction

The film has appeared on Turner Classic Movies as part of the TCM Underground program hosted by Rob Zombie, who hails the film as a masterpiece.[citation needed] The British Film4 channel also included the film in their series of cult classics.[citation needed]

References

External links


 
 

 

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