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Artist:

Electric Light Orchestra

Electric Light Orchestra

Formed:
1970 10 in Birmingham, England

Disbanded:
1988

Representative Songs:

"Roll Over Beethoven," "Don't Bring Me Down," "Evil Woman"

Representative Albums:

Strange Magic: The Best of Electric Light Orchestra, Eldorado, The Essential Electric Light Orchestra

Similar Artists:

Influences:

Followers:

How I Became the Bomb, The Feeling, Bejole, ActionReaction, Starling Electric, Chetes, Jeffrey Dean Foster, Maple Mars, Autoliner, Florapop, Scott McClintock, Abel Ganz, Paul Ellis, Super Ratones, S.O.L., The Merrymakers, No Doubt, The Hudson Brothers, Def Leppard, Boston

Performed Songs By:

Eric Troyer, Bev Bevan, Phil Bates, Peter Haycock, John Farrar, Louis Clark
  • Alternative Name: ELO
  • Genre: Rock
  • Active: '70s - 2000s
  • Major Members: Bev Bevan, Jeff Lynne, Richard Tandy, Roy Wood, Kelly Groucutt, Hugh McDowell

Biography

The Electric Light Orchestra's ambitious yet irresistible fusion of Beatlesque pop, classical arrangements, and futuristic iconography rocketed the group to massive commercial success throughout the 1970s. ELO was formed in Birmingham, England in the autumn of 1970 from the ashes of the eccentric art-pop combo the Move, reuniting frontman Roy Wood with guitarist/composer Jeff Lynne, bassist Rick Price, and drummer Bev Bevan. Announcing their intentions to "pick up where 'I Am the Walrus' left off," the quartet sought to embellish their engagingly melodic rock with classical flourishes, tapping French horn player Bill Hunt and violinist Steve Woolam to record their self-titled debut LP (issued as No Answer in the U.S.). In the months between the sessions for the album and its eventual release, the Move embarked on their farewell tour, with Woolam exiting the ELO lineup prior to the enlistment of violinist Wilf Gibson, bassist Richard Tandy, and cellists Andy Craig and Hugh McDowell; despite the lengthy delay, Electric Light Orchestra sold strongly, buoyed by the success of the U.K. Top Ten hit "10538 Overture."

However, Wood soon left ELO to form Wizzard, taking Hunt and McDowell with him; Price and Craig were soon out as well, and with the additions of bassist Michael D'Albuquerque, keyboardist Richard Tandy, and cellists Mike Edwards and Colin Walker, Lynne assumed vocal duties, with his Lennonesque tenor proving the ideal complement to his increasingly sophisticated melodies. With 1973's ELO II, the group returned to the Top Ten with their grandiose cover of the Chuck Berry chestnut "Roll Over Beethoven"; the record was also their first American hit, with 1974's Eldorado yielding their first U.S. Top Ten, the lovely "Can't Get It Out of My Head." Despite Electric Light Orchestra's commercial success, the band remained relatively faceless; the lineup changed constantly, with sole mainstays Lynne and Bevan preferring to let their elaborate stage shows and omnipresent spaceship imagery instead serve as the group's public persona. 1975's Face the Music went gold, generating the hits "Evil Woman" and "Strange Magic," while the follow-up, A New World Record, sold five million copies internationally thanks to standouts like "Telephone Line" and "Livin' Thing."

The platinum-selling double-LP, Out of the Blue, appeared in 1977, although the record's success was tempered somewhat by a lawsuit filed by Electric Light Orchestra against their former distributor, United Artists, whom the band charged flooded the market with defective copies of the album. Columbia distributed the remainder of the group's output, issued through their own Jet Records imprint, beginning with 1979's Discovery, which notched the Top Ten entries "Shine a Little Love" and "Don't Bring Me Down." In the wake of ELO's best-selling Greatest Hits compilation, Lynne wrote several songs for the soundtrack of the Olivia Newton-John film Xanadu, including the hit title track. The next proper Electric Light Orchestra album, 1981's Time, generated their final Top Ten hit, "Hold on Tight." Following 1983's Secret Messages, Bevan left the group to join Black Sabbath, although he returned to the fold for 1986's Balance of Power, which despite the presence of the Top 20 hit "Calling America" received little interest from fans and media alike.

However, as Electric Light Orchestra's career descended, Lynne emerged as a sought-after producer, helming well-received comebacks from George Harrison (1987's Cloud Nine) and Roy Orbison (1989's Mystery Girl) and additionally re-teaming with both rock legends as well as Bob Dylan and Tom Petty in the hit supergroup the Traveling Wilburys. Lynne made his solo debut in 1990 with Armchair Theatre but otherwise spent the decade out of the limelight, instead producing material for Joe Cocker, Tom Jones, and Paul McCartney in addition to working on the Beatles' Anthology project. In 1988, meanwhile, Bevan formed Electric Light Orchestra Part II with vocalist Neil Lockwood, keyboardist Eric Troyer, and bassist Pete Haycock; although Lynne filed suit against the group (hence the "Part II" tag), a self-titled LP followed in 1991, with a live collection recorded with the Moscow Symphony Orchestra appearing a year later. Outside of 1994's Moment of Truth, subsequent ELO II releases have been live efforts as well. ~ Jason Ankeny, All Music Guide
 
 
Discography: Electric Light Orchestra

Out of the Blue [30th Anniversary Edition]

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Balance of Power [Bonus Tracks]

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Harvest Years 1970-1973

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On the Third Day [Bonus Tracks]

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Face the Music [Bonus Tracks]

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No Answer [US Bonus Tracks]

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ELO II [US Bonus Tracks]

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ELO II [UK Bonus Tracks]

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The Collection [Box Set]

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All Over the World: The Very Best of Electric Light Orchestra

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Early Years

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The Essential Electric Light Orchestra

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ELO II/The Lost Planet

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No Answer [UK Bonus Tracks]

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ELO Classics [Priceless Collection]

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Electric Light Orchestra [Limited Edition]

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Electric Light Orchestra [Japan Expanded Edition]

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Zoom

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Secret Messages [Expanded]

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Eldorado [Remastered]

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Time [Expanded]

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Zoom [Japan Bonus Track]

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Discovery [Bonus Tracks]

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The Complete ELO Live Collection

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Flashback

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Definitive Collection

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Out of the Blue Tour Live at Wembley/Discovery

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Live at Winterland '76

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Live at Wembley '78

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Light Years: The Very Best of Electric Light Orchestra

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The Best of Electric Light Orchestra

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3-Pak: Face the Music/A New World Record/Discovery

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Strange Magic: The Best of Electric Light Orchestra

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Burning Bright

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ELO Classics

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Afterglow

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Electric Light Orchestra, Part Two

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'Out of the Blue' Tour: Live at Wembley/Discovery

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Balance of Power

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Secret Messages

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Time

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Discovery

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ELO's Greatest Hits

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Out of the Blue

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Ole' ELO

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A New World Record

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Face the Music

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The Night the Lights Went On (In Long Beach)

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Eldorado

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ELO II

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On the Third Day

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No Answer

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Electric Light Orchestra

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Wikipedia: Electric Light Orchestra
Electric Light Orchestra
Elo_logo.png
Richard Tandy, Jeff Lynne, Bev Bevan, Kelly Groucutt
Richard Tandy, Jeff Lynne, Bev Bevan, Kelly Groucutt
Background information
Origin Birmingham, England
Genre(s) Rock, Progressive rock, Arena rock, Pop rock, Electronica
Years active 1970 - 1986
2000 - Present
Label(s) Harvest Records, Warner Bros. Records, United Artists Records, Jet Records, Columbia Records, Epic Records, Legacy Recordings & Sony BMG
Associated
acts
The Move
The Idle Race
Wizzard
Violinski
ELO Part II
Website Official Website
Members
See Personnel section

Electric Light Orchestra, also known as ELO, were a rock music group from Birmingham, England that released twelve albums between 1971 and 1986, and one album in 2001. The band's direction and focus for most of its history was driven by Jeff Lynne.

It was in the United States that the band were first warmly received, billed as The English guys with the big fiddles.[1] They soon gained a cult following despite lukewarm reviews back in their native United Kingdom. They were managed by no-nonsense businessman Don Arden (the father of Sharon Osbourne).

By the mid seventies they had become one of the biggest selling rock music bands in the world. The group scored twenty top-20 UK hit singles, as well as fifteen top-20 appearances in the US Billboard charts. The band also holds the record for having the most Billboard Top 40 hits of any band in US history, without ever having a #1 single.[2] The band proved to be an excellent vehicle for confessed Beatles fan Lynne's semi-classical Beatlesque compositions, steering a fine line between an album-oriented rock outfit and a hit-making machine.

The group's name is an intended pun based not only on electric light (as in a light bulb as seen on early album covers) but also using "electric" rock instruments combined with a "light orchestra" (orchestras with only a few cellos and violins that were popular in Britain during the 1960s).

Biography

Birth of a supergroup

Formed in October 1970 by Roy Wood, Jeff Lynne and Bev Bevan (the remaining members of the 1960s rock group The Move), the band used cellos, violins, horns and woodwinds to give their music a classical sound. This was an idea Roy Wood initially had while with The Move to take rock music in a new direction.

In January 1970, when Carl Wayne left the The Move, Lynne, front man with fellow Birmingham band Idle Race, responded to Wood's second invitation to join the line-up with the lure of starting the new band. To help finance the fledgling project, two more Move albums were released during the lengthy recordings for their eponymous first album between 1970 and 1971, which produced the UK top ten hit "10538 Overture".

In the United States, this album was released with the mistaken title of No Answer, due to a misunderstanding by an employee at United Artists that wrote "no answer" after failing to reach the correct person. This was later mistaken for the name of the album.[3]

However, tensions soon surfaced between Roy Wood and Jeff Lynne,this was due to problems with management, recently explained by Roy Wood, in Mojo magazine. The band went through the first of its many line-up changes as Wood took cellist Hugh McDowell and horn player Bill Hunt with him to form Wizzard.

Despite predictions from the music press that the band would fold without Wood, who had been the driving force behind the creation of ELO, Jeff Lynne stepped up to lead the band, with Bevan remaining on drums, joined by Richard Tandy on the Moog synthesizer, Mike de Albuquerque on bass, Mike Edwards and Colin Walker adding cello and Wilfred Gibson replacing Steve Woolam on violin. The new lineup performed at the 1972 Reading Festival and 'stole the show' thanks to the innovation of the Barcus Berry pickups now sported by the bands string playing trio, allowing them to dance on stage with their instruments. Shortly afterwards the band released their second long player ELO 2 in 1973, an album begun before Wood's departure, from which came their first United States chart hit, a hugely elaborate version of the Chuck Berry classic "Roll Over Beethoven".

Richard Avedon's On the Third Day album cover portrait of ELO.
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Richard Avedon's On the Third Day album cover portrait of ELO.

During the recording of the third album, violinist Gibson departed from the band and was replaced by Mik Kaminski. The band released On the Third Day in 1973 featuring the hit "Showdown" (United States album only), with Mike Edwards playing all the cello parts on side one of the LP due to Colin Walker leaving the band. Second lead guitar on two tracks from the album ("Ma-Ma-Ma Belle" and "Dreaming of 4000") were contributed by Lynne's friend Marc Bolan. Among the many rock bands photographed by famous photographer Richard Avedon, he shot ELO with all members exposing their bellybuttons for an alternate US LP cover, which does show incorrect musicians for its actual studio recording, but has a correct "Do It With The Light On" Tour lineup that did support this particular album, including Hugh McDowell. The original album cover and credits fully reproduced for the worldwide remaster are accurate, however the Japanese tri-fold mini reproduces the original Warner Brothers sleeve.

Global success

In 1974, Lynne hired a thirty-piece orchestra, choir and Louis Clark to begin work on the next LP, Eldorado, A Symphony by the Electric Light Orchestra, a concept album about dreams, scoring their first United States Top Ten hit with "Can't Get It Out Of My Head," in 1975, Eldorado would become ELO's first gold album.

Classic Lineup making a first album appearance on Face the Music
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Classic Lineup making a first album appearance on Face the Music

After the release of Eldorado, bassist and vocalist Kelly Groucutt and cellist Melvyn Gale joined, replacing de Albuquerque and Edwards respectively. At this point the line-up would be at its most stable and enjoy worldwide stardom throughout the remainder of the decade.

Another gold album Face The Music was released in 1975, its major singles were "Evil Woman", "Strange Magic", marking a shift to a more "radio friendly" sound, helped along the way by renowned German producer and engineer Mack. From the same album, the instrumental "Fire On High", with its mix of strings and blazing acoustic guitars, saw heavy exposure as background music on CBS Sports Spectacular montages, though most viewers had no idea of the song's origins, the song features a famous deliberate backward message, where a mysterious deep voice reverses to 'The music is reversible, but time is not, turn back! Turn back! Turn back!' — ostensibly ELO's shot at backmasking hysteria following completely unfounded allegations of satanic messages were leveled against their song "Eldorado" by Fundamentalist Christians. Some years later in the early 1980s, following American Congressional Hearings on the matter that investigated their 1981 album Time among those of other artists, E.L.O. subsequently answered with Secret Messages in 1983. Today, "Fire On High" (sometimes including the backmasked message) has become a staple of USA classic rock radio.

ELO concentrated most of their touring efforts in the United States at this point and they were a star attraction on the stadium and arena circuit, as well as regularly appearing on The Midnight Special, although they were still largely ignored in the United Kingdom. The album A New World Record was released in 1976 and became the band's first true breakthrough album on a global scale, finally giving them their first top ten LP in the United Kingdom. It contained the hit singles "Livin' Thing".A re-recording of Jeff Lynne's composition, for the Move "Do Ya".With new tracks including, "Telephone Line", which went gold and "Rockaria!".

A New World Record was followed by another platinum selling album, double-LP Out of the Blue in 1977, although the record's momentum was slowed somewhat by a lawsuit filed by the band against their former distributor, United Artists, who they claimed had flooded the United States market with substandard pressings of the album. The double set featured the singles "Turn to Stone," "Sweet Talkin' Woman," "Mr. Blue Sky," and "Wild West Hero," each becoming a hit in the United Kingdom. The band then set out on a nine-month world tour, having ninety-two dates. The set was an enormous, and hugely expensive, space ship stage, with fog machines and a laser display.

On the United Kingdom portion of the world tour the band played at the Wembley Arena for eight sold-out nights. The first of these shows was recorded and televised and released recently as a CD, Live at Wembley '78, and DVD, Out of the Blue: Live at Wembley. In the United States the concerts were billed as The Big Night. The 44-date 'Big Night' tour played to stadium audiences, including their biggest-ever headlining gig at the Cleveland Stadium to 80,000 people. It was during the famous spaceship tour the band were criticized for allegedly playing backing tapes. [4]

In 1979,the multi-platinum album Discovery (or "Disco very" as has been quoted),was released. This album generated their biggest hit, the gold single "Don't Bring Me Down" along with "Shine A Little Love" (sampled in 2005 by Lovefreekz for a dance hit called "Shine"), "Last Train to London" (sampled in 2003 by Atomic Kitten on their hit "Be With You"), "Confusion" and "The Diary of Horace Wimp". In the same year, Randy Newman wrote "The Story of a Rock and Roll Band", an ELO tribute song about "The English boys from Birmingham", including the lyrics, "I love their "Mr. Blue Sky;" almost my favorite is "Turn to Stone;" and how 'bout "Telephone Line?" I love that E.L.O.!" This song appeared on his album, Born Again.

Although there would be no live tour associated with Discovery, the band also recorded the entire album in video form. Not long after this, the violinist Mik Kaminski and the two cellists Hugh McDowell and Melvyn Gale were dismissed. The Discovery music videos would be the last time the original late 1970's line-up would be seen together. The Electric Light Orchestra finished 1979 as the biggest selling act in the United Kingdom.

In 1980, Jeff Lynne was asked to write for the soundtrack of the musical film Xanadu, the other half written by John Farrar and performed by Olivia Newton-John, who starred in the movie. The movie performed poorly at the box office, but the soundtrack did well by going multi-platinum. Hit singles from both Newton-John ("Magic," #1 in the United States) and "Suddenly" with Cliff Richard) and ELO ("I'm Alive", which went gold, "All Over The World" and "Don't Walk Away") as well as the title track to the movie, performed by both Newton-John and ELO. It is ELO's only song to top the singles chart in the United Kingdom.[5] The Electric Light Orchestra Story, Bev Bevan's memoirs from his early days and throughout his career with The Move and ELO, was also published in 1980.

In 1981, ELO's sound changed again with the science-fiction concept album Time, reaching the number one spot for 2 weeks in the United Kingdom and was their last gold album. Singles from the album included "Hold On Tight," "Twilight," "The Way Life's Meant To Be," "Here Is the News," and "Ticket to the Moon," with synthesizers largely replacing strings. The band embarked on their last world tour to promote the LP. The live line-up would have no cello players for the first time; instead they recruited Louis Clark (who had previously conducted the strings for their albums from 1974 to 1980) and Dave Morgan to play the string sounds on synthesizers; Mik Kaminski also appeared with his famous "blue violin", and "Fred the Robot" voiced the "Prologue" and "Epilogue".

Decline

By 1983 it was assumed that band leader Jeff Lynne had grown tired of ELO, when he announced that there would be no tour to promote the new album Secret Messages. This was coupled with the news that drummer Bevan was to play drums for Black Sabbath and of bassist Kelly Groucutt's departure from the band. Rumours from fans about the group disbanding were publicly denied by Bev Bevan. Sales of the new album were relatively slow and most music reviews further added to the problems. Secret Messages reached number four in the United Kingdom. The album was originally recorded as a double album, but CBS had different ideas, citing that it would be too expensive. Some of the songs that did not make the cut later appeared as B-sides and on box sets. However, the tribute song "Beatles Forever" is still unavailable through official sources. Shortly after this album, Kelly Groucutt sued Jeff Lynne, Bev Bevan, and ELO's management for alleged lost royalty fees. The matter was settled out of court.

By 1984, Bevan had expressed a desire to join Black Sabbath permanently, Lynne and Tandy were recording tracks for the Electric Dreams soundtrack under Jeff Lynne's name, and with Groucutt's departure, ELO was assumed to be finished. Bevan left Black Sabbath and joined Lynne, who needed to make one more ELO album to fulfill his contract.

Lynne, Bevan and Tandy returned to the studio in 1985 as a three-piece (with Christian Schneider playing saxophone on some tracks) to record ELO's final album of the 20th century, Balance of Power, released early in 1986. Though the single "Calling America" placed in the Top 30 in the United Kingdom (#28), subsequent singles failed to chart. The album was absent of actual classical strings except for very well done keyboard replications by Richard Tandy and had minimalist album art, missing the customary ELO logo that had appeared on every album since 1976. Lynne re-formed the 7-piece Time Tour band (with Martin Smith replacing Groucutt on bass) for a small number of live ELO performances in England and Germany, including the Heartbeat charity concert (organized by Bevan) on March 15 in ELO's hometown of Birmingham and ELO's last performance, prior to 2001, on July 13 in Stuttgart. A hint of Lynne's future was seen when George Harrison appeared onstage during the encore at Heartbeat, joining in the all-star jam of "Johnny B. Goode".

There was no announcement made of ELO's status during the next two years, when Harrison's Lynne-produced album Cloud Nine and the pair's follow-up (with Roy Orbison, Bob Dylan and Tom Petty) Traveling Wilburys Vol. 1 were released. Bevan approached Lynne to make another ELO album in 1988. Lynne was not interested and ELO was formally disbanded.

ELO Part II

Bev Bevan subsequently formed his own band titled ELO Part II, initially with no other former ELO members except Louis Clark. ELO Part II released their debut album Electric Light Orchestra Part Two in 1990. Mik Kaminski, Kelly Groucutt and Hugh McDowell joined the band for the first tour in 1991. McDowell left after that tour. Bevan, Groucutt, Kaminski and Clark recorded a second album in 1994 and toured extensively until 1999. Bevan retired in 1999 and sold his share of the ELO name to Jeff Lynne in 2000. The remaining members continue to tour and record, renamed as The Orchestra.

Reformation in 2000

Jeff Lynne's comeback with ELO started in 2000 when a retrospective box set was released, three CDs of remastered tracks and a handful of outtakes and unfinished works were released on Flashback, most notably a new version of ELO's only UK number one hit "Xanadu".

In 2001, Zoom, ELO's first album since 1986, was released. Upon completion of the album Lynne reformed the band with completely new members including his then-girlfriend Rosie Vela (who had released her own album "Zazu", in 1986) and announced that ELO would tour again. Zoom took on a more organic sound, with less emphasis on strings and electronic effects. Guest musicians included former Beatles Ringo Starr and George Harrison. Former ELO member Richard Tandy rejoined the band a short time afterwards for two television live performances: VH1 Storytellers and a PBS concert shot at CBS Television City later titled Zoom Tour Live that was released on DVD, the planned tour was cancelled due to many unknown factors, in mid-August 2001.[6] The tour was not rescheduled due to lack of interest and slow ticket sales.

EMI and Epic/Legacy released ELO's back catalogue from 2001 to 2007; included amongst the remastered album tracks were unreleased songs and outtakes, including a new single "Surrender" which did register on the lower end of the UK Singles Chart at #81 for the band, some 30 years after it was first recorded.

Today much of ELO's music is used in Hollywood movies, TV and advertisements, including films such as the track "Twilight" was used in the opening (animated) sequence of the immensely popular Densha Otoko drama in Japan. Doctor Who series, the episode "Love And Monsters" featured an ELO-obsessed major character who is in search of the Doctor. Also car commercials such as VW (2005) and Honda, then also Sears Department Stores, both in 2007.

A tribute to ELO, namely L.E.O., features original material written by devotees of Lynne's unique orchestrated sound. American musician Bleu, brought together various musicians to record this 'tribute' in 2007. Andy Sturmer, of seminal ELO/Queen/Beatles influenced band Jellyfish co-wrote and provided some vocals for the project. The songs are written entirely in Lynne's style and mimic ELO's orchestration and production to a very high standard.

Current releases

Although there has been no news on any forthcoming new ELO projects, ELO's core studio albums have now all been remastered and expanded with bonus tracks, leaving only The Night the Lights Went On (in Long Beach), ELO's Greatest Hits, Xanadu, Zoom and ELO's Greatest Hits Live AKA Zoom Tour Live to be done. Latest in the Epic/Legacy series were Out of the Blue and Balance of Power which were released in February 2007. A lost demo from 1977 was finished and released in the United Kingdom as a download single on February 6, 2007 titled "Latitude 88 North".

All the original ELO albums were released in mini replica sleeves in Japan. One of the many features, was the original Jet Records label on the disc and original inner sleeves and lyrics.

To further cash in on the success of the re-masters, and the Traveling Wilburys, another ELO compilation hits the UK shops on October 15, 2007. This is the sequel to All Over the World: The Very Best of Electric Light Orchestra called Ticket to the Moon: The Very Best of Electric Light Orchestra Volume 2.

Band logo

Elo_logo.png
Elo_logo.jpg

The official band logo (left), designed in 1976 by artist Kosh, was first seen on their 1976 album A New World Record and is based on the upper cabinet of a 1946 Wurlitzer jukebox, model 4008. The band's previous logo (right) was similar to the General Electric logo. The new logo has appeared on most of the bands albums in various forms. For instance, on 1977's Out of the Blue the logo was turned in to a huge flying saucer space station, an enduring image that is now synonymous with the band. Again, on the follow up Discovery, the logo became a small glowing artifact on top of a treasure chest. Bev Bevan usually displayed the logo on his drum kit.

Personnel

Members on studio albums

  • Jeff Lynne - vocals, guitar, bass guitar, keyboards, drums, cello, backing vocals, producer, songwriter and arranger (1970-86, 2000-)
  • Roy Wood - vocals, guitar, bass guitar, cello, clarinet, bassoon, oboe, drums, recorder, producer, songwriter and arranger (1970-72)
  • Bev Bevan - drums, backing vocals (1970-86)
  • Bill Hunt - keyboards, french horn, hunting horn (1971-72)
  • Steve Woolam - violin (1971)
  • Richard Tandy - keyboards, guitar, bass, co-arranger (1972-86, 2000-)
  • Mike de Albuquerque - bass guitar, backing vocals (1972-74)
  • Wilfred Gibson - violin (1972-73)
  • Mik Kaminski - violin (1973-79, '83)
  • Colin Walker - cello (1972-73)
  • Mike Edwards - cello (1972-74)
  • Hugh McDowell - cello (1973-79)
  • Louis Clark - Co- arranger and conductor (1974-79, '83)
  • Kelly Groucutt - bass guitar, lead vocal, backing vocals (1975-83)
  • Melvyn Gale - cello (1975-79)
  • Dave Morgan - vocals, guitar (1983)
  • Marc Mann - lead guitar, rhythm guitar, keyboards, cello arrangements (2000-01)

Guest musicians on studio albums