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Electric sitar

 
Wikipedia: Electric sitar

An electric sitar is in fact a kind of electric guitar designed to mimic the sound of the traditional Indian instrument, the sitar. Depending on the manufacturer and model, these instruments bear varying degrees of resemblance to the traditional sitar. Most, in fact, resemble the electric guitar in the style of the body and headstock, though some have a body shaped to resemble that of the sitar (such as a model made by Danelectro).

Contents

History

The instrument was developed in the late 1960s, when many western musical groups began to use the sitar. The sitar is generally considered a difficult instrument to learn.[1] By contrast, the electric sitar, with its standard guitar fretboard and tuning, is a more familiar fret arrangement for a guitarist to play. The twangy sitar like tone comes from a flat bridge adding the necessary buzz to the guitar strings. The only problem with this arrangement is that the intonation of the frets is hard to manage. Chords don't sound as well. It is generally considered easy to play a melody, but the luxury of movable frets as in a sitar is missing on the electric sitar. Therefore, its design did not become very popular. It is now more of a curiosity item than a practical instrument.

Configuration

In addition to the six playing strings, most electric sitars have sympathetic strings, typically located on the left side of the instrument (though some do not have these). These strings have their own pickups (typically lipstick pickups are used for both sets of strings), and are usually tuned with a harp wrench (a difficult process). A unique type of bridge, a "buzz bridge" (developed by session musician Vincent Bell), helps give the instrument its distinctive sound. Some electric sitars have drone strings in lieu of sympathetic strings. A few models, such as the Jerry Jones "Baby" sitar, lack both sympathetic and drone strings, while still retaining the distinctive buzz bridge.

The "sympathetic" strings on most electric sitars do not resonate strongly enough to match the effect of an acoustic sitar. There are resonant chambers in the solidbody instruments that have Masonite tops, however it is not enough to excite the 13 strings into true sympathy. The strings are tensioned over two rosewood bridges with fret material as saddles so the sound is more like an Autoharp than a sitar.

Versions of the electric sitar were also developed mainly in India. These are smaller sized sitars that look like a sitar. These sitars are tuned the same way as the original classical sitar would be tuned.

Players

Because the tone quality and playing technique differ significantly from that of the sitar, it is typically used in rock, jazz, and fusion styles. Some of the notable early users were; The Lemon Pipers with Green Tambourine and Eric Burdon and the Animals in the song "Monterey" in 1967, B.J. Thomas on "Hooked on a Feeling" in 1969, "It's a Shame" by the Spinners in 1970, and The Stylistics in the 1970s.

It has also been used by Kronos Quartet (most recently on Floodplain), Genesis, Yes, Todd Rundgren, Guns N' Roses, Lenny Kravitz, Oasis, R.E.M, Metallica, Steely Dan, Santana, Roy Wood, Eric Johnson, Mystical Sun , Eddie Vedder of Pearl Jam (Who You Are), Alice in Chains (in "What the Hell Have I"), Torsten de Winkel, Flower Travelin' Band, Hiroshi Takano, Miyavi, Sugizo, hide, Kaoru of Dir en grey, Pat Metheny (notably on "Last Train Home"), Sigh (band), Steve Vai, Rory Gallagher, Mint Royale, Steve Miller, Chest Rockwell, Van Halen (in Ain't Talkin' 'bout Love) and Tony Hicks of The Hollies. Vinnie Bell used the instrument on several songs, including "Green Tambourine" by the Lemon Pipers, "Band of Gold" by Freda Payne, and "She's A Heartbreaker" by Gene Pitney.[2]

Manufacturers

See also

Notes

  1. ^ HypWax (December 14, 1998). "Odd Pop: Pop Sitar". Hyp Records. http://www.hipwax.com/music/oddpop/sitar.html. 
  2. ^ "Vinnie Bell". Spaceagepop. 2006. http://www.spaceagepop.com/bell.htm. 

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