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Eliot Noyes

 
Art Encyclopedia: Eliot (Fette) Noyes

(b Boston, 12 Aug 1910; d New Canaan, CT, 18 July 1977). American architect and designer. He studied at Harvard University, Cambridge, MA, gaining a bachelor's degree in classics in 1932 and a master's in architecture in 1938. He then joined the firm of Walter Gropius and Marcel Breuer in Cambridge. From 1939 to 1946, with a break for service in World War II, he was Director of the Department of Industrial Design at MOMA, New York, and in 1947 he founded his own architectural and industrial design practice, Eliot Noyes & Associates. An advocate of functional Modernism, Noyes's work is firmly grounded in the tradition of Gropius, Breuer and Le Corbusier. He advocated simplicity of form and truth to the nature of materials, seen particularly in his houses, for example Graham House (1970), Greenwich, CT. Here he employed open interior spaces and clear geometry, with a suppression of ornament that betrays the influence of Mies van der Rohe; a free-standing fireplace dividing the living and dining space and the use of stone partitions are features that also became hallmarks of his house designs. Noyes's public buildings, for example the IBM Building (1963), Garden City, NY, are more severe but unpretentious. As an industrial designer he is best known for his work for IBM (e.g. IBM Selectric typewriter, 1971) and for the Mobil Oil Corporation (e.g. service station prototype and cylindrical petrol pumps, 1968). He is credited with establishing new standards of design for corporations, particularly IBM, with whom he was Consultant Director of Design. Here and elsewhere he provided a uniformity of design based on bold, clearly cut simplicity, making individual corporate identities instantly recognizable.

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Modern Design Dictionary: Eliot Noyes
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(1910-77)

The American industrial designer Noyes studied architecture at Harvard University from 1928 to 1932, followed by attendance at the Graduate School of Design from 1932 to 1935 and again from 1937 to 1938. Developing an affinity for a European aesthetic, in 1939 he worked for the German Modernists Walter Gropius and Marcel Breuer, whom he had encountered at Harvard, before becoming Curator of Industrial Design at the Museum of Modern Art (MOMA), New York, from 1940 to 1942 and 1945 to 1946. At MOMA he curated the Organic Design in Home Furnishings exhibition (1941-2) in which Charles Eames and Eero Saarinen came to attention, following on the Modernist drive that had dominated the museum's exhibitions in the 1930s. After becoming design director at Norman Bel Geddes's design office in 1946, he started his own design consultancy in the following year. Having worked previously as a consultant to the company, in 1956 he became design director at IBM, where he brought in the graphic designer Paul Rand to create the company's corporate identity and commissioned Eames to work on IBM exhibitions and films, and Breuer to design buildings. He was influenced by the corporate design policy of the Italian office equipment company Olivetti and endowed IBM buildings, interiors, products, and publicity with a modern, efficient, and technologically sophisticated look. Amongst Noyes's best-known designs for the IBM was the clean-formed, almost sculptural Selectric golfball typewriter (1961). He also worked on corporate identity design for Westinghouse (1960-76), and as design consultant to Mobil (1964-77), the Cummins Engine Company (1953-77) and Pan Am (1969-72). His influence on design thinking was also felt through his presidency of the Aspen International Design Conferences that commenced in 1951. He also wrote a number of articles on design for the magazine Consumer Union Reports, the public mouthpiece of the Consumers' Union, which was an important pressure group for educated consumers.

Wikipedia: Eliot Noyes
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Eliot Noyes
Born August 2, 1910(1910-08-02)
Boston, Massachusetts, USA
Died July 18, 1977 (aged 66)
Connecticut, USA
Occupation Architect, Industrial Designer
Years active 1939-1977

Eliot Fette Noyes (August 12, 1910 – July 18, 1977) was an American-born, Harvard-trained architect and industrial designer, who worked on projects for IBM, most famously the IBM Selectric typewriter and the IBM Aerospace Research Center in Los Angeles, California. Noyes was also a pioneer in development of comprehensive corporate-wide design programs that integrated design strategy and business strategy. Examples of his work are IBM, Mobil Oil, Cummins Engine and Westinghouse. [1]

Contents

Early life

Eliot Noyes was born in Boston, Massachusetts. Shortly after his birth, Noyes moved to Colorado where he resided until age seven. At this point, Eliot and his family moved to Cambridge, Massachusetts. Eliot Noyes’ father taught English at Harvard and his mother was an accomplished pianist. Eliot was not always set on architecture. As a teen, he seriously contemplated becoming a painter; however by age 19 he had his mind set on architecture. He first enrolled at Harvard University in 1932 to obtain a bachelor’s degree in the Classics, and then later in 1938 he received his architecture degree from the The Harvard School of Design. Eliot’s experience at Harvard was unlike the other four members of Harvard Five. When he arrived at Harvard, the school was still under the influence of the Beaux-Arts architecture movement – hardly the modernist influence that the other four received. However, after meeting Le Corbusier in the school library, Noyes’s architectural outlook changed entirely. He was so inspired by Le Corbusier’s work that Noyes researched the Bauhaus and even had thoughts of transferring to Dessau. Reality of the situation prevented the bold move, though, and he chose (unhappily) to stay at Harvard for the time being. His opportunity soon came in his junior year at Harvard after traveling to Iran for an archaeological expedition. Upon returning to the school, Eliot found that Harvard had undergone a complete revolution. Gropius and Breuer had already arrived there, and with them came a new modernist spirit at the school. [1]

While at Harvard, Eliot was also a member of the Harvard soaring club and flew the club's new Schweizer Aircraft-built SGU1-7 glider. [2]

Career

After graduating with his masters in architecture in 1938, Eliot Noyes joined Walter Gropius and Marcel Breuer’s firm in Cambridge (MA). 1939-1946 Eliot was employed by the Museum of Modern Art in New York City as director of industrial design. This job was interrupted during World War II to set up a glider program.[3] Noyes also served as an industrial designer for Norman Bel Geddes and Co. [1]

Works

His first house built in New Canaan was the Tallman House, built in 1950, followed in the same year by the Bremer House. Residing in New Canaan for 30 years, Eliot designed more residential buildings including the Ault House (1951), the Weeks House (1953), and the Noyes House (1955). One of Eliot’s most notable designs was the Wilton Library (1974) in the neighboring town of Wilton, CT. [1]

Noyes also spent twenty-one years working as consultant design director for IBM, designing the “IBM Selectric typewriter” in 1961 and numerous other products, while also advising the IBM internal design staff. Prior to his work on the Selectric, Noyes was commissioned in 1956 by Thomas J. Watson, Jr to create IBM's first corporate-wide design program — indeed, these influential efforts, in which Noyes collaborated with Paul Rand and Charles Eames, have been referred to as the first comprehensive design program in American business. Noyes was commissioned regularly by IBM to design various products as well as buildings for the corporation. His most famous and well known of these buildings are the IBM building in Garden City, NY (1966), the IBM Aerospace Building in Los Angeles, CA (1964), The IBM Pavilion Hemisfair in San Antonio, TX (1968) and the IBM Management Development Center in Armonk, NY (1980). Noyes also selected other notable architects such as Mies van der Rohe, Eero Saarinen, Marco Zanuso and Marcel Breuer to design IBM buildings around the world. [1]

He also redesigned the standard look for all Mobil gasoline stations during the 1960s (and hired the graphic design firm Chermayeff & Geismar to redesign the Mobil logo). His New Canaan, Connecticut residence is regarded as an important piece of Modernist architecture. [1]

A long time glider pilot, after an arson fire destroyed the old National Soaring Museum (NSM) on Harris Hill, in Elmira, New York, Noyes designed the new NSM building, gratis.

Design Philosophy

Eliot Noyes was an outstanding architect of the 20th century modern period in American history. (1910—1997) He was a member of the Harvard Five, a group of distinct modern architects who practiced in the quaint town of New Canaan, CT. Noyes began his career working for Walter Gropius, and in the 1940s was instrumental in promoting the early work of Charles Eames and Eero Saarinen as curator of industrial design at the Museum of Modern Art in New York. An instance of this was the MoMA competition Organic Design in Home Furnishings, which was published in a book by the museum. [4] [1]

He believed that each region of the United States has buildings inspired by the climate. He was a strong advocate of functional Modernism and his work was firmly grounded in the tradition of Gropius, Breuer & Le Corbusier. He advocated simplicity of form and truth to the nature of materials which is seen particularly in his houses. He was responsible for many residential and commercial archetypes alike. Likewise, Noyes' corporate design program philosophy was to ensure that design expressed the true leadership essence of the company and embodied technology in a new and appropriate ways. His approach went far beyond a typical corporate identity project. Achieving harmony between design strategy and business strategy was the hallmark of Noyes' work with IBM, and other companies that followed. From creating the IBM design program to leading ground-breaking residential design in New Cannan, Eliot Noyes has become a leading image of post-war American architecture, industrial design and design management. [1]

The Harvard Graduate School of Design has a named chair in his honor.

Quotes

“Details must play their part in relation to the overall concept and character of the building, and are the means by which the architect may underline his main idea, reinforce it, echo it, intensify or dramatize it.” [5]

"One thing I am not going to become is a guy who is called in to change the expression on the corporate face by hanging abstract paintings on the office walls." [1]

References

  1. ^ a b c d e f g h i Bruce, G., (2006), Eliot Noyes, London: Phaidon Press Limited.
  2. ^ [1] National Landmark of Soaring Program - 14 - Mount Washington, New Hampshire
  3. ^ Arthur J. Pulos. The American Design Adventure, 1940-1975. MIT Press. 1988. Page 28. ISBN 0262161060
  4. ^ Eliot F. Noyes. Organic Design in Home Furnishings. Museum of Modern Art. 1941.
  5. ^ John Harwood. The White Room: Eliot Noyes and the Logic of the Information Age Interior. Grey Room. Summer 2003, No. 12. Page 20.

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