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Elis Regina

 
  • Genres: Latin

Biography

Temperamental and moody, capable of fits of extreme generosity that could quickly turn into moments of rage-filled paranoia, Elis Regina was one of the most ferociously talented singers to emerge from Brazil. A perfectionist who was frequently dissatisfied, Regina drove herself and members of her band relentlessly, leading to her being dubbed "Hurricane" and "Little Pepper" by musicians and music journalists. Her tempestuous nature aside, she commanded the respect of Brazil's leading songwriters, who lined up for the chance to have her record one of their songs, and for much of her short life was the country's most popular female vocalist.

Born Elis Regina Carvalho Costa in Porto Alegre in 1945 to a working-class family, Regina began singing professionally at age 12 on a children's television show called Clube de Guri. For the next two years she was a regular performer on the program and became a local celebrity. It was during this period that she signed her first recording contract at the age of 13. At 15 she relocated to Rio de Janeiro, where she recorded the first of three records, returning to Porto Alegre between each. Her initial recordings sold well and she was soon a teenage star, as well as the family's principal breadwinner. In 1963, at the age of 18, Regina and her father, in a move designed to further her career, relocated to Rio. Unfortunately, it was around this time that a military junta took over control of the country.

Not long after her move to Rio, Regina became a fixture on Brazilian variety shows. Although the cool, supple, jazzy bossa nova sound was in vogue at the time, Regina preferred more raucous rhythms and full-throated singing. Adding to this was her dynamic, unsophisticated stage presence (which belied a career-long battle against near-paralytic stage fright) that, in American terms, might be best understood if one thinks of the tornado-like force that Janis Joplin could unleash. In 1965, Regina sang the controversial (and nearly censored) song "Arrastao" at Rio's first big popular music festival. In a performance that may well have been the defining moment of her career, she posed in Christ-like crucifixion, tears streaming down her face at the song's conclusion. From that moment on, her popularity rocketed; she went from being one of many successful Brazilian singers to the most popular and highest-paid singer in the country -- at the age of 21.

Although not as overtly political as other singer/songwriters of her generation (e.g., Caetano Veloso, Gilberto Gil), Regina was not shy about criticizing Brazil's military rule. While touring Europe in 1969 she told a journalist that her country was "being run by guerrillas." Normally this sentiment would lead to either jail or exile (or both in the case of Gil and Veloso), but Regina's enormous popularity protected her somewhat from any public government retaliation. However, the military junta used more insidious strong-arm tactics, such as forcing her to sing the Brazilian national anthem at a ceremony to celebrate the anniversary of the country's "independence." She was roundly attacked by leftist performers for such a public display of pro-government sentiment, and it was years later that her husband revealed that she was threatened with jail if she did not comply with the government's wishes. As the mother of a young child at the time, Regina could not afford to become a martyr.

Regina's career showed no signs of slowing as the 1970s came to a close; some of her best records were recorded during this time, and one album simply called Elis & Tom (recorded in Los Angeles with Antonio Carlos Jobim) has been called by many journalists and musicians one of the greatest Brazilian pop records ever made. However, while her career was in full swing, her personal life was in disarray -- two marriages ended in divorce, and she was raising three children as well as providing for her parents. In the late '70s, after the end of her second marriage, she began using cocaine regularly, but managed to keep her increasing dependence on the drug well hidden from her friends and family. Regina began 1982 by marrying for a third time, signing a new recording contract, and in general, planning for the future. All of this came to a halt on January 19, 1982, when she was found dead of alcohol and cocaine intoxication at age 36. Initially, her death was rumored to be a suicide, but there is no evidence indicating that it was anything more than a tragic accident.

A few days after her death, a memorial concert was held in São Paulo featuring many of Brazil's most famous singers. Over 100,000 grieving Brazilians came to pay their final respects to this gifted, mercurial singer who remains as popular after death as she was in life. ~ John Dougan, Rovi
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Elis Regina

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Elis Regina

Elis Regina
Background information
Birth name Elis Regina Carvalho Costa
Also known as Pimentinha or Furacão
Born March 17, 1945(1945-03-17)
Porto Alegre, Brazil
Died January 19, 1982(1982-01-19) (aged 36)
São Paulo, Brazil
Genres MPB, samba, rock, pop, jazz, bossa nova
Years active 1961–1982

Elis Regina Carvalho Costa, known simply as Elis Regina (Portuguese pronunciation: [eˈlis ʁeˈʒinɐ]; Porto Alegre, March 17, 1945 – São Paulo, January 19, 1982) was an important singer of Brazilian popular music.[1] She became nationally renowned in 1965, after singing "Arrastão" (composed by Edu Lobo and Vinícius de Moraes) in the first edition of TV Excelsior festival song contest, and soon joined O Fino da Bossa, a television program on TV Record. Elis was noted for her perfect vocalization, as well as for her personal interpretation and outstanding performances in shows. She recorded several successful compositions, such as "Como nossos pais" (Belchior), "Upa Neguinho" (E. Lobo and Gianfrancesco Guarnieri), "Madalena" (Ivan Lins), "Casa no Campo" (Zé Rodrix and Tavito), "Águas de Março" (Tom Jobim), "Atrás da porta" (Chico Buarque), "O bêbado e a equilibrista" (Aldir Blanc and João Bosco), "Conversando no bar" (Milton Nascimento), etc. Her premature death, at the age of 36, shocked Brazil. Elis Regina is widely regarded as the best Brazilian singer of all times by many critics, musicians, and commentators.[2][3][4][5][6]

Contents

Biography

Childhood home of Elis Regina, in Porto Alegre.

Elis Regina was born in Porto Alegre, where she began her career as a singer at age 11 on a children's radio show, O Clube Do Guri on Rádio Farroupilha. In 1959, she was contracted by Rádio Gaúcha and in the next year she travelled to Rio de Janeiro where she recorded her first LP, Viva a Brotolândia (Long Live Teenage Land).[2]

She won her first festival song contest in 1965 singing Arrastão (Pull The Trawling Net)[7] by Edu Lobo and Vinícius de Moraes, which, when released as a single, made her the biggest selling Brazilian recording artist since Carmen Miranda. The second LP with Jair Rodrigues, Dois na Bossa, set a national sales record and became the first Brazilian LP to sell over one million copies. Arrastão by Elis also launched her career for a national audience, since that festival was broadcast via TV and radio. For the history of Brazilian music, the record represented the beginning of a new musical style that would be known as MPB (Música Popular Brasileira or Brazilian Popular Music), distinguished from the previous bossa nova.

In the late 1960s and early 1970s, along with Gal Costa, Caetano Veloso and Gilberto Gil, Elis Regina helped to popularize the work of the tropicalismo (Tropicália) movement, recording songs by musicians such as Gilberto Gil. Her 1974 collaboration with Antonio Carlos Jobim, Elis & Tom, is often cited as one of the greatest bossa nova albums of all time, which also includes what many consider the all-time best Brazilian song, "Águas de Março". She also recorded songs by Milton Nascimento, João Bosco, Aldir Blanc, Chico Buarque,Guinga, Jorge Ben, Baden Powell, Caetano Veloso and Rita Lee. Her nicknames were "furacão" ("hurricane") and "pimentinha" ("little pepper").

She sometimes criticized the Brazilian dictatorship which had persecuted and exiled many musicians of her generation. In a 1969 interview in Europe, she said that Brazil was being run by "gorillas". Her popularity kept her out of jail, but she was eventually compelled by the authorities to sing the Brazilian national anthem in a stadium show, drawing the ire of many Brazilian Leftists. She was later forgiven because they understood that, as both a mother and daughter, she had to protect her family from the dictatorship at any cost. Along with many other artists Elis was living each verse of Geraldo Vandré's political hymn:[8]: Yet they make of a flower their strongest refrain, And believe flowers to defeat guns. While her earlier records were mostly apolitical, from the mid-'70s on her music became more engaged, and she began to choose compositions and structure her conceptually complex live shows in ways as to criticize the military government, capitalism, racial and sexual injustice and other forms of inequality. Lyrics to songs recorded towards the end of her career carried overt socialist leanings, and in 1980, she joined the Workers' Party.

Her rendition of Jobim / Vinicius' song "Por Toda A Minha Vida" appeared on the soundtrack to the 2002 movie Hable con Ella (Talk to Her) directed by Pedro Almodóvar and her song "Roda" appeared on the soundtrack to the 2005 movie Be Cool.

Family

Elis married twice and gave birth to three children. Her first marriage was to Ronaldo Bôscoli in 1967. She gave birth to a son, João Marcelo Bôscoli, in 1970. She later married her long-time collaborator César Camargo Mariano, and had two more children with him: Pedro Camargo Mariano in 1975, and Maria Rita in 1977. The three children all later became musicians and/or producers. After many years of complete obscurity, Maria Rita became a national singing sensation after a lengthy marketing campaign, like her mother, winning three Latin Grammies for her debut eponymous CD. João Marcello Boscoli, owner of the Trama recording company, produced the first Elis Regina DVD allowing many of her fans to see her performing for the first time. The DVD was a recording of a 1973 Brazilian TV show featuring songs, Elis' running commentary introducing each song, and an interview. Pedro Camargo Mariano most recently sang with his father, the brilliant pianist and arranger Cesar Camargo Mariano, on a Latin Grammy-nominated CD called "Piano & Voz" (Piano and Voice). More DVDs of Elis Regina performances have subsequently been released.

Death

Elis Regina died at the age of 36 in 1982, from an accidental cocaine, alcohol, and temazepam interaction.[1] She had recorded dozens of top-selling records in her career.[9] Her death shocked Brazil. More than 25,000 people, among friends, relatives and fans, held her wake at Teatro Bandeirantes, in São Paulo, a highly emotive ceremony, with large groups of fans singing her songs. More than 100,000 people followed her funeral procession throughout São Paulo. She was buried in Cemitério do Morumbi.[10]


Biography

Regina Echeverria Portuguese: Furacão Elis by Regina Echeverria

English: Furacão Elis by Regina Echeverria –English translation Robert St-Louis [11] Chronology of Elis' life: Chronology

Discography

  • 1961: Viva a Brotolândia (first album recording in 1961 at age 16)
  • 1962: Poema de Amor
  • 1963: O Bem do Amor
  • 1963: Ellis Regina (listed with two l's)
  • 1965: Dois na Bossa
  • 1965: O Fino do Fino - Elis & Zimbo Trio
  • 1965: Samba, Eu Canto Assim!
  • 1966: Dois na Bossa nº2
  • 1966: Elis
  • 1967: Dois na Bossa nº3
  • 1968: Elis Especial
  • 1969: Elis, Como & Porque
  • 1969: Elis Regina in London
  • 1969: Aquarela do Brasil - Elis Regina & Toots Thielemans
  • 1970: Em Pleno Verão
  • 1970: Elis no Teatro da Praia com Miele & Bôscoli
  • 1971: Ela
  • 1972: Elis
  • 1973: Elis - no 2
  • 1973: Elis
  • 1974: Elis
  • 1974: Elis & Tom
  • 1976: Falso Brilhante
  • 1977: Elis
  • 1978: Transversal do Tempo (live)
  • 1979: Essa Mulher
  • 1979: Elis Especial
  • 1980: Saudades do Brasil
  • 1980: Elis
  • 1982: Montreux Jazz Festival
  • 1982: Trem Azul (live) a bootleg final live recording.
  • 1983: Vento de Maio (compilation)
  • 1984: Luz das Estrelas
  • 1987: Personalidade
  • 1994: Elis Regina no Fino da Bossa (live)
  • 1994: Dose Dupla-Elis Regina (digital compilation of her first 2 recordings from 1961 and 1962)
  • 1995: Elis ao Vivo (live)
  • 2001: Sucessos Inesquecíveis de Elis Regina (compilation)
  • 2002: 20 Anos de Saudade (compilation)
  • 2004: Little Pepper: The Definitive Collection (compilation)
  • 2005: Elis Regina: MPB Especial 1973 - black and white DVD released in 2005 (TV show)
  • 2006: Elis Regina Carvalho Costa - full color DVD released in 2006 (live show)
  • 200?: Elis full color 3 DVD box set  :composed of "Na Batucada Da Vida", "Doce De Pimenta", and "Falso Brilhante"
  • 2006: Por toda a minha vida - Brazilian TV GLOBO special in 28 December 2006 (TV show)
  • 2006: Pérolas Raras

Further reading

  • KIECHALOSKI, Zeca (1984) Elis Regina. Col. Esses Gaúchos. Porto Alegre: Tchê! 101p.
  • ECHEVERRIA, Regina (1985) Furacão Elis. Inclui cronologia e discografia por Maria Luiza Kfouri. Rio de Janeiro: Nórdica / Círculo do Livro. 363p. 2.ed. rev. ampl. 1994 (São Paulo: Ed. Globo); 3.ed. 2002 (São Paulo: Ed. Globo). 239p. ISBN 8525035149
  • Elis Regina Por Ela Mesma. (1995) Org. Osny Arashiro. São Paulo: Martin Claret. 2.ed. rev. 2004. 229p. ISBN 8572320857
  • O Melhor de Elis Regina. (2003) Melodias cifradas com as letras de 28 músicas do repertório de Elis Regina. Ed. Irmãos Vitale. 112p. ISBN 8574070882
  • SARSANO, José Roberto. (2005) Boulevard des Capucines. Teatro Olympia, Paris 1968: Elis Regina e Bossa Jazz Trio em uma época de ouro da MPB. Ed. Árvore da Terra. 207p. ISBN 8585136294
  • GOÉS, Ludenbergue. Mulher brasileira em primeiro lugar: o exemplo e as lições de vida de 130 brasileiras consagradas no exterior. Ediouro Publicações, 2007. ISBN 8500019980
  • Ricardo Pugialli, Almanaque da Jovem guarda: nos embalos de uma década cheia de brasa, mora?. Ediouro Publicações, 2006. ISBN 8500020733
  • Walter Silva, Vou te contar: histórias de música popular brasileira. Conex, 2002. ISBN 8588953056
  • Osny Arashiro, Elis Regina por ela mesma. M. Claret, 1995.

References

External links


 
 
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