Elizabeth Gaskell, in the 1832 miniature by
William John Thomson
Elizabeth Cleghorn Gaskell (née Stevenson; 29 September 1810–12 November 1865), often referred to simply
as Mrs. Gaskell, was an English novelist and short story
writer during the Victorian era. She is perhaps best known for her biography of
Charlotte Bronte. Her novels offer a detailed portrait of the lives of many strata of
society, including the very poor, and as such are of interest to social historians as
well as lovers of literature. [1]
Early life
She was born Elizabeth Stevenson in 1810 at 93, Cheyne Walk, Chelsea, which was then on the outskirts of London. Her
mother, Eliza Holland, was from a prominent Midlands family that was well-connected with other
Unitarian and prominent families like the Wedgwoods and the Darwins. She died in 1812 when Elizabeth was a baby.
Elizabeth was one of eight children, of whom only she and her brother John (born 1806) survived. John later went missing in 1827
on a voyage to India.
Her father, William Stevenson, a Unitarian minister and a writer, remarried after
Elizabeth's mother died.
Much of Elizabeth's childhood was spent in Cheshire, where she lived with an aunt, Mrs
Hannah Lumb, in Knutsford, a town she would later immortalise as Cranford. They lived in a large redbrick house, Heathwaite, on Heathside (now Gaskell Avenue),
which faces the large open area of Knutsford Heath.
She also spent some time in Newcastle upon Tyne (with Rev. William Turner) and
Edinburgh. Her stepmother was a sister of the Scottish miniature artist, William
John Thomson, who painted a famous portrait of Elizabeth in 1832. In the same year, Elizabeth married William Gaskell, the minister at Cross Street Unitarian
Chapel in Manchester, who had a literary career of his own. They honeymooned in
North Wales, staying with Elizabeth's uncle, Samuel Holland, who lived near Porthmadog.
Married life and Plymouth Grove
The Gaskells settled in Manchester, where the industrial surroundings would offer inspiration for her novels (in the
industrial genre). They had several children: a stillborn daughter in 1833, followed by
Marianne (1834), Margaret Emily (1837), known as Meta, Florence Elizabeth (1842), William (1844-1845) and Julia Bradford (1846).
Her daughter Florence married a barrister, Charles Crompton, in 1862.
They rented a villa in Plymouth Grove in 1850, after the publication of Gaskell's first novel, and Gaskell lived in the house with her family until her
death 15 years later.[2] All of Gaskell's books,
bar one, were written at Plymouth Grove, while her husband held welfare committees and tutored the poor in his study. The circles
in which the Gaskells moved included literary greats, religious dissenters and social reformers, including William and Mary Howitt. Visitors to Plymouth Grove included
Charles Dickens, John Ruskin, Harriet Beecher Stowe and American writer Charles Eliot
Norton, while conductor Charles Hallé lived close by, and taught the piano to one
of Gaskell's four daughters. Close friend Charlotte Brontë is known to have stayed
there three times, and on one occasion hid behind the drawing room curtains as she was too shy to meet Gaskell's
visitors.[3]
Gaskell died in Holybourne, Hampshire in
1865 aged 55. The house on Plymouth Grove remained in the Gaskell family until 1913.
Works
Gaskell's first novel, Mary Barton, was published anonymously in 1848. The best known of her remaining novels are Cranford
(1853), North and South
(1854), and Wives and Daughters
(1865). She became popular for her writing, especially her ghost
story writing, aided by her friend Charles Dickens, who published her work in his
magazine Household Words. Her ghost stories are quite distinct in style from her
industrial fiction and belong to the Gothic
fiction genre.
Even though her writing conforms to Victorian conventions (including signing her name "Mrs. Gaskell"), Gaskell usually frames
her stories as critiques of contemporary attitudes, particularly those toward women, with complex narratives and dynamic female
characters.[4]
In addition to her fiction, Gaskell also wrote the first biography of Charlotte
Brontë, which played a significant role in developing her fellow writer's reputation.
Dialect usage
Gaskell's style is notable for putting local dialect words into the voice of middle-class
characters and of the narrator; for example in North and South, Margaret Hale suggests redding up (tidying) the
Bouchers' house and even offers jokingly to teach her mother words such as knobstick (strike-breaker).[5] Her husband collected Lancashire dialect, and
Gaskell defended her use of dialect as expressing otherwise inexpressible concepts in an 1854 letter to Walter Savage Landor:[5]
:'...you will remember the country people's use of the word "unked". I can't find any other word to express the exact feeling
of strange unusual desolate discomfort, and I sometimes "potter" and "mither" people by using it.'[6]
She used the dialect word "nesh" (soft), which goes back to Old English, in
Mary Barton:
"Sit you down here: the grass is well nigh dry by this time; and you're neither of you nesh folk about taking cold."[7]
and later in 'The Manchester Marriage' [1858]:
"Now, I'm not above being nesh for other folks myself. I can stand a good blow, and never change colour; but, set me in the
operating-room in the Infirmary, and I turn as sick as a girl." "At Mrs Wilson's death, Norah came back to them, as nurse to the
newly-born little Edwin; into which post she was not installed without a pretty strong oration on the part of the proud and happy
father; who declared that if he found out that Norah ever tried to screen the boy by a falsehood, or to make him nesh either in
body or mind, she should go that very day."[8]
Publications
Novels
Collections
- The Moorland Cottage (1850)
- The Old Nurse's Story (1852)
- Lizzie Leigh (1855)
- My Lady Ludlow (1859)
- Round the Sofa (1859)
- Lois the Witch (1861)
- A Dark Night's Work (1863)
Short stories (partial)
- Libbie Marsh's Three Eras (1847)
- Christmas Storms and Sunshine (1848)
- The Squire's Story (1853)
- Half a Life-time Ago (1855)
- An Accursed Race (1855)
- The Manchester Marriage (1858), a chapter of "A House to Let", co-written with
Charles Dickens, Wilkie Collins, and
Adelaide Anne Procter
- The Half-brothers (1859)
- The Grey Woman (1861)
Non-fiction
References
- ^ [1] "Children in Early Victorian England: Infant Feeding in Literature and Society
1837-1857." Tropical Pediatrics and Environmental Child Health August 1978
- ^ Uglow J. Elizabeth Gaskell: A Habit of Stories (Faber and
Faber; 1993) (ISBN 0-571-20359-0)
- ^ Nurden, Robert. 'An ending
Dickens would have liked' Independent (26 March 2006)
- ^ Excluding Reference to Gaskell's Ghost Stories, Abrams, M.H., et al. (Eds.)
"Elizabeth Gaskell, 1810-1865." The Norton Anthology of English Literature, The Major Authors: The Romantic Period through the
Twentieth Century, 7th ed., Vol. B. New York, London: W.W. Norton & Company, 2001. ISBN 0-393-97304-2. DDC 820.8--dc21.
LC PR1109.N6.
- ^ a b Ingham P. (1995) Introduction to the Penguin Classics edition of North and
South
- ^ Chapple JAV, Pollard A, eds. The Letters of Mrs
Gaskell. Mandolin (Manchester University Press), 1997
- ^ Gaskell E. (1848) Mary Barton, chapter 1
- ^ Victorian Short Stories, Stories Of Successful Marriages, The Project Gutenberg
External links
Wikisource has original works written by or about:
Wikiquote has a collection of quotations related to:
This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)
