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Elliott Erwitt

 
Art Encyclopedia: Elliott Erwitt

(b Paris, 26 July 1928). American photographer and film maker. He studied film at the New School for Social Research, New York, from 1948 to 1950. From 1951 to 1953 he worked as a photographic assistant for the US Army Signal Corps and under Roy Stryker (1882-1975) at the Standard Oil Company, New Jersey, from 1950 to 1952. From 1953 he was a freelance photographer and film maker and a member of the Magnum photographic agency. Although he was highly successful in the field of advertising, his international reputation was based on his personal work. His street photographs, wry and quirky narratives, concentrated on the vagaries of human existence. They often relied heavily on visual puns. Unrelated and sometimes bizarre events, for example the small dog captured in mid-air in Ballycotton, Ireland (1968; see Photographs and Anti-photographs, p. 48), are held together within the 35 mm frame by strong graphic and formal compositions. Erwitt's films include Dustin Hoffman, Arthur Penn: The Director, Beauty Knows No Pain and Red, White and Bluegrass.

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Photography Encyclopedia: Elliott Erwitt
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Erwitt, Elliott (Elio Erwitz; b. 1928), American photographer. The son of Russian immigrants, Erwitt was born in Paris but lived as a boy in Milan, New York, and Hollywood. At the New School for Social Research, New York, he studied film-making. Roy Stryker, for whom he worked on documentation shoots with Standard Oil, recognized his considerable talent. Erwitt quickly became sought after both by editors in the advertising world and as a photojournalist. He joined Magnum in 1953 (and became its president in 1966) and travelled and photographed widely. The Chaplinesque Erwitt is a master of what John Szarkowski has called the ‘indecisive moment’, black-and-white images of people and animals, most often dogs, captured in seemingly insignificant instances in everyday settings. The subtle results are frequently, though not always, comic. Ever insistent that his work speak for itself, Erwitt never labels his photographs except with geographical location and date. This reticence belies his capable writing style, and a number of his many books contain insightful observations on the world and photography. Erwitt has noted, with some wistfulness, that he will probably be remembered only as a photographer of dogs. Anyone familiar with his work will disagree.

— Tim Troy

Bibliography

  • Erwitt, E., Personal Exposures (1988)
Wikipedia: Elliott Erwitt
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Elliott Erwitt (b. 26 July 1928 Paris, France) is an advertising and documentary photographer known for his black and white candid shots of ironic and absurd situations within everyday settings -- the master of the "indecisive moment".

Contents

Early life

At the age of ten, Erwitt emigrated to the United States with his family. Erwitt studied photography and filmmaking at the Los Angeles City College and the New School for Social Research, finishing his education in 1950.

Photography career

Born in Paris of Russian immigrant parents, Erwitt served as a photographer's assistant in the 1950's in the United States Army while stationed in France and Germany. Erwitt was influenced by his meeting the famous photographers, Edward Steichen, Robert Capa and Roy Stryker. Stryker, the former Director of the Farm Security Administration's photography department, hired Erwitt to work on a photography project for the Standard Oil Company. Erwitt then began a freelance photographer career and produced work for Collier's, Look, Life and Holiday magazines. Joining the Magnum Photos agency in 1953 allowed Erwitt to shoot photography projects around the world.

Filmmaking career

Since the 1970s, he has devoted much of his energy toward movies. His feature films, television commercials, and documentary films include Beauty Knows No Pain (1971), Red, White and Bluegrass (1973) and the prize-winning Glassmakers of Herat, Afghanistan (1977).

Notable photographs

  • USA, New York City, 1946 - Streetlevel shot comparing the size of a woman's feet to a sweatered chihuahua.
  • USA, North Carolina, Segregated Water Fountains, 1950.
  • USA, New York City, 1953 - Image of Erwitt's wife looking at their baby on a bed lit by window light.
  • USA, NYC, Felix, Gladys, and Rover, 1974 - Image of a woman's booted feet between that of a Great Dane's legs and a little chihuahua.
  • USSR, Russia, Moscow, Nikita Khrushchev and Richard Nixon, 1959 - Powerful Cold War image in which Nixon is poking his index finger at Khrushchev's suit lapel.
  • USA, California, 1955 - Image of a side-view mirror of an automobile parked facing a beach sunset, with a playful couple shown in the mirror as the focal point.

Books

  • Photographs and Anti-Photographs, 1972.
  • Observations on American Architecture, 1972.
  • Elliott Erwitt: The Private Experience. (In the series "Masters of Contemporary Photography", text by Sean Callahan.) Los Angeles: Petersen, 1974. ISBN 0-8227-0070-0 Sean Callahan describes and to some extent explains Erwitt's work.
  • Son of Bitch, 1974. Photographs of dogs.
  • Recent Developments, 1978.
  • Personal Exposures. 1988.
  • On the Beach, 1991.
  • To The Dogs, 1992.
  • The Angel Tree, 1993.
  • Between the Sexes, 1994.
  • 100+1 Elliott Erwitt, 1997.
  • Dog Dogs, 1998 A collection of black and white photographs of dogs Erwitt was intrigued by throughout his world travels.
  • Museum Watching, 1999.
  • Snaps. London & New York: Phaidon, 2001. ISBN 0-7148-4150-1 A large anthology (over 500 pages) of Erwitt's work.
  • EE 60/60, 2002.
  • Elliott Erwitt's Handbook, 2002.
  • Woof, 2005.
  • Elliott Erwitt's Rome, 2009

External links


 
 
Learn More
Beauty Knows No Pain (1971 Culture & Society Film)
Magnum Photos (1999 Visual Arts Film)
Photographic Industry (American history)

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Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
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