Emily Watson made her feature film debut in the 1996 movie Breaking the Waves. Her bold performance drew rave notices and was the first of many strong performances in emotionally-charged dramas. She has also appeared in Hilary and Jackie (1998), The Cradle Will Rock (1999, with Hank Azaria), Angela's Ashes (1999), Red Dragon (2002, with Anthony Hopkins) and Punch-Drunk Love (2002, with Adam Sandler).
Career Highlights: Breaking the Waves, Hilary and Jackie, The Boxer
First Major Screen Credit: Breaking the Waves (1996)
Biography
With soulful, saucer-like eyes and a coy smile that hints at playfulness, Oscar-nominated actress Emily Watson burst onto the scene with her shattering performance in Lars von Trier's Breaking the Waves, a role that almost went to period-piece queen Helena Bonham Carter. Born the daughter of an architect and an English professor in Islington, a borough of London, England, in January 1967, a sheltered upbringing initially led Watson to seek studies in English Literature. After studying in Bristol for three years, Watson made her first bid for drama school only to face disheartening rejection. After three years of working as a waitress and a secretary, she was eventually accepted into the London Drama Studio. It was during this early phase in her career that Watson would meet future husband Jack Waters.
Launching her career upon joining the Royal Shakespeare Company in 1992, Watson soon set her sights on film. Fate intervened when actress Helena Bonham Carter pulled out of director Lars von Trier's Breaking the Waves at the last minute due to the film's explicit sexuality. Despite her lack of big-screen experience, Watson landed the female lead in the film after only one brief screen test. Playing a spiritually driven woman whose oil-rig worker husband (Stellan Saarsgaard) becomes paralized, she exhibited a brash, religiously transcendent sexuality, stunning art-house audiences and recieving an Oscar nomination in the process. Though the subsequent marriage dramedy Metroland proved to be a nostalgia trip by comparison, Watson's honest performance again earned accolades. Watson's reputation continued to grow with her intimate, conflicted portrayal of the Multiple Sclerosis-stricken concert cellist Jacqueline Du Pre in Hilary and Jackie (1998), for which she was again Oscar-nominated, as well as when she played the love interest of an eccentric chess champion in The Luzhin Defence (2000).
After joining the talented ensemble of Robert Altman's acclaimed comedy-mystery Gosford Park, Watson made serious inroads into Hollywood, first in 2002 as the love interest of a temperamental (to say the least) small-business owner played by Adam Sandler in Paul Thomas Anderson's Punch-Drunk Love. That same fall also saw her playing the love interest of a murderous psychopath in Brett Ratner's Hannibal prequel Red Dragon, and re-teaming with Metroland co-star Christian Bale in the little-seen sci-fi action vehicle Equilibrium. After doing voice work for Tim Burton's animated gothic Corpse Bride -- alongside the very woman she replaced in Breaking the Waves, Helena Bonham-Carter -- she returned to the British art-house scene with strong performances in such films as Separate Lives and director Richard E. Grant's autobiographical Wah-Wah. ~ Jason Buchanan, All Movie Guide
Watson was born in Islington, London, England, the daughter of an architect father and an English professor mother.[2] She was raised as an Anglican.[3] Watson trained at Drama Studio London and holds a B.A. (1988, English) as well as an M.A. (2003, honorary) from Bristol University. Watson married Jack Waters, whom she had met at the Royal Shakespeare Company, in 1995. Their daughter, Juliet, was born in autumn 2005.[4] The couple are currently expecting their second child together.
Charity
Watson is a committed supporter of the British children's charity, the NSPCC. In 2004, she was inducted into the society's hall of fame for spearheading the successful campaign to appoint a Children's Commissioner for England.[5] Receiving her award in the crowded House of Commons, she actively spoke out against the possibility that the Children's Commissioner become a figurehead with little real power.[6]
Watson was virtually unknown until director Lars von Trier chose her to star in his controversial Breaking the Waves after Helena Bonham Carter, dropped out "at the very last minute."[10] Her performance as Bess McNeill won Watson the Los Angeles, London and New York Critics Circle Awards, the US National Society of Film Critics Award for Best Actress, and ultimately an Oscar nomination.[1]
In 2007, Mood Indigo, a script written by Watson and her husband, was optioned by Capitol Films. The film is a love story set during World War II and concerns a young woman who falls in love with a pilot.[19]
Missed roles
Director Jean-Pierre Jeunet wrote the character Amélie for Watson to play (Amélie was originally named Emily) but she eventually turned the role down due to difficulties speaking French and a desire not to be away from home. The role went on to make an international star of Audrey Tautou.[20] She was also the first choice to play Elizabeth I in Shekhar Kapur's film Elizabeth, the role that won Cate Blanchett an Academy Award nomination.[21] She was also intended to be the lead in Miss Potter, but ended up with a supporting role.
Credits
School for Mothers and The Mistake (double-bill of one-act plays), White Bear Theatre, London, 1991
All's Well That Ends Well (Royal Shakespeare Company, Swan Theatre, Stratford-upon-Avon 1992, later Pit Theatre, London, 1993) as Marianna
The Taming of the Shrew (Royal Shakespeare Company, Barbican Theatre, London, 1993) as Mrs. Ruth Banks-Ellis
The Changeling (Royal Shakespeare Company, Pit Theatre, 1993)
A Jovial Crew (Royal Shakespeare Company, Pit Theatre, 1993) as Amie