n., pl., -mi·ums, or -mi·a (-mē-ə).
A lyric ode in honor of a bride and bridegroom.
[Latin, from Greek epithalamion, from neuter of epithalamios, of a wedding : epi-, epi- + thalamos, bridal chamber.]
Dictionary:
ep·i·tha·la·mi·um (ĕp'ə-thə-lā'mē-əm) or ep·i·tha·la·mi·on
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[Latin, from Greek epithalamion, from neuter of epithalamios, of a wedding : epi-, epi- + thalamos, bridal chamber.]
| Wordsmith Words: epithalamion |
(ep-uh-thuh-LAY-mee-on)
noun
A poem or song in honor of a bride and bridegroom.
Etymology
From Greek epi- (upon) + thalamus (bridal chamber).] If you aren't yet married, don't lose heart. There's a word for you, prothalamion, for a poem or song to celebrate a future marriage. It was coined by the poet Edmund Spenser (1552-1599) on the pattern of epithalamion. The word also appears in the form epithalamium.
| Britannica Concise Encyclopedia: epithalamium |
For more information on epithalamium, visit Britannica.com.
| Music Encyclopedia: Epithalamium |
A marriage song or poem; an instrumental piece for a wedding or evoking one.
| Literary Dictionary: epithalamion |
epithalamion
adjective: epithalamic.
| Classical Literature Companion: epithalamium |
epithalamium (Gk. epithalamion), ‘at the bedroom’, in Greek and Latin poetry, a marriage-song, sung by young men and girls outside the bedroom on the wedding-night (compare HYMENAEUS). Sappho is the first poet known to have used it as a literary form; only a few lines survive of her epithalamia (which probably made up book 9 of her poems); Theocritus' Idyll 18 is also an epithalamium. The most famous Latin examples of this genre are Catullus' poems 61 and 62, which show the influence of Sappho.
| Columbia Encyclopedia: epithalamium |
| Poetry Glossary: Epithalamium or Epithalamion |
A nuptial song or poem in honor of the bride and bridegroom.
| Wikipedia: Epithalamium |
Epithalamium (from Greek; epi- upon, and thalamium nuptial chamber, sometimes also spelled "epithalamion") specifically refers to a form of poem that is written for the bride. Or, specifically, written for the bride on the way to her marital chamber. The word derives from the Greek epithalamios which means "of a wedding", epi (of) + thalamos (bridal chamber.) This form continued in popularity through the history of the classical world; the Roman poet Catullus wrote a famous epithalamium, which was translated from or at least inspired by a now-lost work of Sappho.
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It was originally among the Greeks a song in praise of bride and bridegroom, sung by a number of boys and girls at the door of the nuptial chamber. According to the scholiast on Theocritus, one form was employed at night, and another, to rouse the bride and bridegroom on the following morning. In either case, as was natural, the main burden of the song consisted of invocations of blessing and predictions of happiness, interrupted from time to time by the ancient chorus of Hymen hymenaee. Among the Romans a similar custom was in vogue, but the song was sung by girls only, after the marriage guests had gone, and it contained much more of what modern attitudes would identify as obscene.
In the hands of the poets the epithalamium was developed into a special literary form, and received considerable cultivation. Sappho, Anacreon, Stesichorus and Pindar are all regarded as masters of the species, but the finest example preserved in Greek literature is the 18th Idyll of Theocritus, which celebrates the marriage of Menelaus and Helen. In Latin, the epithalamium, imitated from Fescennine Greek models, was a base form of literature, when Catullus redeemed it and gave it dignity by modelling his Marriage of Thetis and Peleus on a lost ode of Sappho.
In later times Statius, Ausonius, Sidonius Apollinaris and Claudian are the authors of the best-known epithalamia in classical Latin; and they have been imitated by James Buchanan, Julius Caesar Scaliger, Jacopo Sannazaro, and a whole host of modern Latin poets, with whom, indeed, the form was at one time in great favor.
The names of Ronsard, Malherbe and Scarron are especially associated with the genre in French literature, and d'Iarini and Metastasio in Italian. Perhaps no poem of this class has been more universally admired than the pastoral Epithalamion of Edmund Spenser (1595), though he also has important rivals - Ben Jonson, Donne and Francis Quarles. Ben Jonson's friend, Sir John Suckling, is known for his epithalamium "A Ballad Upon a Wedding." In his ballad, Suckling playfully demystifies the usual celebration of marriage by detailing comic rustic parallels and identifying sex as the great leveler.
At the close of In Memoriam A.H.H., Tennyson has appended a poem, on the nuptials of his sister, which is strictly an epithalamium.
E. E. Cummings also returns to the form in his poem Epithalamion, which appears in his 1923 book Tulips and Chimneys. E.E.Cummings' Epithalamion consists of three seven octave parts, and includes numerous references to ancient Greece.
The term is occasionally used beyond poetry, for example to describe Shakespeare's play A Midsummer Night's Dream.[1]
The term is central in the relationship between the main characters in Yellow Dog (novel) by Martin Amis (2003)
The English Composer, Ralph Vaughan Williams (12 October 1872 – 26 August 1958) composed a piece of music called “Epithalamion” consisting of 11 songs: The Prologue, Wake now, The Calling of the Bride, The Minstrels, Procession of the Bride, The Temple Gates, The Bell Ringers, The Lover's Song, The Minstrel's Song, Song of the Winged Loves, and Prayer to Juno. Though each song was individual, each song runs neatly into the next, creating one piece of music. As he often did, Vaughan Williams incorporated the flavour of English folk songs into these songs. The 20th-Century French organist-composer (and successor in his post to Charles Tournemire and Cesar Franck), Jean Langlais (1907-1991), includes it as a title in his collection Ten Pieces for organ (No. 9).
Epithalamia were also a painting genre popular in Italy during the Renaissance. These were nudes presented as wedding gifts, which were intended to wish newlyweds happiness and fertility.[2] Venus and Cupid was a common subject. Although epithalamia existed only in poetic form during antiquity, during the Renaissance, it was believed that presenting gifts of erotic paintings was an ancient Roman tradition.[3]
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| epithalamic | |
| epithalamy | |
| prothalamion |
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