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Erechtheum

 

Erechthēum (Erechtheion), at Athens, the temple that housed the most famous cult of Athena, under the title of Athena Polias, ‘goddess of the city’, erected on the Acropolis north of the Parthenon; it was probably begun after 421 BC and after a short interruption completed in 406. Its name reflects the fact that Erechtheus (see below) was also worshipped there, and this joint cult was known to Homer. The design is very complicated, primarily because it had to incorporate certain spots sacred to the Athenians: the tombs of the mythical kings Cecrops and Erechtheus; the sacred olive tree which Athena called forth from the earth in her contest with Poseidon for possession of Attica (see POSEIDON), burnt with the previous temple but miraculously surviving; and the well of salt water which Poseidon produced at the stroke of his trident on a rock. It is likely that the cella or chamber contained the Palladium, the most ancient statue of the goddess in Athens, made of olive wood and said to have fallen down from heaven (and referred to in Aeschylus' Eumenides when Athena tells Orestes to grasp it in supplication). This was the statue to which the Athenians originally dedicated the Panathenaic robe (before the erection of the Parthenon); in front of it a golden lamp designed by the sculptor Callimachus burned perpetually. The temple also contained an altar to Poseidon and Erechtheus (the reason for the combination of these two names is obscure), and other altars to Erechtheus' son Butēs and to Hephaestus.

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Columbia Encyclopedia: Erechtheum
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Erechtheum (ĭrĕk'thēəm) [for Erechtheus], Gr. Erechtheion, temple in Pentelic marble, on the Acropolis at Athens. One of the masterpieces of Greek architecture, it was constructed between c.421 B.C. and 405 B.C. to replace an earlier temple to Athena destroyed by the Persians. Its design is sometimes ascribed to the architect Mnesicles. The Erechtheum contained sanctuaries to Athena Polias, Poseidon, and Erechtheus. The temple displays the finest extant examples of the Greek Ionic order. The requirements of the several shrines and the location upon a sloping site produced an unusual plan. From the body of the building porticoes project on east, north, and south sides. The eastern portico, hexastyle Ionic, gave access to the shrine of Athena, which was separated by a partition from the western cella. The northern portico, tetrastyle Ionic, stands at a lower level and gives access to the western cella through a fine doorway. The southern portico, known as the Porch of the Caryatids (see caryatid) from the six sculptured draped female figures that support its entablature, is the temple's most striking feature; it forms a gallery or tribune. Five of the original figures are now in the Acropolis Museum; one, along with an east column, was removed to London by Lord Elgin. The west end of the building, with windows and engaged Ionic columns, is a modification of the original, built by the Romans when they restored the building.


Wikipedia: Erechtheum
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Erechtheum, from the south.

The Erechtheum (Greek: Ἐρέχθειον Erechtheion) is an ancient Greek temple on the north side of the Acropolis of Athens in Greece.

Contents

Architecture

The temple as seen today was built between 421 and 407 BC. Its architect may have been Mnesicles, and it derived its name from a shrine dedicated to the legendary Greek hero Erichthonius. Some have suggested that it may have been built in honor of the legendary king Erechtheus, who is said to have been buried nearby. Erechtheus and Erichthonius were often syncretized. It is believed to have been a replacement for the Pesistratid temple of Athena Polias destroyed by the Persians in 480 BC.

The need to preserve multiple adjacent sacred precincts likely explains the complex design. The main structure consists of up to four compartments, the largest being the east cella, with an Ionic portico on its east end. Other current thinking[1] would have the entire interior at the lower level and the East porch used for access to the great altar of Athena Polias via a balcony and stair and also as a public viewing platform.

The Porch of the Caryatids.

The entire temple is on a slope, so the west and north sides are about 3 m (9 ft) lower than the south and east sides. It was built entirely of marble from Mount Pentelikon, with friezes of black limestone from Eleusis which bore sculptures executed in relief in white marble. It had elaborately carved doorways and windows, and its columns were ornately decorated (far more so than is visible today); they were painted, gilded and highlighted with gilt bronze and multi-colored inset glass beads. The building is known for early examples of egg-and-dart, and guilloche ornamental moldings.[2]

The Porch of the Caryatids

On the north side, there is another large porch with columns, and on the south, the famous "Porch of the Maidens", with six draped female figures (caryatids) as supporting columns, each sculpted in a manner different from the rest and engineered in such a way that their slenderest part, the neck, is capable of supporting the weight of the porch roof whilst remaining graceful and feminine. The porch was built to conceal the giant 15-ft beam needed to support the southwest corner over the metropolis, after the building was drastically reduced in size and budget following the onset of the Peloponnesian war.

Religious functions

The Erectheum was associated with some of the most ancient and holy relics of the Athenians: the Palladion, which was a xoanon (defined as a wooden effigy fallen from heaven - not man-made) of Athena Polias (Protectress of the City); the marks of Poseidon's trident and the salt water well (the "salt sea") that resulted from Poseidon's strike; the sacred olive tree that sprouted when Athena struck the rock with her spear in her successful rivalry with Poseidon for the city; the supposed burial places of the mythical kings Cecrops and Erechtheus; the sacred precincts of Cecrops' three daughters, Herse, Pandrosus and Aglaurus; and those of the tribal heroes Pandion and Boutes.

The temple itself was dedicated to Athena Polias and Poseidon Erechtheus. Within the foundations lived the sacred snake of the temple, which represented the spirit of Cecrops and whose well-being was thought essential for the safety of the city. The snake was fed honey-cakes by Canephorae, the priestesses of Athena Polias, by custom the women of the ancient family of Eteoboutadae, the supposed descendants of the hero Boutes. The snake's occasional refusal to eat the cakes was thought a disastrous omen.

Late antiquity and the Middle Ages

The intact Erechtheum was extensively described by the Roman geographer Pausanias (1.26.5 - 27.3), writing a century after it had been restored in the 1st century AD. The internal layout has since been obscured by the temple's later use as a church and possibly as a Turkish harem.

Modern times

The temple of Athena Apteros in the Erectheum.
Albumen print, mid-19th century.
Erechtheum, from SW

One of the caryatids was removed by Lord Elgin in order to decorate his Scottish mansion, and was later sold to the British Museum (along with the pedimental and frieze sculpture taken from the Parthenon). Athenian legend had it that at night the remaining five Caryatids could be heard wailing for their lost sister. Elgin attempted to remove a second Caryatid; when technical difficulties arose, he tried to have it sawn to pieces. The statue was smashed, and its fragments were left behind. It was later reconstructed haphazardly with cement and iron rods.

Previous attempted restorations by Greece damaged the roof of the Caryatids' porch with concrete patches, along with major damage caused by pollution in Athens.[3] Scientists were working in 2005 to repair the damage using laser cleaning.[3] Now, the five original Caryatids are displayed at the Acropolis Museum and are replaced in situ by exact replicas.

Recent events

The Caryatids have been transferred to the New Acropolis Museum. The first was carried over safely on December 9th, 2007, via an elaborate system of aerial cranes.[4][5] Within the new museum, the statue was reunited with its long-missing sandalled left foot, which was identified among rubble in the 1980s. The reassembled Caryatid, along with the four others remaining in Athens, are having their decayed patina thoroughly restored by laser, and are on display in the new museum.[6]

See also

References

Bibliography

  • Charles Weller (1913) Athens and Its Monuments, Macmillan.
  • G. P. Stevens and J. M. Paton (1927) The Erechtheum.
  • I. T. Hill (1953) The Ancient City of Athens.
  • Pausanias.
  • J. J. Pollitt, Art and Experience in Classical Greece, Cambridge University Press. ISBN: 0-521-09662-6

External links

Coordinates: 37°58′20″N 23°43′35″E / 37.97222°N 23.72639°E / 37.97222; 23.72639


 
 

 

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Classical Literature Companion. The Concise Oxford Companion to Classical Literature. Copyright © 1993, 2003 by Oxford University Press. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
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