Career Highlights: Swing Time, The Moon and Sixpence, The Lady Eve
First Major Screen Credit: I Dream Too Much (1935)
Biography
Most often cast as a snide gentleman's gentleman or dissipated nobleman, British actor Eric Blore abandoned the business world for the theatre when he was in his mid-twenties. Established in both London and New York, Blore began adding movies to his acting achievements with 1920's A Night Out and a Day In(1920); he also appeared in the 1926 silent version of F. Scott Fitzgerald's The Great Gatsby. A scene-stealing role in RKO's Fred Astaire-Ginger Rogers musical Flying Down to Rio (1933) led to Blore's becoming a fixture in such subsequent Astaire-Rogers projects as Gay Divorcee (1934), Top Hat (1935) and Shall We Dance? (1937). The actor also became a "regular" in the unorthodox film comedies of Preston Sturges, notably The Lady Eve (1941) and Sullivan's Travels(1942). In addition, Blore found himself in support of several "star" comedians, from Laurel and Hardy to Bob Hope to The Marx Brothers. When pickings became lean for "veddy" British character actors in the mid 1950s, Blore was reduced to co-starring with the bargain-counter Bowery Boys in Bowery to Baghdad (1955); he played an inebriated genie in this, his last film. On a more artistically rewarding note, cartoon fans will recall the pixilated voice of Blore as the automobile-happy Mr. Toad in the 1949 Disney animated feature Ichabod and Mr. Toad. ~ Hal Erickson, All Movie Guide
He worked as an insurance agent for a time. He gained theatre experience while touring Australia. Originally enlisting into the Artists Rifles he was commissioned in the South Wales Borderers in World War I. Eventually he appeared in several shows and revues in England. In 1923 he went to the United States and began playing character roles on Broadway. After the death of his first wife, Violet Winter, he married Clara Mackin in 1926.
He moved onto film and appeared in over eighty Hollywood films. Blore, in his role as an English butler, appeared more frequently than any other supporting player in the series of Fred Astaire and Ginger Rogers musicals at RKO, five of nine. Some of his most memorable on-screen moments took place in Top Hat (1935) and Shall We Dance (1937). He reprised this role with Astaire for a final time in The Sky's the Limit (1943), delivering the line: "If I were not such a gentleman's gentleman, I could be such a cad's cad". Other memorable roles included Sir Alfred McGlennan Keith in the Preston Sturges film The Lady Eve (1941) with Barbara Stanwyck and Henry Fonda, a small part as Charles Kimble in the second of the seven Bing Crosby-Bob Hope "Road" films, Road to Zanzibar (1941), and from 1940 to 1947 in eleven Lone Wolf films as Jamison the butler.
His death caused an unexpected stir, quite independent of his fame. The British critic Kenneth Tynan, writing for The New Yorker, had recently made a mistaken reference to "the late Eric Blore", and this error passed by the normally vigilant checking department. When Blore’s lawyer demanded a retraction, the editor had no choice other than to refer this demand to Tynan, pointing out in a fury that this was the first retraction ever to appear in that uniquely authoritative magazine. In disgrace, Tynan prepared a major apology, to appear prominently in the next issue. On the eve of publication, when the edition was printed and ready for delivery, Blore dropped dead. So next morning, the daily papers announced Blore’s death, while The New Yorker apologised for any insult to Mr. Blore’s feelings through their erroneous report of his demise.