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Erinyes

 

(European mythology)

Literal meaning: ‘the angry ones’. They were the avenging deities of Greek mythology, the Furies who pursued the outragers of custom. These three chthonic goddesses, born of the blood of mutilated Ouranos in Gaia'ss womb, were imagined as ugly women, with serpents entwined in their hair, carrying torches and whips. They were pitiless, both in life and death; but, unlike Satan or other West Asian spirits of evil, the Erinyes were never wantonly malignant. Their names were Alecto, ‘the never ending’; Tisiphone, ‘voice of revenge’; and Megaira, ‘envious anger’.

The Erinyes tracked down those who wrongly shed blood, and especially the blood of the mother. Thus they pursued Orestes because, despite the fact that he had acted in compliance with the direct command of Apollo, he had committed matricide. Sent abroad by his mother Clytemnestra while his father Agamemnon was away at the siege of Troy, so that she might enjoy her illicit affair with Aegisthus, Orestes came back to the city of Argos after Clytemnestra and Aegisthus had murdered Agamemnon on his return from the war. In revenge the son slew his mother and her lover. According to the dramatist Aeschylus (525–456 BC), the Erinyes were only persuaded to abandon their persecution after the acquittal of Orestes by the Areopagus, an ancient council over which Athena presided. The verdict of the trial calmed the anger of the Furies, and they were henceforth known as the Eumenides, ‘the soothed goddesses’. It is likely, however, that the Greeks referred to them by this euphemism because they were frightened to use their real name.

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Dictionary: E·rin·y·es   (ĭ-rĭn'ē-ēz') pronunciation
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pl.n. Greek Mythology
The Furies.


In Greek mythology, dark forces of the earth, representing the power of retribution and revenge, especially in the family. In the tragedian Aeschylus, daughters of the night. In the play cycle the Oresteia they eventually become the Eumenides, or kindly ones, signifying their role in maintaining civic stability. See also justice, retributive; revenge.

Wikipedia: Erinyes
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Greek deities
series
Primordial deities
Titans and Olympians
Aquatic deities
Personified concepts
Other deities
Chthonic deities
Hades and Persephone,
Gaia, Demeter, Hecate,
Iacchus, Trophonius,
Triptolemus, Erinyes
Heroes and the Dead
Two Furies, from an ancient vase.

In Greek mythology the Erinýes (Ἐρινύες, pl. of Ἐρινύς, Erinýs; lit. "the angry ones") or Eumenídes (Εὐμενίδες, pl. of Εὐμενίς; lit. "the gracious ones") or Furies in Roman mythology were female, chthonic deities of vengeance or supernatural personifications of the anger of the dead. They represent regeneration and the potency of creation, which both consumes and empowers. A formulaic oath in the Iliad (iii.278ff; xix.260ff) invokes them as "those who beneath the earth punish whosoever has sworn a false oath." Burkert suggests they are "an embodiment of the act of self-cursing contained in the oath".[1]

When the mighty Titan Cronus castrated his father Uranus and threw his genitalia into the sea, the Erinyes emerged from the drops of blood, while Aphrodite was born from the seafoam. According to a variant account, they issued from an even more primordial level—from Nyx, "Night". Their number is usually left indeterminate. Virgil, probably working from an Alexandrian source, recognized three: Alecto ("unceasing," who appeared in Virgil's Aeneid), Megaera ("grudging"), and Tisiphone ("avenging murder"). Dante followed Virgil in depicting the same three-charactered triptych of Erinyes; in Canto VIII of the Inferno they confront the poets at the gates of the city of Dis. The heads of the Erinyes, whom the two poets met in Canto IV, were wreathed with serpents (compare Gorgon) and their eyes dripped with blood, rendering their appearance rather horrific. Sometimes they had the wings of a bat or bird and the body of a dog.

According to a legend recounted in Bulfinch's Mythology, the Furies played a central role in avenging the tragic death of playwright Ibycus. When two thieves attacked Ibycus on his way to a festival in the Isthmus of Corinth, the poet, realizing his imminent death, appealed to a flock of cranes flying overhead to take up his cause. Later, the murderers attended a theatrical performance in which the "Eumenides," presented as a chorus of Gorgon-like monsters, called out for torment to consume the hearts of the guilty. At that moment, a flock of cranes unexpectedly appeared, causing one of the guilty men to cry out Ibycus' name to his accomplice, thus revealing their identities to the audience.[2]

Bulfinch records the song as follows:
Happy the man who keeps his heart pure from
Guilt and crime!
Him we avengers touch not;
He treads the path of life secure from us.
But woe! Woe!
To him who has done the deed of secret murder.
We, the fearful daughters of Night,
Fasten ourselves upon his whole being.
Thinks he by flight to escape us?
We fly still faster in pursuit,
Twine our snakes around his feet,
And bring him to the ground,
Unwearied we pursue;
No pity checks our courage;
Still on and on, to the end of life
We give him no peace nor rest.


See also

References


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Greek Mythology
www.pantheon.org
 
 
 

 

Copyrights:

World Mythology Dictionary. A Dictionary of World Mythology. Copyright © Arthur Cotterell 1979, 1986, 2003. All rights reserved.  Read more
Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company. All rights reserved.  Read more
Philosophy Dictionary. The Oxford Dictionary of Philosophy. Copyright © 1994, 1996, 2005 by Oxford University Press. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Erinyes" Read more

 

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